While he admired the first movement, he also considered it overlong, giving the work as a whole the feeling of a symphonic poem with three movements attached arbirtarily to call it a symphony.
This, he thought, gave the work as a whole the feeling of a symphonic poem with three additional movements attached to justify it being called a symphony. While he admired the first movement, he also considered it overlong.
While he admired the first movement, he also considered it overlong. This, he thought, gave the work as a whole the feeling of a symphonic poem with three additional movements attached to justify it being called a symphony.
While he admired the first movement, he also considered it overlong. This, he thought, gave the work as a whole the feeling of a symphonic poem with three additional movements attached to justify it being called a symphony.