One suite, by this composer for viola, small chorus, and orchestra consists of six movements each labeled with a verse from the Song of Solomon, and takes its title from the Latin for "flower of the field." In addition to Flos Campi, this composer stayed in the port town of King's Lynn for nearly three months collecting folk songs he later used in his Norfolk Rhapsody. The last movement of his third symphony opens with a pentatonic recitative for wordless soprano voice with muted percussion, and his second symphony open
One suite, by this composer for viola, small chorus, and orchestra consists of six movements each labeled with a verse from the Song of Solomon, and takes its title from the Latin for "flower of the field." In addition to Flos Campi, this composer stayed in the port town of King's Lynn for nearly three months collecting folk songs he later used in his Norfolk Rhapsody. The last movement of his third symphony opens with a pentatonic recitative for wordless soprano voice with muted percussion, and his second symphony opens with the harp sounding the chimes of Westminster. He wrote the score for the 1948 biopic, Scott in the Antarctic, much of which he reused in his seventh symphony, Sinfonia Antartica. For 10 points, name this English composer of The Lark Ascending and a Fantasia on Greensleeves.
One suite, by this composer for viola, small chorus, and orchestra consists of six movements each labeled with a verse from the Song of Solomon, and takes its title from the Latin for "flower of the field.
Ralph {Vaughn Williams}