question: when does the black panther movie soundtrack come out

answers: February 9, 2018

answers: February 16, 2018

title: Black Panther (soundtrack)

text: said that "when the right music is aligned to the right media, especially with these new means of music distribution, primarily streaming, it's created a whole new world for soundtracks that didn't previously exist." Interscope Records executive Manny Smith felt that "Black Panther: The Album" stood out because of the strong direction from Coogler and Lamar, adding, "I think it'll spark people to make more culturally relevant music and be more aware. That's always our goal". David Bakula, vice president of analytics Nielsen Entertainment, said the album was "much bigger than just a music release. It's much bigger than just

title: Black Panther (soundtrack)

text: Cinematic Universe without sacrificing the genre's core necessities." Anton Smit of Soundtrack World was surprised by the score, expecting to hear standard superhero music and instead finding something fresh that "really uses genuine African elements, not just sounds that come out of a computer." Smit praised the combination of African, orchestral, and electronic music, as well as Göransson's use of leitmotifs. He noted how the percussion usually found in a "bombastic" Hollywood score is replaced here with performances that do not "seem brainless at all as you can feel the soul the African musicians put into their play", and concluded

title: Black Panther (soundtrack)

text: Black Panther (soundtrack) The soundtrack for the 2018 American superhero film "Black Panther", based on the Marvel Comics character of the same name and produced by Marvel Studios, consists of an original score composed by Ludwig Göransson and original songs produced by Kendrick Lamar. Göransson worked on all of director Ryan Coogler's previous films, while Lamar and Coogler had previously discussed collaborating and the musician agreed to produce several songs for the film after seeing an early version of it. After reading the film's script, Göransson traveled to Africa to research traditional African music for the film. He went on

title: Black Panther (soundtrack)

text: American rappers for artists like Jamaica's Spice [or] Brazil's Karol Conká ... It could have made an equally-remarkable accompanying musical piece to Black Panther. But if those chances are never taken, especially with platforms as big as Marvel in support, we may not get to see what an artistic coming-together could really do for diasporic relations." Dustin Seibert was excited for the album's release, but in his review of it for The Grio he expressed disappointment, finding many of the songs to be mediocre and especially criticizing Lamar's supportive work which he felt detracted from some of the guest performances.

title: Black Panther (soundtrack)

text: a compilation album." MIDiA Research analyst Zach Fuller added that the success of the album could be "indicative of streaming bringing people back to this [soundtrack-centric] model ... it may well be the film industry that leads the way in preserving the album as an artistic medium." He compared this possible trend to the way Bollywood films affect popular music in India. Inspired by activist April Reign's use of the Twitter hashtag #WakandaForeverEver, her friend J.Period began exploring the music of "Black Panther" and how it connected to the works of hip-hop group OutKast. He noted the prominent role that

title: Black Panther (soundtrack)

text: unique elements used in the latter that serve to disrupt the music of Wakanda when that character arrives in the country. Jonathon Broxton for Movie Music UK credited Göransson for his research and commitment to faithfully conveying African music in the score, rather than just using "indeterminate ethnic drumming", but felt that this was "all for nothing if the final score doesn't act as a good and appropriate film score in its own right. Thankfully, Göransson's composing chops are strong, and as a result the score for "Black Panther" soars." Broxton particularly praised the different layers of the themes for

title: Black Panther (soundtrack)

text: soundtrack album rather than just the few songs requested by Coogler. Because of the film's set release schedule, Lamar had less time to work on the album than he usually would. He began work with producer Sounwave while on tour, before completing the individual songs in collaboration with many different artists. One of these collaborators was Göransson, who worked on one of the songs and included elements from the album in the score. Coogler felt the album became its own piece of art rather than just a tie-in to the film. Lamar's soundtrack was released as Black Panther: The Album

title: Black Panther (soundtrack)

text: T'Challa and Killmonger, and how Göransson was able to deconstruct them and use their elements throughout the score. He concluded that the score is "culturally appropriate, instrumentally fascinating ... and has an intelligent thematic architecture that is worthy of overt praise." Reviewing the score for AllMusic, Neil Z. Yeung gave it four out of five stars, calling it "triumphant" and highlighting the moments where the African elements were combined with traditional orchestra and modern hip-hop. Luke Martin of "Fortitude Magazine" said the score "blows other Marvel soundtracks out of the water", calling it "rich" in African sounds that help it

title: Black Panther (soundtrack)

text: or chorus or hook defined by the least regal of the great rap flows, unassumingly slurred while making every word count". Andy Kellman gave the soundtrack four stars out of five for AllMusic, calling it an "unprecedented convergence of the mainstream film industry with an uncompromising musician thriving commercially and artistically." He noted that "the majority of the guests evidently approached this as a Kendrick Lamar album, not as a soundtrack. "Black Panther: The Album" serves both purposes well." Larry Bartleet also gave the album four stars in his review for "NME". Bartleet called it the new gold standard for

title: Black Panther (soundtrack)

text: his usual orchestral and modern production techniques to create the final score. He said it would be a challenge to do this while still having the music "feel African", and had to approach the score as infusing an orchestra, played in the tradition of African instruments, into actual African music. Göransson had initially approached the score with the idea that music in Wakanda could be anything due to it being a fictional country, but discovered that "music from Africa is a language" used for storytelling, with every instrument and different musical rhythm given meaning, and wanted to ensure that this

title: Black Panther (soundtrack)

text: progress might be possible." Clayton Purdom at "The A.V. Club" felt the "Black Panther" soundtrack was one of the best rap albums so far in 2018, feeling that the individual songs "play it safe, but the project itself does not, an audacious exertion of energy from one of the planet's most universally revered musicians... the album doesn't need the film; it works on its own". He compared it to other artist-driven soundtracks for films like "", "Coffy", and "". Writing for "Vice", Robert Christgau called the music "sneakily experimental pop-rap" and credited Lamar for "marking every [song] with a verse

title: Black Panther (soundtrack)

text: James Southall of Movie Wave thought Göransson had devised some good ideas, especially Killonger's theme which he thought was both surprising and fascinating, but that they were stretched too thin on the album. He called this presentation a shame, feeling that the score had the potential to earn a four star (out of five) score but in reality deserved two stars due to the album length. Lamar's soundtrack, along with that of the film "The Greatest Showman" (2017), was named as proof of a "soundtrack renaissance" with growing public interest in album's tied to films. Atlantic Records president Kevin Weaver

title: Black Panther (soundtrack)

text: tour with Senegalese musician Baaba Maal, and recorded performances by Maal and other African musicians for use in the score. Notably, Göransson used recordings of talking drums and a tambin for character themes in the film, while Maal sung an original song for the opening of the score. Göransson combined these traditional African elements with the classical orchestra that is often used in superhero films. The orchestra was recorded at Abbey Road Studios, along with a choir singing in the Xhosa language. Wanting to match the film in terms of addressing important themes, Lamar decided to produce a full curated

title: Black Panther (soundtrack)

text: debuted at number one on the US "Billboard 200" with 154,000 equivalent album units, including 52,000 from pure album sales. It remained at the number one spot in its second week, moving 131,000 equivalent album units with 40,000 from pure album sales. Metacritic, which uses a weighted average, assigned a score of 80 out of 100 based on 14 critics, indicating "generally favorable reviews". Matt Miller of "Esquire" said the album was a "stunning moment in film history ... an absolute milestone", feeling that the fact "these topics can even be breached on a [Disney] platform like this seems like

title: Black Panther (soundtrack)

text: to collaborate on a project. Coogler wanted "Black Panther" to include some original songs from Lamar, an idea that Marvel supported, and approached the musician with footage from the film after Lamar had completed work on his album "DAMN." Lamar and producer Sounwave were "drawn in by the opening scene and the deep message this movie told". They wanted to match the film's "energy and raw emotions", but felt this would be difficult with the few songs Coogler requested and instead decided to create a full album. The soundtrack features songs that are heard in the film as well as

title: Black Panther (soundtrack)

text: that Göransson combined; he stated, "I haven't heard film music quite like this. It's a fusion of styles and moods like no other". He concluded that where the film is a game-changer for the industry, the score is a game-changer for MCU soundtracks. Filmtracks.com's Christian Clemmenson gave the score four stars out of five, calling it "one of the most striking and potentially dizzying scores of this generation" with Göransson generally succeeding in combining the various elements of his music. Clemmenson praised the use of percussion and vocals in the score, and called it thematically "quite well developed"—in particular, Clemmenson

title: Black Panther (soundtrack)

text: that Göransson lived up to the African tradition of telling stories through music. Pete Simons on Synchrotones's Soundtrack Reviews found the score to be fun, describing it as "a rousing superhero score and an outlandish ethnic score rolled into one". He highlighted the action music, and called the use of talking drums to sound out T'Challa's name and the screaming of "Killmonger" in that character's theme both "nice touches". However, Simons did think the score was somewhat repetitive, that Göransson may have tried to add too many elements to the music, and that the album presentation featured some inconsistent mixing.

