The third act begins with an intermezzo followed by this work's troubled baritone role singing "L'orage s'est calme." One character tells her lover to kill her in "Pour moi je ne crains," which precedes a jealous back and forth that culminates in the duet "Eh bien, va." At the beginning of Act 3, Scene 2, the mob sings the dawn chorus "Des que le soleil," and that scene sees the central couple sing their last duet "Plus de crainte." That central couple was freed thanks to the machinations of the baritone, who claimed the huts were on fire before showing a necklace he had earlier snatched. The gods are addressed by (*) Nourabad in this work, which twice features the chorus "Brahma, divin Brah
The third act begins with an intermezzo followed by this work's troubled baritone role singing "L'orage s'est calme." One character tells her lover to kill her in "Pour moi je ne crains," which precedes a jealous back and forth that culminates in the duet "Eh bien, va." At the beginning of Act 3, Scene 2, the mob sings the dawn chorus "Des que le soleil," and that scene sees the central couple sing their last duet "Plus de crainte." That central couple was freed thanks to the machinations of the baritone, who claimed the huts were on fire before showing a necklace he had earlier snatched. The gods are addressed by (*) Nourabad in this work, which twice features the chorus "Brahma, divin Brahma." This opera sees both the baritone and tenor roles sing "Au fond du temple saint," which reveals that both Zurga and Nadir are in love with Leila. Taking place amongst the title people in Ceylon, for 10 points, name this Bizet opera.
The third act begins with an intermezzo followed by this work's troubled baritone role singing "L'orage s'est calme.
{Les Pecheurs} de {Perles} or The {Pearl Fishers}