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11 splendid Sunshine Coast lookouts: Beach views

When we first moved to the Sunshine Coast four years ago, I didn’t think there was all that much to discover beyond the beaches. Yes, there’s the hinterland but compared to the lush and gorgeous scenery of the Gold Coast hinterland, it’s rather unspectacular.

But the Sunshine Coast has grown on me. I like this stretch of Australia’s coast a little bit more every time I go out exploring. And one of the best things around here are the scenic views: Of the sprawling coast, undulating valleys and hills, and volcanic outcrops like the Glass House Mountains.

There are far more scenic viewpoints on the coast than I imagined so let’s start with Sunshine Coast lookouts dotted along the coastline.

This is not a lookout, just a pretty beach picture with Mount Coolum in the background

11 Sunshine Coast lookouts worth a visit or two

Some of these lookouts involve a bit of a climb to the top, while for others all you have to do is fall out of your car and admire what’s laid out before you. A few are super popular, others are somewhat hidden gems. Quite a few have picnic tables, which always makes me happy because who doesn’t love a picnic with a view?!

Winter tends to offer the best views as you get clear, sunny days. Throughout summer, there’s much more moisture in the air so everything looks very hazy, if not downright uninspiring at times (unless you can catch some cool storm clouds, of course).

Go early if you can to get the best views and avoid the heat of the day.

1. Mount Tinbeerwah | Tewantin

Distance: 1 km return
Time: 30-45 min (Class 4; paved almost the whole way)
Trail head: Tewantin National Park; carpark at the end of Mount Tinbeerwah Road, Tewantin

I heard about Mt. Tinbeerwah ages ago but only made it up there recently. It’s a fabulous spot with a fire tower that offers almost 360 degree views of the coast! It’s popular so don’t expect to have it all to yourself.

You can see as far as Teewah Beach in the north, along the Noosa River, Mount Coolum towards the south and westwards with all those volcanic outcrops such as Mount Cooroora.

I expect it’s a spectacular lookout for sunrise as you should be able to see the sun come up out of the water and over Noosa National Park.

Sunset and storm clouds at Mount Tinbeerwah

2. Laguna Lookout | Noosa

Distance: o km, park your car and voilá, you’re there
Location: Carpark along Viewland Drive (off Noosa Drive), Noosa Heads

Most popular at sunset, Laguna Lookout (Noosa Lookout) is ideally situated to give you some fabulous views over Noosa River. It’s best at high tide as the river banks won’t look all bare and sandy.

On a fine day, you should be able to see far into the Noosa hinterland.

Overlooking Noosa River

3. Sunshine Beach Lookout | Sunshine Beach

Distance: 1 km return
Time: 30-45 min (very steep sets of stairs)
Trail head: Noosa National Park; park along Seaview Terrace, Sunshine Beach, and then head towards the end of the beach where the trail starts

I suppose this isn’t so much a lookout as just being part of the Noosa coastal track. But regardless, the views over Sunshine Beach are gorgeous, especially on a clear day.

If you just want to admire the view, park at the Sunshine Beach end of Noosa National Park and climb up those ridiculously steep stairs to the top. They’ll get your heart pumping, trust me.

Alternatively, you could do the whole Noosa Coastal Track and park at the Noosa end of the national park. The whole circuit is about 11 km but it’s all pretty stunning!

READ MORE: Exploring the Noosa Coastal Track

View from the top of the stairs: Sunshine Beach in all its glory

4. Emu Mountain | Coolum Beach

Distance:  about 1 km return
Time: 45 min (easy to moderate with a couple of steep-ish sections)
Trail head: Noosa National Park, Emu Mountain section; carpark at Havana Road East, off David Low Way (basically opposite Coolum High School)

Mount Coolum’s little cousin! It’s seriously little, rising only 71 m above sea level. But anyway, you’ll get some lovely views of the coast. It’s more of a local’s haunt, which makes for a nice, relaxed walk as compared to the Mount Coolum lookout.

You can easily turn this walk into a loop, there are a few more trails than what’s indicated on the national park’s map so just go and explore.

But all in all, it’s probably not going to take you longer than 10 min to get to the summit. It’s quite rocky and uneven along the trail and at the top so ideally wear shoes and not flip-flops. I walked up in my hiking sandals and slipped a couple of times (or maybe that was because I’m clumsy).

It’s perfect for those sunrise and sunset shots, and I especially like viewing Mount Coolum looming large in the south from this spot!

View towards Sunshine Beach and Noosa

5. Mount Ninderry | Ninderry

Distance: 3 km return
Time: 1.5-2 hours (easy to moderate)
Trail head: Carpark at the end of Tinarra Close, Ninderry (Google Maps might tell you you can access the walk from Thomson Valley Road – trust me, you can’t)

This is a local gem! I had no idea it existed until my very good friend Anita suggested we go up Mount Ninderry for an easy Sunday walk a few months ago.

The carpark is tiny and it’s mostly locals who come for some exercise or to walk their dogs. You’ll get fabulous views of the coast from the now finished platform at the top, looking directly onto Mount Coolum and the Sunshine Coast Solar Farm.

If you scramble around to the other side, you can gaze into the hinterland and see the sun drop behind the Blackall Ranges at sunset.

Looking towards Mount Coolum with the gleaming solar panels of the Solar Farm in front (late April)

6. Point Perry | Coolum Beach

Distance: 0 km
Location: Carpark just off David Low Way, Coolum Beach

Not a high-elevation point but Point Perry is so close to Coolum Beach, you may as well go and see what the views are from here. On clear days, you can see all the way to Noosa to the north. There are also some picnic tables and BBQ shelters though it can be a bit windy along there.

If you’re starting out in Coolum Beach, take the boardwalk along the beach, it takes you right to the lookout and makes for a nice stroll. Or leave your car in the carpark and meander into Coolum Beach for a coffee break.

Looking towards Coolum Beach and Noosa National Park right at the top

7. Mount Coolum | Coolum Beach

Distance: 1.6 km return
Time: 2 hours but I’d say 1.5 hours or less is more accurate (Class 4; moderate with steep sections)
Trail head: Mount Coolum National Park; carpark at Tanah Street West, Coolum Beach

Without a doubt, the most popular Sunshine Coast lookout for active people!

It’s exercise madness, especially in the mornings when people race up and down the many steps to the top. There’s not a lot of shade along the way so plan accordingly.

The view from the summit is pretty stunning as you get sprawling views up and down the coast from Noosa to Mooloolaba, and even into the hinterland. It is a steep-ish trail but do-able even for small children.

READ MORE: Climbing Mount Coolum

View from Mount Coolum lookout towards Maroochydore and Mooloolaba on a nice clear day in May

8. Point Arkwright | Point Arkwright

Distance: o km
Location: Carpark off Jubilee Esplanade (access from Dewar Street or Andrew Street, just off David Low Way), Point Arkwright

If you’re around the Coolum area, this lookout and picnic spot makes for a lovely little side trip. There isn’t much elevation so you won’t get sweeping views but on a calm day, it’d be a nice spot for a picnic and a wander along the beach.

Pt. Arkwright Lookout on a typical rainy season day: Messy waves, intermittent showers and lots of windswept clouds

9. Lion’s Park Lookout | Buderim

Distance: o km
Location: Street parking along Burnett Street, Buderim

Lion’s Park in Buderim is a lovely spot for a picnic with a view. And if you cook up a BBQ, it’s basically sausages with a view! What could be better?! 🙂 If Lion’s Park is too busy, head to Buderim Village Park along King’s Street: Equally gorgeous views, public BBQs and lots of green space for running around.

