A red sun in the upper left illuminates Max Beckmann's 1917 version, and shows a black hooded figure looking at the viewer and holding the arm of an old woman in red, who uses her hands to the hide the grisly sight of a dying, emaciated figure.
A red sun in the upper left illuminates Max Beckmann's 1917 version, and shows a black hooded figure looking at the viewer and holding the arm of an old woman in red, who uses her hands to the hide the grisly sight of a dying, emaciated figure. One Italian Mannerist version features a setup with three high ladders and gives the central figure an unearthly greenish tint; while a famous Flemish altarpiece shows this scene with a red-robed John supporting the pale, fainting figure of a blue-robed Mary, placed parallel to the unnaturally bent Jesus. FTP, Rosso Fiorentino and Rogier van der Weyden, in addition to Ruebens, painted what scene showing Christ's body being carried down after his crucifixion?
A red sun in the upper left illuminates Max Beckmann's 1917 version, and shows a black hooded figure looking at the viewer and holding the arm of an old woman in red, who uses her hands to the hide the grisly sight of a dying, emaciated figure.
{Descent from the Cross} or {Deposition}