In an 1862 essay, Richard Pohl observed five motifs in this musical work, which he designated as conveying "Passion", "Pride", "Longing", "Triumph", and "Love" respectively. A melody played on oboe and clarinet expresses the "painful joys" of the central figure in the first movement, while the image of a woman picking petals from a flower is evoked by violins and clarinets in the second movement. A male chorus was eventually added to its third movement, the "Chorus Mysticus", singing that "everything transitory is but a semblance" in praise of that which "draws us ever onward" called the "Eternal Feminine". The second of the three "character sketches" that comprise the work centers on the figure of Gretchen, while the third centers on the demon Mephistopheles. For 10 points, identify this 
In an 1862 essay, Richard Pohl observed five motifs in this musical work, which he designated as conveying "Passion", "Pride", "Longing", "Triumph", and "Love" respectively. A melody played on oboe and clarinet expresses the "painful joys" of the central figure in the first movement, while the image of a woman picking petals from a flower is evoked by violins and clarinets in the second movement. A male chorus was eventually added to its third movement, the "Chorus Mysticus", singing that "everything transitory is but a semblance" in praise of that which "draws us ever onward" called the "Eternal Feminine". The second of the three "character sketches" that comprise the work centers on the figure of Gretchen, while the third centers on the demon Mephistopheles. For 10 points, identify this work by Franz Liszt.
In an 1862 essay, Richard Pohl observed five motifs in this musical work, which he designated as conveying "Passion", "Pride", "Longing", "Triumph", and "Love" respectively.
Faust Symphony