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1
+ ---
2
+ license: cc
3
+ size_categories:
4
+ - 100K<n<1M
5
+ task_categories:
6
+ - audio-to-audio
7
+ - audio-classification
8
+ pretty_name: Free Music Archive - Full
9
+ dataset_info:
10
+ - config_name: commercial
11
+ features:
12
+ - name: audio
13
+ dtype: audio
14
+ - name: title
15
+ dtype: string
16
+ - name: url
17
+ dtype: string
18
+ - name: artist
19
+ dtype: string
20
+ - name: composer
21
+ dtype: string
22
+ - name: lyricist
23
+ dtype: string
24
+ - name: publisher
25
+ dtype: string
26
+ - name: genres
27
+ sequence:
28
+ class_label:
29
+ names:
30
+ '0': 20th Century Classical
31
+ '1': Abstract Hip-Hop
32
+ '2': African
33
+ '3': Afrobeat
34
+ '4': Alternative Hip-Hop
35
+ '5': Ambient
36
+ '6': Ambient Electronic
37
+ '7': Americana
38
+ '8': Asia-Far East
39
+ '9': Audio Collage
40
+ '10': Avant-Garde
41
+ '11': Balkan
42
+ '12': Banter
43
+ '13': Be-Bop
44
+ '14': Big Band/Swing
45
+ '15': Bigbeat
46
+ '16': Black-Metal
47
+ '17': Bluegrass
48
+ '18': Blues
49
+ '19': Bollywood
50
+ '20': Brazilian
51
+ '21': Breakbeat
52
+ '22': Breakcore - Hard
53
+ '23': British Folk
54
+ '24': Celtic
55
+ '25': Chamber Music
56
+ '26': Chill-out
57
+ '27': Chip Music
58
+ '28': Chiptune
59
+ '29': Choral Music
60
+ '30': Christmas
61
+ '31': Classical
62
+ '32': Comedy
63
+ '33': Compilation
64
+ '34': Composed Music
65
+ '35': Contemporary Classical
66
+ '36': Country
67
+ '37': Country & Western
68
+ '38': Cumbia
69
+ '39': Dance
70
+ '40': Death-Metal
71
+ '41': Deep Funk
72
+ '42': Disco
73
+ '43': Downtempo
74
+ '44': Drone
75
+ '45': Drum & Bass
76
+ '46': Dubstep
77
+ '47': Easy Listening
78
+ '48': 'Easy Listening: Vocal'
79
+ '49': Electro-Punk
80
+ '50': Electroacoustic
81
+ '51': Electronic
82
+ '52': Europe
83
+ '53': Experimental
84
+ '54': Experimental Pop
85
+ '55': Fado
86
+ '56': Field Recordings
87
+ '57': Flamenco
88
+ '58': Folk
89
+ '59': Freak-Folk
90
+ '60': Free-Folk
91
+ '61': Free-Jazz
92
+ '62': French
93
+ '63': Funk
94
+ '64': Garage
95
+ '65': Glitch
96
+ '66': Gospel
97
+ '67': Goth
98
+ '68': Grindcore
99
+ '69': Hardcore
100
+ '70': Hip-Hop
101
+ '71': Hip-Hop Beats
102
+ '72': Holiday
103
+ '73': House
104
+ '74': IDM
105
+ '75': Improv
106
+ '76': Indian
107
+ '77': Indie-Rock
108
+ '78': Industrial
109
+ '79': Instrumental
110
+ '80': International
111
+ '81': Interview
112
+ '82': Jazz
113
+ '83': 'Jazz: Out'
114
+ '84': 'Jazz: Vocal'
115
+ '85': Jungle
116
+ '86': Kid-Friendly
117
+ '87': Klezmer
118
+ '88': Krautrock
119
+ '89': Latin
120
+ '90': Latin America
121
+ '91': Lo-Fi
122
+ '92': Loud-Rock
123
+ '93': Lounge
