She characterizes her situation as one stop on the train line of her life in a scene in which she agrees to a "triangular arrangement." This character is disappointed by news of a fracas involving the police and a "mighty huntress of men," the redhead Mademoiselle Diana, since it means that her vision of another character with "vine leaves in his hair" did not come to fruition. She blames a moment of pity while walking by the Falk mansion for her marriage to a man who plans to write a book on the domestic crafts of medieval Brabant, which he puts off to work with Thea Elvsted on reconstructing the last manuscript of Eilert Løvborg. FTP, name 
She characterizes her situation as one stop on the train line of her life in a scene in which she agrees to a "triangular arrangement." This character is disappointed by news of a fracas involving the police and a "mighty huntress of men," the redhead Mademoiselle Diana, since it means that her vision of another character with "vine leaves in his hair" did not come to fruition. She blames a moment of pity while walking by the Falk mansion for her marriage to a man who plans to write a book on the domestic crafts of medieval Brabant, which he puts off to work with Thea Elvsted on reconstructing the last manuscript of Eilert Løvborg. FTP, name this wife of George Tesman, the title character of a Henrik Ibsen play.
She characterizes her situation as one stop on the train line of her life in a scene in which she agrees to a "triangular arrangement.