One of the figures in this painting was modelled on Annie Miller, to whom the artist was engaged.  
One of the figures in this painting was modelled on Annie Miller, to whom the artist was engaged.  John Ruskin wrote of the painting that there is "not a single object in all that room . . . but it becomes tragical if read rightly."  At the bottom left of this painting is a roll of (**) sheet music on a blue cushion which is an arrangement of Tennyson's poem "Tears, Idle Tears.", and a black cat is crouched under a table holding a top hat.  A discarded glove lies next to the base of an unfinished tapestry, which hangs next to a (*) piano at which one of the central figures is seated. This painting shows a woman rising from the lap of a man and gazing out a window, grasping her hands tightly. For 10 points, name this Pre-Raphaelite painting by William Holman Hunt.
One of the figures in this painting was modelled on Annie Miller, to whom the artist was engaged.  
The Awakening Conscience