Patrons of this artist of the Madonna del Parto included Sigismondo Pandolfo Malatesta and Federico da Montefeltro, while one of this man's paintings shows three men talking outside of a room, inside of which a man in a white turban watches as figure, who is tied to a column surmounted by a gold statue, is being whipped.
This man depicted the members of a confraternitas kneeling in a space resembling an apse created by the opened mantle of the Virgin, who towers over the men and women against a background of solid gold in the central panel of his early Polyptych of the Misericordia, which joins his Polyptych of Saint Augustine among his altarpieces. A basket with linen gauze and a coral necklace adorning the Child mark his Madonna di Senigallia, which was done contemperaneously with his double portrait of Battista Sforza and her husband. Patrons of this artist of the Madonna del Parto included Sigismondo Pandolfo Malatesta and Federico da Montefeltro, while one of this man's paintings shows three men talking outside of a room, inside of which a man in a white turban watches as figure, who is tied to a column surmounted by a gold statue, is being whipped. Another series depicts The Meeting of Solomon and the Queen of Sheba and a nocturnal Dream of Constantine, and was made for a church in Arezzo. For 10 points, name this painter of The Flagellation and the The History of the True Cross.
This man depicted the members of a confraternitas kneeling in a space resembling an apse created by the opened mantle of the Virgin, who towers over the men and women against a background of solid gold in the central panel of his early Polyptych of the Misericordia, which joins his Polyptych of Saint Augustine among his altarpieces.
{Piero della Francesca}