This artist signed his name on an axe next to a felled tree in the left bottom corner of a painting in which the Christ child lies on a patch of flowers in a dark forest. In a painting by this artist, a woman with a sleeve embroidered with the word "LEALTA" and a man with his hand on the coat of arms of the Scolari family look at each other, though their gazes mysteriously fail to meet. Three arches divided the space of a painting by this artist in which the Virgin towers over the kneeling saints Fredianus and Augustine. This artist painted a bridegroom looking through a window at a woman seated in profile in the firs
This artist signed his name on an axe next to a felled tree in the left bottom corner of a painting in which the Christ child lies on a patch of flowers in a dark forest. In a painting by this artist, a woman with a sleeve embroidered with the word "LEALTA" and a man with his hand on the coat of arms of the Scolari family look at each other, though their gazes mysteriously fail to meet. Three arches divided the space of a painting by this artist in which the Virgin towers over the kneeling saints Fredianus and Augustine. This artist painted a bridegroom looking through a window at a woman seated in profile in the first surviving Italian (*) double portrait, his Portrait of a Woman with a Man at a Casement, which he painted two years after the Barbadori Altarpiece. This artist's Madonna and Child used as a model the blonde-haired nun Lucrezia Buti, whom he then kidnapped and fathered his son Filipino with. For 10 points, name this quattrocento Florentine painter and priest.
This artist signed his name on an axe next to a felled tree in the left bottom corner of a painting in which the Christ child lies on a patch of flowers in a dark forest.
Filippo Lippi [or Fra Lippo Lippi]