A nude angel rests atop a cloud and holds a compass in one work by this artist created as part of a series of frescoes for the Casa Buonarotti honoring the life of Michelangelo. One self-portrait by this artist depicted its title subject as "dishevelled, and twisted in various ways, with arched eyebrows" and was inspired by a description in the Iconologia of Cesare Ripa. That Self-Portrait as the (*) Allegory of Painting 
A nude angel rests atop a cloud and holds a compass in one work by this artist created as part of a series of frescoes for the Casa Buonarotti honoring the life of Michelangelo. One self-portrait by this artist depicted its title subject as "dishevelled, and twisted in various ways, with arched eyebrows" and was inspired by a description in the Iconologia of Cesare Ripa. That Self-Portrait as the (*) Allegory of Painting was likely painted while this artist was working in the court of Charles I with Orazio. In a work by this artist, a man in brown robes leans into the ear of another man while both lean over a ledge to stare at a twisting nude woman. In her most well-known work, a servant in red assists a blue- clad figure in performing the title action on the head of a Babylonian general. For 10 points, name this artist of Susanna and the Elders and Judith Slaying Holofernes.
A nude angel rests atop a cloud and holds a compass in one work by this artist created as part of a series of frescoes for the Casa Buonarotti honoring the life of Michelangelo.
Artemisia Gentileschi [The first work is the Allegory of Inclination]