title: Black Panther (soundtrack)

text: unlikely candidate to write African music given he is Swedish, and decided that he needed to go to Africa himself to do his own research. He noted that the fictional setting of the film, Wakanda, was never colonized and so the music found there would not have been influenced by Christian music. Coogler also wanted to use authentic African sounds, a first for a superhero film, and trusted Göransson to balance this with the "anthemic" quality of a traditional superhero score. Göransson spent a month in Senegal, first travelling around with musician Baaba Maal for a week while he was

title: Black Panther (soundtrack)

text: Marvel soundtracks, and said it was difficult to pick a standout moment. He highlighted how Lamar's lyrics at times reflect the viewpoint of T'Challa and other times side with Killmonger, matching the film's "empathetic understanding of both characters' perspectives". Reviewing the album for "Pitchfork", Sheldon Pearce said it "is finely-tuned, aware of its audience, its objectives, and the stakes", feeling that it was at times convoluted or even generic but ultimately "delivers on its promise, much like the larger comic world it now occupies." Kathleen Johnston at "GQ" described the album as worth celebrating, stating that what it lacks "in

title: Black Panther (film)

title: Black Panther (soundtrack)

text: rhythm, 808 rhythm, solo talking drum, "T'Challa" talking drum motif, or a combination of them all as the primary rhythm for T'Challa in the score. On top of this rhythm, Coogler and Göransson chose to use horns to make the character's theme sound more royal, with Göransson writing music for the horns that he felt was more rhythmic than melodic and allowed them to be interpreted as coming from the rhythm of the talking drums rather than a traditional western theme with drums in the background. Göransson did write a specific six-note melody for T'Challa, also played on the brass,

title: Black Panther (film)

text: and the tambin, or Fula flute, to use in his character themes, along with horns. Nate Moore compared the work Göransson did in defining the sound of the film to the use of music by James Gunn in the "Guardians of the Galaxy" films, with the composer pushing Marvel out of their comfort zone. Kendrick Lamar produced the film's curated soundtrack, "Black Panther: The Album", along with Top Dawg Entertainment founder Anthony Tiffith, after Coogler wanted to include original songs from Lamar in the film because his "artistic themes align with those we explore in the film". The soundtrack features

title: Black Panther (soundtrack)

text: Sounwave noted that it was a challenge to balance all of the different styles of artists on the album, like the "kerosene beats" of SOB x RBE with "Afrofuturist rapper" Vince Staples, while remaining consistent with Lamar's previous work and also being accessible to all potential filmgoers. Lamar released the first single from his soundtrack album, "All the Stars", on January 4, 2018, in which he collaborated with fellow Top Dawg artist SZA. Shortly after, a new trailer for the film featured "Opps" by Lamar and Vince Staples. A second song by Lamar with Jay Rock, Future, and James Blake

title: Black Panther (soundtrack)

text: album release, Saudi added that "it wasn't supposed to happen like this; I was told that that I wouldn't appeal to an international audience but here I am. I'm so grateful". Additionally, Göransson worked with Lamar and Sounwave during the filmmaking process, spending time with them in their studio to create "collaborative excerpts" for throughout the film. He contributed to the song "Opps" that is played during a car chase in the film. Coogler praised this collaboration, especially how Göransson was able to weave elements from Lamar's songs "in and out of the orchestral stuff that he was already doing."

title: Black Panther (soundtrack)

text: excitement or reflection or sadness." Moore compared the work Göransson did in defining the sound of the film to the use of music by James Gunn in the "Guardians of the Galaxy" films, and said that it was something that would be further expanded on in a "Black Panther" sequel. He noted that Göransson took Marvel outside of their comfort zone on the film, but they were willing to defer to him after all of the research he did. Several times, Marvel executives questioned whether the score was leaning too close to traditional western music only to have Göransson explain

title: Black Panther (soundtrack)

text: a 40-person choir in London, at Abbey Road Studios for two weeks during October and November 2017. Göransson and John Ashton Thomas conducted the orchestra. The orchestral music was sometimes used as counterpoint to Göransson's recordings from Senegal, and other times was made to "echo the multiple layers of rhythms" heard in those recordings. The choir sung in the Xhosa language, including passages that sound like "T'Challa" for when he arrives at the Warrior Falls arena. Coogler concluded that Göransson "really set the table for the emotion that we were trying to get across [in the film], whether it was

title: Black Panther (soundtrack)

text: also a strict time limit to how long they could work on the album given the film's set release schedule, and so they began work while Lamar was on The Damn Tour in August 2017. During their time on the studio bus moving between performances, the pair would come up with "the production, the hooks and ideas" for the album. Sounwave estimated that around 80 percent of the album was completed at the end of the tour. Work on finishing the songs began the following month, with individual artists selected to collaborate on specific songs. Sounwave described these two months

title: Black Panther (soundtrack)

text: new take on the "Black Panther" theme as a "stirring choral anthem ... while still keeping that electrifying drumbeat that made the original one of the best character themes on a Marvel movie soundtrack". Hoair-Tran Bui at /Film said the EP was unlikely to become as popular as the main score or soundtrack albums, but felt that it provided "the perfect capper for the summer, and an energizing vehicle for "Black Panther" to ride through Oscar season". For "Complex", Joshua Espinoza recommended the remixes to fans of the score and soundtrack albums, and also described them as "chill tunes". Black

title: Black Panther (soundtrack)

text: possibility for an epic audio journey", and felt that the results took J.Period's "vision to the fullest possibility". On August 16, 2018, Hollywood Records and Marvel Music released an extended play titled "Black Panther: Wakanda Remixed", featuring remixes of five cues from Göransson's score. Göransson worked with several other artists to create the remixes. Music videos for each of the remixes were also released to Marvel Music's Vevo channel on YouTube. James Whitbrook of io9 praised the EP as improving Göransson's already "sublime" score, calling the remixes "all pretty great, chill takes" on the existing music. Whitbrook particularly praised the

title: Black Panther (soundtrack)

text: too. I think it was a perfect marriage". Some of the specific moments where the final songs on the album crossover with the film include the album's eponymous track, which includes African drums and Lamar singing about the weight of being king; and the song "I Am", which features verses sung in the Zulu language. Sounwave explained that the album was different from the work he and Lamar usually did given they were following the story line of the film rather than creating their own. He said this allowed them to "tap into elements we normally wouldn't do". There was

title: Black Panther (film)

long_answer: Ludwig Göransson was hired to compose the film's score by April 2017. Göransson traveled to Senegal and South Africa to record local musicians to form the "base" of his soundtrack. Kendrick Lamar produced the film's curated soundtrack, Black Panther: The Album, along with Top Dawg Entertainment founder Anthony Tiffith. Coogler chose Lamar for the project because his "artistic themes align with those we explore in the film". Three singles from the album were released throughout January and February 2018: "All the Stars", "King's Dead", and "Pray for Me". Black Panther: The Album was released on February 9, 2018, while a soundtrack of Göransson's score was released on February 16, 2018.

short_answers:
February 16, 2018
February 9, 2018


question: who is singing in something just like this

answers: Will Champion

answers: Coldplay

answers: The Chainsmokers

answers: Chris Martin

title: Someone like You (Adele song)

text: just what the 'M' in their name actually stands for." Writing about the performance, Chris Coplan of Consequence of Sound concluded that "Someone like You", "highlighted the power a bare-bones, booming performance can have in netting people's attention. Simple is not a bad word, pop music." Giving the performance an A+, Lindsey Ward of Jam! said: "When I learned British chart-topper Adele would be performing at Sunday's awards I thought, 'Whew – at least we're guaranteed five solid, meaningful minutes of quality music television'. I was right; her frill-free performance of breakup ballad Someone Like You was just that." Kyle

text: all about realizing how that person is actually the "love of your life". "Love Like This" received mixed reviews from critics. Chuck Taylor in a review for "Billboard" described the song as a "jaunty, youthful track that clears home base and should propel Nat forward", while Chris Boeckmann of "Stylus Magazine" called it "useless" and a "dud". Michael Slezak of "Entertainment Weekly" found the song left him "feeling absolutely nothing". Slezak was unimpressed with the pairing of Bedingfield and Kingston, writing "it's as if two people who I'm not entirely convinced can sing got together and recorded a heavily focus-grouped

title: Like This (Mims song)

text: Like This (Mims song) "Like This" is the second single from Mims' debut album, "Music Is My Savior". It features guest vocals from Rasheeda. Junior Reid is featured in the video. The track uses string productions, sampler, and synthesizer. The 2 official remixes were released with both featuring different artists, except Rasheeda & Sean Kingston, who are featured in both of them. The 1st official remix, the main remix, features Rasheeda, Sha Dirty, Sean Kingston, Red Cafe, and N.O.R.E., the remix being featured on Mims' mixtape "More Than Meets the Eye". There are 2 additional versions of this remix: both

title: Like This (Mims song)

text: featured Sean Kingston, the first remix featured Red Cafe, and the second remix featured N.O.R.E.. The 2nd official remix entitled as the "Reggae Remix," features Rasheeda, Sean Kingston, Mr. Vegas, and Vybz Kartel. Like This (Mims song) "Like This" is the second single from Mims' debut album, "Music Is My Savior". It features guest vocals from Rasheeda. Junior Reid is featured in the video. The track uses string productions, sampler, and synthesizer. The 2 official remixes were released with both featuring different artists, except Rasheeda & Sean Kingston, who are featured in both of them. The 1st official remix, the

title: Someone like You (Adele song)

text: and awe of a million-watt showstopper. Who needs special effects, when God gave you your own? Even Britney Spears looked like she had to fix her mascara when it was all over." "Someone like You" was also added to the set list of the second concert tour by Adele, Adele Live, and it was performed during the encore. While reviewing a concert by Adele, Joanne Dorken of MTV UK, said "There wasn't a dry eye in the house as Adele powered her way through the ballad, encouraging the audience to help her sing the somewhat beautiful, yet emotional chorus –

title: Someone like You (Adele song)

text: her pianist behind her. Her hair was pulled back and a signature ponytail draped over one shoulder she sang the song and "did vocal aerobics and dripped her soulful, sultry sound over the dark ballad, while a transfixed audience watched her" as stated by Kelley L. Carter of MTV. After the performance she received a standing ovation from fans and critics. According to "USA Today"s Cindy Clark she "captivated the audience with her powerful performance". Wesley Case of "The Baltimore Sun" concluded, "Adele's 'Someone Like You' could make a tough guy weep. Her tone was gorgeous." Rating the performance with

title: Like a Prayer (song)

text: complexity builds up more after the second chorus, when the choir fully supports Madonna's vocals and she re-utters the opening lines, but this time accompanied by a synthesizer and drum beats. While singing "Just like a prayer, your voice can take me there, Just like, a muse to me, You're a mystery", a R&B-influenced voice backs Madonna. The song ends with a final repetition of the chorus and the choir gradually fading out. Taraborrelli noted in "Madonna: An Intimate Biography" that the lyrics of the song consist of "a series of button-pushing anomalies". With Madonna's inclusion of double entendres in

text: song, then ran their vocals through a giant computer". In a review for About.com, Bill Lamb called the song "irrepressibly sunny, but forgettable". In another review of the song, Lamb wrote that Kingston's vocals "serve no purpose other than providing an extra element for the single's marketing campaign". "Love Like This" was officially solicited to radio in the United States on 20 September 2007. The song was released as a download on 2 October 2007, and debuted at number 19 on the "Billboard" Bubbling Under Hot 100 Singles chart. The following week the song rose to number four, before debuting

title: Like This (Kelly Rowland song)

