Bradley Bailey speculated that the odd number of birds in this artist's Manchurian Cranes may be a commentary on monogamy, and his 1812 "A Quick Guide to Painting" focused on finding geometric forms in the visible world.   In 1817, he drew a temple on an 18 meter sheet of paper.  When he had a falling out with a novelist collaborator, Takizawa Bakin, the publisher opted to keep him rather than the novelist.  His Fine Wind, Clear Morning from his thirty-six views of Mount Fuji helped cement his reputation.  For ten points, name this Japense artist of The Grate Wave off Kanagawa.
Bradley Bailey speculated that the odd number of birds in this artist's Manchurian Cranes may be a commentary on monogamy, and his 1812 "A Quick Guide to Painting" focused on finding geometric forms in the visible world.   In 1817, he drew a temple on an 18 meter sheet of paper.  When he had a falling out with a novelist collaborator, Takizawa Bakin, the publisher opted to keep him rather than the novelist.  His Fine Wind, Clear Morning from his thirty-six views of Mount Fuji helped cement his reputation.  For ten points, name this Japense artist of The Grate Wave off Kanagawa.
Bradley Bailey speculated that the odd number of birds in this artist's Manchurian Cranes may be a commentary on monogamy, and his 1812 "A Quick Guide to Painting" focused on finding geometric forms in the visible world.   