In applying this color to his altarpieces, Fra Angelico used both the "a mordente" and the "a guazzo" techniques, as seen in the tapestry behind the Virgin and the wings of the angel in his Annunciation of Cortona.
In applying this color to his altarpieces, Fra Angelico used both the "a mordente" and the "a guazzo" techniques, as seen in the tapestry behind the Virgin and the wings of the angel in his Annunciation of Cortona. This is the color of the armored knight in the Beethoven Frieze and, with black, this color titles a painting of a falling rocket as part of James Whistler's Nocturne series. This color is also featured in the background and clothing of Gustav Klimt's The Kiss. For 10 points, name this color often applied by gilding, which uses thin sheets of its namesake precious metal.
In applying this color to his altarpieces, Fra Angelico used both the "a mordente" and the "a guazzo" techniques, as seen in the tapestry behind the Virgin and the wings of the angel in his Annunciation of Cortona.
{gold} [prompt on “yellow”]