She later began drawing images of objects and people borrowed from her world and her immediate surroundings, severing them from their natural environment and drawing them out of their anonymity
विवेकानंदांनी रामकृष्णांनी वापरलेल्या वस्तू आणि त्यांच्या भस्मास्थींचा कलश त्या ठिकाणी नेऊन ठेवला आणि त्यांचे भक्‍त तेथे राहू लागले.