A piano imitates hunting-horns well into the postlude in a piece by this composer depicting a man's walk through a forest and encounter with an evil maiden. This composer incorporated the Marseillaise in his depiction of the death of a French grenadier in one of his songs. This composer had the right hand imitate Bach counterpoint while the left hand imitates three bells, in a song about the reflection of a cathedral in water. This composer wrote twenty-six songs, one for each letter of the alphabet, in his collection (*) Myrtles. In 1840, know
A piano imitates hunting-horns well into the postlude in a piece by this composer depicting a man's walk through a forest and encounter with an evil maiden. This composer incorporated the Marseillaise in his depiction of the death of a French grenadier in one of his songs. This composer had the right hand imitate Bach counterpoint while the left hand imitates three bells, in a song about the reflection of a cathedral in water. This composer wrote twenty-six songs, one for each letter of the alphabet, in his collection (*) Myrtles. In 1840, known as this composer's "year of song," he published a setting of Adalbert de Chamisso's A Woman's Love and Life, and set several poems by Joseph Eichendorff in his op. 39 Liederkreis. This composer's choral masterwork is a collection that ends with the poet declaring that he will put his suffering, love, dreams, and bad poems in a huge coffin and cast it out to sea. For 10 points, name this composer who adapted Heinrich Heine's Lyrical Intermezzo in his collection Dichterliebe, and dedicated Myrtles to his wife Clara Wieck.
A piano imitates hunting-horns well into the postlude in a piece by this composer depicting a man's walk through a forest and encounter with an evil maiden.