In this place, scenes like the beating to death of Uriah are framed by a group of people who pull heavy cloths to support several bronze shields. Ghirlandaio and Botticelli were part of a team that decorated the northern and southern walls of this place with scenes from the lives of Jesus and Moses. This place contains a fresco in which all lines vanish toward an octagonal temple in Jerusalem, as St. (*) Peter kneels and receives entry to the Kin
In this place, scenes like the beating to death of Uriah are framed by a group of people who pull heavy cloths to support several bronze shields. Ghirlandaio and Botticelli were part of a team that decorated the northern and southern walls of this place with scenes from the lives of Jesus and Moses. This place contains a fresco in which all lines vanish toward an octagonal temple in Jerusalem, as St. (*) Peter kneels and receives entry to the Kingdom of Heaven. A big canvas located here contains a self-portrait as St. Bartholomew holding his flayed skin. A brain-like assemblage of cloaked beings are located at the right of a painting in it that shows the near-touching fingers of God and Adam. For 10 points, name this portion of the Apostolic Palace whose ceiling was decorated by Michelangelo.
In this place, scenes like the beating to death of Uriah are framed by a group of people who pull heavy cloths to support several bronze shields.
Sistine Chapel [or the Sistine Chapel ceiling; prompt on the "Apostolic Palace", "Papal Palace", "Vatican Palace", or "Palace (of the) Vatican"]