A large boulder like structure is imposed over a background of white and blue vertical lines in one of this artist's woodcuts that features the three titular figures facing away from the viewer.
A large boulder like structure is imposed over a background of white and blue vertical lines in one of this artist's woodcuts that features the three titular figures facing away from the viewer. In another of this artist's works, a setting sun casts a pillar of light in the upper hand corner while the titular figure crawls up onto a beach. In addition to Girls on the Bridge and Lady of the Sea, this artist was inspired by David to paint a Death of Marat in which a table bearing pomegranates and avocados appears next to a full-front naked woman with a blank stare. Self-portraits of this man include one between clock and bed and an extremely disappointing one with a skeletal arm. This artist's (*) Puberty depicts a shadow looming over a creepy girl sitting on a bed and he also painted a red-haired figure biting the neck of a man in his The Vampire. A woman with her arms behind her head and a woman in black mourning over a bed can be seen in this painter's three-piece series about "Life, Love and Death", The Frieze of Life. With a famous painting depicting red clouds from the eruption of Krakatoa, FTP, identify this 19th century expressionist artist whose best-known work has a man clasping his face in terror in The Scream.
A large boulder like structure is imposed over a background of white and blue vertical lines in one of this artist's woodcuts that features the three titular figures facing away from the viewer.
Edvard {Munch}