In a film by this director, a character describes seeing the "Lord with his scythe and hourglass" while pacing around as a childbirth occurs in the next room. In a shot from that film of his, the camera circles around a girl and her uncle as they talk about what will happen after her mother dies. At the climax of a film by this director, shots of birds alighting on a church tower then flying through the air intercut with close-ups of the protagonist's face. A dream sequence in a film by this director shows the protagonist being carried in a coffin by a sinister doctor, who is suffocated by flour at a mill in the last scene. Johannes believes 
In a film by this director, a character describes seeing the "Lord with his scythe and hourglass" while pacing around as a childbirth occurs in the next room. In a shot from that film of his, the camera circles around a girl and her uncle as they talk about what will happen after her mother dies. At the climax of a film by this director, shots of birds alighting on a church tower then flying through the air intercut with close-ups of the protagonist's face. A dream sequence in a film by this director shows the protagonist being carried in a coffin by a sinister doctor, who is suffocated by flour at a mill in the last scene. Johannes believes he is (*) Jesus and can raise the dead in a film by this director, who also made a film about Allan Gray's encounter with a demon. This director of Ordet and Vampyr used no establishing shots in a film in which jailers shave the head of the Maria Falconetti-played title woman. For 10 points, name this Danish director of The Passion of Joan of Arc.
In a film by this director, a character describes seeing the "Lord with his scythe and hourglass" while pacing around as a childbirth occurs in the next room.
Carl Theodor Dreyer [or Carl Th. Dreyer]