One film with this title ends with Gounod's Sanctus playing over an image of a man on horsebackriding into the distance.
One film with this title ends with Gounod's Sanctus playing over an image of a man on horsebackriding into the distance. That film with this title had to move production from Delft after not being allowedto release about 11,000 white rats painstakingly dyed gray and then blow-dried so they wouldn't getpneumonia. That film of this title used footage of the mummies of Guanajuato in its opening credits. In onescene in another film with this title, a character's hands and head each occupy a center pane of a mostlyglass-less nine-paned window. In another scene in that film, the dark sails of a ghost ship blot out a churchas it glides into a harbor. Both films with this title substitute a provincial German town for cosmopolitanLondon as the setting in which the title creature strikes. A famous scene in the first film with this titleshows only the shadow of a character ascending steps. That first film with this name is divided into fivemovements and is subtitled "A Symphony of Horror". For 10 points, identify this name of a Werner Herzogfilm that was a remake of a film by the same title directed by F.W. Murnau and featuring Count Orlok
One film with this title ends with Gounod's Sanctus playing over an image of a man on horsebackriding into the distance.
Nosferatu [or Nosferatu: Phantom der Nacht; or Nosferatu, eine Symphonie des Grauens]