A character in this poem notes that he should have "been a pair of ragged claws/scuttling across the floors of silent seas." The speaker of this poem wonders how he should "begin to spit out all the butt-ends of my days and ways" when he's "formulated, sprawling on a pin." He later notes that it would be worth it to squeeze the universe into a ball and declare himself to be Lazarus, back from the 
A character in this poem notes that he should have "been a pair of ragged claws/scuttling across the floors of silent seas." The speaker of this poem wonders how he should "begin to spit out all the butt-ends of my days and ways" when he's "formulated, sprawling on a pin." He later notes that it would be worth it to squeeze the universe into a ball and declare himself to be Lazarus, back from the dead. This poem concludes by noting that "we have lingered in the chambers of the sea… until human voices wake us, and we drown." In this poem, one character wonders if he dares to eat a peach, and notices women coming and going, talking of Michaelangelo. For ten points, identify this poem which begins "Let us go now, you and I/ When the evening is spread out against the sky", a poem by T.S. Eliot.
A character in this poem notes that he should have "been a pair of ragged claws/scuttling across the floors of silent seas.
“The {Love Song of J. Alfred Prufrock}”