One of this man's images depicts a well-dressed corpse tied to a board as reflected in the lens of the camera photographing him. In one of this man's images, men in the woods with white hoods over the
One of this man's images depicts a well-dressed corpse tied to a board as reflected in the lens of the camera photographing him. In one of this man's images, men in the woods with white hoods over their faces are illuminated by a passing train. In an image created by this man, the silhouettes of a SWAT team disappear into the dark horizon under an orange and blue sky. One of this man's images uses an upper-story office window as a vantage point to depict a snowy parking lot in which a single car is parked crookedly amid a grid of planted trees. Since his collaborators wanted a dusty sepia color palette, this man made the first large-scale use of the (*) digital intermediate process for one project. This man worked with Denis Villeneuve on Sicario and crafted the imagery of O Brother Where Art Thou and Fargo. For 10 points, name this British collaborator with the Coen brothers who, with Emmanuel Lubezki, is one of the most famous living cinematographers.
One of this man's images depicts a well-dressed corpse tied to a board as reflected in the lens of the camera photographing him.
Roger Deakins (The first two clues are from Andrew Dominick's The Assassination of Jesse James by the Coward Robert Ford.)