Create README.md
Browse files
README.md
ADDED
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1 |
+
---
|
2 |
+
license: cc
|
3 |
+
size_categories:
|
4 |
+
- 100K<n<1M
|
5 |
+
task_categories:
|
6 |
+
- audio-to-audio
|
7 |
+
- audio-classification
|
8 |
+
pretty_name: Free Music Archive - Full
|
9 |
+
dataset_info:
|
10 |
+
- config_name: commercial
|
11 |
+
features:
|
12 |
+
- name: audio
|
13 |
+
dtype: audio
|
14 |
+
- name: title
|
15 |
+
dtype: string
|
16 |
+
- name: url
|
17 |
+
dtype: string
|
18 |
+
- name: artist
|
19 |
+
dtype: string
|
20 |
+
- name: composer
|
21 |
+
dtype: string
|
22 |
+
- name: lyricist
|
23 |
+
dtype: string
|
24 |
+
- name: publisher
|
25 |
+
dtype: string
|
26 |
+
- name: genres
|
27 |
+
sequence:
|
28 |
+
class_label:
|
29 |
+
names:
|
30 |
+
'0': 20th Century Classical
|
31 |
+
'1': Abstract Hip-Hop
|
32 |
+
'2': African
|
33 |
+
'3': Afrobeat
|
34 |
+
'4': Alternative Hip-Hop
|
35 |
+
'5': Ambient
|
36 |
+
'6': Ambient Electronic
|
37 |
+
'7': Americana
|
38 |
+
'8': Asia-Far East
|
39 |
+
'9': Audio Collage
|
40 |
+
'10': Avant-Garde
|
41 |
+
'11': Balkan
|
42 |
+
'12': Banter
|
43 |
+
'13': Be-Bop
|
44 |
+
'14': Big Band/Swing
|
45 |
+
'15': Bigbeat
|
46 |
+
'16': Black-Metal
|
47 |
+
'17': Bluegrass
|
48 |
+
'18': Blues
|
49 |
+
'19': Bollywood
|
50 |
+
'20': Brazilian
|
51 |
+
'21': Breakbeat
|
52 |
+
'22': Breakcore - Hard
|
53 |
+
'23': British Folk
|
54 |
+
'24': Celtic
|
55 |
+
'25': Chamber Music
|
56 |
+
'26': Chill-out
|
57 |
+
'27': Chip Music
|
58 |
+
'28': Chiptune
|
59 |
+
'29': Choral Music
|
60 |
+
'30': Christmas
|
61 |
+
'31': Classical
|
62 |
+
'32': Comedy
|
63 |
+
'33': Compilation
|
64 |
+
'34': Composed Music
|
65 |
+
'35': Contemporary Classical
|
66 |
+
'36': Country
|
67 |
+
'37': Country & Western
|
68 |
+
'38': Cumbia
|
69 |
+
'39': Dance
|
70 |
+
'40': Death-Metal
|
71 |
+
'41': Deep Funk
|
72 |
+
'42': Disco
|
73 |
+
'43': Downtempo
|
74 |
+
'44': Drone
|
75 |
+
'45': Drum & Bass
|
76 |
+
'46': Dubstep
|
77 |
+
'47': Easy Listening
|
78 |
+
'48': 'Easy Listening: Vocal'
|
79 |
+
'49': Electro-Punk
|
80 |
+
'50': Electroacoustic
|
81 |
+
'51': Electronic
|
82 |
+
'52': Europe
|
83 |
+
'53': Experimental
|
84 |
+
'54': Experimental Pop
|
85 |
+
'55': Fado
|
86 |
+
'56': Field Recordings
|
87 |
+
'57': Flamenco
|
88 |
+
'58': Folk
|
89 |
+
'59': Freak-Folk
|
90 |
+
'60': Free-Folk
|
91 |
+
'61': Free-Jazz
|
92 |
+
'62': French
|
93 |
+
'63': Funk
|
94 |
+
'64': Garage
|
95 |
+
'65': Glitch
|
96 |
+
'66': Gospel
|
97 |
+
'67': Goth
|
98 |
+
'68': Grindcore
|
99 |
+
'69': Hardcore
|
100 |
+
'70': Hip-Hop
|
101 |
+
'71': Hip-Hop Beats
|
102 |
+
'72': Holiday
|
103 |
+
'73': House
|
104 |
+
'74': IDM
|
105 |
+
'75': Improv
|
106 |
+
'76': Indian
|
107 |
+
'77': Indie-Rock
|
108 |
+
'78': Industrial
|
109 |
+
'79': Instrumental
|
110 |
+
'80': International
|
111 |
+
'81': Interview
|
112 |
+
'82': Jazz
|
113 |
+
'83': 'Jazz: Out'
|
114 |
+
'84': 'Jazz: Vocal'
|
115 |
+
'85': Jungle
|
116 |
+
'86': Kid-Friendly
|
117 |
+
'87': Klezmer
|
118 |
+
'88': Krautrock
|
119 |
+
'89': Latin
|
120 |
+
'90': Latin America
|
121 |
+
'91': Lo-Fi
|
122 |
+
'92': Loud-Rock
|
123 |
+
'93': Lounge
|
124 |
+
'94': Metal
|
125 |
+
'95': Middle East
|
126 |
+
'96': Minimal Electronic
|
127 |
+
'97': Minimalism
|
128 |
+
'98': Modern Jazz
|
129 |
+
'99': Musical Theater
|
130 |
+
'100': Musique Concrete
|
131 |
+
'101': N. Indian Traditional
|
132 |
+
'102': Nerdcore
|
133 |
+
'103': New Age
|
134 |
+
'104': New Wave
|
135 |
+
'105': No Wave
|
136 |
+
'106': Noise
|
137 |
+
'107': Noise-Rock
|
138 |
+
'108': North African
|
139 |
+
'109': Novelty
|
140 |
+
'110': Nu-Jazz
|
141 |
+
'111': Old-Time / Historic
|
142 |
+
'112': Opera
|
143 |
+
'113': Pacific
|
144 |
+
'114': Poetry
|
145 |
+
'115': Polka
|
146 |
+
