Roman fresco depicting the fall of Icarus found in the Casa della Danzatrice aka Casa della Ballerino (Pompeii VI 17,10) 01.jpg
unknown 1st century CE Roman artist (original fresco); probably Henri Roux the Elder, 1870 drawing of the original fresco;
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Roman fresco depicting the fall of Icarus found in the Casa della Danzatrice aka Casa della Ballerino (Pompeii VI 17,10) 01, Herculanum et Pompéi, recueil général des peintures, bronzes, mosaïques, etc., découverts jusqu'à ce jour, et reproduits d'apreès Le antichita di Ercolano, Il Museo borbonico, et tous les ouvrages, Frescoes from Casa della Ballerino (Pompeii)
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Roman fresco depicting the fall of Icarus found in the Casa della Danzatrice aka Casa della Ballerino (Pompeii VI 17,10) 01, Roman fresco depicting the fall of Icarus found in the Casa della Danzatrice aka Casa della Ballerino (Pompeii VI 17,10), Roman fresco depicting the fall of Icarus found in the Casa della Danzatrice aka Casa della Ballerino (Pompeii VI 17,10);

Translated Full Plate Description: "This painting, found with the two following ones, in the excavations of Civita, has suffered a lot, but it is worth a lot, in that it represents a fabulous adventure of which no monument of ancient art has preserved a complete description for us. Daedalus, wanting to escape the wrath of Minos, made for him and his son, Icarus, wings, with the help of which they could escape from the island of Crete. The ingenious project of Daedalus seemed to attain the end he had set for himself; but his son wished to approach too near the sun, which melted the wax by means of which his wings were fitted, and the imprudent youth fell into the sea, which took his name (1), and was called the Icarian Sea.
"In our painting Daedalus is clothed in a reddish drapery attached to his belt; he swings in the air and casts a compassionate gaze on his unfortunate son. A fisherman, seated at the edge of the sea, holds a reed in his hand, and has his eyes fixed on the corpse of Icarus:
Hos aliquis, tremula dum captât arundine pisces, Vidit et obstupuit; quique œthera carpere posnent, Credit esse deos (2).
"He is astonished and no doubt takes for gods these men who have had the power to rise into the air. The surprise is also expressed in the attitude of the sailors who sail in a boat. The background of the painting is a sky. The shore, the water, the rocks, the trees and the structure built on the rock are of natural color. This building is perhaps the funeral monument of Icarus (3).
"The second painting of this plate, surrounded by a black frame, represents a landscape painted in natural color. On a mound which occupies the middle rises a pilaster surrounded by shrubs, at the foot of which is placed a theater mask of a bronze color, crowned with ivy and green corymbs. There is also a yellow basket on which leans a thyrsus, and on the other side a pastoral stick. So, It is a bacchanalian subject." - Louis Barré, 1870
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『ダンザトリーチェの赤』に見られるイカロスの没落を描いたローマ時代のフレスコ画。 エルコラ島国立美術館、エルクラヌムとポンペイ、絵画の古参、ブロンズ、モザイクなど。 デクバートのJusqu'àce jour、および『エルコラノの古代美術館』、ボルボンのイル・ムゼオ、そして外壁のフレスコ画。 バレリーノ館のフレスコ画。
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『ダンザトリチェの赤』に見られるイカルスの陥落を描いたローマ時代のフレスコ画。『バレリーノの赤』。『ポンペイ』第6巻第1710)01年、ダンザトリチェの赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤赤ミノスの怒りから逃れたいダエダロスは、クレタ島から逃げることができる翼を息子イカロスと共に作り出した。ダエダロスの独創的な事業は、彼自身が目的としていた終わりに達したように思われたが、息子は太陽に近づきすぎたいと願っており、翼を取り付けることでワックスを溶かし、不屈の若者が海に落ち、彼の名を冠した[1]、イカリア海と呼ばれた。「我々の絵画では、デイダラスは帯に赤い布を纏い、空を舞い、哀れな息子を思いやりのある視線に投げかけている。漁師は、海の端に座り、葦を手に持って、イカロスの死体に目を固定させている。「驚き、天に昇る力を持つこの男たちを、疑いもなく神になぞらえている。船を乗りこなす船員の姿勢にも驚きが表れている。絵の背景は空だ。岸、水、岩、木、岩の上に築かれた構造は自然の色である。この建物はおそらくイカロスの葬送記念碑(3)。「この板絵の2番目は、黒い枠に囲まれ、自然に色づいた風景を表している。中腹の盛り土には、低木に囲まれた柱が立ち、その足元には、と緑の冠をかぶった青銅色の芝居の面が置いてある。黄色のバスケットがあり、そこにはが寄り添い、反対側には牧草杖がある。だから、バッカナルの教科です」と述べる。-ルイ・バレ1870年
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icarus imprudently imprudent wings winged thyrse metic fresco bask louis vi daedalus bacchanalian seat belt pompeii wing corymb assuring misally compassionate fall short of assure