No. 251 suggests that the noise of the streets can be conducted into harmony, while No. 1 notes that its title personage appears all through society in clubs like The Cocoa and can pass for a Jew at the exchange. Eliza Haywood wrote a "Female" version thirty years after its final sections were published, and its recurring characters include the country gentleman Will Honeycomb and the wealthy merchant Sir Andrew Freeport, who belong to its namesake club. First published in 1711, its authors used pseudonyms like Sir Roger de Coverly to promote "wit and morality." For 10 points, name this premier daily of 18th century, written by Richard Steele and Joseph Addison, who founded it after the deat
No. 251 suggests that the noise of the streets can be conducted into harmony, while No. 1 notes that its title personage appears all through society in clubs like The Cocoa and can pass for a Jew at the exchange. Eliza Haywood wrote a "Female" version thirty years after its final sections were published, and its recurring characters include the country gentleman Will Honeycomb and the wealthy merchant Sir Andrew Freeport, who belong to its namesake club. First published in 1711, its authors used pseudonyms like Sir Roger de Coverly to promote "wit and morality." For 10 points, name this premier daily of 18th century, written by Richard Steele and Joseph Addison, who founded it after the death of The Tatler.
No. 251 suggests that the noise of the streets can be conducted into harmony, while No. 1 notes that its title personage appears all through society in clubs like The Cocoa and can pass for a Jew at the exchange.
The {Spectator}