The influence of Whitman on the poet of this collection can be seen in the mention of the "smoking souvenir, bleeding eidolon" in one poem. The speaker of another poem in this collection asks himself, "Is the silence strong enough to carry back the music to its source and back to you again as though to her?" The speaker of another poem says "O, I have known metallic paradises" and muses that "the mind has shown itself at times too much the baked and labeled dough." Containing "Legend" and "My Grandmother's Love Letters," it also describes "unfettered leewardings" and "the wrapt inflections of our love" in one of a sequence of six erotic poems called "Voyages." For 10 points, name this work including the poems "Chapl
The influence of Whitman on the poet of this collection can be seen in the mention of the "smoking souvenir, bleeding eidolon" in one poem. The speaker of another poem in this collection asks himself, "Is the silence strong enough to carry back the music to its source and back to you again as though to her?" The speaker of another poem says "O, I have known metallic paradises" and muses that "the mind has shown itself at times too much the baked and labeled dough." Containing "Legend" and "My Grandmother's Love Letters," it also describes "unfettered leewardings" and "the wrapt inflections of our love" in one of a sequence of six erotic poems called "Voyages." For 10 points, name this work including the poems "Chaplinesque" and  "For the Marriage of Faustus and Helen," the first poetry collection by Hart Crane.
The influence of Whitman on the poet of this collection can be seen in the mention of the "smoking souvenir, bleeding eidolon" in one poem.
White Buildings