This work's inside cover 
This work's inside cover shows the artist playing a Fender J-bass at left and near an upturned barstool at right. This album's tracks were produced by Bob Johnson except for its first, which was recorded at an ersatz New York studio with Al Kooper on Hammond. The title track is the seventh and discusses a location where Georgia Sam may run, but it is not nearly so famous as "Queen Jane, Approximately;" "Desolation Row;" "Just Like Tom Thumb's Blues;" or "Like a Rolling Stone." FTP, identify this 1965 Bob Dylan album, ostensibly about returning to the title roadway.
This work's inside cover shows the artist playing a Fender J-bass at left and near an upturned barstool at right.
Highway 61 Revisited