Quaker Hill" and "Atlantis" appear in that namesake work, whose introductory "Proem" sees the speaker standing "by the piers" under the shadow of this edifice.
The geometry of El Greco's Agony in the Garden may have influenced a poem describing this entity's "unfractioned idiom" and inviting it to "descend" upon the lowliest and "lend a myth to god." That poem on this entity describes a sunbeam moving down a street as the "rip-tide of the sky's acetylene" after the speaker opens by observing the "inviolate curve" of a seagull above it. A work titled for this entity sees Christopher Columbus narrate his return from the New World in "Ave Maria" and the textually-disjointed image "so-/Shine-/GREEN-/Eyes" presented during rum-inspired musings on (*) whaling. "Quaker Hill" and "Atlantis" appear in that namesake work, whose introductory "Proem" sees the speaker standing "by the piers" under the shadow of this edifice. The namesake of a long poem with sections like "Cutty Sark" and "Cape Hatteras," for 10 points, identify this structure that titles a work by Hart Crane and spans the East River.
The geometry of El Greco's Agony in the Garden may have influenced a poem describing this entity's "unfractioned idiom" and inviting it to "descend" upon the lowliest and "lend a myth to god."
The Brooklyn Bridge [accept The Bridge, "Proem: To Brooklyn Bridge," etc.]