The finale of one of these works by this composer begins with four bars of a second-inversion E diminished seventh chord, played in a dotted rhythm in 2/4 time. The first movement of that one of these pieces by this composer begins with descending and ascending unison arpeggios in F minor in 12/8 time and is marked Allegro assai. Another of these works by this composer begins with a long C-minor chord in a (*) Grave (GRAH-vay) tempo and has an A-flat major Adagio cantabile theme in its second movement. One that begins with C-sharp triplet arpeggios, in a movement marked Adagio sostenuto, was given its nickname by Ludwig Rellstab, who envisioned the title phenomenon over Lake Lucerne. For 10 points, name these works 
The finale of one of these works by this composer begins with four bars of a second-inversion E diminished seventh chord, played in a dotted rhythm in 2/4 time. The first movement of that one of these pieces by this composer begins with descending and ascending unison arpeggios in F minor in 12/8 time and is marked Allegro assai. Another of these works by this composer begins with a long C-minor chord in a (*) Grave (GRAH-vay) tempo and has an A-flat major Adagio cantabile theme in its second movement. One that begins with C-sharp triplet arpeggios, in a movement marked Adagio sostenuto, was given its nickname by Ludwig Rellstab, who envisioned the title phenomenon over Lake Lucerne. For 10 points, name these works for solo piano that include the Appassionata, Pathetique, and Moonlight.
The finale of one of these works by this composer begins with four bars of a second-inversion E diminished seventh chord, played in a dotted rhythm in 2/4 time.
piano sonatas by Ludwig Van Beethoven [prompt on partial answers]