This is a concept piece with a long-winded back story:  In the
late 1950's through the 1960's, the movie industry split into
two distinct tiers. The top tier was the Hollywood
establishment, the major studios and national theater chains who
chased blockbusters and catered to the censorship-minded powers
of that era. The lower tier was a motley network of independent
theaters, regional chains, drive-ins, and storefront theaters
who screened whatever they could get their hands on that could
possibly make a buck. This has been referred to as the
"grindhouse" circuit, and it gave birth to a new genre of
moviemaking called "exploitation".  Exploitation cinema
originally meant exploitation of the audience - literally
suckering people into buying tickets with the expectation that
they would see something (naughty) that would not actually be
delivered. Exploitation movies were made as cheaply as possible
with all of the creative effort applied to the posters and radio
spots to reel in the ticket-buyers. A profitable