One work by this man quotes a Romance from a Heinrich Marschner opera based on Ivanhoe in its twelfth and final variation. That work begins with a C-sharp minor main theme taken from a flute piece by a composer whose illegitimate daughter was this man's first fiancee. Another piano work by this man is called "Colorful Leaves," and provided the theme for Brahms's Variations Opus 9. This man's own Opus 9 is a set of "cute scenes on four notes," which opens with a "preamble" featuring alternating chords in dotted rhythms. One part of that work is meant to be read but not played, and is called "Sphinxes." That work ends with the "March of the Davidsbündler against the Philistines," and like the aforementioned Symphonic Etudes, it also represents the characters of Eusebius and Florestan. FTP, name this composer who quoted his own work Papillon
One work by this man quotes a Romance from a Heinrich Marschner opera based on Ivanhoe in its twelfth and final variation. That work begins with a C-sharp minor main theme taken from a flute piece by a composer whose illegitimate daughter was this man's first fiancee. Another piano work by this man is called "Colorful Leaves," and provided the theme for Brahms's Variations Opus 9. This man's own Opus 9 is a set of "cute scenes on four notes," which opens with a "preamble" featuring alternating chords in dotted rhythms. One part of that work is meant to be read but not played, and is called "Sphinxes." That work ends with the "March of the Davidsbündler against the Philistines," and like the aforementioned Symphonic Etudes, it also represents the characters of Eusebius and Florestan. FTP, name this composer who quoted his own work Papillons in Carnaval.
One work by this man quotes a Romance from a Heinrich Marschner opera based on Ivanhoe in its twelfth and final variation.
Robert {Schumann}