The central scene of this painting is watched by two men holding golden rods, one of which is topped with an eagle, the other with an open hand. In between the two central characters in this painting, a bishop directly faces the viewer and holds a giant crozier topped with a cross; one of those characters wears a crimson mantle which is held up by two women behind her, and kneels on an ornate pillow. Madame Mere can be seen in this painting, despite the fact that she was not at the event it portrays. Also called Le Sacre, this painting depicts a congregation of over two hundred nobles and prel
The central scene of this painting is watched by two men holding golden rods, one of which is topped with an eagle, the other with an open hand. In between the two central characters in this painting, a bishop directly faces the viewer and holds a giant crozier topped with a cross; one of those characters wears a crimson mantle which is held up by two women behind her, and kneels on an ornate pillow. Madame Mere can be seen in this painting, despite the fact that she was not at the event it portrays. Also called Le Sacre, this painting depicts a congregation of over two hundred nobles and prelates in Notre Dame, where Pope Pius VII is blessing the title action. For 10 points, name this Jacques-Louis David painting, in which the title French Emperor prepares to place a crown on Josephine. 
The central scene of this painting is watched by two men holding golden rods, one of which is topped with an eagle, the other with an open hand.
The Coronation of Napoleon [or Le Sacre before it is read] 