Zhang Jizhong
Year Title Role Notes
1983 Yang Jia Jiang 杨家将 Yang Yanzhao
1989 One Hundred Years of Suffering 百年忧患 producer Won Five One Award
1989 The People 's Policeman 有这样一个民警 producer Won Flying Goddess Award
1990 Good Man Yan Juqian 好人燕居谦 producer Won Flying Goddess Award , Five One Award
1990 Vice Squad General 刑警队长 producer
1994 Romance of the Three Kingdoms 三国演义 producer Won Flying Goddess Award , Golden Eagle Awards , Five One Award
1995 Trench People 沟里人 producer Won Flying Goddess Awards , Five One Award
1998 The Water Margin 水浒传 Cui Jing , producer Won Golden Eagle Awards , Flying Goddess Award , Five One Award
1999 Blue Enchantress 蓝色妖姬 producer
2001 Laughing in the Wind 笑傲江湖 Wang Yuanba , producer
2002 Qing Yi 青衣 Huzi , producer Won Flying Goddess Award
2002 Knife of Guanxi 关西无极刀 King of Loulan
2003 The Legend of the Condor Heroes 射雕英雄传 Wang Chongyang , producer
2003 Demi-Gods and Semi-Devils 天龙八部 Wang Jiantong , producer Won Golden Eagle Awards
2003 Day of Passion and Spirit 激情燃烧的岁月 producer Won Golden Eagle Award , Flying Goddess Awards , Five One Award
2004 Hero During Yongle Period 永乐英雄儿女 producer
2004 Farmer Labourer 民工 producer
2004 The Proud Twins 小鱼儿与花无缺 Old Hongye
2006 The Return of the Condor Heroes 神雕侠侣 Yelü Chucai , producer Won Tom Online Award , Chinese TV Drama Award
2006 Heroes on Lüliang Mountain 吕梁英雄传 producer Won Five One Award , Golden Eagle Award
Filmography -- Television
Zhang Jizhong (born May 23, 1951) is a Chinese film producer, director, teacher, and writer. He is known as one of the more prominent television producers in China. His best known productions include the CCTV adaptations of the Four Great Classical Novels of Chinese literature, namely Romance of the Three Kingdoms and The Water Margin, as well as adaptations of Louis Cha's wuxia novels. He is also known for building large film cities with the support of local government authorities, sets that have later been developed into tourist attractions. Zhang's adaptations of Louis Cha's works are somewhat controversial in China. Reception to these productions are generally mixed as some feel his productions are largely overblown, muddled and bombastic, while others champion his large budget and use of scenic locations.