While offstage during a play, this character is interrogated about an old crush and stricken with a cane.
This character takes running lessons from Mike Flynn, and he scorns a classmate who pronounces "science" as one syllable. While offstage during a play, this character is interrogated about an old crush and stricken with a cane. He imagines himself saying that he never eats muscatel grapes in the role of the Count of Monte Cristo, and later explains beauty to Lynch in terms of integrity, harmony, and clarity. A horrifying vision of hell drives him towards the priesthood, but he later rejects that path, and in an earlier episode a pair of broken glasses leads to his unfair punishment by Father Dolan. FTP, identify this protagonist of A Portrait of the Artist as a Young Man, the fictional alter-ego of James Joyce.
This character takes running lessons from Mike Flynn, and he scorns a classmate who pronounces "science" as one syllable.
{Stephen Dedalus}