In a concerto, this composer called for the strings to strum four-note chords in imitation of banjos in the "piu mosso" from the second-movement andante; that concerto by this man opens with four tympani strokes, a cymbal clash, a bass drum thud, and a snare drum roll, all followed by a "Charleston" motif.  Walter Damrosch conducted the premiere of a piece by this composer that uses four taxi horns. This composer of the Concerto in F wrote a jazz-influenced piece that opens with a clarinet glissando. For 10 points, name this composer of An American in Paris and Rhapsody in Blue.
In a concerto, this composer called for the strings to strum four-note chords in imitation of banjos in the "piu mosso" from the second-movement andante; that concerto by this man opens with four tympani strokes, a cymbal clash, a bass drum thud, and a snare drum roll, all followed by a "Charleston" motif.  Walter Damrosch conducted the premiere of a piece by this composer that uses four taxi horns. This composer of the Concerto in F wrote a jazz-influenced piece that opens with a clarinet glissando. For 10 points, name this composer of An American in Paris and Rhapsody in Blue.
In a concerto, this composer called for the strings to strum four-note chords in imitation of banjos in the "piu mosso" from the second-movement andante; that concerto by this man opens with four tympani strokes, a cymbal clash, a bass drum thud, and a snare drum roll, all followed by a "Charleston" motif.  