This operatic character fakes a foot injury in order to convince another character that he recently jumped out of a window. This character mocks an "amorous butterfly" in the 
This operatic character fakes a foot injury in order to convince another character that he recently jumped out of a window. This character mocks an "amorous butterfly" in the aria "Non più andrai," which he sings after Cherubino is enlisted in the army. In another opera, this character sings the aria "Largo al factotum," in which he describes his "razors and combs" and repeatedly sings his own name. In that opera he assists in the wooing of Rosina by Count Almaviva. For 10 points, name this creation of Pierre de Beaumarchais, the title character of Rossini's The Barber of Seville and an opera by Mozart about his "Marriage."
This operatic character fakes a foot injury in order to convince another character that he recently jumped out of a window.
Figaro