Ghirlandiao's depiction of this figure faces Botti
Ghirlandiao's depiction of this figure faces Botticelli's St. Augustine in the Ognissanti church. A partridge and peacock occupy the top step at the entrance to a house in a depiction of this figure by Antonello da Messina, who appears emaciated in a red cloak in several works by Caravaggio. A pear-shaped gourd, likely a reference to a linguistic debate, hangs at top right in the most famous depiction of this figure, which shows a hat with ribbons and an (*) hourglass on a wall above him as he stares past a small crucifix toward a skull on a windowsill. That work also depicts a dog and a lion resting in the foreground and is often grouped with its artist's Melancolia I and Knight, Death, and the Devil. For 10 points, name this saint depicted by Durer "in his study" as he translates the Vulgate.
Ghirlandiao's depiction of this figure faces Botticelli's St. Augustine in the Ognissanti church.
Saint {Jerome}