On the lower right, a green plant bridges the gap between a trailing white cloth and a dark space across the bottom. Of the six figures, only one, a bearded man in brown, looks towards the viewer; his haggard face contrasts with his sturdy, muscular calves. The main composition is a cascade that begins with Mary of Cleophas' upraised arms, is continued by the bowed heads of two other women and a shadowy figure in green whose fingers dig into an open wound, and ends in the arc of the central figure's arm, which was quoted by David in Death of Marat. Nicodemus' sharply highlighted elbow echoes the outward thrust of the stone (*) slab on which the figures stand. For 10 
On the lower right, a green plant bridges the gap between a trailing white cloth and a dark space across the bottom. Of the six figures, only one, a bearded man in brown, looks towards the viewer; his haggard face contrasts with his sturdy, muscular calves. The main composition is a cascade that begins with Mary of Cleophas' upraised arms, is continued by the bowed heads of two other women and a shadowy figure in green whose fingers dig into an open wound, and ends in the arc of the central figure's arm, which was quoted by David in Death of Marat. Nicodemus' sharply highlighted elbow echoes the outward thrust of the stone (*) slab on which the figures stand. For 10 points, name this Caravaggio painting that depicts Jesus' dead body being carried into his grave.
On the lower right, a green plant bridges the gap between a trailing white cloth and a dark space across the bottom.
The {Entombment} of Christ [or The {Deposition} of Christ]