This author called the world "a dream without a dreamer," in his essay "Metaphysics, Critique of Knowledge; Mysticism, Critique of Being."
This author called the world "a dream without a dreamer," in his essay "Metaphysics, Critique of Knowledge; Mysticism, Critique of Being." This author's first published work was a collection of philosophical essays titled Not All Is Vigil with Open Eyes, and although his most famous work was published posthumously, works published during his lifetime include A Novel that Begins, and a humorous collection titled Papers of Recienvenido. This writer called his most famous work "the first good novel" and "the best novel since both it and the world began," and wrote it together with "the last bad novel," a parodic work called Adriana Buenos Aires. That most famous novel by this writer consists mostly of prologues to the novel itself, which have titles like "Prologue to the Never-Seen," and "Prologue That Thinks it Knows Something, Not About the Novel (It's Not Allowed That), But About the Doctrine of Art." An inspiration for many writers of the martinfierrista generation, so named for the literary magazine in which they published, for 10 points, identify this Modernist Argentinian author, a friend and major influence on Jorge Luis Borges who wrote The Museum of Eterna's Novel.
This author called the world "a dream without a dreamer," in his essay "Metaphysics, Critique of Knowledge; Mysticism, Critique of Being."
Macedonio Fernandez [accept either]