The Boston MFA contains this painter's depiction of a shepherdess, which was painted over his The Captivity of the Jews in Babylon. A pair of shephards rescues a strung-up infant in his Oedipus Taken Down From the Tree. X-ray analysis on one of this man's paintings showed a coffin shape in the ground, confirming Salvador Dali's suspicions that the persons depicted are mourning their lost child. That painting shows a couple standing in front of a wagon and next to a pitchfork stabbed into the ground. Another of this man's paintings, in which a group of houses can be seen in the far right behind a man on horseback, show
The Boston MFA contains this painter's depiction of a shepherdess, which was painted over his The Captivity of the Jews in Babylon. A pair of shephards rescues a strung-up infant in his Oedipus Taken Down From the Tree. X-ray analysis on one of this man's paintings showed a coffin shape in the ground, confirming Salvador Dali's suspicions that the persons depicted are mourning their lost child. That painting shows a couple standing in front of a wagon and next to a pitchfork stabbed into the ground. Another of this man's paintings, in which a group of houses can be seen in the far right behind a man on horseback, shows what one critic described as "The Three Fates of Poverty". The people depicted in that painting wear blue, yellow, and red head-coverings and two of them bend forward to pick crops. For 10 points, name this member of the Barbizon school who painted The Angelus and The Gleaners.
The Boston MFA contains this painter's depiction of a shepherdess, which was painted over his The Captivity of the Jews in Babylon.
Jean-Francois {Millet}