In one scene in this film, a row of men stand holding guns with their backs to a row of targets, at which  they turn and shoot in order. One a character describes a game in which cards are laid out and the goal is  to not pick up the last remaining card, and in subsequent scenes this game is played again with matches  and dominoes. A famous shot from this film shows a garden scene in which only the humans, and not  the trees, cast shadows, while another sequence depicts the camera advancing several times into the  arms of a woman wearing a white robe, who in another sequence that may represent an alternate  memory is 
In one scene in this film, a row of men stand holding guns with their backs to a row of targets, at which  they turn and shoot in order. One a character describes a game in which cards are laid out and the goal is  to not pick up the last remaining card, and in subsequent scenes this game is played again with matches  and dominoes. A famous shot from this film shows a garden scene in which only the humans, and not  the trees, cast shadows, while another sequence depicts the camera advancing several times into the  arms of a woman wearing a white robe, who in another sequence that may represent an alternate  memory is shot to death by a man cal ed M. This film's famous opening sequence consists of narration  that imagines advancing through "corridors, salons, gal eries," as the camera advances through the  labyrinthine interior of an ornate hotel, and its title references the location and time of a previous al eged  meeting between a man knowns as X, and a woman cal ed A. For 10 points identify this film with a  screenplay written by Robbe-Gril et and directed Alain Resnais.
In one scene in this film, a row of men stand holding guns with their backs to a row of targets, at which  they turn and shoot in order.
{Last Year at Marienbad} or {L’Annee dernier a Marienbad}