Giovanni Rost and Nicholas Karcher executed this man's tapestry designs for his patron's palace. His studies in chalk for his Young Man Seen from the Back and St. Michael survive, and his pen and wash drawings include a modello for the vault of the Cappella di Eleonora. He finished a series of frescoes for the choir of San Lorenzo upon the death of Pontormo, while he painted "in armor" and "as Orpheus" portraits of Cosimo di Medici. His best-known painting, however, shows a bearded man holding up a blue sheet behind the other three title characters. FTP name this manne
Giovanni Rost and Nicholas Karcher executed this man's tapestry designs for his patron's palace. His studies in chalk for his Young Man Seen from the Back and St. Michael survive, and his pen and wash drawings include a modello for the vault of the Cappella di Eleonora. He finished a series of frescoes for the choir of San Lorenzo upon the death of Pontormo, while he painted "in armor" and "as Orpheus" portraits of Cosimo di Medici. His best-known painting, however, shows a bearded man holding up a blue sheet behind the other three title characters. FTP name this mannerist painter, best known for Venus, Cupid, Folly and Time.
Giovanni Rost and Nicholas Karcher executed this man's tapestry designs for his patron's palace.
Agnolo {Bronzino}