Béla Bartók is noted for his use of arch form, e.g., in his fourth and fifth string quartets, Concerto for Orchestra, Music for Strings, Percussion and Celesta, second piano concerto, and, to a lesser extent, in his second violin concerto. Samuel Barber 's Adagio for Strings and Shostakovich's String Quartet No. 8 in C minor also use arch form.