The geometric patterns of the tile floor in this painting borrows its design from Westminster Abbey, and scientific instruments including a torquetum, a sundial, and a globe are on an oriental carpet on the upper shelf, flanked by two figures. One figure in this work wears the (*) Order of St. Michael and holds a dagger, while the other one is theorized to be Jean de Dinteville. For ten points, name this oil painting with a famous skewed skull at the bottom center, intended as a momento mori by its painter, Hans Holbein
The geometric patterns of the tile floor in this painting borrows its design from Westminster Abbey, and scientific instruments including a torquetum, a sundial, and a globe are on an oriental carpet on the upper shelf, flanked by two figures. One figure in this work wears the (*) Order of St. Michael and holds a dagger, while the other one is theorized to be Jean de Dinteville. For ten points, name this oil painting with a famous skewed skull at the bottom center, intended as a momento mori by its painter, Hans Holbein the Younger.
The geometric patterns of the tile floor in this painting borrows its design from Westminster Abbey, and scientific instruments including a torquetum, a sundial, and a globe are on an oriental carpet on the upper shelf, flanked by two figures.
The {Ambassadors}