This "Poem of Granada at the Turn of the Century" uses the metaphor of a flower that turns from red to white in a single day to represent the title character's woes through the turn of the twentieth century.  
In this play, the title character's aunt places a pin to note that a chamomile vendor has come around for the fortieth time. A disabled schoolteacher in this play is the author of a play called Jephtha's Daughter and is abused by his students, who do not listen to his lecture on harmony. A character who briefly appears at the beginning of Act 2 of this play proclaims himself "a man of this century" and a positivist, while also mourning the death of Marcel Renault. The protagonist of this play discusses the current culture with a trio of girls called the Manolas, and later with the two Ayolas. A "SeÃ±or X" (*) attempts to court the protagonist of this play, who spends most of the play waiting for the Nephew to return to her. This "Poem of Granada at the Turn of the Century" uses the metaphor of a flower that turns from red to white in a single day to represent the title character's woes through the turn of the twentieth century.  For 10 points, name this play by Federico Garcia Lorca, in which the title woman never marries.
In this play, the title character's aunt places a pin to note that a chamomile vendor has come around for the fortieth time.
DoÃ±a Rosita the Spinster, or The Language of Flowers [or DoÃ±a Rosita la Soltera, o el Lenguaje de las Flores]