Fourth movement of Janacek's Sinfonietta (sin-fone-yet-a) begins with these instruments playing a repetitive motif of (read slowly) four A-flats-B-flat-A-flat-G. These instruments are paired a major second interval apart in the "Game of Pairs" section of Bartok's Concerto for Orchestra. The final movement of Hindemith's sonata for this instrument and piano borrows a theme from the chorale "All Men Must Die." Jean-Baptiste Arban (*) published the most famous pedagogical method used for teaching this instrument. Maurice Andre popularized the use of "piccolo" variant of this instrument in Baroque works such as Brandenbur
Fourth movement of Janacek's Sinfonietta (sin-fone-yet-a) begins with these instruments playing a repetitive motif of (read slowly) four A-flats-B-flat-A-flat-G. These instruments are paired a major second interval apart in the "Game of Pairs" section of Bartok's Concerto for Orchestra. The final movement of Hindemith's sonata for this instrument and piano borrows a theme from the chorale "All Men Must Die." Jean-Baptiste Arban (*) published the most famous pedagogical method used for teaching this instrument. Maurice Andre popularized the use of "piccolo" variant of this instrument in Baroque works such as Brandenburg Concerto No. 2 instead of the usual "natural" variant in order to play in clarino register. For 10 points, name this high pitched brass instrument.
Fourth movement of Janacek's Sinfonietta (sin-fone-yet-a) begins with these instruments playing a repetitive motif of (read slowly)
trumpet