This composer originally intended to use the adagio from his seventh symphony in a tone poem called The Feminine Moon Spirit, and most major themes in his third symphony are based on tritone intervals. This composer of the opera The Maiden in the Tower adapted a piece originally labeled Tempo di valse lente – Poco risoluto written for an Arvid Järnefelt play into his (*) V
This composer originally intended to use the adagio from his seventh symphony in a tone poem called The Feminine Moon Spirit, and most major themes in his third symphony are based on tritone intervals. This composer of the opera The Maiden in the Tower adapted a piece originally labeled Tempo di valse lente – Poco risoluto written for an Arvid Järnefelt play into his (*) Valse Triste and he adapted material from an unfinished symphony into his tone poem Tapiola. This composer of the Karelia Suite incorporated elements of his home country's mythology in pieces like Kullervo and The Swan of Tuonela. For 10 points, name this composer who honored his home country in the tone poem Finlandia.
This composer originally intended to use the adagio from his seventh symphony in a tone poem called The Feminine Moon Spirit, and most major themes in his third symphony are based on tritone intervals.
Jean {Sibelius}