The 1893 program for this work co-written by the composer's friend Ferdinand Pfohl mentions the French Engraver Callot, though he is misidentified as the creator of a work, that is actually by the Austrian painter Moritz von Schwind, which inspired the third section of this piece. The opening bars have the strings play unison A over seven octaves. The final movement is described in the program, "like the suddenly erupting cry of a heart wounded to its depths." Audiences were scandalized when a double bass solo, in the third section of this symphony inspired by "The Huntsman's Funeral," introduced the canon (*) Frere Jacque in the minor. Two of this symphony's titled 
The 1893 program for this work co-written by the composer's friend Ferdinand Pfohl mentions the French Engraver Callot, though he is misidentified as the creator of a work, that is actually by the Austrian painter Moritz von Schwind, which inspired the third section of this piece. The opening bars have the strings play unison A over seven octaves. The final movement is described in the program, "like the suddenly erupting cry of a heart wounded to its depths." Audiences were scandalized when a double bass solo, in the third section of this symphony inspired by "The Huntsman's Funeral," introduced the canon (*) Frere Jacque in the minor. Two of this symphony's titled sections including ‘Memories of Youth' and one of its discarded sections "Blumine" refer to at least two works by the novelist Jean Paul Richter. For 10 points, name this first symphony of Gustav Mahler.
The 1893 program for this work co-written by the composer's friend Ferdinand Pfohl mentions the French Engraver Callot, though he is misidentified as the creator of a work, that is actually by the Austrian painter Moritz von Schwind, which inspired the third section of this piece.
{Titan} Symphony [accept {Mahler’s} {First} Symphony in D Major or equivalents before it is spoken]