In one work, this composer used the mourning chorus "Pace alla tua bell'amina" to interrupt the duet "Stolto! a un sol mio grido," which was about to lead to a duel between Tebaldo and Romeo. He required another opera's primary tenor to hit the F above high C; that opera by this man sees Elvira go crazy after the Royalist Arturo becomes a fugitive. This composer of I Capuleti e i Montecchi also created a work in which Elvino refuses to believe in Amina's innocence until she crosses the dangerous mill bridge, proving she's the title character. The title character sings "Casta Diva" in an opera by this man which sees Ad
In one work, this composer used the mourning chorus "Pace alla tua bell'amina" to interrupt the duet "Stolto! a un sol mio grido," which was about to lead to a duel between Tebaldo and Romeo. He required another opera's primary tenor to hit the F above high C; that opera by this man sees Elvira go crazy after the Royalist Arturo becomes a fugitive. This composer of I Capuleti e i Montecchi also created a work in which Elvino refuses to believe in Amina's innocence until she crosses the dangerous mill bridge, proving she's the title character. The title character sings "Casta Diva" in an opera by this man which sees Adalgisa's lover Pollione jump onto the title Druid priestess's funeral pyre. For 10 points, name this Italian composer of I Puritani, La Sonnambula, and Norma.
In one work, this composer used the mourning chorus "Pace alla tua bell'amina" to interrupt the duet "
Vincenzo Salvatore Carmelo Francesco Bellini