For ten points, name this Italian painter, an early mannerist whose common nickname means "little dyer" and whose real name was Jacobo Robusti.
This man created The Marriage of Bacchus and Ariadne, which borrows heavily from his teacher's Bacchus and Ariadne, for the Doge's Palace, and his The Last Supper is illuminated bizarrely by a flaming light source at upper left and populated by ghosts. In such works as Christ and the Adulteress and Susanna Bathing, this artist aimed to capture "the drawing of Michelangelo and the color of Titian." For ten points, name this Italian painter, an early mannerist whose common nickname means "little dyer" and whose real name was Jacobo Robusti.
This man created The Marriage of Bacchus and Ariadne, which borrows heavily from his teacher's Bacchus and Ariadne, for the Doge's Palace, and his The Last Supper is illuminated bizarrely by a flaming light source at upper left and populated by ghosts.
{Tintoretto} (accept Jacopo {Robusti} before the end)