These objects are the main subject of Vasily Vereshchagin’s painting The Apotheosis of War. A photograph by Philippe Halsman shows Salvador Dali standing in front of one of these objects formed from the bodies of seven nude women. The subtitle “Red, White, and Blue” is appended to a Georgia O’Keefe painting of one of these objects that originally belonged to a cow. An anamorphic one of these objects is stretched across the floor of Hans Holbein’s The Ambassadors. For 10 points, name these objects often used as a vanitas symbol of death.
These objects are the main subject of Vasily Vereshchagin’s painting The Apotheosis of War. A photograph by Philippe Halsman shows Salvador Dali standing in front of one of these objects formed from the bodies of seven nude women. The subtitle “Red, White, and Blue” is appended to a Georgia O’Keefe painting of one of these objects that originally belonged to a cow. An anamorphic one of these objects is stretched across the floor of Hans Holbein’s The Ambassadors. For 10 points, name these objects often used as a vanitas symbol of death.
These objects are the main subject of Vasily Vereshchagin’s painting The Apotheosis of War.