In the upper right of one of this artist's paintings, a man in a purple robe with an orange sash stands out in a sea of figures in grey and yellow. In lieu of a signature, many of his paintings show a hand gesture where the middle and ring fingers are held together and the other two splay out. This man showed a blue-clad St. John raising his arms to heaven on the left of his Opening of the Fifth Seal, and showed the gold-robed saints Stephen and Augustine by the title armor-clad nobleman in Burial of the Count of Orgaz. For 10 points, name this Spanish Renaissance painter of elongated figures, who painted his adoptive home in View of Toledo a
In the upper right of one of this artist's paintings, a man in a purple robe with an orange sash stands out in a sea of figures in grey and yellow. In lieu of a signature, many of his paintings show a hand gesture where the middle and ring fingers are held together and the other two splay out. This man showed a blue-clad St. John raising his arms to heaven on the left of his Opening of the Fifth Seal, and showed the gold-robed saints Stephen and Augustine by the title armor-clad nobleman in Burial of the Count of Orgaz. For 10 points, name this Spanish Renaissance painter of elongated figures, who painted his adoptive home in View of Toledo after emigrating from Crete.
In the upper right of one of this artist's paintings, a man in a purple robe with an orange sash stands out in a sea of figures in grey and yellow.
El Greco [or Domenikos Theotokopoulos] 