Popularization of this artist's work was helped by a 1991 New Left Review essay calling it a "phantasmagoria."
Popularization of this artist's work was helped by a 1991 New Left Review essay calling it a "phantasmagoria." Suzy Lake is often cited as a major mutual influence on this artist, who invited Lake to a 1975 exhibition at Hallwalls and used digital editing to superimpose the title performers over each other to create the "Clowns" series. This artist's later work imitating Old Masters includes a reworking of Raphael's Fornarina simply called "No. 205." For one series, this artist ordered dolls and prosthetic limbs from medical supply catalogues and used them to imitate porn. Before Andreas Gursky's Rhine II sold, a photo from this artist's "Centerfolds" series set a price record. This artist rose to prominence with a series of self-portraits inspired by '50s and '60s movies, showing herself in stereotypical female roles. For 10 points, name this conceptual photographer of Sex Pictures and Untitled Film Stills.
Popularization of this artist's work was helped by a 1991 New Left Review essay calling it a "phantasmagoria."
Cindy Sherman (The essay is “The Phantasmagoria of the Female Body” by Laura Mulvey.) &lt;Other Art (Photography)&gt;