In a 2003 American Photograph cover, actress Julianne Moore poses in the manner of the woman in this painting. The Guerrilla Girls obscured the head of this painting's subject with a gorilla mask in a poster asking, "Do women have to be naked to get into the Met. museum?" Between white and golden-brown cloth in this painting lies an enormous set of pearls. The subject of this painting adopts the pose of the model in Portrait of Madame Recamier, which was made by the teacher of this painting's artist. The title woman of this painting holds a peacock- feather fan, has se
In a 2003 American Photograph cover, actress Julianne Moore poses in the manner of the woman in this painting. The Guerrilla Girls obscured the head of this painting's subject with a gorilla mask in a poster asking, "Do women have to be naked to get into the Met. museum?" Between white and golden-brown cloth in this painting lies an enormous set of pearls. The subject of this painting adopts the pose of the model in Portrait of Madame Recamier, which was made by the teacher of this painting's artist. The title woman of this painting holds a peacock- feather fan, has set aside a hashish pipe next to a blue curtain, and has several extra vertebrae. For 10 points, name this Jean-Auguste Ingres painting of a lounging Turkish concubine.
In a 2003 American Photograph cover, actress Julianne Moore poses in the manner of the woman in this painting.
La Grande Odalisque [or Une Odalisque; or Grand Odalisque; or Great Odalisque]