Red drapery surrounds Pietro Gentile, who wears the Maltese cross and sports a long sword strapped to his belt, in this artist's Portrait of a Gonfaloniere, This artist painted the titular mythological creature sitting back and looking perplexed after grasping at his query and coming away with only a wig in Corisca and the Satyr.
Red drapery surrounds Pietro Gentile, who wears the Maltese cross and sports a long sword strapped to his belt, in this artist's Portrait of a Gonfaloniere, This artist painted the titular mythological creature sitting back and looking perplexed after grasping at his query and coming away with only a wig in Corisca and the Satyr. In this artist's first major work, a brown-haired man whispers to his companion, who presses a (*) finger to his lips as they lean over a wall to leer at a nude woman who twists away. This artist appears in green leaning into a canvas and stretching out a lone brush in Self Portrait as the Allegory of Painting, and drew on characteristic themes to paint Susanna and the Elders and a more famous work depicting a maid holding down a general while the other title figure cuts through his neck with a sword. For 10 points, identify this painter of a famed Judith Slaying Holofernes, a female Italian Baroque artist
Red drapery surrounds Pietro Gentile, who wears the Maltese cross and sports a long sword strapped to his belt, in this artist's Portrait of a Gonfaloniere, This artist painted the titular mythological creature sitting back and looking perplexed after grasping at his query and coming away with only a wig in Corisca and the Satyr.
Artemisia Gentileschi