The European concept of the harem further implants itself within Delacroix's work, ultimately creating a painting that objectifies and eroticizes the Algerian women to a greater extent than the original 1834 version.
Ultimately creating a painting that objectifies and eroticizes the Algerian women to a greater extent than the original 1834 version. The European concept of the harem further implants itself within Delacroix's work.
The European concept of the harem further implants itself within Delacroix's work. Ultimately creating a painting that objectifies and eroticizes the Algerian women to a greater extent than the original 1834 version.
The European concept of the harem further implants itself within Delacroix's work. Ultimately creating a painting that objectifies and eroticizes the Algerian women to a greater extent than the original 1834 version.