After this artist's request to "stretch his fingers" was granted, he created a painting in which a woman in black stares at a landscape while her male companion concentrates on some naked nymphs. A figure sketch titled Seated Young Woman is an example of highly skilled trois-crayons sketches by this artist, who was taught by Claude Gillot. Berlin's Charlottenburg Palace contains the second version of one of this artist's paintings which, unlike the first hanging in the Louvre, contains a (*) mast in the background; however, both versions show a man in red with a staff on a hill. This artist's 
After this artist's request to "stretch his fingers" was granted, he created a painting in which a woman in black stares at a landscape while her male companion concentrates on some naked nymphs. A figure sketch titled Seated Young Woman is an example of highly skilled trois-crayons sketches by this artist, who was taught by Claude Gillot. Berlin's Charlottenburg Palace contains the second version of one of this artist's paintings which, unlike the first hanging in the Louvre, contains a (*) mast in the background; however, both versions show a man in red with a staff on a hill. This artist's painted a full-bodied Pierrot as "Gilles" as well as a scene in which a couple watches a painting of Louis XIV being boxed up. The French Academy referred to this artist's scenes of dressed-up nobility in imaginary parks as fêtes galantes. For 10 points, name this painter of Gersaint's Shop Sign and Embarkation for Cythera.
After this artist's request to "stretch his fingers" was granted, he created a painting in which a woman in black stares at a landscape while her male companion concentrates on some naked nymphs.
Jean-Antoine Watteau