Antisana, 2000-2008    (…) Thus, inflection is the very essence
of bent and mutant forms, ellipsis, spirals and folds. Endlessly
virtual, it only exists in the viewer’s eyes and in the many
manipulations it allows. Hence, when artworks are digital and
computer-processed, as it is the case with artists such as
Pascal Dombis, Yvan Rebyj or Miguel Chevalier, fractals produce
a genuine culture of flux. Surfaces are then the artefacts of a
phenomenon usually referred to by scientists as the « butterfly
effect », the multiplication of a swift light breathe here
becoming a tornado there, in Bermuda. Like in Tatline’s art,
from the outset, the forms shaped by Dombis are interlacings,
ribbons and flows which cover two adjacent walls. Once
computerized along a fractal progression and printed, they lead
to an actual visual vertigo that dissolves in the apparent mass
of details and threads, so as to follow the line-universes of
the red, violet and blue curvatures even better. These vectorial
fluxes actualize the differen