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proofread, but needs to be validated.  other and yet arranged in
separate groups of graphic distinctness. This ensemble, and
indeed the whole auction scene, deserve the appellation
'classical' in the highest sense of the word.  [App. p.549 "Add
to the works mentioned, the following, completing the list:—
"L'heureuse nouvelle,' 1797; 'Le Pari, ou Mombreuil et
Merville,' 1797; 'Les Méprises espagnoles,' 1799; 'Emma, ou La
Prisonnière' (with Cherubini), 1799; 'Le Baiser et la Quittance'
(with Méhul, Kreutzer and Nicolo), 1803. Produced at St.
Petersburg—'Amour et Mystére,' 'Abderkhan,' 'Un Tour de
Soubrette,' 'La Dame invisible,' 1808. After his return to
Paris—'Bayard a Mézières' (with Cherubini, Catel, and Nicolo).
1814; 'Les Béarnais, ou Henri IV en voyage' (with Kreutzer),
1814; 'Angéla, ou l'Atelier de Jean Cousin' (with Mme. Gail),
1814; 'La Fête du Village voisin,' 1816; 'Charles de Fra