In 1992, this piece was set for chorus, brass, and percussion by Spanish composer Cristobal Halffter. A composition titled "Prelude, Adagio, and Choral Variations" on a theme from this piece was written for organ by Maurice Durufle. One of Hector Ber
In 1992, this piece was set for chorus, brass, and percussion by Spanish composer Cristobal Halffter. A composition titled "Prelude, Adagio, and Choral Variations" on a theme from this piece was written for organ by Maurice Durufle. One of Hector Berlioz's last compositions was a version of this work for SSA choir, while a Stabat Mater concludes a set of 10 chamber works named for this piece by Arvo Part. J.S. Bach based two chorale preludes on Martin Luther's (*) "Komm, Gott Schopfer, Heiliger Geist", which was derived from this piece. This hymn attributed to Rabanus Maurus was most famously set to music in a work which also sets the final scene of Goethe's Faust. For 10 points, name this 9th century Gregorian chant used in Mahler's Symphony of a Thousand.
In 1992, this piece was set for chorus, brass, and percussion by Spanish composer Cristobal Halffter.
Veni creator spiritus 