In one of this composer's piano sonatas, a poem attributed to Sternau prefaces the second movement, whose main theme is transformed into a solemn B-flat minor in the "RÃ¼ckblick" fourth movement.
In one of this composer's piano sonatas, a poem attributed to Sternau prefaces the second movement, whose main theme is transformed into a solemn B-flat minor in the "RÃ¼ckblick" fourth movement. One of this composer's chamber pieces begins with the two violins playing a 6/8 time melody that ambiguously hovers between D major and B minor. He is not Haydn, but a "Rondo alla Zingarese" ends his Piano Quartet No. 1 in G minor. This composer's piano quintet begins with first violin, cello, and piano playing a unison theme in (*) F minor, the home key, and was reworked first from a string quintet, and then from a double piano sonata. In the last years of his life, this composer wrote two clarinet sonatas, a clarinet trio, and a B minor clarinet quintet. One of his piano pieces, the fifth in a collection, is in F-sharp minor and based on the czardas dance of the title country. For 10 points, name this composer of the Hungarian Dances and a namesake "Cradle Song," or lullaby.
In one of this composer's piano sonatas, a poem attributed to Sternau prefaces the second movement, whose main theme is transformed into a solemn B-flat minor in the "RÃ¼ckblick" fourth movement.
Johannes Brahms 