She collaborated with Arnand d'Usseau on Ladies of the Corridor and with Elmer Rice on Close Harmony.
She collaborated with Arnand d'Usseau on Ladies of the Corridor and with Elmer Rice on Close Harmony. Her poetry first appeared in Vogue in 1916, and would be collected in volumes such as Sunset Gun, Death and Taxes, and Not so Deep as a Well. FTP, identify this writer of Laments for the Living, After such Pleasures, and Enough Rope, a drama critic best remembered as the most savage wit of the Algonquin Circle.
She collaborated with Arnand d'Usseau on Ladies of the Corridor and with Elmer Rice on Close Harmony.
Dorothy {Parker}