In this film, a soundtrack of drum beats plays as a man walks down a hallway and up to the sleeping protagonist slumped in a chair, whose chin he lifts with a cane. In a scene of this film, a chamber concert gradually stops as the stomping noise produced by a boy walking up the aisle in his older half-brother's shoes grows louder. Three cameras on an 800-foot track were used to shoot a brief battle sequence in this film, in which rows of soldiers march under fire towards a line of the white-clad enemy. This film's protagonist apologizes to his wife for his infidelity with a maid while she lies in a chair-shaped bathtub. The director of this f
In this film, a soundtrack of drum beats plays as a man walks down a hallway and up to the sleeping protagonist slumped in a chair, whose chin he lifts with a cane. In a scene of this film, a chamber concert gradually stops as the stomping noise produced by a boy walking up the aisle in his older half-brother's shoes grows louder. Three cameras on an 800-foot track were used to shoot a brief battle sequence in this film, in which rows of soldiers march under fire towards a line of the white-clad enemy. This film's protagonist apologizes to his wife for his infidelity with a maid while she lies in a chair-shaped bathtub. The director of this film used a NASA-designed, super-fast (*) f/0.7 lenses to shoot its many candlelit scenes. Throughout this film, the camera zooms out to frame painting-like images, such as when the title character is preparing for a duel with Quin. For 10 points, name this film about an 18th-century Irish adventurer directed by Stanley Kubrick.
In this film, a soundtrack of drum beats plays as a man walks down a hallway and up to the sleeping protagonist slumped in a chair, whose chin he lifts with a cane.
Barry Lyndon