In the foreground of one of this man's paintings, a brown-clad monk reaches forward with a goblet to meet a number of swords. That painting by this man, his largest canvas ever, unexpectedly places a two-tiered blue-and-gold crown on a one-eyed Batavian and was systematically sliced apart in a desperate attempt to sell the fragments. In another of his paintings, an older beret-wearing figure peeks out from behind a curtain to gaze at the title figure, who lies in bed as a golden infant with an anguished expression flies above her. This artist of The (*) Conspiracy of Claudius Civilis and that depiction of Danae painted a work centered on a skullcapped man, who stands in an alcove behind a quintet of hat-wearing men 
In the foreground of one of this man's paintings, a brown-clad monk reaches forward with a goblet to meet a number of swords. That painting by this man, his largest canvas ever, unexpectedly places a two-tiered blue-and-gold crown on a one-eyed Batavian and was systematically sliced apart in a desperate attempt to sell the fragments. In another of his paintings, an older beret-wearing figure peeks out from behind a curtain to gaze at the title figure, who lies in bed as a golden infant with an anguished expression flies above her. This artist of The (*) Conspiracy of Claudius Civilis and that depiction of Danae painted a work centered on a skullcapped man, who stands in an alcove behind a quintet of hat-wearing men who examine a logbook. Another painting by this artist of Syndics of the Clothmakers' Guild depicts a shadowy dog menacing a drummer on the right, while an illuminated, ethereal girl holds a chicken next to a red-clad man holding a musket. For 10 points, identify this artist who depicted the company of Frans Banning Cocq in his Night Watch.
In the foreground of one of this man's paintings, a brown-clad monk reaches forward with a goblet to meet a number of swords.
{Rembrandt Harmenszoon van Rijn} [accept either underlined portion]