This composer's three piano sonatas are in C Major, F-sharp Minor and F Minor, and his three violin sonatas are in G Major, A Major, and D Minor. Late in life, he wrote two sonatas for clarinet or viola and piano, as well as a B-minor clarinet quintet. This composer used the choral "St. Anthony" in his Variations on a Theme by (*) Haydn. He hated Liszt's "music of the future," and Wagner hated this "conservative" composer's music. One of his choral works begins "Selig sind, die da Leid tragen." His first symphony, which
This composer's three piano sonatas are in C Major, F-sharp Minor and F Minor, and his three violin sonatas are in G Major, A Major, and D Minor. Late in life, he wrote two sonatas for clarinet or viola and piano, as well as a B-minor clarinet quintet. This composer used the choral "St. Anthony" in his Variations on a Theme by (*) Haydn. He hated Liszt's "music of the future," and Wagner hated this "conservative" composer's music. One of his choral works begins "Selig sind, die da Leid tragen." His first symphony, which his friend Clara Schumann disliked, was nicknamed "Beethoven's Tenth." For 10 points, name this composer of A German Requiem and twenty-one Hungarian Dances.
This composer's three piano sonatas are in C Major, F-sharp Minor and F Minor, and his three violin sonatas are in G Major, A Major, and D Minor.