I’ve come to Lion’s Park a couple of times for picnics and I always love the views stretching out to the south. On a good day, you can easily spot Caloundra at the southern end of the Coast, and for years, the cranes at the Sunshine Coast University Hospital construction site dotted the horizon.

A super clean public BBQ on a lovely summer day

10. Point Cartwright | Buddina/Mooloolaba

Distance: 500 m return
Location: Carpark at La Balsa Park, Pacific Boulevard, Buddina

Another popular lookout spot on the Sunshine Coast.

Point Cartwright is one of the few spots where you can watch the sun set over the ocean (at certain times of the year) because of how the beach curves. Plus it’s got a lighthouse and tessellated pavement at low tide.

Looking back towards La Balsa Park and the lighthouse

11. Moffat Headland Lookout | Moffat Beach

Distance: o km
Location: Ma and Pa Bendall Park; street parking along Queen of Colonies Parade, Moffat Beach

Some lovely people have created viewing platforms at the Ma and Pa Bendall Park (yep, truly, that is the name of the park!) at the southern end of the Sunshine Coast. The platforms are very nicely located at the headland overlooking Moffat Beach (both the suburb and the actual beach), and guess what, they are popular, especially for sunset drinks in the park.

You’ll catch a nice breeze from there and should be able to see all the way to Mooloolaba along Kawana Beach.

One last sunset on the coast…

And if you’re in the area, the view towards King’s Beach (Caloundra) from the headland is also pretty nice. You’ll not only overlook the beach but you can glimpse the Glasshouse Mountains in the distance.

Check out the map on location specifics, and Mr. Google will gladly tell you how to get there. Your own set of wheels is kind of mandatory, unless you’re big into walking or like spending hours traversing the countryside by bus.

Pin me for later!

Waves and surfers at Point Perry Lookout, Sunshine Coast

5 fabulous things to do at Bunya Mountains
Scenic drive through the Glass House Mountains
Tasting ginger at the Buderim Ginger Factory
4WD-ing into the sunset: Rainbow Beach
Hello Mr. Palmer’s dinosaurs!
Gold Coast or Sunshine Coast?!?

  1. Wow, I’m a local (at times) and haven’t been to half of these places. Thanks for all the great tips! Can’t wait to catch up for a picnic/sausage sizzle soon. Anita x

    • You’re still a local, not just at times. You know it, I know it. 🙂 You should definitely go up to Mount Tinbeerwah with C, preferably on a nice weather day. 😀

Thoughts? Comments? Shout it out. Well, not literally.


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14 Reason Why RSS Feed Readers Unsubscribe

Is your feed count decreasing while your great content is getting better? It is not unusual to see blogs with great content having low number of feed readers. Though you might get a spike in feed counts when your site hits Digg or Slashdot, retaining these readers is the key to success. So why do feed readers unsubscribe?

Here are some very valid reasons and I will just express my thoughts about a few of these points.

  1.  Too many posts – I had subscribed to some top feeds like CNET which had great content, but it was very difficult to keep the unread articles count down. Since I read using the river of news style in Google reader, I had no choice but to unsubscribe. A solution is to subscribe to category feeds, concise feeds, daily digests or weekly round up feeds such sites offer. Get their best content without overwhelming yourself.
  2. Infrequent Posting – A very common reason. Such blogs are the first to get unsubscribed when you go spring cleaning. Why read 100 feeds, 50 of which never update. A exception to this rules is official blogs of your favorite services, which often post occasional announcements only.
  3. Partial Excerpts Feeds – There is no end to this discussion. If your content is good, even partial feeds work. Its just an extra click!
  4. Off topic posts – Stick to your niche. Nothing offends dedicated readers more when a tech blogs starts talking about how you made coffee today.
  5. Recycled News – Everyone is talking the same thing. Just visit Techmeme, or Megite and you know that original bloggers are scarce. We all republish official announcements too often. We all see what is popular and make it more popular. Are we simply multiplicating the same content?
  6. Uninteresting Content -No hope for you. You must have done something great to get them subscribed the first time.
  7. Over self promotion – Offer readers something useful. If you are blogging wonderful stuff – it will promote itself and you too.
  8. Too long posts – People don’t have time to read. You have to keep them motivated enough to read the whole 5000 word article. People are impulsive and impatient. Monitors cause eyestrain, tell them a reason to stay before they get a headache.
  9. Negative blogging – We want to stay happy and optimistic. Give me something useful to read and I will come back.
  10. Feed Errors – Its a feed reader problem. Switch to Google Reader.
  11. Over selling ads – How many ads can you sell on a partial feed. Keep a balance between content and earnings.
  12. Misleading titles – Keywords are not only good for conveying your thought, but for SEO too. Guess this title 198.2
  13. Grammatical Errors – Carelessness is not tolerated. Proofread. Proofread again.
  14. Primary blogger changes  – Every blogger has a unique style which keep people coming back. If I sell this blog, would you unsubscribe? Think about it…

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» » » New Barn Red Lodge Montana Weddings ( Red Lodge Wedding Venues #3)

New Barn Red Lodge Montana Weddings ( Red Lodge Wedding Venues #3)

Photo 3 of 10New Barn Red Lodge Montana Weddings ( Red Lodge Wedding Venues #3)

New Barn Red Lodge Montana Weddings ( Red Lodge Wedding Venues #3)

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barnlike′, adj.

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    become enraged: Snobs make her see red.

  1. of the color red.
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  6. of, pertaining to, or characteristic of North American Indian peoples: no longer in technical use.
redly, adv.

lodge (loj),USA pronunciation n., v.,  lodged, lodg•ing.
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lodgea•ble, adj.

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  1. the act or ceremony of marrying;
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Plein Ciel completes imported double for Darren Weir at Caulfield

Plein Ciel completes imported double for Darren Weir at Caulfield
Plein Ciel remained unbeaten in Australia with a comfortable win at Caulfield. Photo: Darryl Sherer

Odds-on favourite Plein Ciel landed the prize and completed a running double at Caulfield on Monday for imports trained by Darren Weir and ridden by Ben Allen.

Big Duke ($3.50 fav) was an easy winner of the Dennis Hanrahan Handicap over 1800m before Plein Ciel ($1.65 fav) came away late to defeat Royal Applause ($14) by 3 1/4-lengths in the Allan Wicks Handicap (1600m), both in the colours of Australian Bloodstock.

Plein Ciel raced in second place to the home turn in a slowly run race and Weir said the four-year-old son of Mamool is better ridden off the pace.

"It's not the right way to ride him but he rode him to win the race," Weir said. "On the corner I thought 'this will test you out' but he stretched out great late.

"The plan was to try and get a bit of cover but if it was going to be messy then stride forward and stay out of trouble."

Plein Ciel is unbeaten in three races in Australia and Weir said he is content to take a conservative approach with the German-bred.

"There's no real plan. At some stage I'd like to think he'll get into a nice race but we'll just keep stepping up in distance and up in grade and see where he ends up," Weir said.

"There's still a lot to come with this bloke with his manners and looking at him before I thought he was still a bit big in condition so time to up the work I think.

"There's a bit to come with this fella yet."

Weir is taking a similarly modest approach with Big Duke, a five-year-old gelded son of Ravens Pass.

