One figure in this work was based on the artist's Woman of Majorca, who wears a flat-brimmed, pointed, and veiled hat. In this painting, that woman instead wears a flowery straw hat and sits on a red skirt beside a clay jug. The figures in this work "trace a vague capital 'C' for Creation," according to a poem that says they are "less secure than even we." The racetrack in the background of this work was replaced with a landscape that also fills its artist's Boy Leading a Horse. In this painting, a youth wearing only briefs carries a drum over his shoulders. The seated woman in this work may have been modeled on (*) Fernande Olivier, while a fat man in red clothing was probably based on Apollinaire. The Fifth Duino Elegy was inspired by this work, which is at the National Gallery and inclu
One figure in this work was based on the artist's Woman of Majorca, who wears a flat-brimmed, pointed, and veiled hat. In this painting, that woman instead wears a flowery straw hat and sits on a red skirt beside a clay jug. The figures in this work "trace a vague capital 'C' for Creation," according to a poem that says they are "less secure than even we." The racetrack in the background of this work was replaced with a landscape that also fills its artist's Boy Leading a Horse. In this painting, a youth wearing only briefs carries a drum over his shoulders. The seated woman in this work may have been modeled on (*) Fernande Olivier, while a fat man in red clothing was probably based on Apollinaire. The Fifth Duino Elegy was inspired by this work, which is at the National Gallery and includes a self-portrait of this work's painter in a diamond-patterned harlequin costume. For 10 points, name this painting from Picasso's Rose Period in which a group of circus performers stand in a barren desert. 
One figure in this work was based on the artist's Woman of Majorca, who wears a flat-brimmed, pointed, and veiled hat.
Family of Saltimbanques [or La  famille du saltimbanques]