Alberti bass involves alternating between the root note and this scale degree. Gustav Nottebohm observed that the third movement of Beethoven's Symphony of this ordinal number shares a theme with fourth movement of Mozart's fortieth symphony. On the guitar, a "power chord" consists of the root and this interval above the root. This interval, a half step below a tritone, is exemplified by C to G, or A to E, and is a half step above a perfect fourth. For ten points, In "My Name Is", Slim Shady asks if you dare him to drive after drinking this much liquor, which isn't a fourth or sixth.
Alberti bass involves alternating between the root note and this scale degree. Gustav Nottebohm observed that the third movement of Beethoven's Symphony of this ordinal number shares a theme with fourth movement of Mozart's fortieth symphony. On the guitar, a "power chord" consists of the root and this interval above the root. This interval, a half step below a tritone, is exemplified by C to G, or A to E, and is a half step above a perfect fourth. For ten points, In "My Name Is", Slim Shady asks if you dare him to drive after drinking this much liquor, which isn't a fourth or sixth.
Alberti bass involves alternating between the root note and this scale degree.