Giorgio Vasari, who claimed that this artist learned perspective from his friend Filippo Brunelleschi [broo-neh-LESS-kee], chose to preserve this man's work rather than destro
Giorgio Vasari, who claimed that this artist learned perspective from his friend Filippo Brunelleschi [broo-neh-LESS-kee], chose to preserve this man's work rather than destroy it while working on an altarpiece for Cosimo de Medici. This artist worked with his brother Giovanni on a Madonna for the center panel of the Pisa altarpiece. He illustrated the phrase "Render unto Caesar what is Caesar's" in a work that uses one-point perspective centered on the face of (*) Jesus surrounded by disciples and shows a man paying a tax collector. This quattrocento [kwah-troh-CHEN-toh] artist depicted a crucifixion in a barrel vault in The Holy Trinity, and showed Saint Peter taking a coin out of a fish's mouth in a work in the Brancacci [brahn-KAH-chee] chapel. For 10 points, name this artist of The Tribute Money.
Giorgio Vasari, who claimed that this artist learned perspective from his friend Filippo Brunelleschi [broo-neh-LESS-kee], chose to preserve this man's work rather than destroy it while working on an altarpiece for Cosimo de Medici.
Masaccio [or Tommaso di Ser Giovanni di Simone] &lt;WA, Painting&gt;