Its creator lost his chance at another commission on the same structure to Jean-Pierre Cortot, while Antoine Louis Barye was to have created a massive outstretched eagle over it.  
Its creator lost his chance at another commission on the same structure to Jean-Pierre Cortot, while Antoine Louis Barye was to have created a massive outstretched eagle over it.  The nude boy grasping on to his father in this work is possibly a reference to the artist, who attempted to go with his father (+) during the titular event.  The artist received his commission after Adolphe Thiers was impressed by his Return of Napoleon's Armies from Egypt. The free-flowing hair of the six figures in this work demonstrates their Gallic origins, and it is located on a structure that also contains Renaissance (*) and Peace.  The winged female figure extends her sword forward as she cries out to the men below her, allegorically representing France. FTP, identify this work on the Arc de Triomphe sculpted by Francois Rude, depicting the national army being led into battle during the Revolution, a work whose nickname derives from the nationalistic song being sung by the figures.
Its creator lost his chance at another commission on the same structure to Jean-Pierre Cortot, while Antoine Louis Barye was to have created a massive outstretched eagle over it.  
{Departure of the Volunteers} of 1792 (or {The Marseillaise} or {Le Marseillaise}) [4]