One part of this work concerns a prayer that "in relation to God we are always in the wrong," and is labeled as an "Ultimatum."
One part of this work concerns a prayer that "in relation to God we are always in the wrong," and is labeled as an "Ultimatum." The author commends language and music as the two media addressed to the ear, and then writes about composing a review to a play by Eugéne Scribe. Just before are three sections supposedly delivered to a mystical "fellowship of the deceased," including "The Unhappiest One" and "Silhouettes." A more famous section consists of letters delivered by Cordelia, the main focus of "The Seducer's Diary." Penned by the pseudonymous Victor Eremita, FTP, name this work ostensibly about the titular division between the aesthetic and the ethical, the most famous work of Soren Kierkegaard.
One part of this work concerns a prayer that "in relation to God we are always in the wrong," and is labeled as an "Ultimatum."
{Either/Or}