He claimed "humanists cannot be trained, they must be allowed to mature" in his distinction between ordinary symbols and Cassirerian symbols.
This man wrote an essay that quotes Mirandolla and Ficino to show that the titular system is a "metaphysical justification of his own self" in "The Neoplatonic Movement and Michelangelo." In one work, this man posited a distinction between "factual" and "expressional" apprehension that occurs when viewers identify with a work of art. He claimed "humanists cannot be trained, they must be allowed to mature" in his distinction between ordinary symbols and Cassirerian symbols. Although he wrote Early Netherlandish Art and monographs like (*) The Life and Art of Albrecht Durer, his most notable work defines the titular discipline as the classification of images and is subtitled "humanistic themes in the art of the Renaissance." For 10 points, identify this art scholar who wrote Meaning in the Visual Arts and Studies of Iconology, the foremost German art historian of the 20th century.
This man wrote an essay that quotes Mirandolla and Ficino to show that the titular system is a "metaphysical justification of his own self" in "The Neoplatonic Movement and Michelangelo."
Erwin Panofsky