The guide to the 1855 Universal Exposition notes that this work signaled the end of "inflammatory        opinions of art" and calls its artist "the colorist one." The artist of this work signed his name with the yearit was painted between pieces of lumber on the right and proposed his art as an alternative to direct combat. He drew himself with a top hat and bow (*) tie on the left of this painting, standing next to a man with a curved sword. A twelve-year old boy holding two pistols stands next to this painting's title character, who wears a Phrygian cap. Her breasts are exposed and she holds
The guide to the 1855 Universal Exposition notes that this work signaled the end of "inflammatory        opinions of art" and calls its artist "the colorist one." The artist of this work signed his name with the yearit was painted between pieces of lumber on the right and proposed his art as an alternative to direct combat. He drew himself with a top hat and bow (*) tie on the left of this painting, standing next to a man with a curved sword. A twelve-year old boy holding two pistols stands next to this painting's title character, who wears a Phrygian cap. Her breasts are exposed and she holds the French flag amidst a slew of dead bodies while performing the title action. For 10 points, name this commemoration of the July Revolution painted by Eugène Delacroix.
The guide to the 1855 Universal Exposition notes that this work signaled the end of "inflammatory        opinions of art" and calls its artist "the colorist one."
Liberty Leading the People