If Jekyll & Hyde's co-producers -- the Alley Theatre, Theatre
Under the Stars, and Seattle's 5th Avenue Musical Theatre
Company -- think their big-budget premiere is ready for
Broadway, they're as deranged as the good doctor's alter ego.
They plan a national tour; it'll be a long and winding road to
the Great White Way.  Actually, the odyssey began in 1990. The
show originated then, under the Alley's auspices. The highlight
was the pre-cast concept album -- the first in American musical
theater history. The album was a hit, with some of its songs
reaching the Miss America Pageant and the Olympics. The staging,
though, apparently didn't have what it takes to travel; though a
New York workshop production was subsequently attempted, nothing
came of it.  Nothing coherently satisfying comes of the creative
team's second -- third? -- try either, despite ten new songs and
significant reconfigurations. The show's flaws, like Jekyll's,
are ingrained, and too much feels ill-considered. Some dramatic
exorcisms are in or