"Early days he didn't want to work and was doing things wrong but he's gradually getting the hang of things," Weir said.

"That was pretty impressive today so we'll poke along quietly and take him through his grades."

Read all News by Darryl Sherer

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174 Reviews

Reviews SWøWalter Benjamin, Early Writings, 1910–1917, trans. and intro. Howard Eiland, Harvard University Press, Cambridge MA, 2011. 320 pp., £20.95 hb., 9 780 67404 993 2. This translated collection of forty-five of Benjamin’s early writings begins with his first published work, a poem that appeared pseudonymously just before his eighteenth birthday, and follows the tempestuous […]


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 Why doesn’t your station name include the word ‘radio’? | radioinfo

Why doesn’t your station name include the word ‘radio’?

Radio Tomorrow with James Cridland

This week, "BBC London 94.9", the local radio station for London previously known as BBC LDN, and previously known before that as "GLR", reverts to its original name of "BBC Radio London".

Radio consultant and talent coach Larry Gifford recently posted a blog sharing his experiences at a Canadian sports game, where he was playing "guess the logo" with a Canadian friend - just trying to guess what companies actually did based on their name. A salutary lesson.

Back in the early days of digital radio in the UK, a lot of stations launched with funky new names. We were given stations called "6music", "The Groove", "The Lounge", "Oneword", "Core", "Chill", "The Arrow" and others. I think this was a mistake.

If the first thing you have to do, when calling clients, is to say "I'm calling from The Bee, we're a radio station" then, it seems to me, there's something wrong.

If you have to put pictures of radio sets on your posters to convey that "Magic" is the name of a radio station and isn't a stage show or a baseball player, then I can't help but wonder about the efficiency of this advertising.

Now: sure, many stations slap an FM or AM frequency onto their logo and hope that it adequately conveys that it's a radio station. "Magic 102.5", "612 ABC Brisbane", "1010 WINS", "106.2 The Bear", and so on. And that's fine: so long as the frequency actually means something.

However, increasingly, radio station frequencies don't mean much. Almost all new platforms don't use them. You don't need frequencies for satellite radio, for online, for DAB, for radio through the TV. Even in the car, most new cars label the presets after the radio station stored there.

Further - regular readers already know I have a bit of a downer on AM's longterm future, and it probably comes as no surprise that I'm not sure many young listeners instantly recognise an AM frequency.

Additionally: there's nothing wrong with the word 'radio'. We went through a patch in the 1980s where we changed the name of radio stations from "Pennine Radio" to "Pennine FM", but almost every listener continued calling it "Pennine Radio" for years afterwards. It does the job, after all.

The word 'radio' (should) mean a great shared experience, a companion, someone you can trust. It's a word that describes much, much more than just a transmission medium. (That, incidentally, is why I'm irked that Pandora has nicked it.)

So I'm delighted to see the BBC reclaim the word 'radio' for BBC Radio London. And, similarly, pleased to see that 'Radio X' is using it too.

It would seem to me that the word 'radio' should always be in your logo; and should always be in your station name - at least, whenever you use it off-air. Why wouldn't you?

James Cridland will be speaking at the Australian Commercial Radio Conference on The Gold Coast, Friday October 9, 2015.

About The Author

James Cridland is a radio futurologist, and is Managing Director of media.info, a companion website to radioinfo and AsiaRadioToday.

He has served as a judge for a number of industry awards including the Australian ABC Local Radio Awards, the UK Student Radio Awards, and the UK’s Radio Academy Awards, where he has also served on the committee. He was a founder of the hybrid radio technology association RadioDNS.

James is one of the organisers of nextrad.io, the radio ideas conference each September, and is also on the committee of RadioDays Europe. He writes for publications including his own media.info, Radio World International and RAIN News.

James lives in North London with his partner and a two year-old radio-loving toddler. He very, very much likes beer.

Radio Tomorrow is a trade mark of Radiowise Productions Pty Ltd.

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JA Veterans Association Offers Scholarships to High School Grads

WASHINGTON — “Although the economy is still slowly recovering, things are apt to be much better in four years. So this is time for this year’s high school grads to prepare for that brighter future.”

That was the message that Dr. Ray Murakami, chair of the JAVA (Japanese American Veterans Association) Memorial Scholarship Program, provided as he announced the start of this year’s competition for eight $1,500 awards.

Noting the high cost of a college education, Murakami observed that even though the JAVA awards could obviously meet only a small part of costs entailed, they serve as a measure of excellence and offer deserved recognition. He urged all eligible 2012 high school graduates to apply.

Christine Larson, a 2010 JAVA scholarship winner.

As in the past, the scholarships represent memorials to loved ones that their families have chosen to remember in this special way. In 2012, the scholarships will honor Orville Shirey, who was the intelligence officer and historian with the 442nd Regimental Combat Team, and, separately, Col. Phil Sunao Ishio, U.S. Army Reserve, and Douglas Ishio, his son. The senior Ishio, a Military Intelligence Service veteran, was the founding president of JAVA.

A prominent benefactor of JAVA, Kiyoko Tsuboi Taubkin, will again be remembered.  Similarly honored are Grant Hirabayashi and Joseph Ichiuji, and, for the first time this year, Mike and Etsu Masaoka, jointly, as well as Dr. Warren Tsuneishi.

Basically, the same program rules that applied last year will govern the 2012 competition.  To be eligible, the entrant must be a graduating high school student, and must be related lineally to a person who served in the 100th Battalion, 442nd RCT, MIS, or a Japanese American who has or is serving in the U.S. armed services. Those similarly related to a member of JAVA are also eligible to apply.

Owing to the eligibility rules, in the past, most applicants have been grandchildren of qualified Japanese American veterans. Overall, as the rules limit the pool of applicants, it increases the chances for receiving one of the scholarships.

One of those grandchildren was Christine Larson, who is now a student at UC Davis. The 2010 scholarship winner observed, “While writing my application essay, I found a new respect for my grandfather and how he has made such a large impact on shaping the young woman I am today. This scholarship was not simply another way to earn money for college but for me to appreciate how influential my grandfather is.”

Larson’s grandfather is James Suzuki, commander of the Veterans of Foreign Wars Monterey Peninsula Nisei Memorial Post 1629.

The competition is now open and eligible applicants are urged to submit their entries as soon as they are able to meet the criteria. One of those is that the application must be accompanied by documentation showing that the entrant has been admitted to an accredited college, university, or some other institution that provides post-high school education or training in 2012.

Since the program has attracted students from a diversity of schools and locations, including one who had been home-schooled, Murakami pointed out that comparing the records of the applicants has not been easy. For that reason, and in order to enable the Awards Committee to differentiate between very competitive applications, each entrant is asked to submit an essay of 500 words or less on the subject: “What winning a JAVA scholarship award will mean to me.”

The panel that will be reviewing the entries are: Sue Okubo, a Ph.D. economist, formerly with the Department of Commerce; Edgar J. Wakayama, Ph.D., an assistant secretary in the Department of Health and Human Services; and Calvin Ninomiya, Esq., formerly a chief counsel in the Department of the Treasury.

The deadline for receipt of completed applications is May 1. This date permits students who are awaiting admission information from institutions that provide notification as late as April l5 to include such documentation with their entries. If an applicant has been admitted to more than one institution and is uncertain about his or her final choice, he or she should provide the admission information already received, and agree to furnish information about the school selected as soon as a decision has been made.

