This composer quoted the folksong "Grandfather's Dance" in both the final movement of a piano suite based on Jean Paul's novel Flegeljahre and in "The March of the League of David against the Philistines". The latter of those is the final movement of a work by this man subtitled "little scenes on four notes", a reference to the recurring "A-S-C-H" theme. This man adapted a laendler in the second movement of his third symphony, the final movement of which was inspired by the elevation of a cardin
This composer quoted the folksong "Grandfather's Dance" in both the final movement of a piano suite based on Jean Paul's novel Flegeljahre and in "The March of the League of David against the Philistines". The latter of those is the final movement of a work by this man subtitled "little scenes on four notes", a reference to the recurring "A-S-C-H" theme. This man adapted a laendler in the second movement of his third symphony, the final movement of which was inspired by the elevation of a cardinal in Cologne. This man served as a mentor to Johannes Brahms, whose Variations and Fugue on a Theme by Handel was premiered by this man's wife Clara Wieck. For 10 points, identify this composer of Papillons, Carnaval, and the Rhenish Symphony.
This composer quoted the folksong "Grandfather's Dance" in both the final movement of a piano suite based on Jean Paul's novel Flegeljahre and in "The March of the League of David against the Philistines".
Robert Alexander Schumann