The Pilgrim's Progress and ends with a passacaglia that begins in the low strings.
This composer's Concerto Grosso begins and ends with the exact same Intrada movement. This composer's fifth symphony takes some music he wrote for his opera The Pilgrim's Progress and ends with a passacaglia that begins in the low strings. He used the psalm tune "Why fum'th in fight" for another work, which he scored for a solo string quartet and two string orchestras. This composer inserted the (*) folk tune "Lovely Joan" into the middle of one work and set several Walt Whitman poems to music in his first symphony. He used 16th century music for two works, one based on an anonymous folk song, the other based on a Renaissance composer. For 10 points, name this composer of Fantasia on Greensleeves, Fantasia on a Theme by Thomas Tallis, and A Sea Symphony, a Briton.
This composer's Concerto Grosso begins and ends with the exact same Intrada movement.
Ralph (rafe) Vaughan Williams