'116': Pop
|
147 |
+
'117': Post-Punk
|
148 |
+
'118': Post-Rock
|
149 |
+
'119': Power-Pop
|
150 |
+
'120': Progressive
|
151 |
+
'121': Psych-Folk
|
152 |
+
'122': Psych-Rock
|
153 |
+
'123': Punk
|
154 |
+
'124': Radio
|
155 |
+
'125': Radio Art
|
156 |
+
'126': Radio Theater
|
157 |
+
'127': Rap
|
158 |
+
'128': Reggae - Dancehall
|
159 |
+
'129': Reggae - Dub
|
160 |
+
'130': Rock
|
161 |
+
'131': Rock Opera
|
162 |
+
'132': Rockabilly
|
163 |
+
'133': Romany (Gypsy)
|
164 |
+
'134': Salsa
|
165 |
+
'135': Shoegaze
|
166 |
+
'136': Singer-Songwriter
|
167 |
+
'137': Skweee
|
168 |
+
'138': Sludge
|
169 |
+
'139': Soul-RnB
|
170 |
+
'140': Sound Art
|
171 |
+
'141': Sound Collage
|
172 |
+
'142': Sound Effects
|
173 |
+
'143': Sound Poetry
|
174 |
+
'144': Soundtrack
|
175 |
+
'145': South Indian Traditional
|
176 |
+
'146': Space-Rock
|
177 |
+
'147': Spanish
|
178 |
+
'148': Spoken
|
179 |
+
'149': Spoken Weird
|
180 |
+
'150': Spoken Word
|
181 |
+
'151': Surf
|
182 |
+
'152': Symphony
|
183 |
+
'153': Synth Pop
|
184 |
+
'154': Talk Radio
|
185 |
+
'155': Tango
|
186 |
+
'156': Techno
|
187 |
+
'157': Thrash
|
188 |
+
'158': Trip-Hop
|
189 |
+
'159': Turkish
|
190 |
+
'160': Unclassifiable
|
191 |
+
'161': Western Swing
|
192 |
+
'162': Wonky
|
193 |
+
'163': hiphop
|
194 |
+
- name: tags
|
195 |
+
sequence: string
|
196 |
+
- name: released
|
197 |
+
dtype: timestamp[s]
|
198 |
+
- name: language
|
199 |
+
dtype: string
|
200 |
+
- name: listens
|
201 |
+
dtype: uint64
|
202 |
+
- name: artist_url
|
203 |
+
dtype: string
|
204 |
+
- name: artist_website
|
205 |
+
dtype: string
|
206 |
+
- name: album_title
|
207 |
+
dtype: string
|
208 |
+
- name: album_url
|
209 |
+
dtype: string
|
210 |
+
- name: license
|
211 |
+
dtype:
|
212 |
+
class_label:
|
213 |
+
names:
|
214 |
+
'0': CC-BY 1.0
|
215 |
+
'1': CC-BY 2.0
|
216 |
+
'2': CC-BY 2.5
|
217 |
+
'3': CC-BY 3.0
|
218 |
+
'4': CC-BY 4.0
|
219 |
+
'5': CC-BY-NC 2.0
|
220 |
+
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|
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'29': CC-Sampling+ 1.0
|
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'30': CC0 1.0
|
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'31': FMA Sound Recording Common Law
|
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'32': Free Art License
|
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'33': Free Music Philosophy (FMP)
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|
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num_bytes: 6778480531.956
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num_examples: 8518
|
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download_size: 8111066311
|
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dataset_size: 6778480531.956
|
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- config_name: default
|
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features:
|
294 |
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- name: audio
|
295 |
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dtype: audio
|
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|
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dtype: string
|
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|
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|
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|
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|
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|
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|
313 |
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|
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|
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|
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|
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|
