Nadia Hironaka and Matthew Suib's 1967 (2011), a multichannel
video installation, is a colorful and synesthetic tour-de-force
work that combines borrowed and original moving images,
including scenes from Godard's film La Chinoise (1967), footage
of the Montreal Expo from the same year, Chinese film from the
Cultural Revolution and YouTube videos of recent Arab Spring
protests. Through the complex layering of images and
superimposed subtitle-like text written by the artists, the
piece underscores both the mechanical activities of
revolutionaries and the politicized nature of mass media,
conflating real and imagined events and highlighting how we see
through multiple cinematic lenses.  The installation comprised
six projections that wrapped around the large gallery, and three
strategically placed flat-screen monitors that rested against
them. All nine channels are looped and run simultaneously, but
the narrative sequence moves clockwise. In addition, the
projections filled the walls from floor to ceiling, incor