text: glitter is seen flying upwards from the floor. Like This (Kelly Rowland song) "Like This" is a song by American singer Kelly Rowland, featuring vocals by rapper Eve. Recorded late into the production of Rowland's second solo album "Ms. Kelly" (2007), the song was released on March 13, 2007 as the lead single from the album. The artists co-wrote the song with its producers Sean Garrett, Polow da Don, Blac Elvis, and Jason Perry, with additional production from S-Dot. "Like This" is a R&B song, with its lyrics referring to a woman growing out of a past relationship. The song

title: Someone like You (Adele song)

text: finished by Tom Coyne. According to sheet music published at Musicnotes.com by Sony Music Publishing, "Someone like You" is a slow tempo of 68 beats per minute. Written in common time, the song is in the key of A major. Adele's vocal range spans from F to E during the song. A slow, plaintive ballad pairing Adele's voice with a looping piano line, "Someone like You" is the lyrical opposite of "Rolling in the Deep" on which the singer narrates coming to terms with the end of the relationship: "Nevermind, I'll find someone like you/I wish nothing but the best

title: Someone like You (Adele song)

text: piano, her gorgeous voice and a monster song, Someone Like You." Later, the song was performed during a VH1 special called "Unplugged". Adele also performed the song at "Jimmy Kimmel Live!" on 24 February 2011. The same day she performed "Someone like You" on "The Ellen DeGeneres Show". The singer also performed the song at the 2011 MTV Video Music Awards held at the Nokia Theatre in Los Angeles on 28 August 2011. After being introduced by American singer Katy Perry, Adele appeared in a black scalloped lace dress by Barbara Tfank, and standing alone on the stage, only with

title: Just Like You (Allison Iraheta album)

text: it, without considering whether the artist could convey the emotion she wanted the song to convey. On November 4, Michael Slezak of Entertainment Weekly published the list of writer and producer credits, which reveals that Iraheta will cover "Holiday", a punk rock song written and performed by finalist Dilana. Following the tour, Iraheta began promoting "Just Like You", conducting interviews with Walmart.com soundcheck, KIIS-FM and Entertainment Weekly. Iraheta also hosted an eight-minute block prior to the showing of "New Moon" in 1,200 theaters across the U.S. Iraheta talked about the upcoming album, playing some tracks, including "Friday I'll Be Over

title: Someone like You (Adele song)

text: Ashley Percival who called the video predictable and added "It's all very pleasant, but after all this time, what's the point?". Nicole Eggenberger of "OK!" wrote that Adele "created the perfect music video to go along with her hauntingly beautiful ballad" and further described it as "simple yet stunning." Adele performed "Someone like You" for the first time in November 2010 on the BBC music show. Later, with Jools Holland before the release of the album. As the performance finished, there was a notable stunned silence from the audience, before bursting into applause. Adele has since described this performance as

title: Someone like You (Adele song)

text: giving everyone goosebumps. The sounds of Someone Like You bounced off every wall and tugged at every heart-string, making it a truly special moment and something that every member of the Apollo crowd will never forget." Jim Harrington of "San Jose Mercury News" chose the song as a highlight on the show adding that the song showed "her supreme vocal talent." Amber Riley, Naya Rivera and Heather Morris sang a mash-up of "Someone like You" and Adele's other song "Rumour Has It" (2011) during "Glee"s episode "Mash Off" which aired on 15 November. However, the cover was posted online on

title: Someone like You (Adele song)

text: Writing for BBC Online, Ian Wade noted that the "final track Someone Like You, just voice and piano, is an actual thing of beauty, placing the listener in one of those moments where you feel you're in the presence of a future standard." Bill Lamb of About.com wrote that "the piano melody is gorgeous and combined with Adele's heartfelt reading of her words, the effect is highly emotional. You can imagine it being both honked through by talent show contestants and transcended by veterans alike." Lamb went to write that the song is one of the "top songs of 2011"

title: A Place Like This (song)

text: with appearances from the duo. The aforementioned woman moves from party goer to party goer as she searches for love and eventually finds it by the end of the video, as she gives the object of her affection a time that he will never forget. Or wake up from. A Place Like This (song) "A Place Like This" is a song by Canadian R&B duo Majid Jordan. The song was released as the lead single and is the title track from their debut EP "A Place Like This". The song was released on July 7, 2014 through SoundCloud. It was

title: Someone like You (Adele song)

text: Track. The song was also nominated in the category for Best Song at the 2011 Music of Black Origin Awards. "Someone like You" won the first Grammy Award for Best Pop Solo Performance, at the 54th Grammy Awards, which were held on 12 February 2012. "The Village Voice"s Pazz & Jop annual critics' poll ranked "Someone like You" at number nine to find the best music of 2011; Adele's previous single "Rolling in the Deep" topped the same critics' poll. "Someone like You" achieved international commercial success, topping the record charts in Australia, Ireland, New Zealand, the United Kingdom and

title: A Moment Like This

text: beats per minute in common time. The first two verses are in the key of E minor, and the chorus after each verse transitions to A major. The final chorus transposes to B major. Clarkson's vocals span from A to F. This song received moderately positive reviews. "Entertainment Weekly" editor Henry Goldblatt wrote about Clarkson's performance of the song on "American Idol": "the woman whose tears during her winning rendition of "A Moment Like This" were so heartfelt, grown men cried along with her." David Browne, also of "Entertainment Weekly", wrote: "A choir at the end of "A Moment Like

title: Someone like You (Adele song)

text: the best, just gutting, a real achievement how she plays it cold but not sarcastic. I think in times of emotional devastation, everyone wants stand on a bridge over the Seine on a cold day, squinting into the wind, sorting it out." A writer of "Rolling Stone" wrote: "this clip for the ballad 'Someone Like You' sticks to the singer's simple but emotionally direct approach with black-and-white footage that lingers on her subtly expressive face as she lip-synchs to the tune while walking along sad, grey city streets." Andrea Devaro of "Long Island Press" concluded, "its simplicity beautifully portrays the

title: Something Just like This

text: In September 2016, the Chainsmokers shared two short clips of an upcoming song featuring vocals from Chris Martin.  On February 22, 2017, Spotify prematurely posted a banner ad at the top of the site's home page with a Listen Now button. The song was also used during Miss USA 2017 swimsuit competition.

title: Love Like This (Faith Evans song)

text: colorful skating rink with Evans' singing on a platform in the center. The music video shows actress Countess Vaughn and former child actor Marcus T. Paulk, both from the UPN sitcom "Moesha", in cameos. Love Like This (Faith Evans song) "Love Like This" is a song by American recording artist Faith Evans. It was written by Evans, Ron "Amen-Ra" Lawrence, Sean "Puffy" Combs, Clarence Emery, and Schon Crawford, for her second studio album "Keep the Faith" (1998), with production helmed by Lawrence and Combs. Built around a looped sample from "Chic Cheer," performed by American disco group Chic and penned

text: personalities, including Kylie Gillies and Richard Reid, all of whom are wearing a selection of "Wear It With Pride" T-shirts to support the campaign. Credits adapted from the liner notes of "1000 Stars". Love Like This (Natalie Bassingthwaighte song) "Love Like This" is a song recorded by Australian singer and actress Natalie Bassingthwaighte. It was written by Paul Barry, Alex Smith and Mark Taylor. The song was released on 29 January 2010 as the fifth and final single from Bassingthwaighte's debut solo album "1000 Stars". Upon its release, "Love Like This" peaked at number 88 on the ARIA Singles Chart.

title: A Place Like This (song)

text: A Place Like This (song) "A Place Like This" is a song by Canadian R&B duo Majid Jordan. The song was released as the lead single and is the title track from their debut EP "A Place Like This". The song was released on July 7, 2014 through SoundCloud. It was released as the lead single from their debut EP "A Place Like This". The music video was released on July 7, 2014 on YouTube, it was directed by Jamie Webster of Common Good. The introspective visuals take fans through one woman's journey through a steamy, sexy party— inter cut

text: Love Like This (Natasha Bedingfield song) "Love Like This" is a song performed by British singer Natasha Bedingfield. It was included as the lead single of Bedingfield's second North American album, "Pocketful of Sunshine", and features vocals from Jamacian-American reggae singer Sean Kingston. The song was written by Bedingfield, Kingston, Louis Biancaniello, Rico Love, Ryan Tedder, Sam Watters, and Wayne Wilkins, while production was handled by Biancaniello, Love, Tedder, and Watters under their production group, The Runawayz. Its lyrics discuss finding love with a person who has "been there all your life and has always loved you, but you've never

text: UK CD single<br> Love Like This (Natasha Bedingfield song) "Love Like This" is a song performed by British singer Natasha Bedingfield. It was included as the lead single of Bedingfield's second North American album, "Pocketful of Sunshine", and features vocals from Jamacian-American reggae singer Sean Kingston. The song was written by Bedingfield, Kingston, Louis Biancaniello, Rico Love, Ryan Tedder, Sam Watters, and Wayne Wilkins, while production was handled by Biancaniello, Love, Tedder, and Watters under their production group, The Runawayz. Its lyrics discuss finding love with a person who has "been there all your life and has always loved you,

text: Love Like This (Natalie Bassingthwaighte song) "Love Like This" is a song recorded by Australian singer and actress Natalie Bassingthwaighte. It was written by Paul Barry, Alex Smith and Mark Taylor. The song was released on 29 January 2010 as the fifth and final single from Bassingthwaighte's debut solo album "1000 Stars". Upon its release, "Love Like This" peaked at number 88 on the ARIA Singles Chart. "Love Like This" was released to support the AIDS Council of New South Wales' campaign "Wear It With Pride" leading up to the 2010 Mardi Gras parade. All of the single's proceeds went

title: Someone like You (Adele song)

text: Anderson of "Entertainment Weekly" highlighted the performance calling it "one of the best performances of the show." Another writer of the same publication gave the performance a grade of A+ and wrote: "It takes a real super power to make the seizure-inducing lasers stop, and that power's name is Adele. The broadcast temporarily abandoned its frantic mission of nonstop overstimulation, bowing to the 23-year-old English soulstress's soaring, nearly a cappella (well done, subtle piano man) rendition of her heart-wrecking ballad "Someone Like You." In a modest black dress and with a few spare hand movements, she delivered all the shock

title: Love Like This (Faith Evans song)

text: Love Like This (Faith Evans song) "Love Like This" is a song by American recording artist Faith Evans. It was written by Evans, Ron "Amen-Ra" Lawrence, Sean "Puffy" Combs, Clarence Emery, and Schon Crawford, for her second studio album "Keep the Faith" (1998), with production helmed by Lawrence and Combs. Built around a looped sample from "Chic Cheer," performed by American disco group Chic and penned by band members Bernard Edwards and Nile Rodgers, the song initially impacted US radios on September 15, 1998 as the album's lead single. Commercially, "Love Like This" became one of Evans's biggest successes: it

