The predella panels of the San Zeno Altarpiece set this scene at a dome-like rock with trees sprouting out of it.
A watercolor version of this scene by James Tissot includes two cylindrical yellow lanterns, although most of the illumination is created by a pale white glow pouring from a doorway. The predella panels of the San Zeno Altarpiece set this scene at a dome-like rock with trees sprouting out of it. British artillery officer Tony Clarke refused to raze Sansepolcro because he had read Aldous Huxley's essay about a painting of this scene there. Several depictions of this scene show its central figure holding a white flag with a red cross, and almost all of them have sleeping guards in the foreground. The second view of the (*) Isenheim Altarpiece shows this scene, in which Christ's glowing head merges into a giant sun-like halo. Dieric Bouts' version of this scene shows an angel perched on a stone bar placed vertically into the space, while Piero della Francesca's depiction shows Christ in a pink robe, with his foot on his marble tomb. For 10 points, name this religious scene in which Christ rises from the dead.
A watercolor version of this scene by James Tissot includes two cylindrical yellow lanterns, although most of the illumination is created by a pale white glow pouring from a doorway.
Resurrection [accept descriptive answers, such as  Christ rising from the dead]