Prior to drawing cartoons for the newspaper The Vanguard, this man compiled watercolors of prostitutes into his House of Tears series. The title character of another painting is on his knees as he seems to reach beyond the top of the painting to claim fire; that work is his Prometheus. A blonde man surrounded by waves points angrily out to sea as gray people look on in one panel of another work, and shirtless men carrying machine gun rounds are smashed against rocks in this artist's The Trench. This artist painted a work at Baker Library at Dartmouth College which chronicles the migrations of native peoples, the arrival of Europeans, and the rise of industry. For 10 points, name this Mexican muralist of The Epic of American Civilization, a 
Prior to drawing cartoons for the newspaper The Vanguard, this man compiled watercolors of prostitutes into his House of Tears series. The title character of another painting is on his knees as he seems to reach beyond the top of the painting to claim fire; that work is his Prometheus. A blonde man surrounded by waves points angrily out to sea as gray people look on in one panel of another work, and shirtless men carrying machine gun rounds are smashed against rocks in this artist's The Trench. This artist painted a work at Baker Library at Dartmouth College which chronicles the migrations of native peoples, the arrival of Europeans, and the rise of industry. For 10 points, name this Mexican muralist of The Epic of American Civilization, a contemporary of Diego Rivera and David Siqueiros.
Prior to drawing cartoons for the newspaper The Vanguard, this man compiled watercolors of prostitutes into his House of Tears series.
Jose Clemente Orozco