This artist used classical ruins to symbolize the temporary nature of material things, such as in his Marriage of St. Giustina, and his frescoes at the Villa Barbaro include portraits of the Barbaro family and pets in rooms like the Hall of Olympus and the Room of the Little Dog. In Supper at Emmaus he introduced several superfluous characters, including two children playing with a dog, into a traditional religious scene. This artist's placement of nontheological figures in religious scenes later got him in trouble with the Inquisition when he added soldiers, dwarves, 
This artist used classical ruins to symbolize the temporary nature of material things, such as in his Marriage of St. Giustina, and his frescoes at the Villa Barbaro include portraits of the Barbaro family and pets in rooms like the Hall of Olympus and the Room of the Little Dog. In Supper at Emmaus he introduced several superfluous characters, including two children playing with a dog, into a traditional religious scene. This artist's placement of nontheological figures in religious scenes later got him in trouble with the Inquisition when he added soldiers, dwarves, animals and revelers to a depiction of the Last Supper. For 10 points, who was this painter of The Marriage at Cana and Feast in the House of Levi?
This artist used classical ruins to symbolize the temporary nature of material things, such as in his Marriage of St. Giustina, and his frescoes at the Villa Barbaro include portraits of the Barbaro family and pets in rooms like the Hall of Olympus and the Room of the Little Dog.
Paolo {Veronese}