This person stands next to a boulder behind a crowd of hermits in a panel of the Ghent Altarpiece, and receives communion from Saint Maximin while covered only in hair in a namesake altarpiece by Lucas Moser.
In one painting, this person stands to the right of a daughter of Philip the Good dressed in black and praying. That work by Jean Hey shows this person "presenting" Madeleine of Burgundy. Pieter van Coninxloo has been offered as a possible candidate for the identity of the 16th century "Master of the Legend of" this figure. This person stands next to a boulder behind a crowd of hermits in a panel of the Ghent Altarpiece, and receives communion from Saint Maximin while covered only in hair in a namesake altarpiece by Lucas Moser. In one painting, this character wears red sleeves and stands to the right of an extravagantly dressed (*) Joseph of Arimathea. The artist of that painting also portrayed this character in the right panel of his Braque Triptych, and in a fragment by that artist, this woman reads a book of hours while sitting against a cabinet next to an alabaster jar of ointment. For 10 points, name this woman at the far right of Rogier van der Weyden's Descent from the Cross, frequently depicted during her thirty years in the desert following the Crucifixion as "penitent."
In one painting, this person stands to the right of a daughter of Philip the Good dressed in black and praying.
Mary Magdalene [accept Penitent Magdalene; prompt on "Mary" but not "Virgin Mary"]