Parallel sides of this edifice depict the imperial family and important people like senators, invoking the Panathenaic procession on the Parthenon frieze, while the main scene is thought to be Aeneas performing a sacrifice.
Paul Rehak claimed that one scene in this work did not depict an epic hero, as Johannes Sieveking had claimed, but rather the second king of the polity which created this work; his evidence includes the fact that an assistant to the main action did not have two living parents in the myth, as was custom. One part of this work features hanging garlands flanked by ox skulls, while another section has a topless female surrounded by furled cloths and riding a large bird on each side of a woman about to suckle two children, whose figure assimilated features of its patron's wife. Parallel sides of this edifice depict the imperial family and important people like senators, invoking the Panathenaic procession on the Parthenon frieze, while the main scene is thought to be Aeneas performing a sacrifice. Placed in the Campus Martius next a Horologium-Solarium, for 10 points, name this altar established by an emperor of Rome to commemorate his closing of the gates of the Temple of Janus.
Paul Rehak claimed that one scene in this work did not depict an epic hero, as Johannes Sieveking had claimed, but rather the second king of the polity which created this work; his evidence includes the fact that an assistant to the main action did not have two living parents in the myth, as was custom.
{Ara Pacis Augustae} or Altar of {Augustan Peace}