Jacques Rivette, in his criticism of Gillo Pontecorvo's KapÃ², wrote that the man who used this technique"deserves nothing but contempt". This technique is used in the penultimate scene of Antonioni's ThePassenger. In the 1970 essay "Towards a Non-Bourgeois Camera Style", Brian Henderson outlines a newstyle of later-period Godard that is characterized by this technique, wh
Jacques Rivette, in his criticism of Gillo Pontecorvo's KapÃ², wrote that the man who used this technique"deserves nothing but contempt". This technique is used in the penultimate scene of Antonioni's ThePassenger. In the 1970 essay "Towards a Non-Bourgeois Camera Style", Brian Henderson outlines a newstyle of later-period Godard that is characterized by this technique, which is famously used in Weekend inconjunction with the sound of honking car horns. Due to the involvement of Garrett Brown and hisnewly-invented Steadicam, it was used copiously in Kubrick's The Shining. It was pioneered by LeniRiefenstahl in Olympia, and perhaps its most famous use is in the opening of Welles's Touch of Evil, whereit was accomplished using a crane. For 10 points, identify this term usually applied to a shot taken when thecamera is being moved by wheels.
Jacques Rivette, in his criticism of Gillo Pontecorvo's KapÃ², wrote that the man who used this technique"deserves nothing but contempt".
tracking shot [or long take; or extended take; or travelling shot; or dollying shot; or trucking shot; prompt on crane shot; do not accept "long shot"]