He mourned the perennial poverty of Calcutta and the socioeconomic decline of Bengal, and detailed these newly plebeian aesthetics in an unrhymed hundred-line poem whose technique of searing double-vision foreshadowed Satyajit Ray's film "Apur Sansar".
He detailed these newly plebeian aesthetics in an unrhymed hundred-line poem whose technique of searing double-vision foreshadowed Satyajit Ray's film "Apur Sansar". He mourned the perennial poverty of Calcutta and the socioeconomic decline of Bengal.
He mourned the perennial poverty of Calcutta and the socioeconomic decline of Bengal. He detailed these newly plebeian aesthetics in an unrhymed hundred-line poem whose technique of searing double-vision foreshadowed Satyajit Ray's film "Apur Sansar".
He mourned the perennial poverty of Calcutta and the socioeconomic decline of Bengal. He detailed these newly plebeian aesthetics in an unrhymed hundred-line poem whose technique of searing double-vision foreshadowed Satyajit Ray's film "Apur Sansar".