Complete details about the program and the terms and conditions of the contest can be found in materials that will be appearing on the JAVA website, www.javadc.org, where the official application form can be downloaded.

Individual inquiries may be sent to Dr. Raymond Murakami, JAVA Scholarship Program Chair, 6921 Pyle Rd., Bethesda, MD 20817, or [email protected]

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Raiders sign Hankins and McDonald; place Ellis on IR

ALAMEDA, Calif. – The Oakland Raiders have signed free agents DT Johnathan Hankins and DT Clinton McDonald, the club announced Thursday.

Now in his sixth year in the NFL, Hankins joins the Silver and Black after a one-year stint with the Indianapolis Colts, having spent the previous four years (2013-16) with the New York Giants after being selected by the club in the second round (49th overall) of the 2013 NFL Draft. Over his five-year career, the 6-foot-2, 325-pound defensive tackle has appeared in 67 contests and made 56 starts, compiling 184 tackles (113 solo), 12 sacks, seven passes defensed and three forced fumbles. Hankins has started in one postseason contest and recorded two tackles (one) and one sack. Last season, he started in all of his 15 appearances and recorded 44 stops (24), two sacks and three passes defensed in his lone season with the Colts.

McDonald enters his ninth season in the NFL, having spent the last four seasons (2014-17) with the Tampa Bay Buccaneers. McDonald also played three seasons (2011-13) with the Seattle Seahawks after originally being drafted by the Cincinnati Bengals in the seventh round (249th overall) of the 2009 NFL Draft. Over his eight seasons, the 6-foot-2, 297-pound defensive tackle has appeared in 97 contests and made 36 starts, tallying 240 tackles (157), 19 sacks, two interceptions, six passes defensed and five fumble recoveries. His postseason totals include five games played with one start, totaling five tackles and two fumble recoveries. Last season, McDonald made three starts, compiling 29 stops (18), five sacks and one pass defensed.

In a corresponding move, the Raiders have placed DT Justin Ellis on the Reserve/Injured List.

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Cotton Swabs Can Be Dangerous!

I frequently talk to people about their use of cotton swabs. If you read the outside of a Q-tips box, it says not for use inside the ear. However, I don’t think too many people read that.   For many people, using cotton swabs in their ears is a daily ritual to clean the water out of their ears and to get wax out. So why is that dangerous?

Well, as the picture above shows, at the extreme, you can go too deep and pierce your ear drum. If you ever have bleeding, pain and/or a gush of fluid come out of your ear, then you know you’ve gone too far! This could also cause vestibular and hearing problems. Most people want to remove wax from their ears because they feel itchy, sticky or they think their hearing may be affected. We have ear wax, or cerumen, for a reason. A certain amount of wax is meant to be in the ear canal and we need it there for protection. Removing too much of the wax can actually make your ear more itchy. Some people produce a lot of wax and want to remove it as it might be visible or be blocking their hearing. When you insert a cotton swab down in your ear to remove the wax, you more often push the wax further down the canal. Once down it dries out and becomes impacted there. This is more of a concern for blocking hearing and may require a visit to the Doctor for syringing it out.

So what are we supposed to do? You can continue to use cotton swabs on the external ear, but to clean the wax out of the ear, you are best to put a small amount of warm oil or warm water into the ear canal. It will lift the wax out of the canal harmlessly.

So remember what our Grandmothers used to say ” Nothing smaller than your elbow should go in your ear!”

About Susan Rankin

Susan Rankin has been practicing Physiotherapy since 1977. She did her undergraduate work at McGill University and post-graduate study at McMaster University. Susan is a certified Vestibular Therapist as designated by Emory University. In preparation for research on rehabilitation of the facial nerve, she was trained in the techniques of facial retraining by a therapist from Dr. Balliet’s clinic. She has been practicing the technique since 1986.
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      I highly recommend this practice. My case and options were explained accurately and in a manner which I could understand. My questions throughout my case were answered in a timely manner which I really appreciated. Thank you once again Mr. Ratish. Sincerely, M. Cabrera
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      Mr. Ratish was a pleasure to work with. He provided all the information about my case in a way that made practical sense which enabled me to feel a sense of control over an already stressful situation. I highly recommend his services.
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LiposuctionJunk in the Trunk

3 Ways to Bring Out Your Inner Beyoncé

Hiker cheeringYes, you too can have the badonkadonk of the world’s favorite pop star… without the wealth, global influence, or talent, of course. Here’s how a few cosmetic surgery procedures can make you truly bootylicious.

1. Brazilian Butt Lift

A Brazilian butt lift involves taking fatty tissue from the patient’s own reserves (usually the belly or thighs) and injecting it into the buttocks. The result is a smooth, tight bottom and overall curvaceous silhouette.

The greatest thing about this glorious procedure is the fact that the surgeon only harvests from your own natural cellular bounty. No implants—just your own tissue. You lose unwanted fat from one place, and hey presto! Gain a nicely sculpted rear!

2. Liposuction

Getting a pinup-type physique is, more often than not, more a matter of symmetry than just having a single body part pumped up. If you need slightly more fat removal than what the Brazilian butt lift typically provides, or if you don’t necessarily want your booty fully Beyoncé’d, you can always opt for targeted liposuction. Some liposuction candidates can achieve a dramatic hourglass shape just with the help of a little judicious lipo.

3. Breast Augmentation

An hourglass without the top half is actually kind of a decanter, which historically isn’t synonymous with fecundity, femininity, or even physical attractiveness. If you want to achieve a true va va-voom-type body, you’ll need your upper as well as lower body to be bangin’. Now, you don’t necessarily need gigantic gazongas to get the desired affect, but some nice fullness up top will accentuate your curves below.

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Hummingbird Electric Indoor Helicopter

The All-New Century Hummingbird is the perfect electric helicopter for indoor flying and calm days at the park. Truly ready-to-fly, just open the box, and you will be hovering around the living room in just under 1 Hour! At just over 9 ounces, it will fly for 7-10 minutes on the supplied 7 cell NiMH battery and included charger.

This extremely durable hummingbird helicopter is just what every hobbyist needs, as it does not take experience or even a simulator to fly this ultra stable fixed-pitch helicopter.

Century Hummingbird V4 RTF w/ELite 6Ch FM comes with all the works: 6-channel, two stick radio with servo reversing, LCD screen, trainer port, two servos and charge jack for optional NiCds!

Requires installation of the servos, gyro, and receiver with the included double sided tape. Total installation is very simple and takes only about 10 minutes to complete! The only hard part about it is charging the battery. Time to have fun!

I do have one important tip for you when setting up your Hummingbird. And that is to ensure that the rudder lead that goes from the esc/mixer/Hummingboard is plugged into the proper connector on the century gyro, because it can be plugged in both ways. And getting them reversed will cause you to have spin-up problems.

More on the Century Hummingbird
Indoor electric Helicopter

Century RC Helicopters
For more info on Century rc Helicopters click here.

RC Plane Talk.com - Remote Control Planes, R/C Shops, Tips And More!
Be sure to Check out our main page for more electric and nitro gas powered planes and helicopters.


