This man placed a quasi-ruined stone circle in the middle of a set of four changing rooms connected by supporting pylons that double as passageways. This man began expressing his theory of "served spaces" and "servant spaces"
This man placed a quasi-ruined stone circle in the middle of a set of four changing rooms connected by supporting pylons that double as passageways. This man began expressing his theory of "served spaces" and "servant spaces" with his work on the Trenton Bath House, which preceded his design of auxiliary towers to allow for more lab space at the [*] Richards Medical Research Laboratories. At a building on Chapel Street, this man eschewed a drop ceiling in favor of a grid of hollow concrete tetrahedrons that eliminated ductwork and allowed for the easy repositioning of exhibition walls. At a college art gallery, this man designed a west wall with a glass curtain but a south wall that is plain brick with four limestone string courses. For 10 points, name this UPenn professor and designer of the Yale University Art Gallery.
This man placed a quasi-ruined stone circle in the middle of a set of four changing rooms connected by supporting pylons that double as passageways.
Louis Isidore Kahn [accept Itze-Leib Schmuilowsky from radical Estonians]