title: Someone like You (Adele song)

text: her talents". Writing for the website No Ripcord, Gary McGinley said that the song "has an aching beauty and the hallmarks of a modern standard." He further added that it "sounds poised to soundtrack atmospheric TV trailers over the coming months." A writer of "URB" magazine called "Someone like You" "a heart-wrencher made all the more real by reeling phrasing and bare-voiced pleading, 'I wish nothing but the best for you, too.'" John Murphy of MusicOMH categorized "Someone like You" and "Turning Tables" as "the two best songs on the album." He concluded that the song was "desperately sad and

title: In a World like This (song)

text: In a World like This (song) "In a World like This" is a song by American pop group Backstreet Boys from their eighth studio album "of the same name". It was released as the album's lead single on June 25, 2013 as a digital download and July 3, 2013 on CD in Japan. The song was written by Kristian Lundin, Max Martin, Savan Kotecha, and it was produced by Martin and Lundin. This song was featured on the 2013 compilation album "Hitzone 67". In April 2013, Nick Carter revealed that the group had recorded a song with Swedish producer Max

title: Something Just like This


question: created propaganda to support the war effort & encourage the sale of war bonds

answers: the government

title: American propaganda during World War II

text: bonds so as to keep the program voluntary. The War Advertising Board did its best to convince people that buying bonds was a patriotic act, giving buyers a stake in the war. Advertisements were initially used on radio and in newspapers, but later magazines were also used, with both government and private companies producing the advertisements. The Writers' War Board was founded for the purpose of writing copy for war bond ads. War bond rallies and drives were common, and were staged at many social events. Teachers passed out booklets to children to allow them to save toward a bond

title: American propaganda during World War II

text: by purchasing war bond stamps. Marlene Dietrich and many other female movie stars sold many thousands of dollars worth of war bonds. The Little Orphan Annie radio show urged its young listeners to sell war stamps and war bonds. Even product ads often contained the slogan, "Buy War Bonds and Stamps!". Enrolling in payroll deduction plans to buy war bonds was also urged through the media. One hundred and thirty-five billion dollars worth of liberty bonds were sold, most of which were purchased by banks, insurance companies and corporations. However, individuals purchased $36 billion in bonds, with children accounting for

title: War bond

text: Fairbanks and Charlie Chaplin were among the celebrities who made public appearances promoting the patriotic element of purchasing Liberty Bonds. Chaplin also made a short film, "The Bond", at his own expense for the drive. Even the Boy Scouts and Girl Scouts sold bonds under the slogan "Every Scout to Save a Soldier". The campaign spurred community efforts across the country to sell the bonds and was a great success resulting in over-subscriptions to the second, third and fourth bond issues. According to the Massachusetts Historical Society, "Because the first World War cost the federal government more than $ (by

title: War bond

text: Norman Rockwell's painting series, the "Four Freedoms", toured in a war bond effort that raised $. Bond rallies were held throughout the country with famous celebrities, usually Hollywood film stars, to enhance the bond advertising effectiveness. Many motion pictures during the time, especially war dramas (a form of propaganda itself), included a graphic shown during the closing credits advising patrons to "Buy War Bonds and Stamps", which were sometimes sold in the lobby of the theater. The Music Publishers Protective Association encouraged its members to include patriotic messages on the front of their sheet music like "Buy U.S. Bonds and

title: Propaganda in World War I

text: created the Committee on Public Information which was made up by the Secretaries of State, the Army, and the Navy. The committee would report directly to President Wilson and was essentially a massive generator of propaganda. The Committee on Public Information was responsible for producing films, commissioning posters, publishing numerous books and pamphlets, purchasing advertisements in major newspapers, and recruiting businessmen, preachers and professors to serve as public speakers in charge of altering public opinion at the communal level. The committee, headed by former investigative journalist George Creel, emphasized the message that America's involvement in the war was entirely necessary

title: War savings stamps of the United States

text: Treasury Department’s primary message revolved around patriotism. With support from the advertising industry, which donated $250 million worth of advertising during the first three years of the campaign, war bonds and stamps permeated everyday life. Advertisements appeared as posters on trolley cars, songs on the radio, and movies featuring Hollywood stars like Frank Sinatra and Bob Hope. Utilizing the concept of market segmentation, numerous campaigns were developed to target different populations such as women, immigrants, and children. The Treasury developed classroom material that highlighted the positive impact of war savings stamps while enforcing math skills. During World War II, the

title: Mary Pickford

text: World War I, she promoted the sale of Liberty Bonds, making an intensive series of fund-raising speeches that kicked off in Washington, D.C., where she sold bonds alongside Charlie Chaplin, Douglas Fairbanks, Theda Bara, and Marie Dressler. Five days later she spoke on Wall Street to an estimated 50,000 people. Though Canadian-born, she was a powerful symbol of Americana, kissing the American flag for cameras and auctioning one of her world-famous curls for $15,000. In a single speech in Chicago she sold an estimated five million dollars' worth of bonds. She was christened the U.S. Navy's official "Little Sister"; the

title: United States in World War I

text: launched a massive campaign to teach Americans to economize on their food budgets and grow victory gardens in their backyards, where crops were produced for US soldiers. It managed the nation's food distribution and prices. Crucial to US participation was the sweeping domestic propaganda campaign executed by the Committee on Public Information, overseen by George Creel. The campaign consisted of tens of thousands of government-selected community leaders giving brief carefully scripted pro-war speeches at thousands of public gatherings. Along with other branches of government and private vigilante groups like the American Protective League, it also included the general repression and

title: War bond

text: war bonds. By the end of the war, German war bonds accounted for 70% of investments held by Czechoslovakian banks. In the United Kingdom, the National Savings Movement was instrumental in raising funds for the war effort during both world wars. During World War II a "War Savings Campaign" was set up by the War Office to support the war effort. "Local savings weeks" were held which were promoted with posters with titles such as "Lend to Defend the Right to be Free", "Save your way to Victory" and "War Savings are Warships". By the summer of 1940, the victories

title: Propaganda in World War I

text: for carrying the full message of American ideals to every corner of the civilized globe. Creel and his committee utilized every possible mode to get their message across, including; printed word, spoken word, the motion picture, the telegraph, the poster and the sign board. All forms of communication were put to use in order to justify the causes that compelled America to take arms. Creel set out to systematically reach every person in the United States multiple times with patriotic information about how the individual could contribute to the war effort. The CPI also worked with the post office to

title: History of public relations

text: diamond is forever" in 1947 and was influential in how diamonds were marketed thereafter. After World War I the first signs of public relations as a profession began in France and became more established through the Marshall Plan. The first organized, large-scale propaganda campaigns were during World War I. Germany created the German Information Bureau to create pamphlets, books and other communications that were intended to support the justness of their cause, to encourage voluntary recruitment, to demonize the enemy and persuade America to remain neutral in the conflict. In response to learning about Germany's propaganda, the British created a

title: Series E bond

text: In total, the overall campaign raised $185.7 billion from 85 million Americans, more than in any other country during the war. Li'l Abner creator Al Capp created "Small Fry", a weekly newspaper comic strip whose purpose was to sell Series E bonds in support of the Treasury. Of the $185.7 billion raised during the continual campaign, a total of $156.4 billion was raised during the eight specific drives, despite an average duration of only one month each, as follows: Although Series E bonds are usually associated with the war bond drives of World War II, they continued to be sold

title: Propaganda in World War I

text: his 75,000 volunteers delivered over 7.5 million four minute orations to over 300 million listeners, in a nation of 103 million people. The speakers attended training sessions through local universities, and were given pamphlets and speaking tips on a wide variety of topics, such as buying Liberty Bonds, registering for the draft, rationing food, recruiting unskilled workers for munitions jobs, and supporting Red Cross programs. Historians were assigned to write pamphlets and in-depth histories of the causes of the European war. Atrocity propaganda was a form of advertising used during World War I which focused on and embellished the most

title: American propaganda during World War II

text: American propaganda during World War II During active American involvement in World War II (1941–45), propaganda was used to increase support for the war and commitment to an Allied victory. Using a vast array of media, propagandists instigated hatred for the enemy and support for America's allies, urged greater public effort for war production and victory gardens, persuaded people to save some of their material so that more material could be used for the war effort, and sold war bonds. Patriotism became the central theme of advertising throughout the war, as large scale campaigns were launched to sell war bonds,

title: Four Minute Men

text: This is an instance of "viral marketing" before its time. On April, 6th 1917 the US Congress declared war on Germany. President Wilson was determined to rouse the public. Wilson established the first modern propaganda office, the Committee on Public Information (CPI), headed by George Creel. Creel set out to systematically reach every person in the United States multiple times with patriotic information about how the individual could contribute to the war effort. It also worked with the post office to censor seditious counter-propaganda. Creel set up divisions in his new agency to produce and distribute innumerable copies of pamphlets,

title: Writers' War Board

text: of truth" whereby they would disseminate information but not try to influence the public directly through propaganda. However, seeing the value and need of propaganda, ways were found to circumvent official policy. The Writers' War Board began its work December 9, 1941, two days after Pearl Harbor, with a speech by author Rex Stout. The civilian organization was formed at the request of John Street, head of the writing staff for the U.S. Treasury Department. Street spoke with playwright Howard Lindsay about organizing a group of prominent writers to promote the sale of war bonds. Lindsay spoke with his writing

title: Liberty bond

text: person who purchased a Liberty Bond would be taken for a ride in one of the airplanes. The program was successful in raising a substantial amount of money which was used to pay for the war effort. The methodology developed and practiced by the Army was later followed by numerous entrepreneurial flyers known as Barnstormers, who purchased war surplus Jenny airplanes and flew across the country selling airplane rides. Vast amounts of promotional materials were manufactured. For example, for the third Liberty Loan nine million posters, five million window stickers and 10 million buttons were produced and distributed. The campaign

title: Propaganda in World War I

text: censor seditious counter-propaganda. Creel set up divisions in his new agency to produce and distribute innumerable copies of pamphlets, newspaper releases, magazine advertisements, films, school campaigns, and the speeches of the Four Minute Men. The CPI created colorful posters that appeared in every store window, catching the attention of the passersby for a few seconds. Movie theaters were widely attended, and the CPI trained thousands of volunteer speakers to make patriotic appeals during the four-minute breaks needed to change reels. They also spoke at churches, lodges, fraternal organizations, labor unions, and even logging camps. Creel boasted that in 18 months

title: Propaganda in World War I

text: in achieving the salvation of Europe from the German and enemy forces. In his book titled "How we Advertised America", Creel states that the committee was called into existence to make World War I a fight that would be a "verdict for mankind." He called the committee a voice that was created to plead the justice of America's cause before the jury of public opinion. Creel also refers to the committee as a "vast enterprise in salesmenship" and "the world's greatest adventure in advertising." The committee's message resonated deep within every American community and also served as an organization responsible

title: American propaganda during World War II

text: At first, the government was reluctant to engage in propaganda campaigns, but pressure from the media, the business sector and advertisers who wanted direction persuaded the government to take an active role. Even so, the government insisted that its actions were not propaganda, but a means of providing information.  These efforts were slowly and haphazardly formed into a more unified propaganda effort, although never to the level of World War I.

