Most of the members of this movement were untrained in art, but their harsh colors and distorted shapes, such as in Still Life, Tulips by Emil Nolde and the biblical woodcuts of Karl Schmidt-Rottluff, exemplified their Expressionist tendencies.
It revived the medium of woodcuts, employing dramatic contrasts in black and white. Most of the members of this movement were untrained in art, but their harsh colors and distorted shapes, such as in Still Life, Tulips by Emil Nolde and the biblical woodcuts of Karl Schmidt-Rottluff, exemplified their Expressionist tendencies. This movement contained such members as Erich Heckel and Max Pechstein, who all met in the studio of its most famous proponent Ernst Ludwig Kirchner. FTP, identify this German Expressionist movement whose German name translates as "The Bridge."
It revived the medium of woodcuts, employing dramatic contrasts in black and white.
{Die Brücke} (accept The {Bridge} on an early buzz)