124
+ '94': Metal
125
+ '95': Middle East
126
+ '96': Minimal Electronic
127
+ '97': Minimalism
128
+ '98': Modern Jazz
129
+ '99': Musical Theater
130
+ '100': Musique Concrete
131
+ '101': N. Indian Traditional
132
+ '102': Nerdcore
133
+ '103': New Age
134
+ '104': New Wave
135
+ '105': No Wave
136
+ '106': Noise
137
+ '107': Noise-Rock
138
+ '108': North African
139
+ '109': Novelty
140
+ '110': Nu-Jazz
141
+ '111': Old-Time / Historic
142
+ '112': Opera
143
+ '113': Pacific
144
+ '114': Poetry
145
+ '115': Polka
146
+ '116': Pop
147
+ '117': Post-Punk
148
+ '118': Post-Rock
149
+ '119': Power-Pop
150
+ '120': Progressive
151
+ '121': Psych-Folk
152
+ '122': Psych-Rock
153
+ '123': Punk
154
+ '124': Radio
155
+ '125': Radio Art
156
+ '126': Radio Theater
157
+ '127': Rap
158
+ '128': Reggae - Dancehall
159
+ '129': Reggae - Dub
160
+ '130': Rock
161
+ '131': Rock Opera
162
+ '132': Rockabilly
163
+ '133': Romany (Gypsy)
164
+ '134': Salsa
165
+ '135': Shoegaze
166
+ '136': Singer-Songwriter
167
+ '137': Skweee
168
+ '138': Sludge
169
+ '139': Soul-RnB
170
+ '140': Sound Art
171
+ '141': Sound Collage
172
+ '142': Sound Effects
173
+ '143': Sound Poetry
174
+ '144': Soundtrack
175
+ '145': South Indian Traditional
176
+ '146': Space-Rock
177
+ '147': Spanish
178
+ '148': Spoken
179
+ '149': Spoken Weird
180
+ '150': Spoken Word
181
+ '151': Surf
182
+ '152': Symphony
183
+ '153': Synth Pop
184
+ '154': Talk Radio
185
+ '155': Tango
186
+ '156': Techno
187
+ '157': Thrash
188
+ '158': Trip-Hop
189
+ '159': Turkish
190
+ '160': Unclassifiable
191
+ '161': Western Swing
192
+ '162': Wonky
193
+ '163': hiphop
194
+ - name: tags
195
+ sequence: string
196
+ - name: released
197
+ dtype: timestamp[s]
198
+ - name: language
199
+ dtype: string
200
+ - name: listens
201
+ dtype: uint64
202
+ - name: artist_url
203
+ dtype: string
204
+ - name: artist_website
205
+ dtype: string
206
+ - name: album_title
207
+ dtype: string
208
+ - name: album_url
209
+ dtype: string
210
+ - name: license
211
+ dtype:
212
+ class_label:
213
+ names:
214
+ '0': CC-BY 1.0
215
+ '1': CC-BY 2.0
216
+ '2': CC-BY 2.5
217
+ '3': CC-BY 3.0
218
+ '4': CC-BY 4.0
219
+ '5': CC-BY-NC 2.0
220
+ '6': CC-BY-NC 2.1
221
+ '7': CC-BY-NC 2.5
222
+ '8': CC-BY-NC 3.0
223
+ '9': CC-BY-NC 4.0
224
+ '10': CC-BY-NC-ND 2.0
225
+ '11': CC-BY-NC-ND 2.1
226
+ '12': CC-BY-NC-ND 2.5
227
+ '13': CC-BY-NC-ND 3.0
228
+ '14': CC-BY-NC-ND 4.0
229
+ '15': CC-BY-NC-SA 2.0
230
+ '16': CC-BY-NC-SA 2.1
231
+ '17': CC-BY-NC-SA 2.5
232
+ '18': CC-BY-NC-SA 3.0
233
+ '19': CC-BY-NC-SA 4.0
234
+ '20': CC-BY-ND 2.0
235
+ '21': CC-BY-ND 2.5
236
+ '22': CC-BY-ND 3.0
237
+ '23': CC-BY-ND 4.0
238
+ '24': CC-BY-SA 2.0
239
+ '25': CC-BY-SA 2.5
240
+ '26': CC-BY-SA 3.0
241
+ '27': CC-BY-SA 4.0
242
+ '28': CC-NC-Sampling+ 1.0
243
+ '29': CC-Sampling+ 1.0
244
+ '30': CC0 1.0
245
+ '31': FMA Sound Recording Common Law
246
+ '32': Free Art License
247
+ '33': Free Music Philosophy (FMP)
248
+ - name: copyright
249
+ dtype: string
250
+ - name: explicit
251
+ dtype:
252
+ class_label:
253
+ names:
254
+ '0': 'No'
255
+ '1': 'Yes'
256
+ - name: instrumental
257
+ dtype:
258
+ class_label:
259
+ names:
260
+ '0': 'No'
261
+ '1': 'Yes'
262
+ - name: allow_commercial_use
263
+ dtype:
264
+ class_label:
265
+ names:
266
+ '0': 'No'
267
+ '1': 'Yes'
268
+ - name: allow_derivatives
269
+ dtype:
270
+ class_label:
271
+ names:
272
+ '0': 'No'
273
+ '1': 'Yes'
274
+ - name: require_attribution
275
+ dtype:
276
+ class_label:
277
+ names:
278
+ '0': 'No'
279
+ '1': 'Yes'
280
+ - name: require_share_alike
281
+ dtype:
282
+ class_label:
283
+ names:
284
+ '0': 'No'
285
+ '1': 'Yes'
286
+ splits:
287
+ - name: train
288
+ num_bytes: 6778480531.956
289
+ num_examples: 8518
290
+ download_size: 8111066311
291
+ dataset_size: 6778480531.956
292
+ - config_name: default
293
+ features:
294
+ - name: audio
295
+ dtype: audio
296
+ - name: title
297
+ dtype: string
298
+ - name: url
299
+ dtype: string
300
+ - name: artist
301
+ dtype: string
302
+ - name: composer
303
+ dtype: string
304
+ - name: lyricist
305
+ dtype: string
306
+ - name: publisher
307
+ dtype: string
308
+ - name: genres
309
+ sequence:
310
+ class_label:
311
+ names:
312
+ '0': 20th Century Classical
313
+ '1': Abstract Hip-Hop
314
+ '2': African
315
+ '3': Afrobeat
316
+ '4': Alternative Hip-Hop
317
+ '5': Ambient
318
+ '6': Ambient Electronic
319
+ '7': Americana
320
+ '8': Asia-Far East
321
+ '9': Audio Collage
322
+ '10': Avant-Garde
323
+ '11': Balkan
324
+ '12': Banter
325
+ '13': Be-Bop
326
+ '14': Big Band/Swing
327
+ '15': Bigbeat
328
+ '16': Black-Metal
329
+ '17': Bluegrass
330
+ '18': Blues
331
+ '19': Bollywood
332
+ '20': Brazilian
333
+ '21': Breakbeat
334
+ '22': Breakcore - Hard
335
+ '23': British Folk
336
+ '24': Celtic
337
+ '25': Chamber Music
338
+ '26': Chill-out
339
+ '27': Chip Music
340
+ '28': Chiptune
341
+ '29': Choral Music
342
+ '30': Christmas
343
+ '31': Classical
344
+ '32': Comedy
345
+ '33': Compilation
346
+ '34': Composed Music
347
+ '35': Contemporary Classical
348
+ '36': Country
349
+ '37': Country & Western
350
+ '38': Cumbia
351
+ '39': Dance
352
+ '40': Death-Metal
353
+ '41': Deep Funk
354
+ '42': Disco
355
+ '43': Downtempo
356
+ '44': Drone
357
+ '45': Drum & Bass
358
+ '46': Dubstep
359
+ '47': Easy Listening
360
+ '48': 'Easy Listening: Vocal'
361
+ '49': Electro-Punk
362
+ '50': Electroacoustic
363
+ '51': Electronic
364
+ '52': Europe
365
+ '53': Experimental
366
+ '54': Experimental Pop
367
+ '55': Fado
368
+ '56': Field Recordings
369
+ '57': Flamenco
370
+ '58': Folk
371
+ '59': Freak-Folk
372
+ '60': Free-Folk
373
+ '61': Free-Jazz
374
+ '62': French
375
+ '63': Funk
376
+ '64': Garage
377
+ '65': Glitch
378
+ '66': Gospel
379
+ '67': Goth
380
+ '68': Grindcore
381
+ '69': Hardcore
382
+ '70': Hip-Hop
383
+ '71': Hip-Hop Beats
384
+ '72': Holiday
385
+ '73': House
386
+ '74': IDM
387
+ '75': Improv
388
+ '76': Indian
389
+ '77': Indie-Rock
390
+ '78': Industrial
391
+ '79': Instrumental
392
+ '80': International
393
+ '81': Interview
394
+ '82': Jazz
395
+ '83': 'Jazz: Out'
396
+ '84': 'Jazz: Vocal'
397
+ '85': Jungle
398
+ '86': Kid-Friendly
399
+ '87': Klezmer
400
+ '88': Krautrock
401
+ '89': Latin
402
+ '90': Latin America
403
+ '91': Lo-Fi
404
+ '92': Loud-Rock
405
+ '93': Lounge
406
+ '94': Metal
407
+ '95': Middle East
408
+ '96': Minimal Electronic
409
+ '97': Minimalism
410
+ '98': Modern Jazz
411
+ '99': Musical Theater
412
+ '100': Musique Concrete
413
+ '101': N. Indian Traditional
414
+ '102': Nerdcore
415
+ '103': New Age
416
+ '104': New Wave
417
+ '105': No Wave
418
+ '106': Noise
419
+ '107': Noise-Rock
420
+ '108': North African
421
+ '109': Novelty
422
+ '110': Nu-Jazz
423
+ '111': Old-Time / Historic
424
+ '112': Opera
425
+ '113': Pacific
426
+ '114': Poetry
427
+ '115': Polka
428
+ '116': Pop
429
+ '117': Post-Punk
430
+ '118': Post-Rock
431
+ '119': Power-Pop
432
+ '120': Progressive
433
+ '121': Psych-Folk
434
+ '122': Psych-Rock
435
+ '123': Punk
436
+ '124': Radio
437
+ '125': Radio Art
438
+ '126': Radio Theater
439
+ '127': Rap
440
+ '128': Reggae - Dancehall
441
+ '129': Reggae - Dub
442
+ '130': Rock
443
+ '131': Rock Opera
444
+ '132': Rockabilly
445
+ '133': Romany (Gypsy)
446
+ '134': Salsa
447
+ '135': Shoegaze
448
+ '136': Singer-Songwriter
449
+ '137': Skweee
450
+ '138': Sludge
451
+ '139': Soul-RnB
452
+ '140': Sound Art
453
+ '141': Sound Collage
454
+ '142': Sound Effects
455
+ '143': Sound Poetry
456
+ '144': Soundtrack
457
+ '145': South Indian Traditional
458
+ '146': Space-Rock
459
+ '147': Spanish
460
+ '148': Spoken
461
+ '149': Spoken Weird
462
+ '150': Spoken Word
463
+ '151': Surf
464
+ '152': Symphony
465
+ '153': Synth Pop
466
+ '154': Talk Radio
467
+ '155': Tango
468
+ '156': Techno
469
+ '157': Thrash
470
+ '158': Trip-Hop
471
+ '159': Turkish
472
+ '160': Unclassifiable
473
+ '161': Western Swing
474
+ '162': Wonky
475
+ '163': hiphop
476
+ - name: tags
477
+ sequence: string
478
+ - name: released
479
+ dtype: timestamp[s]
480
+ - name: language
481
+ dtype: string
482
+ - name: listens
483
+ dtype: uint64
484
+ - name: artist_url
485
+ dtype: string
486
+ - name: artist_website
487
+ dtype: string
488
+ - name: album_title
489
+ dtype: string
490
+ - name: album_url
491
+ dtype: string
492
+ - name: license
493
+ dtype:
494
+ class_label:
495
+ names:
496
+ '0': CC-BY 1.0
497
+ '1': CC-BY 2.0
498
+ '2': CC-BY 2.5
499
+ '3': CC-BY 3.0
500
+ '4': CC-BY 4.0
501
+ '5': CC-BY-NC 2.0
502
+ '6': CC-BY-NC 2.1
503
+ '7': CC-BY-NC 2.5
504
+ '8': CC-BY-NC 3.0
505
+ '9': CC-BY-NC 4.0
506
+ '10': CC-BY-NC-ND 2.0
507
+ '11': CC-BY-NC-ND 2.1
508
+ '12': CC-BY-NC-ND 2.5
509
+ '13': CC-BY-NC-ND 3.0
510
+ '14': CC-BY-NC-ND 4.0
511
+ '15': CC-BY-NC-SA 2.0
512
+ '16': CC-BY-NC-SA 2.1
513
+ '17': CC-BY-NC-SA 2.5
514
+ '18': CC-BY-NC-SA 3.0
515
+ '19': CC-BY-NC-SA 4.0
516
+ '20': CC-BY-ND 2.0
517
+ '21': CC-BY-ND 2.5
518
+ '22': CC-BY-ND 3.0
519
+ '23': CC-BY-ND 4.0
520
+ '24': CC-BY-SA 2.0
521
+ '25': CC-BY-SA 2.5
522
+ '26': CC-BY-SA 3.0
523
+ '27': CC-BY-SA 4.0
524
+ '28': CC-NC-Sampling+ 1.0
525
+ '29': CC-Sampling+ 1.0
526
+ '30': CC0 1.0
527
+ '31': FMA Sound Recording Common Law
528
+ '32': Free Art License
529
+ '33': Free Music Philosophy (FMP)
530
+ - name: copyright
531
+ dtype: string
532
+ - name: explicit
533
+ dtype:
534
+ class_label:
535
+ names:
536
+ '0': 'No'
537
+ '1': 'Yes'
538
+ - name: instrumental
539
+ dtype:
540
+ class_label:
541
+ names:
542
+ '0': 'No'
543
+ '1': 'Yes'
544
+ - name: allow_commercial_use
545
+ dtype:
546
+ class_label:
547
+ names:
548
+ '0': 'No'
549
+ '1': 'Yes'
550
+ - name: allow_derivatives
551
+ dtype:
552
+ class_label:
553
+ names:
554
+ '0': 'No'
555
+ '1': 'Yes'
556
+ - name: require_attribution
557
+ dtype:
558
+ class_label:
559
+ names:
560
+ '0': 'No'
561
+ '1': 'Yes'
562
+ - name: require_share_alike
563
+ dtype:
564
+ class_label:
565
+ names:
566
+ '0': 'No'
567
+ '1': 'Yes'
568
+ splits:
569
+ - name: train
570
+ num_bytes: 85231982003.464
571
+ num_examples: 105024
572
+ download_size: 100452185352
573
+ dataset_size: 85231982003.464
574
+ configs:
575
+ - config_name: commercial
576
+ data_files:
577
+ - split: train
578
+ path: commercial/train-*
579
+ - config_name: default
580
+ data_files:
581
+ - split: train
582
+ path: data/train-*
583
+ tags:
584
+ - fma
585
+ - free-music-archive
586
+ ---
587
+
588
+ # FMA: A Dataset for Music Analysis
589
+
590
+ [Michaël Defferrard](https://deff.ch/), [Kirell Benzi](https://kirellbenzi.com/), [Pierre Vandergheynst](https://people.epfl.ch/pierre.vandergheynst), [Xavier Bresson](https://www.ntu.edu.sg/home/xbresson).
591
+
592
+ **International Society for Music Information Retrieval Conference (ISMIR), 2017.**
593
+
594
+ > We introduce the Free Music Archive (FMA), an open and easily accessible dataset suitable for evaluating several tasks in MIR, a field concerned with browsing, searching, and organizing large music collections. The community's growing interest in feature and end-to-end learning is however restrained by the limited availability of large audio datasets. The FMA aims to overcome this hurdle by providing 917 GiB and 343 days of Creative Commons-licensed audio from 106,574 tracks from 16,341 artists and 14,854 albums, arranged in a hierarchical taxonomy of 161 genres. It provides full-length and high-quality audio, pre-computed features, together with track- and user-level metadata, tags, and free-form text such as biographies. We here describe the dataset and how it was created, propose a train/validation/test split and three subsets, discuss some suitable MIR tasks, and evaluate some baselines for genre recognition. Code, data, and usage examples are available at https://github.com/mdeff/fma.
595
+
596
+ Paper: [arXiv:1612.01840](https://arxiv.org/abs/1612.01840) - [latex and reviews](https://github.com/mdeff/paper-fma-ismir2017)
597
+
598
+ Slides: [doi:10.5281/zenodo.1066119](https://doi.org/10.5281/zenodo.1066119)
599
+
600
+ Poster: [doi:10.5281/zenodo.1035847](https://doi.org/10.5281/zenodo.1035847)
601
+
602
+ # This Pack
603
+
604
+ This is the **full** dataset, comprising a total of **105,024 samples** clips of **untrimmed length** over **16** *unbalanced* genres totaling **8,104 hours** of audio.
605
+
606
+ ## Repack Notes
607
+
608
+ - 173 files were unreadable by `libsndfile / libmpg123`, these were removed.
609
+ - 1377 files had licenses that were unclear on whether or not they permitted redistribution, or the full license text was unavailable. These were removed.
610
+
611
+ # License
612
+
613
+ - The [FMA codebase](https://github.com/mdeff/fma) is released under [The MIT License](https://github.com/mdeff/fma/blob/master/LICENSE.txt).
614
+ - The FMA metadata is released under [CC-BY 4.0](https://creativecommons.org/licenses/by/4.0).
615
+ - The individual files are released under various Creative Commons family licenses, with a small amount of additional licenses. **Each file has its license attached and important details of the license enumerated.** To make it easy to use for developers and trainers, a configuration is available to limit only to commercially-usable data.
616
+
617
+ Please refer to any of the following URLs for additional details.
618
+
619
+ | Class Label | License Name | URL |
620
+ | ----------- | ------------ | --- |
621
+ | 0 | CC-BY 1.0 | https://creativecommons.org/licenses/by/1.0/ |
622
+ | 1 | CC-BY 2.0 | https://creativecommons.org/licenses/by/2.0/ |
623
+ | 2 | CC-BY 2.5 | https://creativecommons.org/licenses/by/2.5/ |
624
+ | 3 | CC-BY 3.0 | https://creativecommons.org/licenses/by/3.0/ |
625
+ | 4 | CC-BY 4.0 | https://creativecommons.org/licenses/by/4.0/ |
626
+ | 5 | CC-BY-NC 2.0 | https://creativecommons.org/licenses/by-nc/2.0/ |
627
+ | 6 | CC-BY-NC 2.1 | https://creativecommons.org/licenses/by-nc/2.1/ |
628
+ | 7 | CC-BY-NC 2.5 | https://creativecommons.org/licenses/by-nc/2.5/ |
629
+ | 8 | CC-BY-NC 3.0 | https://creativecommons.org/licenses/by-nc/3.0/ |
630
+ | 9 | CC-BY-NC 4.0 | https://creativecommons.org/licenses/by-nc/4.0/ |
631
+ | 10 | CC-BY-NC-ND 2.0 | https://creativecommons.org/licenses/by-nc-nd/2.0/ |
632
+ | 11 | CC-BY-NC-ND 2.1 | https://creativecommons.org/licenses/by-nc-nd/2.1/ |
633
+ | 12 | CC-BY-NC-ND 2.5 | https://creativecommons.org/licenses/by-nc-nd/2.5/ |
634
+ | 13 | CC-BY-NC-ND 3.0 | https://creativecommons.org/licenses/by-nc-nd/3.0/ |
635
+ | 14 | CC-BY-NC-ND 4.0 | https://creativecommons.org/licenses/by-nc-nd/4.0/ |
636
+ | 15 | CC-BY-NC-SA 2.0 | https://creativecommons.org/licenses/by-nc-sa/2.0/ |
637
+ | 16 | CC-BY-NC-SA 2.1 | https://creativecommons.org/licenses/by-nc-sa/2.1/ |
638
+ | 17 | CC-BY-NC-SA 2.5 | https://creativecommons.org/licenses/by-nc-sa/2.5/ |
639
+ | 18 | CC-BY-NC-SA 3.0 | https://creativecommons.org/licenses/by-nc-sa/3.0/ |
640
+ | 19 | CC-BY-NC-SA 4.0 | https://creativecommons.org/licenses/by-nc-sa/4.0/ |
641
+ | 20 | CC-BY-ND 2.0 | https://creativecommons.org/licenses/by-nd/2.0/ |
642
+ | 21 | CC-BY-ND 2.5 | https://creativecommons.org/licenses/by-nd/2.5/ |
643
+ | 22 | CC-BY-ND 3.0 | https://creativecommons.org/licenses/by-nd/3.0/ |
644
+ | 23 | CC-BY-ND 4.0 | https://creativecommons.org/licenses/by-nd/4.0/ |
645
+ | 24 | CC-BY-SA 2.0 | https://creativecommons.org/licenses/by-sa/2.0/ |
646
+ | 25 | CC-BY-SA 2.5 | https://creativecommons.org/licenses/by-sa/2.5/ |
647
+ | 26 | CC-BY-SA 3.0 | https://creativecommons.org/licenses/by-sa/3.0/ |
648
+ | 27 | CC-BY-SA 4.0 | https://creativecommons.org/licenses/by-sa/4.0/ |
649
+ | 28 | CC-NC-Sampling+ 1.0 | https://creativecommons.org/licenses/nc-sampling+/1.0/ |
650
+ | 29 | CC-Sampling+ 1.0 | https://creativecommons.org/licenses/sampling+/1.0/ |
651
+ | 30 | FMA Sound Recording Common Law | https://freemusicarchive.org/Sound_Recording_Common_Law |
652
+ | 31 | Free Art License | https://artlibre.org/licence/lal/en |
653
+ | 32 | Free Music Philosophy (FMP) | https://irdial.com/free_and_easy.htm |
654
+
655
