Two years after this opera's premiere, the recitative was replaced by spoken dialogue in a translation and revision by Pierre Baurans, and this opera was reworked with a new text by Isaac Bickerstaffe and music by Charles Dibdin in 1770.  This opera begins with the aria "Aspettare e non venire", in which one character complains of not being supplied enough chocolate, and the aria "Sempre in contrasti" is given a response with "Stizzoso, mio stizzoso".  The final duet "Contento tu sarai" is the result of a plot involving a man dressed as a soldier and posing as another's fiancé, (*) Vespone.  Originally attached to Il Progioniero Superbo, FTP, name this opera featuring the romance of Uberto and Serpina famous for spa
Two years after this opera's premiere, the recitative was replaced by spoken dialogue in a translation and revision by Pierre Baurans, and this opera was reworked with a new text by Isaac Bickerstaffe and music by Charles Dibdin in 1770.  This opera begins with the aria "Aspettare e non venire", in which one character complains of not being supplied enough chocolate, and the aria "Sempre in contrasti" is given a response with "Stizzoso, mio stizzoso".  The final duet "Contento tu sarai" is the result of a plot involving a man dressed as a soldier and posing as another's fiancé, (*) Vespone.  Originally attached to Il Progioniero Superbo, FTP, name this opera featuring the romance of Uberto and Serpina famous for sparking the War of the Buffoons, a work of Giovanni Battista Pergolesi.
Two years after this opera's premiere, the recitative was replaced by spoken dialogue in a translation and revision by Pierre Baurans, and this opera was reworked with a new text by Isaac Bickerstaffe and music by Charles Dibdin in 1770.  
La {Serva Padrona} [or The {Maid} as {Mistress}; or The {Servant Mistress}]