The tenor aria "Dalla Sua Pace" and the soprano aria "Mi Tradi Quell'alma Ingrate" were both written into this opera after its first four performances, all of which were conducted by the composer himself. Only the protagonist of this opera can be said to live in the aesthetic sphere of existence, as he epitomizes "daemonic sensuousness," according to Kierkegaard's Either/Or. A prime example of dramma giocoso, which actually names its subtitle, the title character's servant gets two prime songs, "Notte et Giorno Faticar" describing his tireless work to protect his master and the famous "Catalogue" aria in which his lov
The tenor aria "Dalla Sua Pace" and the soprano aria "Mi Tradi Quell'alma Ingrate" were both written into this opera after its first four performances, all of which were conducted by the composer himself. Only the protagonist of this opera can be said to live in the aesthetic sphere of existence, as he epitomizes "daemonic sensuousness," according to Kierkegaard's Either/Or. A prime example of dramma giocoso, which actually names its subtitle, the title character's servant gets two prime songs, "Notte et Giorno Faticar" describing his tireless work to protect his master and the famous "Catalogue" aria in which his lovers are listed. Ending with the title lover dragged into hell by the statue of the Commendatore, for 10 points, name this opera by Mozart.
The tenor aria "Dalla Sua Pace" and the soprano aria "Mi Tradi Quell'alma Ingrate" were both written into this opera after its first four performances, all of which were conducted by the composer himself.
{Don Giovanni}