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Composition of Time and Place

Eric Gill

The world is not yet clothed in garments which befit it; in architecture, furniture, clothes, we are still using and wearing things which have no real relation to the spirit which moves our life. We are wearing and using them simply because we are accustomed to them. The intellectual excitement which moves individual designers does not affect the mass of people. The majority still think Gothic architecture to be appropriate to churches, tho’ Gothic architecture is simply a method of building appropriate to stone and is not really more Christian than Hindu. We still make tables and chairs, even when we make them by machinery, with the same ornamental turnings & cornices & so forth as when furniture-making was the job o f a responsible handicraftsman. We still wear collars and ties, whether we be kings, clerks or furnace men, though there is no necessity for a collar or a tie in any of these trades. All this is merely intellectual sloth; nobody can be bothered to live according to reason; there is even a strong national feeling of distaste for any attempt to do so. Doubtless a distrust of human reason is reasonable, but few adventures are more honourable than an attempt to live by it.

Now the chief and, though we betray our personal predilection by saying so, the most monstrous characteristic of our time is that the methods of manufacture which we employ and of which we are proud are such as make it impossible for the ordinary workman to be an artist, that is to say a responsible workman, a man responsible not merely for doing what he is told but responsible also for the intellectual quality of what his deeds effect. That the ordinary workman should or could be an artist, could be a man whom we could trust with any sort of responsibility for the work he does, or proud of anything but that kind of craftsmanship which means skill and attention as a machine operator (and that responsibility is a purely moral one) is an idea now widely held to be ridiculous; and the widespreadness of this opinion proves my point as well as I could wish. When I say no ordinary workman is an artist, no one will say I am lying; on the contrary, everyone will say; Of course not.

Such is the state of affairs, and its consequences should be obvious. That they are not is the cause of the muddle in which manufacture is at present to be found. For in a world in which all workmen but a few survivals from pre-industrial times, a number so small as to be now quite negligible, are as irresponsible as hammers and chisels & tools of transport, it should be obvious that certain kinds of work which w ere the products proper to men for whom work was the natural expression of their intellectual convictions, needs & sympathies, as it was of those who bought it, are no longer either natural or desirable. If you are going to employ men to build a wall, and if those men are to be treated simply as tools, it is imbecility to make such a design for your wall as depends upon your having masons who are artists. The 19th century architects’ practice of designing ornamental walls and drawing out full size on paper every detail of ornament is now at last seen to be ridiculous even by architects; it is now understood that ornament is a kind of exuberance and that you cannot be exuberant by proxy; nineteenth century attempts at so being are desolate, and a world which desires pleasure more than anything else finds itself surrounded by things that please no one but fools.

It is now clearly understood that modern building must not rely upon ornament, it must rely simply upon grandeur, that is integrity and size. There are things which can be measured; with these alone can the modern architect, employing the modern workman, concern himself. Of beauty there need be no lack, for the beautiful is that which pleases being seen, and those things are pleasing when seen which are as nearly perfect as m ay be in their adaptation to function. Such is the beauty of bones, of beetles, of well-built railway arches, of factory chimneys (when they have the sense to leave out the ornamental frills at the top), of the new concrete bridge across the Rhine at Cologne, of plain brick walls.

There is nothing specifically human about such things or in such beauty. They are not redolent of man's delight in himself or of his love of God. But that is neither here nor there. We have elected to order manufacture upon inhuman lines; why should we ask for humanity in the product? Whether the present system will or can endure is simply irrelevant to this essay. The manifold injustices and miseries which seem to be its accompaniment may or may not be inevitable, & in any case are not here our concern; the conditions under which things are made, the material conditions, the technical conditions, are alone relevant. We are simply concerned to discover what kind of things can be made under a system of manufacture which, whatever its ethical sanction or lack of sanction, is certainly the system we have, the system of which we are proud and the system few desire to alter.

It is necessary to say a few more words about the word ‘artist’. We affirm that the word Art means skill, that a work of art is a work of skill, and an artist one who is skilful at making things. It would appear therefore that all things made are works of art, for skill is required in the making of anything. And in spite of industrialism this remains true. But, as we have said, the ordinary workman has been reduced to the level of a mere tool used by someone else. However much skill he may have in his fingers and conscientiousness in his mind, he can no longer be regarded as an artist, because his skill is not that of a man making things; he is simply a tool used by a designer and the designer is alone the artist.

Another thing that must be made clear is that we are not at all oblivious of the real distinction between what the ordinary person nowadays calls art, and the other things. Picture-painting, sculpture, music, are indeed art par excellence, but that they alone are now called art is not because they alone are or can be art, but because they alone to-day are the work of men not only skilful, and not tools in the hands of another, but workmen responsible for the things they make.

Even those higher flights of human skill, about which the critics make so much trouble, those paintings, sculptures, & compositions of music in which human emotion seems to play so large a part that it seems as though emotion were the substance of such works, even these are things demanding skill in their making, and we prefer to call them ‘Fine Art’ to distinguish them, rather than to deny the name of Art to things whose primary purpose is to supply merely physical conveniences.

The ordinary workman, then, is not an artist; he is a tool in the hands of another. He is a morally sensitive tool, but now, in spite of the continued survival of the old fashioned workman (tho’ such survivals are necessarily becoming rarer in the ranks of ordinary workmen), he is not intellectually sensitive. It is clear, therefore, that no demand must be made upon him which calls for anything but good will. As in architecture it is now recognised that even plain masonry must be left from the saw — a chiselled surface has no longer any value — so in all other works & especially in those of factory production, wherein labour is subdivided as much as possible & the product standardised, everything in the nature of ornament must be omitted and nothing must be put in which is not strictly a logical necessity. Houses, clothes, furniture and all appliances and convenient gadgets must be so made; and this is not because we hate ornament & the ornamental, but because we can no longer procure such things; we have not got a system of manufacture which naturally produces them, and, most important of all, if we insist on the ornamental we are not making the best of our system of manufacture, we are not getting the things which that system makes best.

The process by which a railway locomotive has become the beautiful thing it now is, by which the less ostentatious motor-cars have become objects of delight to those who see them, by which plain spoons and forks achieve that quality of neatness which gives nearly as much satisfaction as the best Queen Anne silver, this process must be welcomed in all other departments of manufacture. And if the human race is really convinced that it cannot forgo ornament and the ornamental it must, for the making of such things, have recourse to those workmen who remain outside the industrial system, painters, sculptors and poets of all kinds, in whatever material they work, whether words or wool, & be prepared to pay highly; for such things cannot be cheap when artists and poets are not ordinary workmen but highly intellectual and self-conscious people. And ornamental typography is to be avoided no less than ornamental architecture in an industrial civilisation.

Let us take it for granted, then, that the ordinary workman is no longer an artist; and further that no operation is to be regarded as one for which the workman is intellectually responsible; such intelligence as he has is to be directed solely to the welldoing of what he is told to do. We may leave it to the directors of industry to see to it that labour be properly subdivided & rationalised in accordance with the dictates of economy; we may leave it to politicians & moralists to see to it that the physical conditions of the workers are hygienic & morally justifiable. We, neither directors of labour nor politicians, are solely concerned with the kind of the things made. It is no longer permissible to design things with no reference but to our own pleasure, leaving it to engineers to design machines capable of making them; our business is now to design things which are suitable for machines to make. And this is not to say that we accept the limitations of machines as they are to-day, but that we accept the limitations of machinery as such. Moreover, and this is even more important, we are not saying that the machine is the arbiter in design: the mind is always that. The shape of A cannot be changed at the bidding of any machine that is or could be made. But, taking the shape o f A to be that which the judgement of the mind lays down, we have to conform it to the nature of the machine, and not attempt to impose upon mechanical production either those ornamental exuberances which are natural and proper enough to human beings working with their hands or those peculiarities of detail which are proper to the pen, the chisel, and the graver.

