At the top of this painting, a yellow-clad St. Peter dangles two keys from his right hand on the left of a triangular Deesis, which depicts John the Baptist and the Virgin Mary kneeling below a standing, white-clad Jesus.
Robert Byron argued that this painting's composition was modeled after its artist's earlier Dormition of the Virgin. A saint holds a bent iron at the front of a group of martyrs and apostles in the upper right of this painting, whose bottom is six feet off of the floor, requiring viewers to look sharply upward to see all of it. At the top of this painting, a yellow-clad St. Peter dangles two keys from his right hand on the left of a triangular Deesis, which depicts John the Baptist and the Virgin Mary kneeling below a standing, white-clad Jesus. At its bottom, men carrying torches flank a line of black-clad nobles wearing white ruffs, who divide this painting's scene of ethereal, heavenly clouds from its depiction of St. Augustine and St. Stephen lowering the body of the title character. Located at the church of San Tome in Toledo, for 10 points, name this painting of the entombment of the title character, a work by El Greco.
Robert Byron argued that this painting's composition was modeled after its artist's earlier Dormition of the Virgin.
The Burial of Count Orgaz