nine o’clock in the
      morning
accursed ! '' These words were , so to speak , the point of union of two scenes , which had , up to that time , been developed in parallel lines at the same moment , each on its particular theatre ; one , that which the reader has just perused , in the Rat-Hole ; the other , which he is about to read , on the ladder of the pillory . The first had for witnesses only the three women with whom the reader has just made acquaintance ; the second had for spectators all the public which we have seen above , collecting on the Place de Grève , around the pillory and the gibbet . That crowd which the four sergeants posted at nine o'clock in the morning at the four corners of the pillory had inspired with the hope of some sort of an execution , no doubt , not a hanging , but a whipping , a cropping of ears , something , in short , -- that crowd had increased so rapidly that the four policemen , too closely besieged , had had occasion to `` press '' it , as the expression then ran , more than once , by sound blows of their whips , and the haunches of their horses . This populace , disciplined to waiting for public executions , did not manifest very much impatience . It amused itself with watching the pillory , a very simple sort of monument , composed of a cube of masonry about six feet high and hollow in the interior . A very steep staircase , of unhewn stone , which was called by distinction `` the ladder , '' led to the upper platform , upon which was visible a horizontal wheel of solid oak .