But while it is clear that the determining principle of an industrial world (what the theologians call its soul) is such as we have described — the perfection of mechanical manufacture, the obliteration of all intellectual responsibility in the workman, the relegation of all humane interests to nonworking hours & the consequent effort to reduce working hours to a minimum — it is equally clear that the outward appearance of our world shows at present very little of the principle which inspires it. The merest glance at the Fleet Street of 1931 shows how little we have yet put on the garb of an industrialism shorn of pre-industrial enthusiasms. We can still endure, tho’ with an increasing sense of their ridiculousness, the imitation gothic Law Courts, the quasi-classical West End branch of the Bank of England and all the gimcrack stucco buildings of the nineteenth century. Even the new building of the newspaper called The Daily Telegraph, for all its air of modernity, is only an architectural essay in stone stuck on the front of an iron framework; and the sculptures & ornaments which adorn it show how far we are yet from a complete expression of our belief in mechanical perfection and its functional beauty. It is certain, moreover, that we shall never achieve a complete expression, - for, quite apart from our notorious readiness to compromise, the essential inhumanity of industrial methods acts as a tonic to the forces which oppose it. However nearly complete the victory of mechanised industry may be, it can never obliterate the fact of human responsibility, & there will always be many who will choose to be masters of their own work & in their own workshops rather than masters of other men working under sub-human conditions, that is to say conditions which deny them intellectual responsibility.

There are, then, two worlds & these twain can never be one flesh. They are not complementary to one another; they are, in the liveliest sense of the words, mortal enemies. On the one hand is the world of mechanised industry claiming to be able to give happiness to men and all the delights of human life — provided we are content to have them in our spare time and do not demand such things in the work by which we earn our livings; a world regulated by the factory whistle and the mechanical time-keeper; a world wherein no man makes the whole of anything, wherein the product is standardised and the man simply a tool, a tooth on a wheel. On the other is the languishing but indestructible world of the small shopkeeper, the small workshop, the studio and the consulting room — a world in which the notion of spare time hardly exists, for the thing is hardly know n and very little desired; a world wherein the work is the life & love accompanies it.

This is an extract from the first chapter of An Essay on Typography, originally published by Sheed and Ward, London, 1931.

THE IDEAL BOOK by William Morris


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21 Sep 2018, 00:00:00 (PRT)
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Modding Tutorials Information and tutorials related to modding BF2.

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Old 01-31-2007, 10:21 AM   #1
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Arrow Setting Up the BF2 Editor for PR Mapping/Modding

This tutorial is so you can setup a modification that is more or less a clone of the PR mod but can be used for map editing, map testing and general modding without conflicting with your main PR and BF2 files so you can still play in public servers with normal PR or BF2.

Tools Required:
  • 7Zip ~ A tool like win zip, but better in many ways. Used to compress and exstract .zip and .rar files.
    (Download: WinRAR download and support)
  • BF2 Editor v3~ used to crate maps etc. Install into your main PR folder.
    (Download: PR - BF2 Editor v3 [BETA]) - All files in this zip go in Program Files (x86)/Project Reality/Project Reality BF2/ or where you installed PR:BF2.

1. Getting Started
First you need the most recent versions of the BF2 Editor and PR installed on your machine before you can continue.

For this Tut I'm going to be using BF2 Editor v3(linked above) and PR v1.3

This tutorial should be more or less compatible with other versions of PR and the BF2 editor but may vary slightly, will try to keep this tut upto date as best as possible with any major changes, thou you should use the most upto date versions of each available to you.

2. Cloning the mod
Once you have done that, we can now get down to business.

First go to: "C:\Program Files x86\Project Reality\Project Reality\mods\" (default install path, may vary)
You will see in that folder a "pr" folder, and maybe more if you have other mods installed but we only need the pr folder.

Copy and paste the "pr" folder into the same folder so you end up with a "copy of pr" folder. It may take a few mins for it to clone the pr mod folder since it is quite large...

3. Creating "pr_edit"
Now rename your "copy of pr" folder to "pr_edit".

4. Getting your content ready
So now we have our basic mod setup but we still need to do some work before this can be usable by the editor. We need to extract all content that is currently compressed into .zip files so that the editor can open them. We do this as follows:

go to: "C:\Program Files x86\Project Reality\Project Reality BF2\mods\pr_edit\content" and locate the following zip files:
  • objects_common_client & objects_common_server
  • objects_statics_client & objects_statics_server
  • objects_vehicles_client & objects_vehicles_server
  • objects_weapons_client & objects_weapons_server

Copy them all to "C:\Program Files x86\Project Reality\Project Reality BF2\mods\pr_edit\objects". If this folder doesn't exist you have to create it.

Select all of the .zip files, right click on them and click "Extract Here". This will take some time like above, and overwrite any files it asks you to.

What we have done here is allow the editor to read the PR object files as the editor dose not like looking inside .zips for files and can't edit them if they are in a .zip

5. Setting up your Lightmap Samples
NOTE: These are not initially required & are only required if you lightmap your map in the BF2 Editor, which is not recommended and it is recommended that you generate your lightmaps in 3DsMax (click here for more info) for better and quicker results, and do not require these samples.
In the final stages of crating a polished map, it is necessary to generate lightmaps for your terrain and static objects. Lightmaps in a nutshell are pre-calculated light so the client ingame dose not need to have his CPU maxed out working where all the shadows are going to be etc. To be able to generate lightmaps for your static objects, you will need to have lightmap samples for them (unless you want to generate your lightmaps in 3DsMax and not in the BF2 Editor but that is some pretty advanced stuff there). So unless you do not plan on generating any lightmaps for any maps (ie, you only want to do coding or gameplayobject tweaking), you will need to install these lightmap samples.

Download the following master set. This includes BF2 static lightmaps samples. and custom PR statics lightmap samples. First you need the stock BF2 Lightmap Samples.
Once you have them installed, you can then download and install the PR Lightmap Samples. PR's Lightmap Samples are setup in a different way from the stock BF2 Lightmap samples, but its just as easy to install them.
  1. First download the PR lightmap samples here: (1.5GB)(Last Updated: 03/03/2016)
  2. Once downloaded, extract the .zip to: "C:\Program Files x86\Project Reality\Project Reality BF2\mods\pr_edit\objects\" and overwrite anything it asks you to.

6. Setting up your editor

Now we need to set up the editor to work with our new pr_edit so you can load all the statics etc.

First its best if you install these files that will help you crate maps for PR by making the editor more compatible with PR's settings etc. Download this .rar and install it into your main PR folder so the folders match. (overwrite any files it asks you to).
Inside it are a few editor files and little extras to help you
NOTE: in addition to this to get the most upto date object spawner templates, you should copy the "bf2editor" folder out of "\project reality\mods\pr\readme\" and paste it into your Project Reality folder, overwriting the folder with the new one. Do this after you have exacted the above "PR_EDIT.rar" otherwise you will have the old object spawner templates.

Now after you have done that, start the editor(always start editor in Win XP compatibility!) and when it gets to the "Select Startup MOD" Screen, click on "pr_edit" and press ok.

Should load up pretty fast as, at the moment, it's not set to load up much.

Now we need to go to the mod manager to tell it what we want it to load. In the toolbar of the bf2 editor go to: Mod > Mod Manager...

