The oft-overlooked detail of the subject's semi-visible left eye has been used to support the claim that this painting was the artist's response to requests for a self-portrait.
The oft-overlooked detail of the subject's semi-visible left eye has been used to support the claim that this painting was the artist's response to requests for a self-portrait. In it, a man stands in front of a waist-high concrete wall with his hands straight beside his hips; he is wearing a red necktie, a black three button overcoat, and a slightly obscured bowler hat. FTP, name this Rene Magritte portrait that is remembered for the floating green apple in front of the subject's face.
The oft-overlooked detail of the subject's semi-visible left eye has been used to support the claim that this painting was the artist's response to requests for a self-portrait.
The {Son of Man} or Le {Fils de L’Homme}