Anna Chave claimed this style represented "the face of capital, the face of authority" in an essay about its "rhetoric of power." Artists of this movement are critiqued as overly theatrical "literalists" in Michael Fried's "Art and Objecthood." An artist from this movement called illusionism "one of the salient and most objectionable relics of European art" in the essay "Specific Objects." Speaking about one of his works, an artist of this movement remarked "Six feet has a suggestion of being cooked. Six foot box. Six foot under." Robert Pincus-Witten described the work of Eva Hesse as "post-[this movement]." An artis
Anna Chave claimed this style represented "the face of capital, the face of authority" in an essay about its "rhetoric of power." Artists of this movement are critiqued as overly theatrical "literalists" in Michael Fried's "Art and Objecthood." An artist from this movement called illusionism "one of the salient and most objectionable relics of European art" in the essay "Specific Objects." Speaking about one of his works, an artist of this movement remarked "Six feet has a suggestion of being cooked. Six foot box. Six foot under." Robert Pincus-Witten described the work of Eva Hesse as "post-[this movement]." An artist who worked in this style used materials like galvanized (*) iron and plexiglass for identical units evenly spaced up a wall in a series of untitled pieces. This style is exemplified by a 6-by-6-by-6 steel cube titled Die by Tony Smith and the boxes of Donald Judd. For 10 points, name this sculptural style characterized by extreme simplicity of form.
Anna Chave claimed this style represented "the face of capital, the face of authority" in an essay about its "rhetoric of power."
minimalism [or minimal art]