This character compares a friend to the satyr Marsyas, as a haughty 界lute-player, and to sculptures of Silenus, which open to reveal images of gods inside.
A 1986 book argued that this character's repeated use of the word exaiphnes (ex-ah-EEF-nace) makes his central image "the lightning bolt," which 界lashes like the sun in "later paintings of Turner." This character reports a saying that victims of a viper's bite only want to speak to others who have been bitten likewise. This character takes some 炤llets o猴f of an ivy-and-violet wreath intended for a poet because that poet only won one contest two days before. This character compares a friend to the satyr Marsyas, as a haughty 界lute-player, and to sculptures of Silenus, which open to reveal images of gods inside. Martha Nussbaum's The Fragility of Goodness argues that the work in which he appears is redeemed by this character's speech, which marvels at another character's capacity to sleep under a blanket with him without making a romantic move. A睌ter another character relays the wisdom of Diotima of Mantinea, this character barges into Agathon's courtyard with a coterie of drunk friends. For 10 points, name this roguish Athenian general who complains of his love for Socrates in Plato's Symposium.
A 1986 book argued that this character's repeated use of the word exaiphnes (ex-ah-EEF-nace) makes his central image "the lightning bolt," which 界lashes like the sun in "later paintings of Turner.
Alcibiades