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|
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|
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|
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'9': Audio Collage
|
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|
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|
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|
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|
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|
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|
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|
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'17': Bluegrass
|
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'18': Blues
|
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|
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|
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|
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|
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|
336 |
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'24': Celtic
|
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'25': Chamber Music
|
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'26': Chill-out
|
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'27': Chip Music
|
340 |
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'28': Chiptune
|
341 |
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'29': Choral Music
|
342 |
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'30': Christmas
|
343 |
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'31': Classical
|
344 |
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'32': Comedy
|
345 |
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'33': Compilation
|
346 |
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'34': Composed Music
|
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'35': Contemporary Classical
|
348 |
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'36': Country
|
349 |
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'37': Country & Western
|
350 |
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'38': Cumbia
|
351 |
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'39': Dance
|
352 |
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'40': Death-Metal
|
353 |
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'41': Deep Funk
|
354 |
+
'42': Disco
|
355 |
+
'43': Downtempo
|
356 |
+
'44': Drone
|
357 |
+
'45': Drum & Bass
|
358 |
+
'46': Dubstep
|
359 |
+
'47': Easy Listening
|
360 |
+
'48': 'Easy Listening: Vocal'
|
361 |
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'49': Electro-Punk
|
362 |
+
'50': Electroacoustic
|
363 |
+
'51': Electronic
|
364 |
+
'52': Europe
|
365 |
+
'53': Experimental
|
366 |
+
'54': Experimental Pop
|
367 |
+
'55': Fado
|
368 |
+
'56': Field Recordings
|
369 |
+
'57': Flamenco
|
370 |
+
'58': Folk
|
371 |
+
'59': Freak-Folk
|
372 |
+
'60': Free-Folk
|
373 |
+
'61': Free-Jazz
|
374 |
+
'62': French
|
375 |
+
'63': Funk
|
376 |
+
'64': Garage
|
377 |
+
'65': Glitch
|
378 |
+
'66': Gospel
|
379 |
+
'67': Goth
|
380 |
+
'68': Grindcore
|
381 |
+
'69': Hardcore
|
382 |
+
'70': Hip-Hop
|
383 |
+
'71': Hip-Hop Beats
|
384 |
+
'72': Holiday
|
385 |
+
'73': House
|
386 |
+
'74': IDM
|
387 |
+
'75': Improv
|
388 |
+
'76': Indian
|
389 |
+
'77': Indie-Rock
|
390 |
+
'78': Industrial
|
391 |
+
'79': Instrumental
|
392 |
+
'80': International
|
393 |
+
'81': Interview
|
394 |
+
'82': Jazz
|
395 |
+
'83': 'Jazz: Out'
|
396 |
+
'84': 'Jazz: Vocal'
|
397 |
+
'85': Jungle
|
398 |
+
'86': Kid-Friendly
|
399 |
+
'87': Klezmer
|
400 |
+
'88': Krautrock
|
401 |
+
'89': Latin
|
402 |
+
'90': Latin America
|
403 |
+
'91': Lo-Fi
|
404 |
+
'92': Loud-Rock
|
405 |
+
'93': Lounge
|
406 |
+
'94': Metal
|
407 |
+
'95': Middle East
