Six of these pieces for keyboard make up the first of the composer's volumes titled Clavier-Übung (klah-VEEROO-bung).
Note to players: composer and type of piece required. The key of an unpublished seventh piece from a set of these pieces can be deduced from the pattern of expanding intervals in alternating directions exhibited by the first six, which have the tonics B- lat, C, A, D, G, and E. The last of those pieces in this genre by this composer includes two movements derived from an early version of the composer's sixth sonata for violin and harpsichord: a Corrente and a Tempo di Gavotta. Six of these pieces for keyboard make up the first of the composer's volumes titled Clavier-Übung (klah-VEEROO-bung). In one of these pieces in B minor,each of the four movements is paired with a Double (DOO-bluh), and a Tempo di Borea is substituted for the expected gigue. Another one of these pieces in D minor ends with an extensive and frequently excerpted chaconne (shah-KAWN). For 10 points, name these pieces, three of which for solo violin were paired with three sonatas, by the composer of The Well-Tempered Clavier.
Note to players: composer and type of piece required. The key of an unpublished seventh piece from a set of these pieces can be deduced from the pattern of expanding intervals in alternating directions exhibited by the first six, which have the tonics B- lat, C, A, D, G, and E.
partitas by Johann Sebastian Bach [or Bach's partitas for keyboard; or Bach's partitas for solo violin; prompt on partitas; prompt on dance suites]