This film includes low-angle shots of a condescending waiter in a scene where the protagonist is confused by terms like "rare," "medium," and "apertif" while ordering at the empty Osteria Italiana restaurant. Three women move away from the Yugoslavian immigrant Yolande to discuss their wages in one of this film's scenes set on a staircase during the protagonist's lunch break. The last shot of this film shows the protagonist crying and holding the hand of her sleeping husband, who is in the hospital due to a burst ulcer. In a scene of this film, the protagonist's children sit in shocked silence
This film includes low-angle shots of a condescending waiter in a scene where the protagonist is confused by terms like "rare," "medium," and "apertif" while ordering at the empty Osteria Italiana restaurant. Three women move away from the Yugoslavian immigrant Yolande to discuss their wages in one of this film's scenes set on a staircase during the protagonist's lunch break. The last shot of this film shows the protagonist crying and holding the hand of her sleeping husband, who is in the hospital due to a burst ulcer. In a scene of this film, the protagonist's children sit in shocked silence before one of them gets up and kicks in the screen of her TV, one of this film's references to (*) Douglas Sirk's melodrama All That Heaven Allows. In this film, Brigitte Maar plays the cleaning lady Emmi, who is shunned after marrying a guestworker. For 10 points, name this film about the romance of an aging German woman and the title Moroccan man by Rainer Werner Fassbinder.
This film includes low-angle shots of a condescending waiter in a scene where the protagonist is confused by terms like "rare," "medium," and "apertif" while ordering at the empty Osteria Italiana restaurant.
Ali: Fear Eats the Soul [accept either underlined portion; or Angst essen Seele auf]