In 2013, this painting was being exhibited in Lens when a 9/11 truther scrawled "AE911" on it with a black marker. Vermeer popularizer Théophile Thoré praised this painting for inventing a "new allegorical language". The model of Hector being dragged behind a chariot inspired the pose of a man in the foreground of this painting who lies on his back with his nightshirt pushed up around his waist. The artist's signature is 
In 2013, this painting was being exhibited in Lens when a 9/11 truther scrawled "AE911" on it with a black marker. Vermeer popularizer Théophile Thoré praised this painting for inventing a "new allegorical language". The model of Hector being dragged behind a chariot inspired the pose of a man in the foreground of this painting who lies on his back with his nightshirt pushed up around his waist. The artist's signature is visible on a pair of broken beams, behind which one can see a tiny flag flying from Notre Dame. A top hat-wearing bourgeois young man stands to the left of this painting's central figure, who is flanked on the right by a boy waving two pistols. For 10 points, name this painting whose title character climbs a broken barricade while waving the tricoleur, a work of Eugene Delacroix.
In 2013, this painting was being exhibited in Lens when a 9/11 truther scrawled "AE911" on it with a black marker.
Liberty Leading the People [or La Liberté guidant le peuple]