A polished version of this image cuts off the crate at the bottom right and gives one character auburn hair while also apparently removing his facial blemishes. That version does not remove the warts of one figure that has his back to the viewer, but does manage to place an object that obscures the dark blue garb of a central figure and does remove the nearly square gridlines that appear in the familiar version of this work. No less than six top-hatted figures appear in the upper half of this painting, which contains two windows. The plump, round (*) breasts of one character suckle a figure whose face does not appear to us, but who is presuma
A polished version of this image cuts off the crate at the bottom right and gives one character auburn hair while also apparently removing his facial blemishes. That version does not remove the warts of one figure that has his back to the viewer, but does manage to place an object that obscures the dark blue garb of a central figure and does remove the nearly square gridlines that appear in the familiar version of this work. No less than six top-hatted figures appear in the upper half of this painting, which contains two windows. The plump, round (*) breasts of one character suckle a figure whose face does not appear to us, but who is presumably related to a boy who leans to the right to sleep against his aged grandmother, who holds a basket. Set in a conveyance traveling along the wide streets of a reformed Paris, for 10 points, identify this Realist painting by Honoré Daumier.
A polished version of this image cuts off the crate at the bottom right and gives one character auburn hair while also apparently removing his facial blemishes.
The Third-Class Carriage [or Le Chariot de Troisième-Classe]