One section of this book claims that the victory of married love lies in an internal history beyond immediacy. The narrator of one section of this book describes seeing his first love at a performance of Eugène Scribe's First Love. This book concludes with an upbuilding discourse that asserts, "against God we are always in the wrong." It describes the constant search for interesting experiences as "Crop Rotation," and notes (*) Don Giovanni's ceaseless search for variety in "The Musical Erotic." Johannes Climacus woos and tosses aside Cordelia in its section "The Seducer's Diary." This book's title affirms Aristotelian logic against Hegel. This book consists of two s
One section of this book claims that the victory of married love lies in an internal history beyond immediacy. The narrator of one section of this book describes seeing his first love at a performance of Eugène Scribe's First Love. This book concludes with an upbuilding discourse that asserts, "against God we are always in the wrong." It describes the constant search for interesting experiences as "Crop Rotation," and notes (*) Don Giovanni's ceaseless search for variety in "The Musical Erotic." Johannes Climacus woos and tosses aside Cordelia in its section "The Seducer's Diary." This book's title affirms Aristotelian logic against Hegel. This book consists of two sections written by "A" and "Judge Vilhelm," who represent the aesthetic and ethical stages of existence. For 10 points, name this work written by Søren Kierkegaard under the name Victor Eremita.
One section of this book claims that the victory of married love lies in an internal history beyond immediacy.
Either/Or [or Enten-Eller]