In the lower-left of this painting, a small scene in which a trio of men raise their hands around a gold-robed kneeling figure is visible on a cloak immediately below a pair of armored feet. A man leans on an L-shaped staff and sits at the edge of a crowd in this painting, whose left side shows King David with his harp below a pair of keys dangling from the hand of Saint Peter. Above a horizontal line of pale faces, this painting transitions from a lower "terrestrial" zone to the upper "heavenly" zone, in which a triangle is formed by Mary, John the Baptist, and Jesus. The artist's son Jorge Manuel points at the central action of this painting, which is carried out by the gold-and-red- vestment-clad Saints Stephen a
In the lower-left of this painting, a small scene in which a trio of men raise their hands around a gold-robed kneeling figure is visible on a cloak immediately below a pair of armored feet. A man leans on an L-shaped staff and sits at the edge of a crowd in this painting, whose left side shows King David with his harp below a pair of keys dangling from the hand of Saint Peter. Above a horizontal line of pale faces, this painting transitions from a lower "terrestrial" zone to the upper "heavenly" zone, in which a triangle is formed by Mary, John the Baptist, and Jesus. The artist's son Jorge Manuel points at the central action of this painting, which is carried out by the gold-and-red- vestment-clad Saints Stephen and Augustine. For 10 points, name this El Greco painting, in which a Toledo nobleman is lowered into his coffin.
In the lower-left of this painting, a small scene in which a trio of men raise their hands around a gold-robed kneeling figure is visible on a cloak immediately below a pair of armored feet.
The Burial of the Count of Orgaz [or The Burial of Count Orgaz or El Entierro del Conde de Orgaz; accept synonyms for "burial" like "entombment"]