In line 6 the imitation motive is taken from the chorale, in the two last lines 8 and 9 the lower voices enter together with the soprano.
In the two last lines 8 and 9 the lower voices enter together with the soprano. In line 6 the imitation motive is taken from the chorale.
In line 6 the imitation motive is taken from the chorale. In the two last lines 8 and 9 the lower voices enter together with the soprano.
In line 6 the imitation motive is taken from the chorale. In the two last lines 8 and 9 the lower voices enter together with the soprano.