On a recording of his "Folk Forms No. 1," this man is heard demanding no applause, no noise from sipping drinks and no cash register ringing.  That session also featured this man's songs "What Love" and "All the Things You Could Be By Now If Sigmund Freud's Wife Were Your Mother." One of this artist's most praised albums features the song "Hora Decubitus" and a song describing "a madman in incandescent bloom" and refers to the artist as a mule "not from Moscow" on the album's final track "Freedom." One of his best-known songs was called (*) "Theme for Lester Young" on that quintuply eponymous album, though on the album called "this man Ah Um,
On a recording of his "Folk Forms No. 1," this man is heard demanding no applause, no noise from sipping drinks and no cash register ringing.  That session also featured this man's songs "What Love" and "All the Things You Could Be By Now If Sigmund Freud's Wife Were Your Mother." One of this artist's most praised albums features the song "Hora Decubitus" and a song describing "a madman in incandescent bloom" and refers to the artist as a mule "not from Moscow" on the album's final track "Freedom." One of his best-known songs was called (*) "Theme for Lester Young" on that quintuply eponymous album, though on the album called "this man Ah Um," it is called "Goodbye Porkpie Hat." For 10 points, identify this jazz artist, usually a bassist, perhaps best known for Pithecanthropus Erectus.
On a recording of his "Folk Forms No. 1," this man is heard demanding no applause, no noise from sipping drinks and no cash register ringing.  
Charles {Mingus}