The speaker of this poem asks "Can storied urn or animated bust / Back to its mansion call the fleeting breath?" and imagines "Hands, that the rod of empire might have sway'd," whose "noble rage" was 
The speaker of this poem asks "Can storied urn or animated bust / Back to its mansion call the fleeting breath?" and imagines "Hands, that the rod of empire might have sway'd," whose "noble rage" was repressed by "chill penury." This poem ends with its speaker envisioning a "hoary-headed swain" leading a "kindred spirit" to his epitaph, which describes how the speaker's merits and frailties repose in "the bosom of his Father and his God." This poem imagines a "village-Hampden" and a "mute inglorious Milton" lying in the title location after claiming "Full many a flower is born to blush unseen." This poem declares that "the paths of glory lead but to the grave," and begins as "The curfew tolls the knell of parting day." For 10 points, name this poem by Thomas Gray about a rural graveyard.
The speaker of this poem asks "Can storied urn or animated bust / Back to its mansion call the fleeting breath?" and imagines "Hands, that the rod of empire might have sway'd,"
"{Elegy Written} in a {Country Churchyard}"