The penultimate movement of this piece begins with trombones and trumpets playing the notes G, down to E-flat, up to A, down to B before three bassoons begin a scherzo-like rhythm in 6/4 time. This piece opens with a threenote motive consisting of G, up to D, down to D-flat, over a rhythmic ostinato of G's. Adrian Boult made six recordings of this work, and led its premiere performances. The last movement of this piece asks for a woman's choir to be placed in an adjoining room, whose door is slowly closed during the final bar. The composer adapted a melody from this work into the hymn "Thaxted" to fit Cecil Spring Rice's poem "I Vow to Thee, 
The penultimate movement of this piece begins with trombones and trumpets playing the notes G, down to E-flat, up to A, down to B before three bassoons begin a scherzo-like rhythm in 6/4 time. This piece opens with a threenote motive consisting of G, up to D, down to D-flat, over a rhythmic ostinato of G's. Adrian Boult made six recordings of this work, and led its premiere performances. The last movement of this piece asks for a woman's choir to be placed in an adjoining room, whose door is slowly closed during the final bar. The composer adapted a melody from this work into the hymn "Thaxted" to fit Cecil Spring Rice's poem "I Vow to Thee, My Country;" that movement is subtitled "The Bringer of Jollity." For 10 points, name this seven-movement suite depicting heavenly bodies by Gustav Holst.
The penultimate movement of this piece begins with trombones and trumpets playing the notes G, down to E-flat, up to A, down to B before three bassoons begin a scherzo-like rhythm in 6/4 time.