This figure described the "visual pyramid" in one work. This figure also advises painting on large panels. This figure described the qualities of a good "historia" and described the veil as a means to draw curved surfaces. That artist also divides painting into circumscription, composition, and reception of light and             discussed geometric perspective at great length. This architect of the façade of the Palazzo Rucellai used scroll brackets to link the top and bottom of the façade of Santa Maria Novella. This figure designed another façade as an arch bracketed by Corinthian pilasters (*) and surmounted by 
This figure described the "visual pyramid" in one work. This figure also advises painting on large panels. This figure described the qualities of a good "historia" and described the veil as a means to draw curved surfaces. That artist also divides painting into circumscription, composition, and reception of light and             discussed geometric perspective at great length. This architect of the façade of the Palazzo Rucellai used scroll brackets to link the top and bottom of the façade of Santa Maria Novella. This figure designed another façade as an arch bracketed by Corinthian pilasters (*) and surmounted by a pediment but is most famous fora work with a arcade containing sarcophagai that was commissioned by Sigsmondo Pandolfo Maltestata. For 10 points, name this architect of St. Andrea and the Tempio Maltestiano and author of De Pintura.
This figure described the "visual pyramid" in one work. This figure also advises painting on large panels.
Leone Battista Alberti