His collaboration with the poets Carmen Sylva and Richard Dehmel, among others, was published posthumously as Stella Peregrina. While his early work inspired by Van Gogh resulted in such nature studies as Larch Sapling, his later works, including Playing Forms and Fighting Forms, are non-representational. He contributed the essay "Wild Germany" to an artistic almanac released in 1912, and his large compositions include the canvases Mandrill and Fate of Animals. These paintings marked the zenith 
His collaboration with the poets Carmen Sylva and Richard Dehmel, among others, was published posthumously as Stella Peregrina. While his early work inspired by Van Gogh resulted in such nature studies as Larch Sapling, his later works, including Playing Forms and Fighting Forms, are non-representational. He contributed the essay "Wild Germany" to an artistic almanac released in 1912, and his large compositions include the canvases Mandrill and Fate of Animals. These paintings marked the zenith of his mature approach which depicted prismatically shattered animal forms. FTP, identify this artist, whose painting of two equines named the movement he founded with Wasily Kandinsky, The Blue Rider.
His collaboration with the poets Carmen Sylva and Richard Dehmel, among others, was published posthumously as Stella Peregrina.
Franz Marc