title: American propaganda during World War II

text: films simply reflected the war culture and were pure entertainment. Others carried strong messages meant to arouse public involvement or set a public mood. Cartoons such as "Bugs Bunny Bond Rally" and "Foney Fables" pushed viewers to buy war bonds, while "Scrap Happy Daffy" encouraged the donation of scrap metal, and Disney's "The Spirit of '43" implored viewers to pay their taxes. The U.S. and Canadian governments also used animation for training and instructional purposes. The most elaborate training film produced, "Stop That Tank!", was commissioned by the Canadian Directorate of Military Training and created by Walt Disney Studios. Troops

title: World War I film propaganda

text: became increasingly popular and a part of the standard war propaganda policy with the DOI and its successor, the Ministry of Information. The U.S. developed its own propaganda organization, the Committee on Public Information (CPI), days after the declaration of war. Originally wary of film as a propaganda medium, it created the Division of Films on 25 September 1917 to handle films taken by army Signal Corps cameramen. It did not release commercial films. Urban’s Kineto Company of America edited, processed, and printed the CPI’s films, including "Pershing’s Crusaders", "America’s Answer", and "Under Four Flags". Similar to Britain, American interest

title: War savings stamps of the United States

text: posters were produced to promote war savings stamps, often invoking a sense of patriotic duty to purchase them to support war efforts. President Woodrow Wilson called upon “every man, woman and child” to save for the war and designated June 28, 1918 as National War Savings Day. Governors, mayors, and other political leaders led by example by purchasing war savings stamps and encouraged their constituents to do the same. The Four Minute Men organization, authorized by President Wilson, also developed a series of speech outlines related to war savings stamps for its volunteers to deliver. Support for war savings stamps

title: World War II and American animation

text: Morgenthau of the U.S. Treasury Department on Monday, December 15, 1941. It was during such World War II films that Bugs achieved his popularity and made him a national mascot. Other films that encouraged buying war bonds included "Foney Fables", "Donald’s Decision", "The Thrifty Pig", "7 Wise Dwarfs" and "All Together". In these short films, either subtly or directly, the characters are portrayed doing their part by spending less and using their savings to buy war savings certificates and investing in victory. Donating scrap metal was another means by which Americans could help support the war effort. "Scrap Happy Daffy"

title: Hollywood Victory Committee

text: promoted the Sale of War Bonds. This would become the USA's largest war bond tour of the Second World War. Film stars Bob Hope and Bing Crosby would keep the memory alive in the their 1945 movie about a young woman's attempt to travel to Washington DC to visit her brother who was a soldier. They played themselves in this musical comedy that was produced by Paramount Studios for the U.S. Treasury in 1945. It preserves one of the most successful projects of the Hollywood Victory Committee. Shain, Russell Earl. "An Analysis of Motion Pictures About War Released by the

title: Orson Welles

text: the war and encouraged Americans to buy $16 billion in bonds to finance the Normandy landings and the most violent phase of World War II. Welles produced additional war loan drive broadcasts on June 14 from the Hollywood Bowl, and June 16 from Soldier Field, Chicago. Americans purchased $20.6 billion in War Bonds during the Fifth War Loan Drive, which ended on July 8, 1944. Welles campaigned ardently for Roosevelt in 1944. A longtime supporter and campaign speaker for FDR, he occasionally sent the president ideas and phrases that were sometimes incorporated into what Welles characterized as "less important speeches".

title: Shirley Dinsdale

text: her promotion of war bonds. During the war, she was student chairman for Southern California Schools at War. Dinsdale made her start in radio in 1941 with "Judy in Wonderland" on KGO in San Francisco. The program later moved to KPO in San Francisco. In 1942, she and her family moved to Los Angeles and she was given a spot on Eddie Cantor's program. She was called "radio's most refreshing discovery in years." A successful season on Nelson Eddy's "Electric Hour" program on CBS in 1945 led to a tour lasting almost 11 months, during which she visited patients in

title: Propaganda in the United States

text: cannons, steel, etc.), the U.S. government produced posters that encouraged people to reduce waste and grow their own vegetables in "victory gardens". The public skepticism that was generated by the heavy-handed tactics of the Committee on Public Information would lead the postwar government to officially abandon the use of propaganda. During World War II, the United States officially had no propaganda, but the Roosevelt government used means to circumvent this official line. One such propaganda tool was the publicly owned but government-funded Writers' War Board (WWB). The activities of the WWB were so extensive that it has been called the

title: American propaganda during World War II

text: to plant these gardens. During the war years, Americans planted 50 million victory gardens. These produced more vegetables than the total commercial production, and much of it was preserved, following the slogan: "Eat what you can, and can what you can't." The slogan "grow your own, can your own" also encouraged victory gardens to be planted. During the war, the sale of War Bonds was extensively promoted. Originally termed "Defense Bonds", they were called "war bonds" after the attack on Pearl Harbor. Much of the nation's artistic talent and best advertising techniques were used to encourage people to buy the

title: Propaganda in World War I

text: in 1917 as an associated power on the allied side of Britain and France. By the time that World War I came around, the United States was a leader in the art of movie making and the new profession of commercial advertising. Such newly discovered technologies played an instrumental role in the shaping of the American mind and the altering of public opinion into a pro-war position. Perhaps the most influential man behind propaganda in the United States during World War I was President Woodrow Wilson. In one of Wilson's most famous declarations, he outlined the "Fourteen Points" which he

title: American propaganda during World War II


question: who wrote the song fly me to the moon

answers: Bart Howard

title: Fly Me to the Moon (film)

text: Fly Me to the Moon (film) Fly Me to the Moon is a 2008 Belgian-American computer-animated 3D science fiction comedy film directed by Ben Stassen and written by Domonic Paris. It was released in digital 3D in Belgium on 30 January 2008 and in the US and Canada on 15 August 2008. The film was also released in IMAX 3D in the US and Canada starting 8 August 2008. "Fly Me to the Moon" was and produced by nWave Pictures in association with Illuminata Pictures, and distributed by Summit Entertainment and Vivendi Visual Entertainment in the United States. The narrator

title: Joe Harnell

text: recovered, Kapp Records asked him to work on writing potential hits in the then-hot genre of bossa nova. Harnell's biggest success was with his arrangement of "Fly Me to the Moon", which was a hit in the US in 1963 (number 14 Pop, number 4 AC) and which won a Grammy Award for Best Pop Instrumental Performance. The song also peaked at number 6 in Harnell's hometown, on WMCA in New York, on January 16, 1963. The album from which it was taken went to number 3 on the "Billboard" 200. Harnell would go on to release nearly 20 easy

title: Fly Me to the Moon

text: "Neon Genesis Evangelion" uses it for the closing music for each episode. Frank Sinatra's 1964 recording of "Fly Me to the Moon" became closely associated with NASA's Apollo space program. A copy of the song was played on the Apollo 10 mission which orbited the Moon. It became the first music heard on the Moon when played on a portable cassette player by Apollo 11 astronaut Buzz Aldrin after he stepped onto the Moon. The song’s association with Apollo 11 was reprised many years later when Diana Krall sang it at the mission's 40th anniversary commemoration ceremony. She also sang

title: Fly Me to the Moon (film)

text: not very young children." Fly Me to the Moon (film) Fly Me to the Moon is a 2008 Belgian-American computer-animated 3D science fiction comedy film directed by Ben Stassen and written by Domonic Paris. It was released in digital 3D in Belgium on 30 January 2008 and in the US and Canada on 15 August 2008. The film was also released in IMAX 3D in the US and Canada starting 8 August 2008. "Fly Me to the Moon" was and produced by nWave Pictures in association with Illuminata Pictures, and distributed by Summit Entertainment and Vivendi Visual Entertainment in the

title: Konstantin Feoktistov

text: Hollywood – they were protected by special agents of the US State Department on request of NASA. Almost every place they went when accompanied by Eugene Cernan, if a band was present the song "Fly Me to the Moon" was played – when they visited Disneyland they enjoyed the ride Trip To The Moon, then joked with the US astronauts that they went to Disneyland and not the moon. It was a trip that all enjoyed and international friendships were made. Feoktistov resigned from his engineering position with Energia and then returned to Bauman Moscow Higher Technical School as a

title: Come Fly with Me (Peter Andre album)

text: to the Moon" exclusively via the Daily Mail. One of the tracks on the album, "Little Miss Notting Hill", was written by fellow swing band The Overtones, alongside producer Southwood. The release of the album will be accompanied by a 16-date tour in 2016, entitled the "Come Swing with Me" tour. The tour will incorporate both arenas and theatres, and includes a flagship show at the 02 Arena in London on 20 March 2016. Come Fly with Me (Peter Andre album) Come Fly With Me is the tenth studio album released by British-Australian singer Peter Andre. The album was released

title: Angelina Jordan

text: show "The View". She has also performed in TV2 programs like "Allsång på Skansen" ("Singing at the Border") and on TV4 in Sweden. She appears in a small guest role in the last episode of the 2014 season of the Netflix series "Lilyhammer", playing a girl who sings in a bar. In April 2016, she performed "Fly Me to the Moon" on the American television's children's talent show "Little Big Shots". In December 2016, she performed on "Alan Walker is Heading Home" live concert in Bergen (Norway), where she sang both restrung versions of Sing me to Sleep and Faded.

