This composer used a plagal half-cadence to end the exposition of one piece's first movement. Schoenberg orchestrated this man's Piano Quartet No. 1 and wrote an essay about this man "the Progressive." This composer used a natural horn in his Horn Trio and wrote his Clarinet Trio and Clarinet Quintet for Richard Mühlfeld. He used the likely misattributed "Chorale St. Antoni" as the basis for his Variations on a Theme of (*) Haydn. Another of his works is based around a motif first presented as F-A-B flat and sets texts from the Luther Bible. This composer quoted from student songs like "Fuchslied" and "Gaudeamus igitur" in a piece often paire
This composer used a plagal half-cadence to end the exposition of one piece's first movement. Schoenberg orchestrated this man's Piano Quartet No. 1 and wrote an essay about this man "the Progressive." This composer used a natural horn in his Horn Trio and wrote his Clarinet Trio and Clarinet Quintet for Richard Mühlfeld. He used the likely misattributed "Chorale St. Antoni" as the basis for his Variations on a Theme of (*) Haydn. Another of his works is based around a motif first presented as F-A-B flat and sets texts from the Luther Bible. This composer quoted from student songs like "Fuchslied" and "Gaudeamus igitur" in a piece often paired with the Tragic Overture. For 10 points, name this Romantic composer of Academic Festival Overture, the Hungarian Dances, and A German Requiem.
This composer used a plagal half-cadence to end the exposition of one piece's first movement.
Johannes Brahms