David Wessel described this property as a certain kind of "control structure.
David Wessel described this property as a certain kind of "control structure." McNally and Handel presented subjects with five stimuli differing only in this property, and showed that subjects were more likely to place them in the correct temporal order when two consecutive ones had the same value for this property. Terasawa, Slaney, and Berger described this property as having "thirteen colors" in a paper exploring the parameter space for this property in terms of Mel-frequency cepstral coefficients. A work by Pierre Boulez pairs this property with "composition," and in addition to melody identification and pitch direction discrimination, discrimination of this property is part of the Clinical Assessment of Music Perception developed by researchers at Washington to test cochlear implant users. For 10 points, give this term that is nebulously defined as the auditory attribute of a sound that is neither pitch nor loudness.
David Wessel described this property as a certain kind of "control structure.
{timbre}