A late double-portrait depicts John the Steadfast and John Frederick the Magninimous, the brother and nephew of this artist's principal patron, the (*) Elector of Saxony Frederick the Wise, who granted this artist a monopoly on selling medicine.
One image that recurs in the works of this artist is the acrimonious end of the Silver Age, which this artist followed Hesiod in presenting as anarchy: naked men beat one another and threaten vulnerable women with sticks. By contrast, in  The Golden Age, this artist depicted attractive people lolling about a garden and dancing around a fruit tree. A late double-portrait depicts John the Steadfast and John Frederick the Magninimous, the brother and nephew of this artist's principal patron, the (*) Elector of Saxony Frederick the Wise, who granted this artist a monopoly on selling medicine. This artist introduced another of his patrons to that man's future wife, the renegade nun Katharina of Bora, and this artist painted her and their daughter Magdalena. For 10 points, name this intimate of Martin Luther who painted an attenuated Adam and Eve.
One image that recurs in the works of this artist is the acrimonious end of the Silver Age, which this artist followed Hesiod in presenting as anarchy: naked men beat one another and threaten vulnerable women with sticks.
Lucas Cranach the Elder