One movement of this work begins with a solo trombone descending from B-flat to F, ascending to D, and then arpeggiating down the chord in quarter notes, before a bass soloist sings the same phrase. One movement in this work begins with the violins sighing figures of "eighth rest - eighth note - eighth note" in 12/8 time above quarter notes in the violas. In one movement in this work, women gently singing "Voca me cum benedictis" in C major alternates with men aggressively singing imitative phrases in A minor, setting the words "Confutatis maledictis". Richard Maunder and Robert Levin have wri
One movement of this work begins with a solo trombone descending from B-flat to F, ascending to D, and then arpeggiating down the chord in quarter notes, before a bass soloist sings the same phrase. One movement in this work begins with the violins sighing figures of "eighth rest - eighth note - eighth note" in 12/8 time above quarter notes in the violas. In one movement in this work, women gently singing "Voca me cum benedictis" in C major alternates with men aggressively singing imitative phrases in A minor, setting the words "Confutatis maledictis". Richard Maunder and Robert Levin have written "Amen" fugues for this work, based on a sketch not used by Franz Sussmayr, who performed the standard completion of this work. For 10 points, name this setting of the mass for the dead, the unfinished final work of Wolfgang Amadeus Mozart.
One movement of this work begins with a solo trombone descending from B-flat to F, ascending to D, and then arpeggiating down the chord in quarter notes, before a bass soloist sings the same phrase.