In the Mod Manager click on the tab "Editor Content" and in there check every box in the list. If it has a white box next to it it is unchecked and will not load, if it has a green box it is checked and will load the content related to it. (IE: Common, Dynamic Objects, Effects, etc.)

Then click ok, will take a few mins to sort it out.

7. The Layer Properties Window

Due to the addition of 128 player layers and game modes that weren't used in vanilla BF2, you now need to alter the LayerInit.con.

1) If you have the editor open, go ahead and close it.
2) Go to this folder: "Project Reality BF2/bf2editor/mods/pr_edit"
3) Open the file called "LayerInit.con"
4) Delete the text and copy this in its place:

LayerManager.CreateDefaultFilter gpm_cq "AAS"
LayerManager.CreateDefaultFilter gpm_cnc "Command & Control"
LayerManager.CreateDefaultFilter gpm_insurgency "Insurgency"
LayerManager.CreateDefaultFilter gpm_skirmish "Skirmish"
LayerManager.CreateDefaultFilter gpm_vehicles "Vehicle Warfare"

LayerManager.CreateDefaultPlayerFilter "16"
LayerManager.CreateDefaultPlayerFilter "32"
LayerManager.CreateDefaultPlayerFilter "64"
LayerManager.CreateDefaultPlayerFilter "128"
5) Save the file and open the editor.

Now when you create a new layer, the editor will show the following window, giving you all the options you need for PRmaps:

8. Advanced Tips
Now your editor is basically set up to map for PR without conflicting with your other files etc.

If you have already started a map, and want to now work on it with your new pr_edit mod, all you need to do is copy the map folder from "/*mod name*/levels/" and copy the map from there to "/pr_edit/levels/" then load up the editor and you will be able to load it etc

If you add new custom statics or w/e you want in your map, simply put them into your pr_edit mod in the right place, and if you also want to test with them pack them up into the .zips

Pack includes a "reminder" which is a little pin, that wont show up ingame etc. Place these on bugs etc or things that you need to redo or w/e, then you can browse though all the reminder pins in your map when you want to sort out the bugs.

In the pr_edit folder, you'll notice shortcuts so you can load BF2 using the pr_edit folder and check out your map without altering the main pr folder. Those shortcuts have been set up for the default location, so (depending on your computer configuration) you may have to right click on the shortcuts and change the location in the properties window so it points to the correct folder.

A complete list with good Mapping tutorials can be found here.

Hope this helps you make some new maps for PR!

(Last Updated: May 31, 2015 - Update for v1.3)

Rhino is offline
Last edited by [R-DEV]Rhino; 03-02-2018 at 06:55 PM.. Reason: Updated info about layers
Old 02-03-2007, 12:16 PM   #2
Retired PR Developer

IronTaxi's Avatar

another thing that i have always done is to unload all of the pieces of the editor i dont need... fro example the effects,material,animation editors...i basically need the terrain and static/primary editor only so unload all others and the loading time goes way down...

i believe its in the mod manager..

IronTaxi is offline
Old 01-30-2010, 09:55 AM   #3
PR:BF2 Developer
Supporting Member

Rhino's Avatar
Default Re: [Tutorial] Setting up the BF2 Editor for PR mapping/modding

This is not a topic to ask general questions on the editor, if you have a question, make a new topic about it.

Since no one has got this message after it's been repeated many times, I'm now locking this topic and will be cleaning up all the crap.

Cheers, locked.

Rhino is offline
Old 05-31-2015, 08:17 AM   #4
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Default Re: Setting Up the BF2 Editor for PR Mapping/Modding

Updated for v1.3 and removed all broken image links. I don't have PR installed right now to test this but I'm sure it will work as nothing really changed.

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Bio-Buildings are carbon 'banks'

We have been visualising how material in construction can have a positive impact on carbon dioxide levels. This is how a building can ‘bank’ carbon through natural construction materials.

Building with bio materials like straw and wood locks up carbon. The visualisation below shows the amount of carbon captured within different materials.  The use of bio-based materials has been met with scepticism from architects, insurers and contractors.  That is now changing as bio materials become mainstream in the construction industry. Seeing the ‘carbon-capture’ potential of these sorts of buildings could help those in the sector consider the full potential of working with these materials. The bubbles here represent a carbon saving.

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Compile Pure data patches with free online Heavy compiler

You can now use our online compiler to turn almost any vanilla Pure data patch into C source code. The service is free and open to anyone to use, built on open source projects, and you don’t have to be a customer or own an OWL to use it!

Since the beginning we have been using Enzien Audio’s Heavy compiler to turn Pure data OWL patches into C, which we then compile to optimised machine code for the OWL and Javascript for the patch library. Enzien Audio have now closed shop, but have very generously decided to open source hvcc, the Heavy compiler. Thanks to this we can still support Pure data patches for the OWL.

To make it easier for Pure data users to use Heavy and to provide continuity for existing Heavy users we have now extended our online compiler, so that non-OWL patches (ie general Pure data patches) can be compiled to C source. The C source can then be used to build VST plugins or integrate with games engines like Unity, Unreal or Wvise.

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Next go to PATCHES, select MY PATCHES, and click CREATE PATCH.

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3 replies on “Compile Pure data patches with free online Heavy compiler

  • dreyes999

    Hi! Thank you so much for making this available online! Really appreciate it. I’m following this tutorial by Igor:
    And I notice that your online compiler does not build the Wwise Windows 64 bit target. So I cannot find these files:

    Can I be pointed in the right direction as to how to get these files? Thank you!

  • Martin Klang

    Hi there,

    initially we only supported the basic C target.

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    If you recompile you will find that the download zip file includes all the target specific output as well.

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360 Materials Re-handler ITSSAR Training Course

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Our 360 Degree Materials Re- Handler Training Course ensures that you – and your business – are covered by the Health and Safety Executive regulations. The Provision and Use of Work Equipment Regulations (PUWER) 1998 require employers to remove or control risks in the use of equipment. You must provide adequate information, instruction and training to employees before they use equipment.

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CloudForms Management for VMware Environments

Red Hat® CloudForms helps VMware customers accelerate service delivery and reduce the time spent on low-value tasks by providing self-service ordering with complete life-cycle management. Red Hat CloudForms also gives IT operations teams the visibility and control they need to ensure security, performance, and capacity for all virtual machines in their VMware environment. Red Hat CloudForms helps maintain virtual machine compliance with corporate, industry, or government requirements—thus reducing the risk associated with VMware environments and freeing resources from day-to-day management tasks. The result is reduced costs and time spent provisioning and managing VMware infrastructure.


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National Historic Preservation Month

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During the annual National Historic Preservation Month, Redwood City's community can all play a part in celebrating our local history. There are school tours of Downtown historic sites, a Union Cemetery Historic Site Tour, and special recognition of that celebratory week by the City Council. And year-round, everyone can enjoy viewing many of Redwood City’s historic treasures by taking the self-guided “Path of History” walk Downtown.

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REEF2REEF Saltwater and Reef Aquarium Forum

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4-Way Flat 96" Trailer End Plug Rigid
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What Are Some Topic Ideas for an Argumentative Essay?

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Any topic that has two sides to it and is able to be researched is an acceptable topic for an argumentative essay. Some strong examples of good argumentative essay topics are whether technology in schools is positive or negative, whether cigarette smoking should be legal or not, whether English should be the official language of the United States or not, whether video games negatively or positively affect children, and whether the alcohol drinking age should be increased or decreased.

