This thinker's engagement with his Berkeley colleagues Hubert Dreyfus and John Searle first made its mark in the essay "What Is Stylistics and Why Are They Saying Such Terrible Things About It?" In one of this thinker's essays, a group of students hilariously analyze a list of linguistics textbook authors as if it were a religious poem. This critic analyzed how works by authors like Herbert, Bunyan, and Milton exhausted their own methods, in Self-Consuming Artifacts. He placed his essays "Interpreting the Variorum" and "Interpreting 'Interpreting the Variorum'" next to each other in a collection that also includes "Ho
This thinker's engagement with his Berkeley colleagues Hubert Dreyfus and John Searle first made its mark in the essay "What Is Stylistics and Why Are They Saying Such Terrible Things About It?" In one of this thinker's essays, a group of students hilariously analyze a list of linguistics textbook authors as if it were a religious poem. This critic analyzed how works by authors like Herbert, Bunyan, and Milton exhausted their own methods, in Self-Consuming Artifacts. He placed his essays "Interpreting the Variorum" and "Interpreting 'Interpreting the Variorum'" next to each other in a collection that also includes "How To (*) Recognize a Poem When You See One." This critic used the method of his essay "What It's Like To Read L'Allegro and Il Penseroso" to analyze Paradise Lost, in his book Surprised By Sin. This critic collected his essays in Is There A Text In This Class? For 10 points, name this reader-response critic who claims that texts only have their meanings within specific "interpretive communities."
This thinker's engagement with his Berkeley colleagues Hubert Dreyfus and John Searle first made its mark in the essay "
Stanley (Eugene) Fish