Though the Cusqueño painters studied Byzantine, Flemish, Andorran and Italian Renaissance art, their works were freer than those of their European tutors: they used bright colors and distorted, dramatic images, and depicted their native flora and fauna as a backdrop in their works.
They often adapted the topics to depict their native flora and fauna as a backdrop in their works. Though the Cusqueño painters knew copies of Byzantine, Flemish and Italian Renaissance art, their works were freer than those of their European tutors: they used bright colors and distorted, dramatic images.
Though the Cusqueño painters knew copies of Byzantine, Flemish and Italian Renaissance art, their works were freer than those of their European tutors: they used bright colors and distorted, dramatic images. They often adapted the topics to depict their native flora and fauna as a backdrop in their works.
Though the Cusqueño painters knew copies of Byzantine, Flemish and Italian Renaissance art, their works were freer than those of their European tutors: they used bright colors and distorted, dramatic images. They often adapted the topics to depict their native flora and fauna as a backdrop in their works.