This painting was the inspiration for Rilke's poem Der Berg and was also used for the cover of the first edition of Debussy's La mer. This work inverts the traditional meisho-e conventions by placing the famous place in the background and the titular entity in the foreground. Three fishing boats can be seen in this painting, one moving against the titular object and the other two resting in its trough. The background of this work depicts a snow-capped peak which is also depicted in thirty-five other paintings from the same series by this work's artist. FTP, identify this ukio-e print from Thirty-Six Views of Mount Fuji; the most famous painti
This painting was the inspiration for Rilke's poem Der Berg and was also used for the cover of the first edition of Debussy's La mer. This work inverts the traditional meisho-e conventions by placing the famous place in the background and the titular entity in the foreground. Three fishing boats can be seen in this painting, one moving against the titular object and the other two resting in its trough. The background of this work depicts a snow-capped peak which is also depicted in thirty-five other paintings from the same series by this work's artist. FTP, identify this ukio-e print from Thirty-Six Views of Mount Fuji; the most famous painting of Katsushika Hokusai.
This painting was the inspiration for Rilke's poem Der Berg and was also used for the cover of the first edition of Debussy's La mer.
The Great Wave off Kanagawa or Fugaku sanjurokkei: Kanagawaoki namiura (or In the Hollow of a Wave off the Coast at Kanagawa; be generous with the title, as various translations are acceptable as long as wave and Kanagawa are present)