Men lift this man's body off of a camel under a stormy red sky in the follow-up to a painting where this man's corpse is held precariously by soldiers in a long catacomb rendered in a diagonal perspective. NiccolÃ² di Piero Lamberti sculpted this man seated and holding a book for the Cathedral of Florence. Vasari relates ho
Men lift this man's body off of a camel under a stormy red sky in the follow-up to a painting where this man's corpse is held precariously by soldiers in a long catacomb rendered in a diagonal perspective. NiccolÃ² di Piero Lamberti sculpted this man seated and holding a book for the Cathedral of Florence. Vasari relates how, after one sculpture of this figure was rejected by the Linen Drapers Guild, the artist pretended to fix it for fifteen days before the guild then accepted it unaltered. In one painting, this religious figure causes a hammer held by a turbaned man to break, saving the life of the man lying naked on the ground. Donatello sculpted this saint for a niche of the Orsanmichele, and he intervenes to save the title figure in Tintoretto's The Miracle of the Slave. For 10 points, name this saint who lends his name to a cathedral in Venice.
Men lift this man's body off of a camel under a stormy red sky in the follow-up to a painting where this man's corpse is held precariously by soldiers in a long catacomb rendered in a diagonal perspective.
Saint Mark the Evangelist [or Marcus; or Marco]