Ezra Laderman included six instances of this feature in his Audobon Quartet, signifying the number of years the ensemble had spent together. Violins and violas playing in extremely high register create this feature at the start of Britten's first string quartet. Giuseppe Verdi employed this feature in the organs to represent a storm at the beginning of his opera Otello. Gyorgy Ligeti used graphical notation to score his piece Volumina, which consists almost entirely of these musical features, and began his piece (*) Atmospheres with an extensive one played by the strings and woodwinds. The pop
Ezra Laderman included six instances of this feature in his Audobon Quartet, signifying the number of years the ensemble had spent together. Violins and violas playing in extremely high register create this feature at the start of Britten's first string quartet. Giuseppe Verdi employed this feature in the organs to represent a storm at the beginning of his opera Otello. Gyorgy Ligeti used graphical notation to score his piece Volumina, which consists almost entirely of these musical features, and began his piece (*) Atmospheres with an extensive one played by the strings and woodwinds. The popularity of this musical feature was driven in part by The Tides of Manaunaun, a short piano piece by Henry Cowell which has many of them. Perhaps the best-known instance of this feature occurs in the "Hawthorne" section of the Concord Sonata, and is created by using a nearly 15 inch long piece of wood to depress piano keys. For 10 points, identify these very large chords consisting of three or more adjacent tones
Ezra Laderman included six instances of this feature in his Audobon Quartet, signifying the number of years the ensemble had spent together.