The introduction to this work sends the message, "You got eyes," to its artist, before asking for the number of a lonely woman in "an elevator full of blurred demons." One work in this collection depicts a film premiere in which an actress' blurred face fills most of the frame, with the focus on the fans behind her. Another work in this collection shows women standing at two windows in a brick wall, with a large flag hiding the head of the woman on the right. This collection, whose introduction was written by Jack Kerouac, includes an image of a cowboy leaning on a wire garbage can, called (*) Rodeo: New York City. The cover image for this work shows a white woman, children, and a black man segregated by the window bars of a trolley car. This collection consists of 83 photographs selected from thousands taken duri
The introduction to this work sends the message, "You got eyes," to its artist, before asking for the number of a lonely woman in "an elevator full of blurred demons." One work in this collection depicts a film premiere in which an actress' blurred face fills most of the frame, with the focus on the fans behind her. Another work in this collection shows women standing at two windows in a brick wall, with a large flag hiding the head of the woman on the right. This collection, whose introduction was written by Jack Kerouac, includes an image of a cowboy leaning on a wire garbage can, called (*) Rodeo: New York City. The cover image for this work shows a white woman, children, and a black man segregated by the window bars of a trolley car. This collection consists of 83 photographs selected from thousands taken during cross-country road trips. For 10 points, name this photography book by Robert Frank, which collects shots of everyday scenes of life in the 1950s' United States.
The introduction to this work sends the message, "You got eyes," to its artist, before asking for the number of a lonely woman in "an elevator full of blurred demons.
The Americans