At a housing development in Milan, this man opted for a colonnade of small perpendicular walls instead of pilotis to create a gallery space designed in collaboration with Carlo Aymonino. This designer of Gallaratese's Monte Amiata apartment block pointed to Padua's Palazzo della Ragione, which was repurposed as a market, as an example of an urban form that [*] persistently influenced its surroundings despite a radical change in use. Like Venturi's Complexity and Contradiction in Architecture, this man's magnum opus was published in 1966 and argued that typology cannot be reduced to function. That work is a study of "urban artifacts." For 10 points, name this Italian 
At a housing development in Milan, this man opted for a colonnade of small perpendicular walls instead of pilotis to create a gallery space designed in collaboration with Carlo Aymonino. This designer of Gallaratese's Monte Amiata apartment block pointed to Padua's Palazzo della Ragione, which was repurposed as a market, as an example of an urban form that [*] persistently influenced its surroundings despite a radical change in use. Like Venturi's Complexity and Contradiction in Architecture, this man's magnum opus was published in 1966 and argued that typology cannot be reduced to function. That work is a study of "urban artifacts." For 10 points, name this Italian architect and author of The Architecture of the City.
At a housing development in Milan, this man opted for a colonnade of small perpendicular walls instead of pilotis to create a gallery space designed in collaboration with Carlo Aymonino.
Aldo Rossi