In ballet, an extreme variety of a position with this name is called "penchÃ©" ("ponÂ­SHAY").
This term titles the fourth and last chapter of a book that introduced the term Kunstwollen ("KOONSTÂ­vollÂ­un") to account for its development: Alois Riegl's ("REEÂ­gull's") Stilfragen ("SHTILLÂ­frahÂ­gun"). In ballet, an extreme variety of a position with this name is called "penchÃ©" ("ponÂ­SHAY"). Schumann's Opus 18 has this title, as do a pair of early piano pieces by Claude Debussy. This term denotes a ballet position in which the dancer stands straight on the (*) supporting leg while lifting the working leg behind them. Precursors to a pattern of this name can be seen in San Vitale and the Hagia Sophia. They were often complemented by geometric patterns like an eightÂ­pointed star, due to a prohibition on depicting people. This kind of pattern was used for most of the stucco decorations of the Alhambra. For 10 points, name these leafÂ­ or tendrilÂ­like ornaments named for their use in Islamic architecture.
This term titles the fourth and last chapter of a book that introduced the term Kunstwollen ("KOONSTÂ­vollÂ­un") to account for its development: Alois Riegl's ("REEÂ­gull's")
arabesque