|
408 |
+
'96': Minimal Electronic
|
409 |
+
'97': Minimalism
|
410 |
+
'98': Modern Jazz
|
411 |
+
'99': Musical Theater
|
412 |
+
'100': Musique Concrete
|
413 |
+
'101': N. Indian Traditional
|
414 |
+
'102': Nerdcore
|
415 |
+
'103': New Age
|
416 |
+
'104': New Wave
|
417 |
+
'105': No Wave
|
418 |
+
'106': Noise
|
419 |
+
'107': Noise-Rock
|
420 |
+
'108': North African
|
421 |
+
'109': Novelty
|
422 |
+
'110': Nu-Jazz
|
423 |
+
'111': Old-Time / Historic
|
424 |
+
'112': Opera
|
425 |
+
'113': Pacific
|
426 |
+
'114': Poetry
|
427 |
+
'115': Polka
|
428 |
+
'116': Pop
|
429 |
+
'117': Post-Punk
|
430 |
+
'118': Post-Rock
|
431 |
+
'119': Power-Pop
|
432 |
+
'120': Progressive
|
433 |
+
'121': Psych-Folk
|
434 |
+
'122': Psych-Rock
|
435 |
+
'123': Punk
|
436 |
+
'124': Radio
|
437 |
+
'125': Radio Art
|
438 |
+
'126': Radio Theater
|
439 |
+
'127': Rap
|
440 |
+
'128': Reggae - Dancehall
|
441 |
+
'129': Reggae - Dub
|
442 |
+
'130': Rock
|
443 |
+
'131': Rock Opera
|
444 |
+
'132': Rockabilly
|
445 |
+
'133': Romany (Gypsy)
|
446 |
+
'134': Salsa
|
447 |
+
'135': Shoegaze
|
448 |
+
'136': Singer-Songwriter
|
449 |
+
'137': Skweee
|
450 |
+
'138': Sludge
|
451 |
+
'139': Soul-RnB
|
452 |
+
'140': Sound Art
|
453 |
+
'141': Sound Collage
|
454 |
+
'142': Sound Effects
|
455 |
+
'143': Sound Poetry
|
456 |
+
'144': Soundtrack
|
457 |
+
'145': South Indian Traditional
|
458 |
+
'146': Space-Rock
|
459 |
+
'147': Spanish
|
460 |
+
'148': Spoken
|
461 |
+
'149': Spoken Weird
|
462 |
+
'150': Spoken Word
|
463 |
+
'151': Surf
|
464 |
+
'152': Symphony
|
465 |
+
'153': Synth Pop
|
466 |
+
'154': Talk Radio
|
467 |
+
'155': Tango
|
468 |
+
'156': Techno
|
469 |
+
'157': Thrash
|
470 |
+
'158': Trip-Hop
|
471 |
+
'159': Turkish
|
472 |
+
'160': Unclassifiable
|
473 |
+
'161': Western Swing
|
474 |
+
'162': Wonky
|
475 |
+
'163': hiphop
|
476 |
+
- name: tags
|
477 |
+
sequence: string
|
478 |
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- name: released
|
479 |
+
dtype: timestamp[s]
|
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|
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dtype: string
|
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- name: listens
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dtype: uint64
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- name: artist_url
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dtype: string
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- name: artist_website
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dtype: string
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- name: album_title
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dtype: string
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dtype: string
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dtype:
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'0': CC-BY 1.0
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'1': CC-BY 2.0
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'2': CC-BY 2.5
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'3': CC-BY 3.0
|
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'4': CC-BY 4.0
|
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'5': CC-BY-NC 2.0
|
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'6': CC-BY-NC 2.1
|
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'7': CC-BY-NC 2.5
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'8': CC-BY-NC 3.0
|
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'9': CC-BY-NC 4.0
|
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'10': CC-BY-NC-ND 2.0
|
507 |
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'11': CC-BY-NC-ND 2.1
|
508 |
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'12': CC-BY-NC-ND 2.5
|
509 |
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'13': CC-BY-NC-ND 3.0
|
510 |
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'14': CC-BY-NC-ND 4.0
|
511 |
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'15': CC-BY-NC-SA 2.0
|
512 |
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'16': CC-BY-NC-SA 2.1
|
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'17': CC-BY-NC-SA 2.5
|
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'18': CC-BY-NC-SA 3.0
|
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'19': CC-BY-NC-SA 4.0
|
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'20': CC-BY-ND 2.0
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'21': CC-BY-ND 2.5
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'23': CC-BY-ND 4.0
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'24': CC-BY-SA 2.0
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'25': CC-BY-SA 2.5
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'26': CC-BY-SA 3.0
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'27': CC-BY-SA 4.0
|
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'28': CC-NC-Sampling+ 1.0
|
525 |
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'29': CC-Sampling+ 1.0
|
526 |
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'30': CC0 1.0
|
527 |
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'31': FMA Sound Recording Common Law
|
528 |
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'32': Free Art License
|
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'33': Free Music Philosophy (FMP)
|
530 |
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names:
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'0': 'No'
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'1': 'Yes'
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- name: instrumental
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dtype:
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class_label:
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names:
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'0': 'No'
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'1': 'Yes'
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dtype:
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class_label:
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names:
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'0': 'No'
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+
'1': 'Yes'
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550 |
+
- name: allow_derivatives
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551 |
+
dtype:
|
552 |
+
class_label:
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553 |
+
names:
|
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+
'0': 'No'
|
555 |
+
'1': 'Yes'
|
556 |
+
- name: require_attribution
|
557 |
+
dtype:
|
558 |
+
class_label:
|
559 |
+
names:
|
560 |
+
'0': 'No'
|
561 |
+
'1': 'Yes'
|
562 |
+
- name: require_share_alike
|
563 |
+
dtype:
|
564 |
+
class_label:
|
565 |
+
names:
|
566 |
+
'0': 'No'
|
567 |
+
'1': 'Yes'
|
568 |
+
splits:
|
569 |
+
- name: train
|
570 |
+
num_bytes: 85231982003.464
|
571 |
+
num_examples: 105024
|
572 |
+
download_size: 100452185352
|
573 |
+
dataset_size: 85231982003.464
|
574 |
+
configs:
|
575 |
+
- config_name: commercial
|
576 |
+
data_files:
|
577 |
+
- split: train
|
578 |
+
path: commercial/train-*
|
579 |
+
- config_name: default
|
580 |
+
data_files:
|
581 |
+
- split: train
|
582 |
+
path: data/train-*
|
583 |
+
tags:
|
584 |
+
- fma
|
585 |
+
- free-music-archive
|
586 |
+
---
|
587 |
+
|
588 |
+
# FMA: A Dataset for Music Analysis
|
589 |
+
|
590 |
+
[Michaël Defferrard](https://deff.ch/), [Kirell Benzi](https://kirellbenzi.com/), [Pierre Vandergheynst](https://people.epfl.ch/pierre.vandergheynst), [Xavier Bresson](https://www.ntu.edu.sg/home/xbresson).
|
591 |
+
|
592 |
+
**International Society for Music Information Retrieval Conference (ISMIR), 2017.**
|
593 |
+
|
594 |
+
> We introduce the Free Music Archive (FMA), an open and easily accessible dataset suitable for evaluating several tasks in MIR, a field concerned with browsing, searching, and organizing large music collections. The community's growing interest in feature and end-to-end learning is however restrained by the limited availability of large audio datasets. The FMA aims to overcome this hurdle by providing 917 GiB and 343 days of Creative Commons-licensed audio from 106,574 tracks from 16,341 artists and 14,854 albums, arranged in a hierarchical taxonomy of 161 genres. It provides full-length and high-quality audio, pre-computed features, together with track- and user-level metadata, tags, and free-form text such as biographies. We here describe the dataset and how it was created, propose a train/validation/test split and three subsets, discuss some suitable MIR tasks, and evaluate some baselines for genre recognition. Code, data, and usage examples are available at https://github.com/mdeff/fma.
|
595 |
+
|
596 |
+
Paper: [arXiv:1612.01840](https://arxiv.org/abs/1612.01840) - [latex and reviews](https://github.com/mdeff/paper-fma-ismir2017)
|
597 |
+
|
598 |
+
Slides: [doi:10.5281/zenodo.1066119](https://doi.org/10.5281/zenodo.1066119)
|
599 |
+
|
600 |
+
Poster: [doi:10.5281/zenodo.1035847](https://doi.org/10.5281/zenodo.1035847)
|
601 |
+
|
602 |
+
# This Pack
|
603 |
+
|
604 |
+
This is the **full** dataset, comprising a total of **105,024 samples** clips of **untrimmed length** over **16** *unbalanced* genres totaling **8,104 hours** of audio.
|
605 |
+
|
606 |
+
## Repack Notes
|
607 |
+
|
608 |
+
- 173 files were unreadable by `libsndfile / libmpg123`, these were removed.
|
609 |
+
- 1377 files had licenses that were unclear on whether or not they permitted redistribution, or the full license text was unavailable. These were removed.
|
610 |
+
|
611 |
+
# License
|
612 |
+
|
613 |
+
- The [FMA codebase](https://github.com/mdeff/fma) is released under [The MIT License](https://github.com/mdeff/fma/blob/master/LICENSE.txt).
|
614 |
+
- The FMA metadata is released under [CC-BY 4.0](https://creativecommons.org/licenses/by/4.0).
|
615 |
+
- The individual files are released under various Creative Commons family licenses, with a small amount of additional licenses. **Each file has its license attached and important details of the license enumerated.** To make it easy to use for developers and trainers, a configuration is available to limit only to commercially-usable data.
|
616 |
+
|
617 |
+
Please refer to any of the following URLs for additional details.
|
618 |
+
|
619 |
+
| Class Label | License Name | URL |
|
620 |
+
| ----------- | ------------ | --- |
|
621 |
+
| 0 | CC-BY 1.0 | https://creativecommons.org/licenses/by/1.0/ |
|
622 |
+
| 1 | CC-BY 2.0 | https://creativecommons.org/licenses/by/2.0/ |
|
623 |
+
| 2 | CC-BY 2.5 | https://creativecommons.org/licenses/by/2.5/ |
|
624 |
+
| 3 | CC-BY 3.0 | https://creativecommons.org/licenses/by/3.0/ |
|
625 |
+
| 4 | CC-BY 4.0 | https://creativecommons.org/licenses/by/4.0/ |
|
626 |
+
| 5 | CC-BY-NC 2.0 | https://creativecommons.org/licenses/by-nc/2.0/ |
|
627 |
+
| 6 | CC-BY-NC 2.1 | https://creativecommons.org/licenses/by-nc/2.1/ |
|
628 |
+
| 7 | CC-BY-NC 2.5 | https://creativecommons.org/licenses/by-nc/2.5/ |
|
629 |
+
| 8 | CC-BY-NC 3.0 | https://creativecommons.org/licenses/by-nc/3.0/ |
|
630 |
+
| 9 | CC-BY-NC 4.0 | https://creativecommons.org/licenses/by-nc/4.0/ |
|
631 |
+
| 10 | CC-BY-NC-ND 2.0 | https://creativecommons.org/licenses/by-nc-nd/2.0/ |
|
632 |
+
| 11 | CC-BY-NC-ND 2.1 | https://creativecommons.org/licenses/by-nc-nd/2.1/ |
|
633 |
+
| 12 | CC-BY-NC-ND 2.5 | https://creativecommons.org/licenses/by-nc-nd/2.5/ |
|
634 |
+
| 13 | CC-BY-NC-ND 3.0 | https://creativecommons.org/licenses/by-nc-nd/3.0/ |
|
635 |
+
| 14 | CC-BY-NC-ND 4.0 | https://creativecommons.org/licenses/by-nc-nd/4.0/ |
|
636 |
+
| 15 | CC-BY-NC-SA 2.0 | https://creativecommons.org/licenses/by-nc-sa/2.0/ |
|
637 |
+
| 16 | CC-BY-NC-SA 2.1 | https://creativecommons.org/licenses/by-nc-sa/2.1/ |
|
638 |
+
| 17 | CC-BY-NC-SA 2.5 | https://creativecommons.org/licenses/by-nc-sa/2.5/ |
|
639 |
+
| 18 | CC-BY-NC-SA 3.0 | https://creativecommons.org/licenses/by-nc-sa/3.0/ |
|
640 |
+
| 19 | CC-BY-NC-SA 4.0 | https://creativecommons.org/licenses/by-nc-sa/4.0/ |
|
641 |
+
| 20 | CC-BY-ND 2.0 | https://creativecommons.org/licenses/by-nd/2.0/ |
|
642 |
+
| 21 | CC-BY-ND 2.5 | https://creativecommons.org/licenses/by-nd/2.5/ |
|
643 |
+
| 22 | CC-BY-ND 3.0 | https://creativecommons.org/licenses/by-nd/3.0/ |
|
644 |
+
| 23 | CC-BY-ND 4.0 | https://creativecommons.org/licenses/by-nd/4.0/ |
|
645 |
+
| 24 | CC-BY-SA 2.0 | https://creativecommons.org/licenses/by-sa/2.0/ |
|
646 |
+
| 25 | CC-BY-SA 2.5 | https://creativecommons.org/licenses/by-sa/2.5/ |
|
647 |
+
| 26 | CC-BY-SA 3.0 | https://creativecommons.org/licenses/by-sa/3.0/ |
|
648 |
+
| 27 | CC-BY-SA 4.0 | https://creativecommons.org/licenses/by-sa/4.0/ |
|
649 |
+
| 28 | CC-NC-Sampling+ 1.0 | https://creativecommons.org/licenses/nc-sampling+/1.0/ |
|
650 |
+
| 29 | CC-Sampling+ 1.0 | https://creativecommons.org/licenses/sampling+/1.0/ |
|
651 |
+
| 30 | FMA Sound Recording Common Law | https://freemusicarchive.org/Sound_Recording_Common_Law |
|
652 |
+
| 31 | Free Art License | https://artlibre.org/licence/lal/en |
|
653 |
+
| 32 | Free Music Philosophy (FMP) | https://irdial.com/free_and_easy.htm |
|
654 |
+
|
655 |
+
## Total Duration by License
|
656 |
+
|
657 |
+
| License | Total Duration (Percentage) |
|
658 |
+
| ------- | --------------------------- |
|
659 |
+
| CC-BY-NC-SA 3.0 | 2768.3 hours (34.16%) |
|
660 |
+
| CC-BY-NC-ND 3.0 | 2296.4 hours (28.34%) |
|
661 |
+
| CC-BY-NC-ND 4.0 | 1018.4 hours (12.57%) |
|
662 |
+
| CC-BY-NC-SA 4.0 | 533.2 hours (6.58%) |
|
663 |
+
| CC-BY 4.0 | 377.0 hours (4.65%) |
|
664 |
+
| CC-BY-NC 3.0 | 288.9 hours (3.56%) |
|
665 |
+
| CC-BY-NC 4.0 | 232.6 hours (2.87%) |
|
666 |
+
| CC-BY 3.0 | 106.9 hours (1.32%) |
|
667 |
+
| CC-BY-SA 4.0 | 99.4 hours (1.23%) |
|
668 |
+
| CC-BY-SA 3.0 | 79.7 hours (0.98%) |
|
669 |
+
| CC-BY-NC-SA 2.0 | 65.1 hours (0.80%) |
|
670 |
+
| CC-BY-NC-ND 2.0 | 56.2 hours (0.69%) |
|
671 |
+
| CC-BY-ND 3.0 | 36.8 hours (0.45%) |
|
672 |
+
| CC-BY-ND 4.0 | 25.0 hours (0.31%) |
|
673 |
+
| CC-BY-NC-ND 2.5 | 24.2 hours (0.30%) |
|
674 |
+
| FMA Sound Recording Common Law | 19.9 hours (0.25%) |
|
675 |
+
| CC-BY-NC-SA 2.5 | 18.0 hours (0.22%) |
|
676 |
+
| CC-BY-NC 2.5 | 13.3 hours (0.16%) |
|
677 |
+
| CC0 1.0 | 10.5 hours (0.13%) |
|
678 |
+
| CC-BY 1.0 | 10.4 hours (0.13%) |
|
679 |
+
| Free Music Philosophy (FMP) | 4.4 hours (0.05%) |
|
680 |
+
| Free Art License | 2.7 hours (0.03%) |
|
681 |
+
| CC-BY 2.0 | 2.5 hours (0.03%) |
|
682 |
+
| CC-BY-NC 2.1 | 2.4 hours (0.03%) |
|
683 |
+
| CC-BY-NC-SA 2.1 | 2.3 hours (0.03%) |
|
684 |
+
| CC-BY-SA 2.0 | 1.9 hours (0.02%) |
|
685 |
+
| CC-BY-NC 2.0 | 1.6 hours (0.02%) |
|
686 |
+
| CC-BY-ND 2.5 | 1.6 hours (0.02%) |
|
687 |
+
| CC-NC-Sampling+ 1.0 | 1.4 hours (0.02%) |
|
688 |
+
| CC-BY-NC-ND 2.1 | 65.0 minutes (0.01%) |
|
689 |
+
| CC-Sampling+ 1.0 | 53.9 minutes (0.01%) |
|
690 |
+
| CC-BY-SA 2.5 | 31.8 minutes (0.01%) |
|
691 |
+
| CC-BY-ND 2.0 | 29.7 minutes (0.01%) |
|
692 |
+
| CC-BY 2.5 | 11.2 minutes (0.00%) |
|
693 |
+
|
694 |
+
# Citations
|
695 |
+
|
696 |
+
```
|
697 |
+
@inproceedings{fma_dataset,
|
698 |
+
title = {{FMA}: A Dataset for Music Analysis},
|
699 |
+
author = {Defferrard, Micha\"el and Benzi, Kirell and Vandergheynst, Pierre and Bresson, Xavier},
|
700 |
+
booktitle = {18th International Society for Music Information Retrieval Conference (ISMIR)},
|
701 |
+
year = {2017},
|
702 |
+
archiveprefix = {arXiv},
|
703 |
+
eprint = {1612.01840},
|
704 |
+
url = {https://arxiv.org/abs/1612.01840},
|
705 |
+
}
|
706 |
+
```
|
707 |
+
|
708 |
+
```
|
709 |
+
@inproceedings{fma_challenge,
|
710 |
+
title = {Learning to Recognize Musical Genre from Audio},
|
711 |
+
subtitle = {Challenge Overview},
|
712 |
+
author = {Defferrard, Micha\"el and Mohanty, Sharada P. and Carroll, Sean F. and Salath\'e, Marcel},
|
713 |
+
booktitle = {The 2018 Web Conference Companion},
|
714 |
+
year = {2018},
|
715 |
+
publisher = {ACM Press},
|
716 |
+
isbn = {9781450356404},
|
717 |
+
doi = {10.1145/3184558.3192310},
|
718 |
+
archiveprefix = {arXiv},
|
719 |
+
eprint = {1803.05337},
|
720 |
+
url = {https://arxiv.org/abs/1803.05337},
|
721 |
+
}
|
722 |
+
```
|