In one work by this writer, the speaker claims not to have the "tenderer- than-thou/Political collectivistic love", but spares a mite's life, noting "how glad" he is "to find/On any sheet the least display of mind" in "A Considerable Speck".
In one work by this writer, the speaker claims not to have the "tenderer- than-thou/Political collectivistic love", but spares a mite's life, noting "how glad" he is "to find/On any sheet the least display of mind" in "A Considerable Speck". A dialogue written by this author sees one figure become distressed after the other wonders aloud about the conditions necessary for wood to rot, claiming "I saw you from the window there" after the latter figure sets his spade in the kitchen. That work ends with the furious line (*) "I'll follow and bring you back by force" and is an autobiographical depiction of a couple's fight following the death of their infant son, while, while in another work, the arguments over Latin and education between Harold and the title figure are described in a conversation by Mary and Warren, before the latter comes to the titular realization regarding Silas. In addition to "Home Burial" and "Death of a Hired Man", this poet described the effects of ice storms and young boys' swinging on the titular trees in "Birches" and thought of joking about Elves with his fence-loving neighbor in another work. FTP, identify this poet from New England, best-known for works like "The Road Not Taken" and "Mending Wall."
In one work by this writer, the speaker claims not to have the "tenderer- than-thou/Political collectivistic love", but spares a mite's life, noting "how glad" he is "to find/On any sheet the least display of mind" in "A Considerable Speck".
Robert {Frost}