With Henry Robinson, this author analyzed The Skin of our Teeth as an appropriation from Finnegan's Wake, from which he borrowed a name for one of his concepts. This author used the phrase "Master of Two Worlds" to describe transcendental figures like Gautama and Jesus. This author borrowed a term from Adolf Bastian to describe ethnic variations called "folk ideas", which are contrasted with universal "elementary ideas." A diagram of a (*) circle cut into uneven semicircles represents this author's idea of the cycle of "separation - initiation - return" that begins with the "call to adventure." This author used the wo
With Henry Robinson, this author analyzed The Skin of our Teeth as an appropriation from Finnegan's Wake, from which he borrowed a name for one of his concepts. This author used the phrase "Master of Two Worlds" to describe transcendental figures like Gautama and Jesus. This author borrowed a term from Adolf Bastian to describe ethnic variations called "folk ideas", which are contrasted with universal "elementary ideas." A diagram of a (*) circle cut into uneven semicircles represents this author's idea of the cycle of "separation - initiation - return" that begins with the "call to adventure." This author used the word "monomyth" to describe a cross-cultural story pattern exemplified by characters like Cu Chulainn and Perseus. For 10 points, name this author of The Masks of God and The Hero With a Thousand Faces.
With Henry Robinson, this author analyzed The Skin of our Teeth as an appropriation from Finnegan's Wake, from which he borrowed a name for one of his concepts.
Joseph Campbell