Figures in this work include "the eternal Footman," and a speaker who claims "I am Lazarus, come from the dead, back to tell you all." Its narrator asks whether he has "the strength to force the moment to its crisis," and plans to wear his "trousers rolled." The speaker of this poem imagines being "a pair of ragged claws," 
Figures in this work include "the eternal Footman," and a speaker who claims "I am Lazarus, come from the dead, back to tell you all." Its narrator asks whether he has "the strength to force the moment to its crisis," and plans to wear his "trousers rolled." The speaker of this poem imagines being "a pair of ragged claws," and its six-line epigraph is Italian from Dante's Inferno. This work describes "yellow fog that rubs its back upon the window-panes" and ends with an image of drowning amid "mermaids singing, each to each." It features a room where "women come and go, talking of Michelangelo" and begins "Let us go then, you and I." For 10 points, name this T. S. Eliot poem.
Figures in this work include "the eternal Footman," and a speaker who claims "I am Lazarus, come from the dead, back to tell you all."
"The Love Song of J. Alfred Prufrock"