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This work's argument concerning "Organic Form" is said to be a reaction against hylozoism in John Zammito's commentary about its "genesis." Clement Greenberg's essay "Modernist Painting" implicitly credits this book's author with being the "first modernist" to "criticize the means of criticism." This book considers Euler's definition of colors as "isochronous vibrations" to argue that they are the "formal determination of the unity of a manifold of sensations" in its "Third Moment" which, discusses "purposiveness without purpose." (*) Four relations, including "Necessary Pleasure" and "Disinterested Pleasure" are promoted in the "Analytic of the Beautiful" section of this book, which argues that the four "reflective" concepts of the agreeable, the beautiful, the sublime, and the good constitute the title faculty. For 10 points, name this third critique by Immanuel Kant.
This work's argument concerning "Organic Form" is said to be a reaction against hylozoism in John Zammito's commentary about its "genesis."
Critique of Judgment [or Critique of the Power of Judgment or Kritik der Urteilskraft] 