The background of this painting contains one house set apart from three in a row, as well as a wall being climbed by a man trying to get away from the scene. A mirror image of this painting forms most of the backdrop to the best-known self-portrait by its artist. This artwork emphasizes the pinkish-white garb of a woman who is facing away from the viewer and looking at the ground, and who is joined at the bottom-left by two similarly penitent women. Like a more coastal, gloomier counterpart, this painting was produced during its artist's time in Pont-Aven in the Breton countryside, two years before he decided to escape European civilization and move to Tahiti. For 10
The background of this painting contains one house set apart from three in a row, as well as a wall being climbed by a man trying to get away from the scene. A mirror image of this painting forms most of the backdrop to the best-known self-portrait by its artist. This artwork emphasizes the pinkish-white garb of a woman who is facing away from the viewer and looking at the ground, and who is joined at the bottom-left by two similarly penitent women. Like a more coastal, gloomier counterpart, this painting was produced during its artist's time in Pont-Aven in the Breton countryside, two years before he decided to escape European civilization and move to Tahiti. For 10 points, name this non-green depiction of the Crucifixion by Paul Gauguin.
The background of this painting contains one house set apart from three in a row, as well as a wall being climbed by a man trying to get away from the scene.
The Yellow Christ [or Le Christ Jaune]