This poet celebrates a two-day old infant that calls itself Joy, but that baby is mirrored by one which, "bound and wearythought best to sulk upon [his] mother's breast," the "Infant Sorrow." One poem by this author contrasts a malleable, cattle-trodden love that "seeketh not itself to please" with the kind of selfish love that "builds a Hell in Heaven's despite." Another work by this poet of "The (*) Clod and the Pebble" begins "And did those feet in ancient time." He described the fearful symmetry" of an animal "burning bright in the forests of the night." For 10 po
This poet celebrates a two-day old infant that calls itself Joy, but that baby is mirrored by one which, "bound and wearythought best to sulk upon [his] mother's breast," the "Infant Sorrow." One poem by this author contrasts a malleable, cattle-trodden love that "seeketh not itself to please" with the kind of selfish love that "builds a Hell in Heaven's despite." Another work by this poet of "The (*) Clod and the Pebble" begins "And did those feet in ancient time." He described the fearful symmetry" of an animal "burning bright in the forests of the night." For 10 points, name this English poet whose "The Tyger" appears in his Songs of Innocence and Experience.
This poet celebrates a two-day old infant that calls itself Joy, but that baby is mirrored by one which, "bound and wearythought best to sulk upon [his] mother's breast," the "Infant Sorrow.
William Blake