In David Lubin's book Act of Portrayal, he describes the poses of the figures in this painting with the letters A, R, I and J - with J being a "clitoricentric" representation within a penis-free box. The same artist painted a relative of the title figures in this canvas seated on a gold divan wearing a pink dress with black polka dots. In the dark background, light from a window reflects off a mirror flanked by two small blue vases.  Likely influenced by the artist's trip to see Las Meninas at the Prado, in the foregrou
In David Lubin's book Act of Portrayal, he describes the poses of the figures in this painting with the letters A, R, I and J - with J being a "clitoricentric" representation within a penis-free box. The same artist painted a relative of the title figures in this canvas seated on a gold divan wearing a pink dress with black polka dots. In the dark background, light from a window reflects off a mirror flanked by two small blue vases.  Likely influenced by the artist's trip to see Las Meninas at the Prado, in the foreground, one title figure sits with her feet stretched outward on a blue-and-white area carpet and holds a pink doll. Behind her, another girl rests her back against a gigantic porcelain Japanese vase. This painting is now at Boston's Museum of Fine Arts, where it sits in between the two huge Japanese vases shown in the canvas. The figures depicted in the canvas are named Julia, Mary Louisa, Jane, and Florence.  FTP, name this John Singer Sargent painting of some offspring of the title guy. 
In David Lubin's book Act of Portrayal, he describes the poses of the figures in this painting with the letters A, R, I and J - with J being a "clitoricentric" representation within a penis-free box.
The Daughters of Edward Darley Boit [or Portraits d'enfants]