After guards left no one alive in a building suspected to harbor a fugitive, this artist depicted the bodies of a family living inside. A frequent subject of this man examines the pulse of a starving worker in It's Safe to Release This One! and has bags of food and money rolled up his tongue into his mouth in Gargantua. He depicted his colleague at the journal Le Charivari in a hot air balloon in "Nadar Elevating Photography to the Height of Art," one of his more than four thousand lithographs. In a painting by this caricaturist of King Louis-Philippe, a hooded woman holding a basket sits between a sleeping boy and a 
After guards left no one alive in a building suspected to harbor a fugitive, this artist depicted the bodies of a family living inside. A frequent subject of this man examines the pulse of a starving worker in It's Safe to Release This One! and has bags of food and money rolled up his tongue into his mouth in Gargantua. He depicted his colleague at the journal Le Charivari in a hot air balloon in "Nadar Elevating Photography to the Height of Art," one of his more than four thousand lithographs. In a painting by this caricaturist of King Louis-Philippe, a hooded woman holding a basket sits between a sleeping boy and a breastfeeding mother in the part of a train reserved for the poor. For 10 points, name this socially-conscious French painter of The Third Class Carriage.
After guards left no one alive in a building suspected to harbor a fugitive, this artist depicted the bodies of a family living inside.
Honore Daumier