In this work, a gray cloaked figure hugs a cross behind an armored man carrying a sword, at whose feet lies a pile of bodies being devoured by a device with a large black pillar, called "The Machine.
A golden patch of wheat field contrasts with a pile of golden coins in this work, another section of which includes an "eternal flame" burning underneath a figure buried in flower wreaths. In this work, a gray cloaked figure hugs a cross behind an armored man carrying a sword, at whose feet lies a pile of bodies being devoured by a device with a large black pillar, called "The Machine." Snakes come out of the sea as a blonde-bearded figure in a white robe points to the right in one part of this work, while in another section a skeleton lying on a pile of books gives birth to dead ideas. A horde of stern identical-looking blonde children are depicted near a barnhouse in one section of this work, which also includes three sections on "Modern Industrial Man."  Elsewhere, a decorated general prepares to stab Emiliano Zapata. Depicting "The Coming and Departure of Quetzalcoatl" and "Cortez and the Modern Era" is, for 10 points, this mural housed in the Baker Library at Dartmouth College, painted by Jose Orozco.
A golden patch of wheat field contrasts with a pile of golden coins in this work, another section of which includes an "eternal flame" burning underneath a figure buried in flower wreaths.
The Epic of American Civilization