Repo Chick: A Woman Moves in on the Alex Cox Series.  A not-
quite sequel to the 1984 L.A. punk classic Repo Man, Alex Cox's
Repo Chick is both an extreme formal experiment and a genre-
mashing goof-off. Starring some of the same actors but none of
the same characters, and still using the grungy edge-of-L.A.
milieu as ground zero for apocalyptic panic, Cox's latest is a
mix of digital and small-scale model animation, with live actors
shot almost entirely in front of green screens. The result feels
like a gonzo homemade comic book/conspiracy-crazed zine brought
to life.  A stock-footage-heavy prologue sets the scene: The
present-day financial crisis has turbocharged the repossession
industry, and a pile of Cold War-era missiles has gone missing.
These two seemingly disparate story strains will converge in the
adventures of Pixxi De La Chasse (Jaclyn Jonet), a Hilton-esque
heiress and professional dilettante permanently flanked by a
trio of sycophantic club kids who video her every move for
broadcast in "a really