Carl Morris on Sleeveface   What’s your headline description of
Sleeveface?   How did the project come about?  While DJing I
occasionally like to hold a record sleeve in front of my face to
check who’s paying attention. Another one is putting an empty
sleeve on my head like a massive hat. I’ve never been a
‘serious’ DJ. This stuff is supposed to be fun, no?  So a couple
of years ago I was DJing at a bar in Cardiff, I held up a record
sleeve and my friend took a photograph. The album was McCartney
II by Paul McCartney. I posted it to a local music scene forum
called Clique. The photo and the sharing were the important next
steps.  Not long after this my friends and I were ransacking our
collections looking for suitable sleeves. David Bowie became an
early favourite, but it was anything we could find – from Barbra
Streisand to Ted Nugent and an electronica/sampling artist
called Solex.  I thought it needed a web-friendly name and
definition, ergo the name Sleeveface and the definition above. I
wanted a brand na