Following this proceeding, one of the participants wrote The Gentle Art of Making Enemies.Concurrent with this proceeding, one participant also went after George Du Maurier for lampooninghim as Joe Sibley in the novel Trilby. One participant claimed that "the knowledge I have gained inthe work of a lifetime" justified the prices he charged. Sir John Holker asked why the object at thecenter of this (*) trial wasn't titled for Cremorne. The plaintiff in this case was awarded only a farthingafter being accused of producing
Following this proceeding, one of the participants wrote The Gentle Art of Making Enemies.Concurrent with this proceeding, one participant also went after George Du Maurier for lampooninghim as Joe Sibley in the novel Trilby. One participant claimed that "the knowledge I have gained inthe work of a lifetime" justified the prices he charged. Sir John Holker asked why the object at thecenter of this (*) trial wasn't titled for Cremorne. The plaintiff in this case was awarded only a farthingafter being accused of producing "sketchy" and "unfinished" works in testimony from Edward Burne-Jones.One party in this case wrote The Stones of Venice. For 10 points, name this trial over criticism of a paintingsubtitled The Falling Rocket.
Following this proceeding, one of the participants wrote The Gentle Art of Making Enemies.
The Nocturne in Black and Gold Libel Trial [or the James Abbott McNeill Whistler-John Ruskin Libel Trial; accept anything involving Whistler and Ruskin or Nocturne in Black and Gold or The Falling Rocket]