This composer used an English horn solo over muted strings to begin the Romanza third movement of his Symphony No. 5. An intermezzo is surrounded by two marches in a suite by this composer that quotes tunes such as "Seventeen Come Sunday." He wrote an overture to Aristophanes's play The Wasps and used a harp to imitate the Westminster chimes in his second symphony. This composer called for a string quartet, a chamber string orchestra, and a full-size string orchestra in a piece based on the (*) Renaissance melody "Why fum'th in fight." A soarin
This composer used an English horn solo over muted strings to begin the Romanza third movement of his Symphony No. 5. An intermezzo is surrounded by two marches in a suite by this composer that quotes tunes such as "Seventeen Come Sunday." He wrote an overture to Aristophanes's play The Wasps and used a harp to imitate the Westminster chimes in his second symphony. This composer called for a string quartet, a chamber string orchestra, and a full-size string orchestra in a piece based on the (*) Renaissance melody "Why fum'th in fight." A soaring violin solo depicts the upward motion of the title bird in a piece by this man based on George Meredith's poem The Lark Ascending. For 10 points, name this composer of fantasias on "Greensleeves" and a theme of Thomas Tallis.
This composer used an English horn solo over muted strings to begin the Romanza third movement of his Symphony No. 5.