The speaker of a poem entreats this type of figure to trample the disenchanted "market of solace" of Grief-City. The speaker of that poem wishes to sing praise to these figures in "the emergence of this fierce insight." In a different poem, this type of figure emerges "dragging the puppets," causing the speaker to muse "then there's a play at last." A passage about these figures claims that they often would not know whether they were alive or dead. The second poem in a c
The speaker of a poem entreats this type of figure to trample the disenchanted "market of solace" of Grief-City. The speaker of that poem wishes to sing praise to these figures in "the emergence of this fierce insight." In a different poem, this type of figure emerges "dragging the puppets," causing the speaker to muse "then there's a play at last." A passage about these figures claims that they often would not know whether they were alive or dead. The second poem in a collection opens by declaring that (*) every figure of this type "is terror." The line "Who, if I cried out, would hear me among" the order of these figures begins the first Duino Elegy. For 10 points, name these religious figures often discussed by Rainer Maria Rilke, who used the label "the dangerous one" to refer to their "Arch" variety.
The speaker of a poem entreats this type of figure to trample the disenchanted "market of solace" of Grief-City.
Angels