Fourth movement of Janacek's Sinfonietta (sin-fone-yet-a) begins with these instruments playing a repetitive motif of (read slowly) four A-flats-B-flat-A-flat-G. These instruments are paired a major second interval apart in the "Game of Pairs" section of Bartok's Concerto for Orchestra. The final movement of Hindemith's sonata for this instrument and piano borrows a theme from the chorale "All Men Must Die." Jean-Baptiste Arban (*) published the most famous pedagogical method used for teaching this instrument. Maurice A
Fourth movement of Janacek's Sinfonietta (sin-fone-yet-a) begins with these instruments playing a repetitive motif of (read slowly) four A-flats-B-flat-A-flat-G. These instruments are paired a major second interval apart in the "Game of Pairs" section of Bartok's Concerto for Orchestra. The final movement of Hindemith's sonata for this instrument and piano borrows a theme from the chorale "All Men Must Die." Jean-Baptiste Arban (*) published the most famous pedagogical method used for teaching this instrument. Maurice Andre popularized the use of "piccolo" variant of this instrument in Baroque works such as Brandenburg Concerto No. 2 instead of the usual "natural" variant in order to play in clarino register. For 10 points, name this high pitched brass instrument.
Fourth movement of Janacek's Sinfonietta (sin-fone-yet-a) begins with these instruments playing a repetitive motif of (read slowly)
trumpet