The first theme group tended to outline the tonic chord, and the second theme tended to be more "cantabile" in character, but this was far from universal--as Haydn's monothematic expositions, and Beethoven's early rhythmic themes show.
But this was far from universal--as Haydn's monothematic expositions, and Beethoven's early rhythmic themes show. The first theme group tended to outline the tonic chord, and the second theme tended to be more "cantabile" in character.
The first theme group tended to outline the tonic chord, and the second theme tended to be more "cantabile" in character. But this was far from universal--as Haydn's monothematic expositions, and Beethoven's early rhythmic themes show.
The first theme group tended to outline the tonic chord, and the second theme tended to be more "cantabile" in character. But this was far from universal--as Haydn's monothematic expositions, and Beethoven's early rhythmic themes show.