Elizabeth Johns describes how the central figure of this painting is portrayed as a teacher of future American generations. The students of this painting's artist took a photograph parodying it in which the main character dramatically holds an axe. A man with a yellow scarf appears to be falling asleep and a man with a goatee leans over a balcony in this work. On the left of this painting, two figures stand in a red tunnel (*) behind the main proceedings. On the left, a blond clerk takes notes while four men including James Barton and Daniel Appel conduct their work. In the central scene, a woman with clenched hands looks away from the torso of a patient of ambiguous gender being cut by the title Jefferson Medical College professor. For 10 points, name this Thomas 
Elizabeth Johns describes how the central figure of this painting is portrayed as a teacher of future American generations. The students of this painting's artist took a photograph parodying it in which the main character dramatically holds an axe. A man with a yellow scarf appears to be falling asleep and a man with a goatee leans over a balcony in this work. On the left of this painting, two figures stand in a red tunnel (*) behind the main proceedings. On the left, a blond clerk takes notes while four men including James Barton and Daniel Appel conduct their work. In the central scene, a woman with clenched hands looks away from the torso of a patient of ambiguous gender being cut by the title Jefferson Medical College professor. For 10 points, name this Thomas Eakins (EE-kinz) painting showing an elderly black-coated professor lecturing in a surgical theater during an operation.
Elizabeth Johns describes how the central figure of this painting is portrayed as a teacher of future American generations.