A trombone quartet alternates playing with a string quartet in the "Prelude" and "Postlude" of a composition this man wrote late in his career in memory of a dead author. This non-Beethoven composer incorporated variations in the form of a march, a waltz, a cancan, and a fugato in 5/8 time, in the second movement of his Octet, scored only for brass and woodwind instruments
A trombone quartet alternates playing with a string quartet in the "Prelude" and "Postlude" of a composition this man wrote late in his career in memory of a dead author. This non-Beethoven composer incorporated variations in the form of a march, a waltz, a cancan, and a fugato in 5/8 time, in the second movement of his Octet, scored only for brass and woodwind instruments. An extended chorale composed in memory of the deceased Claude Debussy concludes this composer's one-movement (*) Symphonies of Wind Instruments. The horn plays a glissando at the start of the "Finale" replete with passages in 7/4 time in a suite by this composer, which follows a bassoon-introduced "Berceuse." Two clarinets play the first instance of a recurring dissonant C major and F sharp major "chord" in a composition by this man which begins at the Shrovetide Fair. This composer called for a bassoon solo in a very high register at the start of a ballet with a riotous 1913 premiere. For 10 points, name this Russian composer of The Rite of Spring.
A trombone quartet alternates playing with a string quartet in the "Prelude" and "Postlude" of a composition this man wrote late in his career in memory of a dead author.