Also in this section…?  'A Grey Hunter with a Groom and a
Greyhound at Crewsell Crags', about 1766  Painting with a grey
horse and groom with a greyhound with a rockface in the
background  © Tate Britain, London 2006    Competition winner
The winning label text is written by Frances Hurst, aged 6, from
Tiverton, Cheshire:  "You can tell the groom is less important
because the groom is painted with a shadow on his face whereas
the animals show more emotion because they’re painted more
clearly.  I’d like to know that dog because he looks friendly."
Highly commended  Terry Duffy, Garston:  "I like the intimacy of
this scene. We are allowed to witness the meeting of horse and
hound - and see that their common connection is through the
groom. Stubbs composes the scene in such a way that the line of
the groom's arm acts as the link between both animals' heads.
There is a serenity to the picture that is emphasised by the
relaxed posture of the groom and his disinterested gaze, and the
elegance and static form of t