Terence McNally once described the ending to one of this director's films as "the empty requiem for two dead souls," since it largely consists of shots of a streetlight, where a man and a woman had agreed to meet to continue their affair.
Terence McNally once described the ending to one of this director's films as "the empty requiem for two dead souls," since it largely consists of shots of a streetlight, where a man and a woman had agreed to meet to continue their affair. In another film by this director, the protagonist enters an art shop with many statues, and pays eight pounds for a large propeller. A film by this director follows Vittoria, a translator who begins an affair with Piero after meeting him at a stock exchange. This director of (*) L'Eclisse also made a film that ends with the protagonist imagining that he is miming a tennis match; that film includes a scene in which Jeff Beck of The Yardbirds destroys his guitar and centers on a photographer played by David Hemmings. For 10 points, name this Italian director who adapted a Julio Cortazar story into his film Blow-Up.
Terence McNally once described the ending to one of this director's films as "the empty requiem for two dead souls," since it largely consists of shots of a streetlight, where a man and a woman had agreed to meet to continue their affair.
Michelangelo Antonioni 