This artist added a parrot behind a stronger-looking Adam in a painting that was otherwise copied from Titian's The Fall of Man. This artist's The Fur is a portrait of his second wife, Helena Fourment. In 1794, Napoleon took this man's altarpieces The Elevation of the Cross and The Descent from the Cross from the Cathedral 
This artist added a parrot behind a stronger-looking Adam in a painting that was otherwise copied from Titian's The Fall of Man. This artist's The Fur is a portrait of his second wife, Helena Fourment. In 1794, Napoleon took this man's altarpieces The Elevation of the Cross and The Descent from the Cross from the Cathedral of Our Lady. Rays of light illuminate a shield-bearing Archangel Michael casting a massive cascade of nudes into Hell in this man's The Fall of the Damned. A winged old personification of Time lifts a nude figure towards two people holding a wreath in The Triumph of Truth, which concludes a series by this artist that also includes The Disembarkation at Marseilles. For 10 points, name this Flemish Baroque painter of a cycle about the life of Marie de Medici, as well as many voluptuous nudes.
This artist added a parrot behind a stronger-looking Adam in a painting that was otherwise copied from Titian's The Fall of Man.
Peter Paul Rubens