The composer's original score called for a five minute pause before the performance of the landler in A Flat major that constitutes its andante moderato second movement.  Its third movement consists of a scherzo with a tempo direction that asks for "quietly flowing motion," and returns this symphony to its key of three flats.  In the fourth movement, an alto singer is introduced to imitate the singing of a child for the spiritual song, "Urlicht," which along with "St. Anthony of Padua's Sermon to the Fishes" comprises the selection of Wunderhorn songs adapted for this symphony, whose completion was inspired by the funeral of Hans von Bulow.  
The composer's original score called for a five minute pause before the performance of the landler in A Flat major that constitutes its andante moderato second movement.  Its third movement consists of a scherzo with a tempo direction that asks for "quietly flowing motion," and returns this symphony to its key of three flats.  In the fourth movement, an alto singer is introduced to imitate the singing of a child for the spiritual song, "Urlicht," which along with "St. Anthony of Padua's Sermon to the Fishes" comprises the selection of Wunderhorn songs adapted for this symphony, whose completion was inspired by the funeral of Hans von Bulow.  FTP, name this Friedrich Klopstock-influenced symphony of Gustav Mahler, nicknamed for its theme of revival after death.
The composer's original score called for a five minute pause before the performance of the landler in A Flat major that constitutes its andante moderato second movement.  
Resurrection Symphony (accept Gustav Mahler's Symphony No. 2 in C Minor)