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The best argumentative essay topics are topics that the author is both passionate about and committed to thoroughly planning and researching. Passionate support and ample planning of the topic of choice help form a focused, cohesive argument, and research helps support this argument with solid evidence and facts. Research and facts may not only be used to support the author's view, but they may also debunk the opposing view. Argumentative essays often attack or disprove the opposing view to further show how the author's view is better.

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How Do You Clean a Bathtub Drain That Is Clogged With Hair?

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To clean a bathtub drain that is clogged with hair, remove hair caught in the grate, expose the overflow pipe, fill the tub with water, break up the clog with a drain snake, and cover the overflow pipe. The required supplies include a drain snake, pliers and a wire hanger.

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Full Answer

Use pliers to make a hook out of a metal coat hanger. Pull out the hairs stuck in the drain grate, and run hot water through it. If the drain remains partially clogged, unscrew the overflow pipe cover. Feed a drain snake through the pipe until you hit the clog, and then move the snake back and forth while turning the crank. When the crank turns freely, the clog is gone. Turn the crank in the opposite direction to retract the drain snake, lift it out of the overflow pipe, and reattach the cover.

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What Is the Appropriate Care for GloFish?

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GloFish require neutralized water that is free from chemicals such as chlorine and ammonia. They subsist on flaked food and live food, such as brine shrimp. These fish should not be overfed, as any uneaten food will pollute the tank. The best water temperature for GloFish ranges between 72 and 80 degrees Fahrenheit. Each month, approximately 25 to 50 percent of the GloFish's water should be changed.

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GloFish require adequate lighting during the day and darkness at night. They benefit from the use of an aquarium filter to remove toxins from the water. GloFish should be kept in groups, as they are schooling fish. They should be kept in a proper tank, rather than a bowl, and should not be overcrowded. Tanks should be kept away from direct sunlight and heating lamps to avoid harmful algae growth.

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How Do You Buy a Virgin Mobile USA Top-up Card?

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As of 2015, Virgin Mobile top-up cards can be purchased from major online retailers such as Best Buy, Amazon.com or Walmart. Some retailers send electronic codes rather than physical cards.

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Some retailers, such as Walmart, send top-up cards via email delivery, but Best Buy mails a physical card as of 2015.

Virgin Mobile allows customers to use their top-up cards on its website to add airtime by providing Virgin Mobile phone numbers, PIN numbers for their cards and optional promo codes. Virgin Mobile also accepts credit or debit cards to purchase top-up amounts directly on its website as of 2015.

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Accounts Administrator

Job Title: Accounts Administrator
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REF: J2680_1504878498
Contact Name: Rosa Frith
Contact Email:
Job Published: about 1 year ago

Job Description

An exciting opportunity exists for an Accounts Administrator role within a well-established Leicester based company. This role will initially be offered on a fixed term contract for 6- 12 months to cover maternity leave, however for the right candidate there is good possibility that this could lead to a permanent position within the company.

Salary £8.50 - £9.50 per hour depending on experience
20 days holiday plus Bank holidays
Genuine opportunities for career progression
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Apartments for Rent near Deer Creek Middle School - 171 Rentals available

  • Apartment
    13310 W Coal Mine Ave, Littleton, CO 80127
    $1,192 - $2,614
    • 1-3 Beds
    • 1-2 Baths
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  • Apartment
    12044 West Ken Caryl Circle, Littleton, CO 80127
    $1,430 - $3,035
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  • Other
    7317 South Platte River Parkway, Littleton, CO 80120
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    8000 W. Crestline Avenue, Littleton, CO 80123
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  • Apartment
    8801 West Belleview Avenue, Littleton, CO 80123
    $1,170 - $2,065
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  • Apartment
    7501 S Utica Drive , Littleton, CO 80128
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Deer Creek Middle School Overview

9201 West Columbine Drive, Littleton, CO 80128 , Tel: +1 (303) 982-3820 Jefferson County R-1 School District
  • GreatSchools Rating
  • See latest reviews
    Type: Public Middle School
    Grades: 6-8
  • 678

School data provided by GreatSchools School data provided by GreatSchools. The GreatSchools Rating is a simple tool for parents to compare schools based on test scores, student academic growth, and college readiness. It compares schools across the state, where the highest rated schools in the state are designated as 'Above Average' and the lowest 'Below Average'.

Deer Creek Middle School Ratings & Reviews

September 17, 2015 Submitted by a student
Deer Creek is an amazing school! I'm in 8th grade and I love it. I used to go to Falcon Bluffs Middle school, but I thought the teachers there were awful and I had a hard time learning. Now at Deer Creek 7th and 8th grade have been the my most amazing middle school years! I would definitely recommend Deer Creek to anyone looking for a great education.
March 05, 2011 Submitted by a community member
I attended this school, and it was very well-run, and has amazing teachers. The staff work to meet each child at their place of need.
September 17, 2007 Submitted by a student
it is an excellent school to go to. it has the greatest teachers.
April 12, 2007 Submitted by a parent
My daughter attended Deer Creek (after moving from Connecticut) for 2 weeks and we then transfered her to Falcon Bluffs. The counselors at Deer Creek were poor at best. The bulletin boards were full of outdated material, much of which was from the previous year. When withdrawing from the school, my daughter was sent to interupt each of her classes to receive a final grade on her withdrawal slip. She was embarrassed and humiliated explaining herself in front of her peers. This school lacks leadership!
More Reviews of Deer Creek Middle School

Average Rent in Ken Caryl, CO

  • Ken Caryl, CO Average Rental Price, September 2018$1,501/mo
  • 1 Bedroom$1,376
  • 2 Bedrooms$1,522
  • Studio$1,119
  • 1 Bedroom$1,359
  • 2 Bedroom$1,674

Ken Caryl, CO Apartment Rent Ranges

  • $1,001-$1,50054%
  • $1,501-$2,00042%
  • > $2,0004%

Ken Caryl, CO Education Statistics

  • No High School1%
  • Some High School24%
  • Some College27%
  • Associate Degree9%
  • Bachelor Degree26%
  • Graduate Degree13%

Apartments and homes for rent near Deer Creek Middle School

Your child’s education is your top priority. We know that because—well, you’re looking at this page, aren’t you? If you think your kid would feel right at home at Deer Creek Middle School, and you are contemplating moving closer so the little rascal will never miss a class, we have some good news for you and your family. Commute will never be an issue if you pick an apartment within 5 miles of Deer Creek Middle School, and that should not be hard as you can currently choose from 171 apartments for rent available in this part of Littleton. Not familiar with rent prices in the area? The cheapest apartment near Deer Creek Middle School is currently at Cottonwood Creek, renting for $1,170 per month, but if $5,717 is still within your budget, check out the more luxurious offers at Mountain Gate. Or just do what most other parents do and go for the middle ground—that’s where you get the best value for money most of the time.

Things you should know about Deer Creek Middle School

Before you start packing, make sure Deer Creek Middle School is really the best option for your child. To recap, Deer Creek Middle School is a well-known public 6-8 school in Littleton. It is located at 9201 West Columbine Drive, Littleton, CO 80128 and it is the second home of 678 students. Please note that available apartments near a given school are filtered by proximity, not by attendance zone. We advise parents to visit the schools in person and contact the admissions offices for further information on school performance and attendance zones before making a final decision.

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