One composition of this type was slated to be given a world premier by Yehudi Menuhin in San Francisco; that cadenza-less work ends with a polonaise that repeats at least twenty times due to its composer's failing mental health. The third movement of another composition of this kind is full of double stops and broken octaves and has been described as "a polonaise for polar bears." Unlike its composer's F- A-E sonata, one work in this form was not worked on by Albert Dietrich. Another of them opens unusually with four beats on the timpani and has an extremely long first
One composition of this type was slated to be given a world premier by Yehudi Menuhin in San Francisco; that cadenza-less work ends with a polonaise that repeats at least twenty times due to its composer's failing mental health. The third movement of another composition of this kind is full of double stops and broken octaves and has been described as "a polonaise for polar bears." Unlike its composer's F- A-E sonata, one work in this form was not worked on by Albert Dietrich. Another of them opens unusually with four beats on the timpani and has an extremely long first movement; that work was written for Franz (*) Clement, who had earlier helped its composer with his opera Fidelio. Alban Berg's composition of this type was dedicated "to the memory of an angel," and occasionally breaks from the fast-slow-fast scheme adopted by some, such as Mozart's Strassburg and Turkish ones. For 10 points, name these works for a certain solo stringed instrument and orchestra.
One composition of this type was slated to be given a world premier by Yehudi Menuhin in San Francisco; that cadenza-less work ends with a polonaise that repeats at least twenty times due to its composer's failing mental health.
violin concertos [or violin concerti; prompt on concertos; prompt on concerti]