In its last section, the composer introduces six new bucinae instruments, so that the brass collectively represents a ghost army being defeated by a real army.
Fritz Reiner reinterpreted the last section of this work by adding in twelve extra brass players to augment the depiction of a march. The second section of this work uses Gregorian chant that switches repeatedly from 6/4 to 5/4 times and is dubbed "quasi-Medieval" by the composer, who claims it represents "a dolorous chant that, like a hymn, quickly dies away." In its last section, the composer introduces six new bucinae instruments, so that the brass collectively represents a ghost army being defeated by a real army. Earlier, a solo clarinet represents a (*) nightingale flying away from the title objects on Janiculum in moonlight. This tone poem's movements variously depict the title objects nearby catacombs, the Villa Borghese and the Appian Way. For 10 points, name this first portion of a trilogy that also consists of Roman Festivals and The Fountains of Rome, a composition of Ottorino Respighi.
Fritz Reiner reinterpreted the last section of this work by adding in twelve extra brass players to augment the depiction of a march.
The Pines of Rome or Pini di Roma