One of his works contains an epigram from W.B. Yeats' play The King's Threshold, and in one of his poems he remarks that "I, too, saw God through mud" and that "merry it was to laugh there."  He laments the sun's inability to revive a dead man in another poem, "Futility," while "Wild With All Regrets" is a revised version of a poem in which he entreats a friend to "Carry my crying spirit till it's weaned," "A Terre."  In a poem based on the story of Abraham and Isaac he claims, "the old man...slew his son, / and half the seed of Europe one-by-one," but better known are a poem that asks "What passing-bells for these who die as cattle?" and one about "that old lie."  FTP name this WWI poet, be
One of his works contains an epigram from W.B. Yeats' play The King's Threshold, and in one of his poems he remarks that "I, too, saw God through mud" and that "merry it was to laugh there."  He laments the sun's inability to revive a dead man in another poem, "Futility," while "Wild With All Regrets" is a revised version of a poem in which he entreats a friend to "Carry my crying spirit till it's weaned," "A Terre."  In a poem based on the story of Abraham and Isaac he claims, "the old man...slew his son, / and half the seed of Europe one-by-one," but better known are a poem that asks "What passing-bells for these who die as cattle?" and one about "that old lie."  FTP name this WWI poet, best-known for "Anthem for Doomed Youth" and "Dulce et Decorum Est"
One of his works contains an epigram from W.B. Yeats' play The King's Threshold, and in one of his poems he remarks that "I, too, saw God through mud" and that "merry it was to laugh there."  
Wilfred Owen