A "paradise" of this colour titles a poem in the collection Works and Nights by Alejandra Pizarnik. In The Art of Poetry, Jorge Luis Borges claims that art is an eternity of this colour. Some scholars believe that this colour is used in Don Quixote as a symbol of deception and falsehood. In his poem In the Depth of the Night Silver Water Trembles, Gabriel Celaya describes sleepwalkers who "pass between sheets of ice transparent and [this colour]." An ink of this colour partially titles a poem by Octavio Paz which includes the lines "Never mind the scar, little and lumi
A "paradise" of this colour titles a poem in the collection Works and Nights by Alejandra Pizarnik. In The Art of Poetry, Jorge Luis Borges claims that art is an eternity of this colour. Some scholars believe that this colour is used in Don Quixote as a symbol of deception and falsehood. In his poem In the Depth of the Night Silver Water Trembles, Gabriel Celaya describes sleepwalkers who "pass between sheets of ice transparent and [this colour]." An ink of this colour partially titles a poem by Octavio Paz which includes the lines "Never mind the scar, little and luminous: / look up at the sky and its [this colour] tattoo of stars." Apart from directing a poetry journal titled after a horse of this colour, Pablo Neruda wrote an ode to this colour, describing it as the " ngernail of the mountains" and a "river of conceit." This colour is used as a metaphor for death in several poems by Federico García Lorca, who wrote "[this colour], how I love you [this colour]" in Romance sonámbulo. For 10 points, name this colour commonly associated with foliage and plants.
A "paradise" of this colour titles a poem in the collection Works and Nights by Alejandra Pizarnik.
green