title: Fly Me to the Moon

text: and the Bossa Nova Pops" released in early 1963, which reached No. 3 stereo album on the "Billboard" Top LP's chart. Versions of the song were released by many other 1960s instrumental artists, including Roy Haynes, Al Hirt and Oscar Peterson. Frank Sinatra included the song on his 1964 album "It Might as Well Be Swing", accompanied by Count Basie. The music for this album was arranged by Quincy Jones, who had worked with Count Basie a year earlier on the album "This Time by Basie", which also included a version of "Fly Me to the Moon". Will Friedwald commented

title: Moon River

text: have covered the song include Rod Stewart in "Fly Me to the Moon... The Great American Songbook Volume V" (2010), which charted at No. 4 on the Billboard 200, and Barbra Streisand in "The Movie Album" (2003), a Grammy-nominated gold album. Diffuser.fm named these the "Top 5 Alt-Rock" versions of the song: The Killers, Glasvegas, R.E.M., Morrissey and Josh Ritter. Moon River "Moon River" is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 movie "Breakfast at Tiffany's", winning an Academy Award for Best Original Song. The song

title: Fly Me to the Moon

text: 1962, Joe Harnell arranged and recorded an instrumental version in a bossa nova style. It was released as a single in late 1962. Harnell's version spent 13 weeks on the "Billboard" Hot 100 chart, reaching No. 14 on February 23, 1963, while reaching No. 4 on "Billboard"s Middle-Road Singles chart. Harnell's version was ranked No. 89 on "Billboard"s end of year ranking "Top Records of 1963". Harnell's recording won him a Grammy Award at the 5th Annual Grammy Awards for Best Performance by an Orchestra – for Dancing. Harnell's version was included on his album "Fly Me to the Moon

title: Fly Me to the Moon

text: me to the moon," but Howard refused. Many years later Howard commented that "... it took me 20 years to find out how to write a song in 20 minutes." He used his position as a piano accompanist and presenter at the Blue Angel cabaret venue to promote the song, and it was soon introduced in cabaret performances by Felicia Sanders. Kaye Ballard made the song's first commercial recording, and Decca released it in April 1954. A brief review published on 8 May 1954 in "Billboard" said that "In Other Words" was "...a love song sung with feeling by Miss

title: Fly Me to the Moon (film)

text: 8 years later, in 1969, an 11-year-old fly named Nat and his two best friends, I.Q. and Scooter, build a "fly-sized" rocket in a field across from Cape Canaveral, Florida, where Apollo 11 sits on the Kennedy Space Center Launch Complex 39. From his earliest memory, Nat remembers his grandfather, Amos, telling him of his daring rescue of Amelia Earhart when she crossed the Atlantic Ocean on her historic flight in 1932. Wanting to be an adventurer like his grandpa, Nat, defying the notion that "Dreamers get swatted", tells his friends his plan to get aboard Apollo 11 and go

title: Fly Me to the Moon (film)

text: there appear to be "contaminants" on board. In the Soviet Union, there are other flies watching TV – Soviet flies who cannot tolerate the idea that American flies might get to the moon first. A Soviet plan is hatched and special operatives are enlisted to interfere with the American mission. The Soviet Union puts all its hopes of success on the back of one nasty operative named Yegor. Fortunately, a pretty Soviet fly named Nadia also sees the flies on board and hears Scooter calling out Grandpa's real name, the very name of the fly Nadia met in Paris and

title: The Valentinos

text: single, "I'm in Love", to the top 40 on the pop and soul charts. Several of Womack's other songs including "I'm a Midnight Mover" would also be recorded by Pickett. Following this success, Minit Records signed Bobby and released the album "Fly Me to the Moon", which featured the singer's first charted hit, a cover of the Mamas & the Papas' "California Dreaming". Once again being able to have a career after years of struggle following his marriage to Barbara Cooke, Womack would continue his session work, working with musicians such as Gábor Szabó, with whom he would write "Breezin'".

title: Diana Krall

text: album "Love Is the Answer", released on September 29, 2009. In 2011, Krall went on a private retreat to Sri Lanka. In September 2012, she accompanied Paul McCartney at Capitol Studios in a live performance of his album "Kisses on the Bottom", which was shown live on the internet. On September 13, 2012, Krall performed "Fly Me to the Moon" at astronaut Neil Armstrong's memorial service in Washington, D.C. "Glad Rag Doll" was released on October 2, 2012. "Wallflower" is her 12th studio album, released on February 3, 2015 by Verve Records. The album was produced by David Foster. Among

title: Fly Me to the Moon (film)

text: to the moon. They, with some reluctance, are in. The next morning, the three flies make it in to Mission Control. In their homemade space suits, Nat, I.Q. and Scooter manage to stow away inside the space helmets of astronauts Neil Armstrong, Buzz Aldrin and Michael Collins. Back on Earth, Grandpa, Mom and the others watch TV to get news of their offspring's adventure. As the astronauts appear on camera, the heroic flies wave in the background, visible to other flies but barely seen by humans – except for the attentive NASA flight controller Steve Bales, who informs Armstrong that

title: Bayonetta

text: same day, spanning 5 Volumes in total. The North American release of the soundtrack does not include any version of "Fly Me To The Moon". Helena Noguerra provided the main vocals for the theme of Bayonetta. An anime film based on the game, titled , was directed by Fuminori Kizaki and produced by Gonzo, with screenplay by Mitsutaka Hirota and character design by Ai Yokoyama. The film was announced at Tokyo Game Show 2013 and released in ten Japanese theaters for two weeks from November 23, 2013. It was then released on Blu-ray Disc and DVD in Japan on January

title: Jeff LeBlanc

text: September 2015, Jeff performed a special "Coffee House Live" on SiriusXM's Coffee House. His song "Lost Tonight" and his cover of "Fly Me To The Moon" are now in rotation on the channel. Jeff LeBlanc Jeff LeBlanc (born February 9, 1986) is an independent American singer and songwriter. He was born and raised in Center Moriches, New York, before attending Sacred Heart University in Fairfield, Connecticut, where he studied history, music history and education. Jeff began performing sometime in 2004, getting his start as a street busker in Westhampton, NY during the summer months outside of the Beach Bakery Cafe.

title: Astrud Gilberto

text: features singer Michael Franks. Gilberto received the Latin Jazz USA Award for Lifetime Achievement in 1992, and was inducted into the International Latin Music Hall of Fame in 2002. In 1996, she contributed to the AIDS benefit album "Red Hot + Rio" produced by the Red Hot Organization, performing the song "Desafinado" (Portuguese for "slightly out of tune", or "off key") along with George Michael. Although she did not officially retire, Gilberto announced in 2002 that she was taking "indefinite time off" from public performances. Her original recording of "Fly Me to the Moon" was edited as a duet using

title: Fly Me to the Moon

text: "Fly Me to the Moon", originally titled "In Other Words", is a song written in 1954 by Bart Howard.  Kaye Ballard made the first recording of the song in 1954. Since then it has become a frequently recorded jazz standard often featured in popular culture; Frank Sinatra's 1964 version was closely associated with the Apollo missions to the Moon, and the Japanese animated series Neon Genesis Evangelion played the song (as covered by various artists) at the end of every episode.

title: The Dark Side of the Moon

text: rapidly swirls around the listener). The album's credits include Clare Torry, a session singer and songwriter, and a regular at Abbey Road. She had worked on pop material and numerous cover albums, and after hearing one of those albums Parsons invited her to the studio to sing on Wright's composition "The Great Gig in the Sky". She declined this invitation as she wanted to watch Chuck Berry perform at the Hammersmith Odeon, but arranged to come in on the following Sunday. The band explained the concept behind the album, but were unable to tell her exactly what she should do.

title: Please Return the Evening

text: exclusive music video for the Daddies' cover of "Come Fly with Me", depicting Steve Perry singing the song against various backdrops shot on location in The Bahamas. In a September 2 interview with "The Huffington Post", Perry debuted a second video for "Fly Me to the Moon", depicting the band as well as Perry's wife and daughter as members of The Addams Family, shot at the historic Shelton McMurphey Johnson House in Eugene, Oregon. Perry elaborated on the stylistic choice for the video, noting "we really liked the idea of the passionate Gomez and Morticia relationship. Even though the Addams'

title: Georgy Beregovoy

text: California - they were joined on the trip by US astronauts as hosts, to include Eugene Cernan, Neil Armstrong and others. Kirk Douglas and others hosted receptions for them in Hollywood - they were protected by Special Agents of the US State Department on request of NASA. Almost every place they went when accompanied by Eugene Cernan, if a band was present the song "Fly Me To The moon" was played - when they visited Disney Park they enjoyed the ride Trip To The Moon, then joked with the US Astronauts that they went to Disneyland and not the moon.

title: Apollo 11 in popular culture

text: mothership passing low over the Apollo 11 landing site. The tidal forces of its passing erases the famous bootprint left on the soft lunar surface. The 2008 computer animated film "Fly Me to the Moon" is centered on a fictional story of three flies that stow away on the Saturn V rocket and manage to land on the moon. Footage of the landing was famously used to introduce viewers to MTV, serving as its top and bottom of the hour ident during the cable channel's early years. MTV producers Alan Goodman and Fred Seibert used this public domain footage as

title: Latin for Lovers

text: Latin for Lovers Latin for Lovers was a Doris Day album, mostly composed of songs originating in Latin America, released by Columbia Records on March 22, 1965 as a monophonic LP (catalog number CL-2310) and a stereophonic album (catalog number CS-9110). Although "Fly Me to the Moon" was not of Latin-American origin, it was an early song adapted to the bossa nova dance then becoming popular, and so associated at the time with Latin America. A Columbia 45 r.p.m. single. #4-43278, was released to coincide with the album. It featured "How Insensitive" as the a-side and "Meditation" as the b-side.

