the connecting episode between the first and second subject in this piece's final movement, a four-bar staccato passage in G-flat major with a sforzando marking on every note is immediately repeated, sans markings, in F major.
the connecting episode between the first and second subject in this piece's final movement, a four-bar staccato passage in G-flat major with a sforzando marking on every note is immediately repeated, sans markings, in F major. Although this piece's andante espressivo second movement has an exposition in C minor, its recapitulation begins in F minor, minus the opening four measures, and eventually transitions without pause into the finale. Some of the themes of this piece may have been inspired by Jan Dussek's Opus 44 of the same title. This piece's three first dyads for the right hand are a G - (*) E-flat third, an F - B-flat fifth, and an E-flat Â– G sixth. This piece's challenging last movement is marked vivacissimamente and titled "Das Wiedersehen" [VEE-dur-zay-in]. This piece opens by imitating the posthorn call of a departing carriage, over which the three syllables of "Lebewohl" [LAY-buh-vohl] are written. For 10 points, identify this Beethoven piano sonata, often titled for the French translation of "The Farewells."
the connecting episode between the first and second subject in this piece's final movement, a four-bar staccato passage in G-flat major with a sforzando marking on every note is immediately repeated, sans markings, in F major.
"Les Adieux" sonata [or Ludwig van Beethoven's Piano Sonata No. 26 in E-flat major, Opus 81a (accept either piece number or opus number); accept Lebewohl or Farewell sonata until those words are read; prompt on Farewell]  [Following precedent for this answer's 