Two characters by this author relive a game of To Hell and Gone that they had played in a rusted Chevy. One of those characters used his farm money to buy gentleman's clothes for a date with their pen pal, Ethel, and while rehearsing it, called his brother a (+) swartgat. In another play, a character by this author is told that he hits his partner, Hilda Samuels, too much. One character in that play is spit on after baring his ass to his boss's son, and his reading about scalars leads to a discussion about Tolstoy, Darwin, and Fleming as men of (*) magnitude. That character explains the ideal of ballroom dancing as free of collisions to the title character. For ten p
Two characters by this author relive a game of To Hell and Gone that they had played in a rusted Chevy. One of those characters used his farm money to buy gentleman's clothes for a date with their pen pal, Ethel, and while rehearsing it, called his brother a (+) swartgat. In another play, a character by this author is told that he hits his partner, Hilda Samuels, too much. One character in that play is spit on after baring his ass to his boss's son, and his reading about scalars leads to a discussion about Tolstoy, Darwin, and Fleming as men of (*) magnitude. That character explains the ideal of ballroom dancing as free of collisions to the title character. For ten points, name this playwright who wrote of Morris and Zachariah in Blood Knot and of Sam and Willie in Master Harold...and the Boys.
Two characters by this author relive a game of To Hell and Gone that they had played in a rusted Chevy.
Athol Fugard