In the introduction to The Order of Things, Michel Foucault analyzes this work, noting that the window depicted on the right side balances the object consuming the left side, between which lie a St. Andrew's cross about the central figure.
In the introduction to The Order of Things, Michel Foucault analyzes this work, noting that the window depicted on the right side balances the object consuming the left side, between which lie a St. Andrew's cross about the central figure. Paradoxically, this painting's vanishing point is at the bent elbow of a man in the doorway at the rear. That doorway is on a wall that includes five dark paintings, surrounding a stark white-outlined mirror that impossibly reflects a king and his wife, María. Name this painting that depicts the dwarf-surrounded family of the Spanish king Philip IV, including the Infanta Margarita, a work by Diego Velázquez.
In the introduction to The Order of Things, Michel Foucault analyzes this work, noting that the window depicted on the right side balances the object consuming the left side, between which lie a St. Andrew's cross about the central figure.
Las {Meninas} [or The {Maids} of {Honor}; accept The {Family} of {Philip IV} before mentioned]