This musician recorded a namesake suite composed by Lalo Schifrin seven years after collaborating with Bud Powell, Charles Mingus, Max Roach, and Charlie Parker on the live album Jazz at Massey Hall. He collaborated with Gil Fuller and Chano Pozo on the first jazz standard based on a clave. Another of his songs does not use a walking bass line, was recorded under the name "Interlude", and was written during this man's time with the Earl Hines Ban
This musician recorded a namesake suite composed by Lalo Schifrin seven years after collaborating with Bud Powell, Charles Mingus, Max Roach, and Charlie Parker on the live album Jazz at Massey Hall. He collaborated with Gil Fuller and Chano Pozo on the first jazz standard based on a clave. Another of his songs does not use a walking bass line, was recorded under the name "Interlude", and was written during this man's time with the Earl Hines Band. He worked with Kenny Clarke on the song (*) "Salt Peanuts," and also composed "Manteca" and "A Night in Tunisia". For 10 points, name this bebop pioneer known for his puffed-out cheeks and the angled bell on his trumpet.
This musician recorded a namesake suite composed by Lalo Schifrin seven years after collaborating with Bud Powell, Charles Mingus, Max Roach, and Charlie Parker on the live album Jazz at Massey Hall.
Dizzy Gillespie [or John Birks Gillespie]