One section of this book cites a scene from Invitation to a Beheading in which Cincinnatus receives a certain form of "horoscope" to describe its title subject's "mock possession" of the future. Another section of this book ends by claiming that a certain poet's "discredited dream of cultural revolution" has been replaced by "paper ghosts." This book claims that a certain artist's subject is the "unhappy consciousness." The first section of this book argues that its title process is "essentially an act of non-intervention" and allows people to "take possession" of an i
One section of this book cites a scene from Invitation to a Beheading in which Cincinnatus receives a certain form of "horoscope" to describe its title subject's "mock possession" of the future. Another section of this book ends by claiming that a certain poet's "discredited dream of cultural revolution" has been replaced by "paper ghosts." This book claims that a certain artist's subject is the "unhappy consciousness." The first section of this book argues that its title process is "essentially an act of non-intervention" and allows people to "take possession" of an insecure space, before ending with the declaration that (*) "today, everything exists to" be subjected to the title process. Many of the arguments in this book were later refuted in its author's later collection Regarding the Pain of Others. The second essay in this book argues that the Family of Man exhibition was the "last sigh of the Whitmanesque erotic embrace of the nation," and discusses pieces by Lewis Hine and Walker Evans. For 10 points, name this 1977 collection of essays that includes "In Plato's Cave," a book by Susan Sontag about an art form practiced by Diane Arbus.
One section of this book cites a scene from Invitation to a Beheading in which Cincinnatus receives a certain form of "horoscope" to describe its title subject's "mock possession" of the future.
On Photography 