+ ## Total Duration by License
656
+
657
+ | License | Total Duration (Percentage) |
658
+ | ------- | --------------------------- |
659
+ | CC-BY-NC-SA 3.0 | 2768.3 hours (34.16%) |
660
+ | CC-BY-NC-ND 3.0 | 2296.4 hours (28.34%) |
661
+ | CC-BY-NC-ND 4.0 | 1018.4 hours (12.57%) |
662
+ | CC-BY-NC-SA 4.0 | 533.2 hours (6.58%) |
663
+ | CC-BY 4.0 | 377.0 hours (4.65%) |
664
+ | CC-BY-NC 3.0 | 288.9 hours (3.56%) |
665
+ | CC-BY-NC 4.0 | 232.6 hours (2.87%) |
666
+ | CC-BY 3.0 | 106.9 hours (1.32%) |
667
+ | CC-BY-SA 4.0 | 99.4 hours (1.23%) |
668
+ | CC-BY-SA 3.0 | 79.7 hours (0.98%) |
669
+ | CC-BY-NC-SA 2.0 | 65.1 hours (0.80%) |
670
+ | CC-BY-NC-ND 2.0 | 56.2 hours (0.69%) |
671
+ | CC-BY-ND 3.0 | 36.8 hours (0.45%) |
672
+ | CC-BY-ND 4.0 | 25.0 hours (0.31%) |
673
+ | CC-BY-NC-ND 2.5 | 24.2 hours (0.30%) |
674
+ | FMA Sound Recording Common Law | 19.9 hours (0.25%) |
675
+ | CC-BY-NC-SA 2.5 | 18.0 hours (0.22%) |
676
+ | CC-BY-NC 2.5 | 13.3 hours (0.16%) |
677
+ | CC0 1.0 | 10.5 hours (0.13%) |
678
+ | CC-BY 1.0 | 10.4 hours (0.13%) |
679
+ | Free Music Philosophy (FMP) | 4.4 hours (0.05%) |
680
+ | Free Art License | 2.7 hours (0.03%) |
681
+ | CC-BY 2.0 | 2.5 hours (0.03%) |
682
+ | CC-BY-NC 2.1 | 2.4 hours (0.03%) |
683
+ | CC-BY-NC-SA 2.1 | 2.3 hours (0.03%) |
684
+ | CC-BY-SA 2.0 | 1.9 hours (0.02%) |
685
+ | CC-BY-NC 2.0 | 1.6 hours (0.02%) |
686
+ | CC-BY-ND 2.5 | 1.6 hours (0.02%) |
687
+ | CC-NC-Sampling+ 1.0 | 1.4 hours (0.02%) |
688
+ | CC-BY-NC-ND 2.1 | 65.0 minutes (0.01%) |
689
+ | CC-Sampling+ 1.0 | 53.9 minutes (0.01%) |
690
+ | CC-BY-SA 2.5 | 31.8 minutes (0.01%) |
691
+ | CC-BY-ND 2.0 | 29.7 minutes (0.01%) |
692
+ | CC-BY 2.5 | 11.2 minutes (0.00%) |
693
+
694
+ # Citations
695
+
696
+ ```
697
+ @inproceedings{fma_dataset,
698
+ title = {{FMA}: A Dataset for Music Analysis},
699
+ author = {Defferrard, Micha\"el and Benzi, Kirell and Vandergheynst, Pierre and Bresson, Xavier},
700
+ booktitle = {18th International Society for Music Information Retrieval Conference (ISMIR)},
701
+ year = {2017},
702
+ archiveprefix = {arXiv},
703
+ eprint = {1612.01840},
704
+ url = {https://arxiv.org/abs/1612.01840},
705
+ }
706
+ ```
707
+
708
+ ```
709
+ @inproceedings{fma_challenge,
710
+ title = {Learning to Recognize Musical Genre from Audio},
711
+ subtitle = {Challenge Overview},
712
+ author = {Defferrard, Micha\"el and Mohanty, Sharada P. and Carroll, Sean F. and Salath\'e, Marcel},
713
+ booktitle = {The 2018 Web Conference Companion},
714
+ year = {2018},
715
+ publisher = {ACM Press},
716
+ isbn = {9781450356404},
717
+ doi = {10.1145/3184558.3192310},
718
+ archiveprefix = {arXiv},
719
+ eprint = {1803.05337},
720
+ url = {https://arxiv.org/abs/1803.05337},
721
+ }
722
+ ```