This work's last movement begins with a repeated A-F dyad with a middle voice oscil ating between B  and C, and ends in an "obstinate" A major. A major is also suggested at the opening of the second  movement, with its repeated motive of E-G#-F#; after a direct modulation to B-flat minor, the soloist  enters and the tonal centre soon moves to D-flat major. After a return of the opening motive, the  movement ends with repeated D-flats in the solo part and a D-flat major chord with an added sixth in the  strings. The first movement of this work begins with an E Aeolian melody in the double basses, which  gradual y expands from a two-part to an eight-part canon; after a section featuring the soloist, the same  thing happens in reverse. The text of this work's second movement is a combination of an inscription on  a prison wal and the Ave Maria in Polish. For 10 points, name this third symph
This work's last movement begins with a repeated A-F dyad with a middle voice oscil ating between B  and C, and ends in an "obstinate" A major. A major is also suggested at the opening of the second  movement, with its repeated motive of E-G#-F#; after a direct modulation to B-flat minor, the soloist  enters and the tonal centre soon moves to D-flat major. After a return of the opening motive, the  movement ends with repeated D-flats in the solo part and a D-flat major chord with an added sixth in the  strings. The first movement of this work begins with an E Aeolian melody in the double basses, which  gradual y expands from a two-part to an eight-part canon; after a section featuring the soloist, the same  thing happens in reverse. The text of this work's second movement is a combination of an inscription on  a prison wal and the Ave Maria in Polish. For 10 points, name this third symphony of Henryk Górecki.
This work's last movement begins with a repeated A-F dyad with a middle voice oscil ating between B  and C, and ends in an "obstinate" A major.
Symphony of Sorrowful Songs [accept Henryk Górecki's Third Symphony early]