One section of this text examines the use of an "index word" to convey various scenarios, such as "collid[ing] with the police car," "warming myself before the fire," and "ca[tching] myself beginning to dream." That section equates introspection with retrospection, describes "higher-order actions" criticizing "lower-action" ones, and concludes that "No metaphysical Iron Curtain exists compelling us to be forever absolute strangers to one another." In line with that thought, its author earlier discusses "disposition" and
One section of this text examines the use of an "index word" to convey various scenarios, such as "collid[ing] with the police car," "warming myself before the fire," and "ca[tching] myself beginning to dream." That section equates introspection with retrospection, describes "higher-order actions" criticizing "lower-action" ones, and concludes that "No metaphysical Iron Curtain exists compelling us to be forever absolute strangers to one another." In line with that thought, its author earlier discusses "disposition" and "occurrence" words and later dismisses imagination as simply playing in a theater box. It opens with the claim that to confuse the discourse of bodies and the discourse of the title entities is to imagine the title entity as a "ghost in the machine." For 10 points, identify this work of metaphysical philosophy by Gilbert Ryle.
One section of this text examines the use of an "index word" to convey various scenarios, such as "collid[ing] with the police car," "warming myself before the fire," and "ca[tching] myself beginning to dream.
The {Concept} of {Mind}