A Will Douglas poem claims he "is dead, and risen, and dead again/ And risen the third time after he is slain," while another poem addressed to his man ends "Help us to save free conscience from the paw/ Of hireling wolves, whose Gospel is their maw." Brian Kennelly analyzed the "curse" of this man in Irish poetry, a topic dealt with by Yeats in a poem discussing his "murderous crew." Victor (*) Hugo attempted to overcome "tottering classicism" and "false romanticism" in the Preface to his 1827 drama about this man, whi
A Will Douglas poem claims he "is dead, and risen, and dead again/ And risen the third time after he is slain," while another poem addressed to his man ends "Help us to save free conscience from the paw/ Of hireling wolves, whose Gospel is their maw." Brian Kennelly analyzed the "curse" of this man in Irish poetry, a topic dealt with by Yeats in a poem discussing his "murderous crew." Victor (*) Hugo attempted to overcome "tottering classicism" and "false romanticism" in the Preface to his 1827 drama about this man, while one of Andrew Marvell's poems about him compares him to Time, noting that he "alone with greater vigor runs." Thomas Gray alluded to those poems when he paired a version of this man "guiltless of his country's blood" with a "mute inglorious Milton"; that Horatian ode claimed he could not "cease/ The inglorious arts of peace" upon his return from Ireland. For 10 points, name this Lord Protector.
A Will Douglas poem claims he "is dead, and risen, and dead again/
Oliver Cromwell