Silvestre Revueltas depicts these objects in the dissonant 3/4 opening of Música para Charlar, adapted from the score of a film about them in Baja California.
Silvestre Revueltas depicts these objects in the dissonant 3/4 opening of Música para Charlar, adapted from the score of a film about them in Baja California. Ernst Krenek set data about these objects in Santa Fe to six-part polyphony inspired by a Josquin Desprez motet. Another piece depicting them has strings imitate snippets of recorded speech like "From Chicago" and begins with the movement "America - Before the War." An absurd tempo of 112 half-notes per minute is marked for a perpetuum mobile depicting one of them by Charles-Valentin Alkan. Heitor Villa-Lobos concluded Bachianas Brasileiras No. 2 with a toccata depicting one "of the Caipira." Steve Reich used paradiddles to depict these vehicles in a string quartet titled for "different" ones. For 10 points each, name this kind of vehicle whose chugging is depicted in Arthur Honegger's Pacific 231.
Silvestre Revueltas depicts these objects in the dissonant 3/4 opening of Música para Charlar, adapted from the score of a film about them in Baja California.
trains [accept railroads or railways]