A red-cloaked angel swings a censer toward a glowing triangle in this man's extremely orange fresco Adoration of the Name of the Lord.
A red-cloaked angel swings a censer toward a glowing triangle in this man's extremely orange fresco Adoration of the Name of the Lord. A woman leans on what may be a burial mound topped by wrought-iron rails in a probable portrait of this man's maid Leocadia, while a woman holding a striped box sits apart from a semicircle gathered around a goat-headed man in another of his paintings. Horses trample people and men fight with daggers and curved swords in a painting by this artist of The (*) Witches' Sabbath that served as a companion to a work in which a square lantern illuminates two opposing lines of people and a white-shirted man throws up his hands. A bloody, headless man is being eaten in one of this man's Black Paintings. For 10 points, name this Spanish painter of Saturn Devouring His Son and The Third of May, 1808.
A red-cloaked angel swings a censer toward a glowing triangle in this man's extremely orange fresco Adoration of the Name of the Lord.
Francisco Goya [or Francisco José de Goya y Lucientes]