Late in his career, this man took up printmaking, as evidenced by various images of sheep collected in his work, Sheep Portfolios.  In one work in a larger series of his, a man extends his one leg to a shield resting on the ground in Goslar Warrior.  A bare-breasted woman places her open-palmed hand below her head in this man's first commission, a relief carving located in (*) St. Jame's Park called West Wind.  During the 1930s, he joined the group Unit One and executed a work in Pynkado-wood called Two Forms.  He described one of his works as "like the petals which enclose the stamen of a flower"; that sculpture was Working Model for Upright Internal/External Form. 
Late in his career, this man took up printmaking, as evidenced by various images of sheep collected in his work, Sheep Portfolios.  In one work in a larger series of his, a man extends his one leg to a shield resting on the ground in Goslar Warrior.  A bare-breasted woman places her open-palmed hand below her head in this man's first commission, a relief carving located in (*) St. Jame's Park called West Wind.  During the 1930s, he joined the group Unit One and executed a work in Pynkado-wood called Two Forms.  He described one of his works as "like the petals which enclose the stamen of a flower"; that sculpture was Working Model for Upright Internal/External Form.  A contemporary and co-patriot of fellow sculptor Barbara Hepworth, one of his best known works was heavily influenced by a Toltec sculpture of Chacmool.  For 10 points, name this English sculptor known for his reclining figures.
Late in his career, this man took up printmaking, as evidenced by various images of sheep collected in his work, Sheep Portfolios.  