The "Quia respexit" from Bach's Magnificat features a solo part for a lower-pitched "d'amore" variety of this woodwind instrument.
In the first movement of Handel's Organ Concerto in B-Flat Major, Opus 7, No. 1, two of these instruments play the theme from Handel's G-minor keyboard passacaglia. Handel's only non-organ solo concertos are three for this instrument. At the beginning of "He Gave Them Hailstones" from Handel's Israel in Egypt, these instruments alternate with the strings. The second movement of Handel's Water Music is a solo for this instrument. Two of them in unison play a plainchant tune in the "Suscepit Israel" from Bach's Magnificat. In "The Arrival of the Queen of Sheba" from Handel's Solomon, busy tutti passages alternate with passages for two of these instruments. Three of them play the baseline in the second trio from Bach's first Brandenburg Concerto. Handel's Music for the Royal Fireworks calls for 24 of them. The "Quia respexit" from Bach's Magnificat features a solo part for a lower-pitched "d'amore" variety of this woodwind instrument. For 10 points, name this high double-reed instrument.
In the first movement of Handel's Organ Concerto in B-Flat Major, Opus 7, No. 1, two of these instruments play the theme from Handel's G-minor keyboard passacaglia.
oboes [accept oboe d'amore]