This artist reversed the pose of the Apollo Belvedere in a painting set against the backdrop of a stormy sea, whose subject stands on a crag and points with his right hand. In a gruesome, forested painting by this artist, two men leave trails of dead game in their wake as they draw their bows. This artist produced an oft-printed character study of a young girl, from which Edith Wharton took her title for The Age of Innocence. Aristotelian representations of Pity and Fear lurk in the shadows behind a (*) woman in a brown robe who embodies Melpomene in the best-known painting by this artist. In a series of lectures titled the Discourses on Art, this artist laid out his
This artist reversed the pose of the Apollo Belvedere in a painting set against the backdrop of a stormy sea, whose subject stands on a crag and points with his right hand. In a gruesome, forested painting by this artist, two men leave trails of dead game in their wake as they draw their bows. This artist produced an oft-printed character study of a young girl, from which Edith Wharton took her title for The Age of Innocence. Aristotelian representations of Pity and Fear lurk in the shadows behind a (*) woman in a brown robe who embodies Melpomene in the best-known painting by this artist. In a series of lectures titled the Discourses on Art, this artist laid out his idea of a "grand style." For 10 points, name this English portraitist of Sarah Siddons as the Tragic Muse, the first president of the Royal Academy.
This artist reversed the pose of the Apollo Belvedere in a painting set against the backdrop of a stormy sea, whose subject stands on a crag and points with his right hand.
Joshua Reynolds