title: OMG HGB DVD ROTFL

text: fathers joined the band onstage for "Fly Me to the Moon". Lastly, the DVD features approximately twenty minutes of road stories and touring antics, shot during their West Coast tour with Houston Calls, JamisonParker and The Rocket Summer. Besides containing another acoustic rendition of "Homewrecker", the segment also gives insight on Hellogoodbye's backstage routines, such as blowing up inflatable pool toys and waging Super Soaker wars on Houston Calls. In addition, the tour is documented by a photo slideshow. OMG HGB DVD ROTFL OMG HGB DVD ROTFL is a DVD by American rock band Hellogoodbye. It contains two hours of

title: Fly Me to the Moon (film)

text: loved so many years ago. Back on board the space ship, as the burn cycle to enter the moon's trans-lunar injection orbit begins, the spacecraft is violently rocked. There's a short circuit in the service module that must be fixed manually or the ship won't be able to complete its mission. Nat and I.Q. fly through a maze of wires, find the problem and repair it just in time. Unaware of the flies' aid, the ship enters orbit and all is well... or so they think. Just as they congratulate each other, the little flies are sprayed with a numbing

title: Great American Songbook

text: song's original stage or movie context. Whether or not it is sung often depends on what the song is and who is singing it — for example, Frank Sinatra never recorded "Fly Me to the Moon" with the introductory sectional verse, but Nat King Cole did — and a few of the songs written with such an introduction are nearly always performed in full with the introduction. The song itself is usually a 32-bar AABA or ABAC form, and the lyrics usually refer to more universal and timeless situations and themes – typically, for instance, the vicissitudes of love. This

title: Fly Me to the Moon (film)

text: of the film omits the subplot about the attempt by Russian flies to sabotage the mission. The 13-minute "Ride" version is featured at Six Flags Great Adventure in New Jersey and Six Flags Over Texas in Texas. "Fly Me to the Moon" was distributed in the U.S. by Summit Entertainment and in the U.K. by Momentum Pictures. As IMAX 3-D films are usually less or around an hour, some scenes were cut and censored from the IMAX version. The IMAX version starts with the opening scene which shows the first monkey being launched to space. It then cuts to Nat

title: Nnenna Freelon

text: Frank Sinatra's classic "Fly Me to the Moon" for "The Visit" movie, starring Billy Dee Williams. She also had a cameo as a nightclub singer in the 2000 Mel Gibson romantic comedy "What Women Want", performing her trademark song "If I Had You". In addition, she has been nominated twice for the "Lady of Soul" Soul Train Award. On February 21, 2001, Nnenna Freelon earned a standing ovation for her live performance at the 43rd Annual Grammy Awards telecast in Los Angeles, performing "Straighten Up and Fly Right". Source: Ed Keane Associates. Nnenna Freelon Nnenna Freelon, (born July 28, 1954)

title: Fly Me to the Moon


question: who discovered one of the first taxonomic classification schemes

answers: Swedish botanist Carl Linnaeus

title: Antonio José Cavanilles

text: Antonio José Cavanilles Antonio José Cavanilles (16 January 1745 – 5 May 1804) was a leading Spanish taxonomic botanist of the 18th century. He named many plants, particularly from Oceania. He named at least 100 genera, about 54 of which were still used in 2004, including "Dahlia", "Calycera", "Cobaea", "Galphimia", and "Oleandra". Cavanilles was born in Valencia. He lived in Paris from 1777 to 1781, where he followed careers as a clergyman and a botanist, thanks to André Thouin and Antoine Laurent de Jussieu. He was one of the first Spanish scientists to use the classification method invented by Carl

title: History of botany

text: (João de Loureiro (1717–1791)); West Africa (Michel Adanson (1727–1806)) who devised his own classification scheme and forwarded a crude theory of the mutability of species; Canada, Hebrides, Iceland, New Zealand by Captain James Cook's chief botanist Joseph Banks (1743–1820). By the middle of the 18th century the botanical booty resulting from the era of exploration was accumulating in gardens and herbaria – and it needed to be systematically catalogued. This was the task of the taxonomists, the plant classifiers. Plant classifications have changed over time from "artificial" systems based on general habit and form, to pre-evolutionary "natural" systems expressing similarity

title: Taxonomy (biology)

text: in technology was the Italian physician Andrea Cesalpino (1519–1603), who has been called "the first taxonomist". His magnum opus "De Plantis" came out in 1583, and described more than 1500 plant species. Two large plant families that he first recognized are still in use today: the Asteraceae and Brassicaceae. Then in the 17th century John Ray (England, 1627–1705) wrote many important taxonomic works. Arguably his greatest accomplishment was "Methodus Plantarum Nova" (1682), in which he published details of over 18,000 plant species. At the time, his classifications were perhaps the most complex yet produced by any taxonomist, as he based

title: John Isaac Briquet

text: to Corsica, Dalmatia, the Maritime Alps (France and Italy), Montenegro, et al. Besides his floristic work, he had a particular interest in the genus "Galeopsis", and family Lamiaceae (Labiatae). He is especially remembered for his contributions to the "Rules of Nomenclature", the precursors of the modern International Code of Nomenclature for algae, fungi, and plants, with which he took a leading role from 1900, at a time when four sets of rules were competing for acceptance:... for more than 30 years [he] was to take de Candolle's place as the leader in nomenclatural matters and ... by his clear-headedness, good

title: Christian Friedrich Schwägrichen

text: as the result of a fall down a flight of stairs. He is the taxonomic authority of the bryophyte families Polytrichaceae and Funariaceae. The genus "Schwaegrichenia" is named in his honor. Christian Friedrich Schwägrichen Christian Friedrich Schwägrichen (16 September 1775, Leipzig – 2 May 1853, Leipzig) was a German botanist specializing in the field of bryology. In 1799 he obtained his medical doctorate from the University of Leipzig, where he was later an associate professor of natural history (1803–1815) and afterwards a full professor on the same subject (1815–1852). Concurrently, he served as an associate professor of botany (1807–1852) at

title: Gaspard Bauhin

text: classifying them. The classification system was not particularly innovative, using traditional groups such as "trees", "shrubs", and "herbs", and using other characteristics such as utilization, for instance grouping spices into the "Aromata". He did correctly group grasses, legumes, and several others. His most important contribution is in the description of genera and species. He introduced many names of genera that were later adopted by Linnaeus, and remain in use. For species he carefully pruned the descriptions down to as few words as possible; in many cases a single word sufficed as description, thus giving the appearance of a two-part name.

title: Johann Joseph Peyritsch

text: "Plantae Tinneanae", a book describing flora collected on the Tinné expedition to Sudan. As a taxonomist, he described numerous plants from the botanical families Celastraceae and Erythroxylaceae. In the field of mycology, he held a special interest in the fungal order Laboulbeniales. The plant genus "Peyritschia" from the family Poaceae was named in his honor by Eugène Pierre Nicolas Fournier in 1881. Johann Joseph Peyritsch Johann Joseph Peyritsch (October 20, 1835 – March 14, 1889) was an Austrian physician and botanist born in Völkermarkt. In 1864 he earned his medical doctorate from Vienna, and from 1866 to 1871 was associated

title: History of botany

text: notoriety for his botanical expeditions, his emphasis on floral characters in classification, and for reviving the idea of the genus as the basic unit of classification. Above all it was Swedish Carl Linnaeus (1707–1778) who eased the task of plant cataloguing. He adopted a sexual system of classification using stamens and pistils as important characters. Among his most important publications were Systema Naturae (1735), Genera Plantarum (1737), and Philosophia Botanica (1751) but it was in his Species Plantarum (1753) that he gave every species a binomial thus setting the path for the future accepted method of designating the names of

title: August W. Eichler

text: he became director of the herbarium at the University of Berlin. He died in Berlin on March 2, 1887 of leukaemia. Eichler made important contributions to the study of the comparative structure of flowers (mainly on floral symmetry in his work "Blütendiagramme"). He wrote extensively on the Coniferae, Cycadaceae and other plant groups of Brazil. The Eichler System divided the plant kingdom into non-floral plants (Cryptogamae) and floral plants (Phanerogamae). It was the first to accept the concept of evolution and therefore also the first to be considered phylogenetic. Moreover, Eichler was the first taxonomist to separate the Phanerogamae into

title: Giuseppe De Notaris

text: the University of Rome. In the field of mycology, he proposed the fungi family Hypocreaceae (1845). With Antonio Bey Figari (1804-1870), he described numerous species from the family Poaceae. With Figari, he was the binomial co-author of the grass genus "Schistachne" (synonym "Stipagrostis"). Organisms with the specific epithet of "notarisiana" commemorate his name. Giuseppe De Notaris Giuseppe De Notaris (18 April 1805, Milan – 22 January 1877) was an Italian botanist generally known for his work with cryptogams native to Italy. He studied medicine at the University of Pavia, obtaining his medical degree in 1830. Having developed an interest in

title: Paul Möhring

text: and Paul Gottlieb Werlhof. The plant genus "Moehringia" (family Caryophyllaceae) was named in his honor by Carl Linnaeus. Paul Möhring Paul Heinrich Gerhard Möhring (also Paul Mohr; 21 July 1710 in Jever – 28 October 1792) was a German physician, botanist and zoologist. He studied medicine in Danzig and Wittenberg, and following graduation (1733), he settled as a general practitioner in his hometown of Jever. Möhring was a physician to the Prince of Anhalt. In 1752 he published "Avium Genera", an early attempt to classify bird species, which divided birds into four classes and shows the beginnings of the modern

title: De Candolle system

text: De Candolle system The De Candolle system is a system of plant taxonomy by French (Swiss) botanist Augustin Pyramus de Candolle (1778−1841). The first taxonomic system by de Candolle, who introduced the term taxonomy, appeared in his description of the plants of France, his "Flore française" (1805–1815), in 5 volumes dealing with plant species found in France. The De Candolle system is a subsequent taxonomic system. The abbreviation "Syst." in de Candolle's work and subsequent literature refers to his "Regni vegetabilis systema naturale". The De Candolle system recognises the following groups of vascular plants (references to "Prodromus"). Within the "Prodromus"

title: Carl Sigismund Kunth

text: Carl Sigismund Kunth Carl Sigismund Kunth (18 June 1788 – 22 March 1850), also Karl Sigismund Kunth or anglicized as Charles Sigismund Kunth, was a German botanist. He is known for being one of the first to study and categorise plants from the American continents, publishing "Nova genera et species plantarum quas in peregrinatione ad plagam aequinoctialem orbis novi collegerunt Bonpland et Humboldt" (7 vols., Paris, 1815–1825). Born in Leipzig, Kunth became a merchant's clerk in Berlin in 1806. After meeting Alexander von Humboldt, however, who helped him attend lectures at the University of Berlin, Kunth became interested in botany.

