" to a crowd of people whose increasingly chaotic trancelike marching causes Coulmier to draw the curtain.
Glenda Jackson's first starring role came in Peter Brook's production of this play for the Royal Shakespeare Company, where she controversially used her hair to mimic a weapon. In its second act, the song "Fifteen glorious years" is sung by the chorus of Kokol, Polpoch, Cucurucu, and Rossignol. This play ends with Jacques Roux shouting "When will you learn to take sides?" to a crowd of people whose increasingly chaotic trancelike marching causes Coulmier to draw the curtain. One of its main characters asks "What's the point of a revolution without general copulation?" and explains his individualistic philosophy while being whipped. This play is set in Charenton, an asylum whose patients perform a play-within-a-play written by one of the title characters. For 10 points, name this play by Peter Weiss, in which the author of Justine puts on a drama about a man killed by Charlotte Corday.
Glenda Jackson's first starring role came in Peter Brook's production of this play for the Royal Shakespeare Company, where she controversially used her hair to mimic a weapon.
Marat/Sade [or The Persecution and Assassination of Jean-Paul Marat As Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade]