Besides Noire et Blanche and Violon d'Ingres, which feature Kiki de Montparnasse, he took a series of photographs, including one featuring a nude holding a large wheel and displaying a black-stained arm, Erotique Voilée, of Méret Oppenheim, and others feature Rrose Sélavy, the feminine alter ego of a frequent collaborator.
One technique developed by this artist was used in the motion picture Return to Reason and the collection  HYPERLINK "http://search.eb.com/eb/topic?idxStructId=105232&amp;typeId=13" Les Champs délicieux. In one work by this artist, a pale woman with short, black hair puts her head sideways while holding up a small African-looking sculpture of a head. In another, an armless woman sitting on a checkerboard carpet and wearing only a garment resting at the bottom of her back, a dangly earring, and fabric headgear has her bare back compared with a violin's with two f-holes drawn onto it. Besides Noire et Blanche and Violon d'Ingres, which feature Kiki de Montparnasse, he took a series of photographs, including one featuring a nude holding a large wheel and displaying a black-stained arm, Erotique Voilée, of Méret Oppenheim, and others feature Rrose Sélavy, the feminine alter ego of a frequent collaborator. He is best known for a technique, examples of which led to negatives using things like a spiral of paper, and a gun and a key, which showed only their form. For 10 points, name this photographer born Emmanuel Radnitzky whose namesake "graphs" involved putting objects directly onto photosensitive paper.
One technique developed by this artist was used in the motion picture Return to Reason and the collection  HYPERLINK "http://search.eb.com/eb/topic?idxStructId=105232&amp;typeId=13" Les Champs délicieux.
{Man Ray} (accept {Emmanuel Radnitzky} early)