The restoration of this painting added a vase with a faint image of the cross on it, which is held by an angel who originally looked down at a figure lying down. Another figure is poked by the toe of a sleeping figure who grasps a flowing silver robe. The central figure of this painting puts pressure on a green cushion atopa red one, and wears ornamentation that arcs across her forehead. This painting was commissioned for the Santa Maria dei Servi and depicts (*) Saint Jerome looking away as he stretches out a scroll in front of a row of columns that support nothing. A
The restoration of this painting added a vase with a faint image of the cross on it, which is held by an angel who originally looked down at a figure lying down. Another figure is poked by the toe of a sleeping figure who grasps a flowing silver robe. The central figure of this painting puts pressure on a green cushion atopa red one, and wears ornamentation that arcs across her forehead. This painting was commissioned for the Santa Maria dei Servi and depicts (*) Saint Jerome looking away as he stretches out a scroll in front of a row of columns that support nothing. A crowd of nude angles with curly golden locks stares at the two central figures in this painting, which illustrates a medieval simile comparing an ivory tower to the title feature. For 10 points, identify this Mannerist painting by Parmigianino.
The restoration of this painting added a vase with a faint image of the cross on it, which is held by an angel who originally looked down at a figure lying down.
The Madonna of the Long Neck [or La Madonna del Collo Lungo]