A work in this style shows a nude woman emerging from a tree trunk and pointing towards the sky, and is titled Soul of the Blasted Pine. One artist symbolically rejected this style by depicting a white picket fence in Port Kent, New York. A painting of the Annunciation is visible through a doorway in which a child in a black dress and her mother in a flowing white robe stand in a work in this style on Japanese tissue. This style is exemplified by Anne Brigman's oeuvre and Gertrude Kasabier's Blessed Art Thou Among Women. One of the advocates of this style applied layers of light-sensitive gum to The Flatiron and (*) The Pond-Moonlight. This style was advocated by the magazine Camera Work and promoted in the 291 gallery of the Photo-Secessionists until their founder
A work in this style shows a nude woman emerging from a tree trunk and pointing towards the sky, and is titled Soul of the Blasted Pine. One artist symbolically rejected this style by depicting a white picket fence in Port Kent, New York. A painting of the Annunciation is visible through a doorway in which a child in a black dress and her mother in a flowing white robe stand in a work in this style on Japanese tissue. This style is exemplified by Anne Brigman's oeuvre and Gertrude Kasabier's Blessed Art Thou Among Women. One of the advocates of this style applied layers of light-sensitive gum to The Flatiron and (*) The Pond-Moonlight. This style was advocated by the magazine Camera Work and promoted in the 291 gallery of the Photo-Secessionists until their founder adopted an abstract style in 1917. For 10 points, name this style advocated in American by Steichen and Stieglitz, whose practitioners used blurring and staged scenes to create painterly photographic images.
A work in this style shows a nude woman emerging from a tree trunk and pointing towards the sky, and is titled Soul of the Blasted Pine.
Pictorialism [prompt on Photo-Secession until read, since that's not a style]