After it is revealed that she has a black palm and is wearing goggles with mirrored, spherical lenses, a character in this film rises to her feet and steps from the beach, to dirt, to grass, to the sidewalk, and then to a carpet in a series of five shots. After a close-up on a knife falling out of a loaf of bread, the camera pans quickly to an off-hook telephone sitting on the stairs, objects that, along with a key, recur throughout this film. Teiji Ito added a soundtrack to this film, which includes a shot of broken glass falling into the ocean that connects it to its main creator's next film, At Land. A famous shot from this film shows the protagonist through a window as she watches (*) herself pursue a cloaked figure with a mirror for a face. This film consists of repeated dream-like sequences featuring an unnamed woman played by the director. For 10 points, Alexander Hammid and Maya Deren created what influential 1944 short film, wh
After it is revealed that she has a black palm and is wearing goggles with mirrored, spherical lenses, a character in this film rises to her feet and steps from the beach, to dirt, to grass, to the sidewalk, and then to a carpet in a series of five shots. After a close-up on a knife falling out of a loaf of bread, the camera pans quickly to an off-hook telephone sitting on the stairs, objects that, along with a key, recur throughout this film. Teiji Ito added a soundtrack to this film, which includes a shot of broken glass falling into the ocean that connects it to its main creator's next film, At Land. A famous shot from this film shows the protagonist through a window as she watches (*) herself pursue a cloaked figure with a mirror for a face. This film consists of repeated dream-like sequences featuring an unnamed woman played by the director. For 10 points, Alexander Hammid and Maya Deren created what influential 1944 short film, whose title refers to a time of day?
After it is revealed that she has a black palm and is wearing goggles with mirrored, spherical lenses, a character in this film rises to her feet and steps from the beach, to dirt, to grass, to the sidewalk, and then to a carpet in a series of five shots.
Meshes of the Afternoon