One part of this work claims that "intuitions are always required to establish the reality of our concepts," and divides intuitions into examples, if they are empirical, and schemata if they are conce
One part of this work claims that "intuitions are always required to establish the reality of our concepts," and divides intuitions into examples, if they are empirical, and schemata if they are conceptual. This work describes a "pleasure... that must necessarily depend for everyone on the same conditions," and advances a notion of the sensus communis, or common understanding, which ought to obey the three maxims of unprejudiced, enlarged, and consecutive thought; those maxims had previously been described by this work's author as "rules of the avoidance of error," in his Introduction to Logic. The second part of this work comprises the critique, analytic, dialectic, and methodology of the teleological form of the title concept, and argues that since we must assume a moral world "in order to set before ourselves a final purpose consistently with the moral law... we must admit there is a God." Containing sections like "Analytic of the Beautiful," and "Analytic of the Sublime," for 10 points, identify this work that explicates its author's mature aesthetic philosophy, the third major critique of Immanuel Kant.
One part of this work claims that "intuitions are always required to establish the reality of our concepts," and divides intuitions into examples, if they are empirical, and schemata if they are conceptual.
Critique of Judgment