title: August Grisebach

text: interest were phytogeography and systematics, especially the Gentianaceae and Malpighiaceae, he considered his "Flora of the British West Indian Islands" his most important work. Much of his collection, especially the types of species described by him, are housed at the Göttingen University Herbarium. His taxonomic classification is set out in his "Grundriss der systematischen Botanik" (1854). His son Eduard was an author, lawyer and diplomat. August Grisebach August Heinrich Rudolf Grisebach () was a German botanist and phytogeographer. He was born in Hannover on 17 April 1814 and died in Göttingen on 9 May 1879. Grisebach studied at the Lyceum

title: De Candolle system

text: of these phenomena is a problem from a nomenclatural perspective, the present day ICBN provides for this. Within the dicotyledons ("classis prima DICOTYLEDONEÆ") the De Candolle system recognises (Pagination from "Prodromus", 17 Parts) the list: (Index to Part I p. 741) Somewhat inconsistently the "Prodromus" also treats: De Candolle system The De Candolle system is a system of plant taxonomy by French (Swiss) botanist Augustin Pyramus de Candolle (1778−1841). The first taxonomic system by de Candolle, who introduced the term taxonomy, appeared in his description of the plants of France, his "Flore française" (1805–1815), in 5 volumes dealing with plant

title: Richmond William Hullett

text: theatri botanici’ (English, Illustrated exposition of plants) which is a landmark of botanical history, describing some 6,000 species and classifying them. Whilst the classification system Gaspard Bauhin used was not particularly innovative, using traditional groups such as "trees", "shrubs", and "herbs", and for instance grouping spices into the Aromata, he did correctly group grasses and legumes. It is most likely that this is the work which led Carl Linnaeus (inspiration for the Linnean Society) in deference to the Bauhin brothers 200 years earlier to honour Casper and his brother Johann by naming the genus "Bauhinia" after them in his 1753

title: Louis Emberger

text: of association in equatorial forests, which led to a biogeographical classification of climate, in which he drew comparisons between Australia and homologous zones of the Mediterranean. In biosystematics he developed a classification scheme for vascular plants. see also "Taxon. Lit., ed. 2 (TL2)", Louis Embeerger is the authority for 168 taxa, such as "Agropyron pseudofestucoides" Louis Emberger (Marie) Louis Emberger (January 23, 1897 – November 30, 1969) was a French botanist and phytogeographer, at the University of Montpellier. Emberger was born at Thann, in Haut-Rhin, France in 1897, which was then part of German occupied Alsace. He developed an interest

title: Christian Knaut

text: librarian he was the author of a chronicle and description involving the counties of Ballenstädt and Aschersleben (1698). As a botanist he published "Compendium Botanicum sive Methodus plantarum genuina", in which he provided a classification system for flowering plants based on petal number and arrangement. Carolus Linnaeus named the plant genus "Knautia" in honor of Christian and Christoph Knaut. Christian Knaut Christian Knaut (August 16, 1656 – April 11, 1716) was a German physician, botanist and librarian born in Halle an der Saale. His brother, Christoph Knaut (1638–1694) was also a physician and botanist. He studied medicine at the University

title: Giuseppe Giacinto Moris

text: named the genus "Morisia" (family Brassicaceae) in his honor. Giuseppe Giacinto Moris Giuseppe Giacinto Moris (25 April 1796, Orbassano – 18 April 1869, Turin) was an Italian botanist known for investigations of flora native to Sardinia. He studied medicine in Turin, from where he graduated while still in his teens. From 1822 to 1829, he worked as a professor at the University of Cagliari, afterwards returning to Turin as a professor at the university. Here, he was director of its botanical garden from 1831 until 1869. He was the binomial authority of the genus "Ridolfia" (family Apiaceae) as well as

title: Taxonomy (biology)

title: Erik Acharius

text: examining a Spanish collection of lichens on 14 August, 1819, at the age of 61 . Acharius belonged to the younger generations of Swedish botanists who continued what Linnaeus had left undone; classify all living organisms. Acharius began the taxonomic classification of "Lichenes" and during his life time he classified over 3300 species of Lichen separated into 40 different genera. At the time of Linnaeus's death all Lichens were grouped into a single genus, thus Acharius was the first to expand lichen classification into the multi-divisional group of organisms it is known to be today. His first publication was "Lichenographiae

title: Antoine Laurent de Jussieu

text: instance. Writing of the natural system, Sydney Howard Vines remarked In 1788, he was elected a foreign member of the Royal Swedish Academy of Sciences. He was a member of the Masonic Lodge, Les Neuf Sœurs. The system of suprageneric nomenclature in botany is officially dated to 4 Aug 1789 with the publication of the Genera Plantarum (Gen. Pl.). De Jussieu system Antoine Laurent de Jussieu Antoine Laurent de Jussieu (; 12 April 1748 – 17 September 1836) was a French botanist, notable as the first to publish a natural classification of flowering plants; much of his system remains in

title: Carl Linnaeus

text: order). Carl Linnaeus Carl Linnaeus (; 23 May 1707 – 10 January 1778), also known after his ennoblement as Carl von Linné (), was a Swedish botanist, physician, and zoologist who formalised binomial nomenclature, the modern system of naming organisms. He is known as the "father of modern taxonomy". Many of his writings were in Latin, and his name is rendered in Latin as (after 1761 Carolus a Linné). Linnaeus was born in the countryside of Småland in southern Sweden. He received most of his higher education at Uppsala University and began giving lectures in botany there in 1730. He

title: Carl Sigismund Kunth

text: 1850, the Prussian government acquired his botanical collection, which later formed part of the royal herbarium in Berlin. An endemic Hawaiian fern species is named after him: Doodia kunthiana, which is a member of the Blechnacea family of ferns. Carl Sigismund Kunth Carl Sigismund Kunth (18 June 1788 – 22 March 1850), also Karl Sigismund Kunth or anglicized as Charles Sigismund Kunth, was a German botanist. He is known for being one of the first to study and categorise plants from the American continents, publishing "Nova genera et species plantarum quas in peregrinatione ad plagam aequinoctialem orbis novi collegerunt Bonpland

title: Otto Friedrich Müller

text: "Zoologiae Danicae Prodromus" (1776) was the first survey of the fauna of the combined kingdoms of Norway and Denmark, and classified over three thousand local species. He was one of the first to study microorganisms, and established the classification of several groups of animals in addition to the infusoria, including Hydrachnellae and Entomostraca, all unknown to Linnaeus. He was a member of the Academia Caesarea Leopoldina, a foreign the Royal Swedish Academy of Sciences (elected in 1769), the Académie des sciences, Paris, and the Berlin Society of Friends of Natural Science. He had a lasting impact on zoological studies across

title: Richard Wettstein

text: Richard Wettstein Richard Wettstein (30 June 1863 in Vienna – 10 August 1931 in Trins) was an Austrian botanist. His taxonomic system, the Wettstein system was one of the earliest based on phyletic principles. Wettstein studied in Vienna, where he was a disciple of Anton Kerner von Marilaun (1831-1898) and married his daughter Adele. He was a professor at the University of Prague from 1892, and at the University of Vienna from 1899. He newly laid out the Botanical Garden of the University of Vienna. In 1901 he became president of the Vienna Zoological-Botanical Society ("Zoologisch-Botanische Gesellschaft"), and during the

title: Ignaz Friedrich Tausch

text: von Schlechtendal named the genus "Tauschia", or umbrellaworts (family Apiaceae) after him. Tausch was born on January 29, 1793 in Bohemia to a master brewer, Josef Tauch, and Elizabeth Tausch. In his youth, Tausch visited a Piaristengymnasium, a higher educational institution, in the town of Schlackenwerth, sparking his curiosity in botany. From 1809 to 1812, he attended the Charles University in Prague, where he studied philosophy, medicine, and botany. From 1815 to 1826, he served as a professor of botany at the botanical garden of Emmanuel Canal at Prague. From 1821 to his death, he was a member of the

title: Jean Baptiste Antoine Guillemin

text: of the "Annales des Sciences Naturelles Botanique". The genus "Guilleminea" was named in his honor by Carl Sigismund Kunth. Jean Baptiste Antoine Guillemin Jean Baptiste Antoine Guillemin (January 20, 1796 in Pouilly-sur-Saône – January 15, 1842 in Montpellier) was a French botanist. In 1812 he was apprenticed to a pharmacist in Dijon, and in 1814 moved to Geneva, where he studied with Jean Pierre Étienne Vaucher (1763–1841) and Augustin Pyramus de Candolle (1778–1841). Later he relocated to Paris, where he became curator of the herbarium and library of botanist Jules Paul Benjamin Delessert (1773–1784). In 1827 he worked as an

title: Michael Joseph François Scheidweiler

text: Michael Joseph François Scheidweiler Michael Joseph François Scheidweiler (1 August 1799 – 24 September 1861), was a German-born professor of botany and taxonomist, whose main area of interest was the Cactaceae. From a collection by Henri Guillaume Galeotti, he first described "Ariocarpus retusus", type species of the genus in 1838 in Brussels. He initially worked as a pharmacist and industrial chemist in Siegburg, Cologne and Aachen. In 1830 he settled in Belgium, first in Liege, later in Brussels. Beginning in 1851, he was an instructor at the horticultural college in Gentbrugge. In 1854, the genus "Scheidweileria" (family Begoniaceae) was named

title: John Hutchinson (botanist)

text: section until 1936 when he was appointed Keeper of the Museums of Botany at Kew. He retired in 1948 but continued working on the phylogeny of flowering plants and publishing two parts of "The Genera of Flowering Plants". His profound knowledge of the floral structure of the phanerogams was probably greater than that of any other living botanist. John Hutchinson proposed a radical revision of the angiosperm classification system devised by Hooker and by Engler and Prantl that had become widely accepted during the 20th century. At its simplest, his system suggested two main divisions of angiosperms, herbaceous and woody.

title: Taxonomy (biology)

long_answer: Taxonomy (from Ancient Greek τάξις (taxis), meaning 'arrangement', and -νομία (-nomia), meaning 'method') is the science of defining and naming groups of biological organisms on the basis of shared characteristics. Organisms are grouped together into taxa (singular: taxon) and these groups are given a taxonomic rank; groups of a given rank can be aggregated to form a super-group of higher rank, thus creating a taxonomic hierarchy. The principal ranks in modern use are domain, kingdom, phylum (division is sometimes used in botany in place of phylum), class, order, family, genus and species. The Swedish botanist Carl Linnaeus is regarded as the father of taxonomy, as he developed a system known as Linnaean taxonomy for categorization of organisms and binomial nomenclature for naming organisms.