Corrections to paintings of this type are often made via the secco process, and copies can be made using the techniques of strappo and stacco. Typically, after a scratch coat, brown coat, and sand coat are created, a preliminary sketch is pounced on the surface, and after the intonaco, or painting coat, is laid, the artist paints on the intonaco until the surface becomes too dry to accept new paint. Major examples can be found in the Arena chapel at Padua and the Sistine Chapel. FTP, name this type of painting in which 
Corrections to paintings of this type are often made via the secco process, and copies can be made using the techniques of strappo and stacco. Typically, after a scratch coat, brown coat, and sand coat are created, a preliminary sketch is pounced on the surface, and after the intonaco, or painting coat, is laid, the artist paints on the intonaco until the surface becomes too dry to accept new paint. Major examples can be found in the Arena chapel at Padua and the Sistine Chapel. FTP, name this type of painting in which the pigments become an integral part of a wall.
Corrections to paintings of this type are often made via the secco process, and copies can be made using the techniques of strappo and stacco.
fresco