At the beginning of the work this character appears in, he is described as having clumps of yellowish hair protruding from his ears and is said to be fond of chewing on herbs, which may explain his frequent moments of inertia. Near the end of the work, he calls an opponent "the Devil" because he is "faith without smile, truth that is never seized by doubt." This character's old job has been taken over by Bernard Gui, who 
At the beginning of the work this character appears in, he is described as having clumps of yellowish hair protruding from his ears and is said to be fond of chewing on herbs, which may explain his frequent moments of inertia. Near the end of the work, he calls an opponent "the Devil" because he is "faith without smile, truth that is never seized by doubt." This character's old job has been taken over by Bernard Gui, who persecutes Salvatore and Remigio. This character eventually confronts an old man who hates (*) laughter and has used poisoned pages to conceal Aristotle's writing on comedy. This opponent of Jorge of Burgos is accompanied by the narrator of the book he appears in, a novice named Adso of Melk. For 10 points, name this Franciscan who investigates the murder of monks in Umberto Eco's The Name of the Rose.
At the beginning of the work this character appears in, he is described as having clumps of yellowish hair protruding from his ears and is said to be fond of chewing on herbs, which may explain his frequent moments of inertia.
{William} of {Baskerville}