Jean Cocteau, in his short jingoistic essay The Cock and the Harlequin, praised Georges Auric ("oh-reek") for escaping this country.
Jean Cocteau, in his short jingoistic essay The Cock and the Harlequin, praised Georges Auric ("oh-reek") for escaping this country. Describing his Third Symphony, Vincent d'Indy ("dan-DEE") contrasted "Latin" music with that of this country. A philosopher from this country contrasted its music with "Mediterranean" music and collected writings "contra" a composer from this country into a single essay. Saint-SaÃ«ns, in his essay series "[this country]-ophile," wanted to (*) ban its "boche" music. A composer from here listed aesthetic ideals of "endless melody" and "total work of art" in his essays "Music of the Future" and "Artwork of the Future." Debussy compared a technique used by that composer from here to "calling cards," and in Golliwog's Cakewalk he parodied that composer's Tristan chord. For 10 points, name this country home to Nietzsche and Wagner.
Jean Cocteau, in his short jingoistic essay The Cock and the Harlequin, praised Georges Auric ("oh-reek") for escaping this country.
Germany [or Deutschland]