This book contrasts the radiating, hovering, Jesus with the suffering disciples below in Raphael's Transfiguration as an example of "transforming an illusion into an illusion." It tells the story of King Midas, who chased a satyr for many years only to be greeted by derision after asking it the mean
This book contrasts the radiating, hovering, Jesus with the suffering disciples below in Raphael's Transfiguration as an example of "transforming an illusion into an illusion." It tells the story of King Midas, who chased a satyr for many years only to be greeted by derision after asking it the meaning of life. This work defines the "naïve artist" as one who is interested only in the beauty of a work. Fourteen years after its publication, the author of this work prefaced its twenty five chapters with "An Attempt at Self-Criticism." This work also contains a "Preface to Richard Wagner," as it holds that the emerging German art is the last bastion of true culture. It holds that the elimination of music was one of the many crimes committed by Euripides, whose intellectualism disturbed the balance between the Apollonian and Dionysian. For 10 points, name this first work of Friedrich Nietzsche.
This book contrasts the radiating, hovering, Jesus with the suffering disciples below in Raphael's Transfiguration as an example of "transforming an illusion into an illusion.
The {Birth} of {Tragedy} out of the Spirit of Music [or Die {Geburt} der {Tragödie} aus dem Geiste der Musi]