This author described "the cloudy wind and the clean wind" as "two pheasants who fly by the towers" in a poem whose opening stanza repeats "every evening" three times. One collection by this author of "The Ghazal of the Dead Child" personifies the wind as a lustful satyr chasing a young girl and alludes to the "deep poem" of his inaugural collection. One of his collections contains a poem that opens with the lines "Out in the sky, no one sleeps. No one, no one, no one sleeps"; that collection includes the repeated image of the "void", or "hueco", and also furthers its author's conception of the "duende". He also wrote a poem divided into the 
This author described "the cloudy wind and the clean wind" as "two pheasants who fly by the towers" in a poem whose opening stanza repeats "every evening" three times. One collection by this author of "The Ghazal of the Dead Child" personifies the wind as a lustful satyr chasing a young girl and alludes to the "deep poem" of his inaugural collection. One of his collections contains a poem that opens with the lines "Out in the sky, no one sleeps. No one, no one, no one sleeps"; that collection includes the repeated image of the "void", or "hueco", and also furthers its author's conception of the "duende". He also wrote a poem divided into the sections "The Spilled Blood" and "Cogita and Death", which respectively feature repetitions of the lines "I will not see it!" and "at five in the afternoon." For 10 points, name this poet who included "Sleepless City (Brooklyn Bridge Nocturne)" in his Poet in New York and wrote "Lament for the Death of a Bullfighter" before being killed in the Spanish Civil War.
This author described "the cloudy wind and the clean wind" as "two pheasants who fly by the towers" in a poem whose opening stanza repeats "every evening" three times.