Trever R. Griffith's credited George Bennett's interpretation of this character for encouraging his literary prominence, and his likelihood as a model for Frederick Clegg in John Fowles's The Collector is reinforced by the name of the novel's protagonist.
Trever R. Griffith's credited George Bennett's interpretation of this character for encouraging his literary prominence, and his likelihood as a model for Frederick Clegg in John Fowles's The Collector is reinforced by the name of the novel's protagonist. Walt Whitman is derided for being "Uncle Sam style" in a Ruben Dario essay titled for the "triumph" of this figure, who asks God to "fling us a handful of stars" in exchange for love in a Louis Untermeyer poem comparing him to "Few Clothes" Johnson. In addition to being placed "in the coal mines," he asks "wherefore rough, why cold and ill at ease" and concludes that it is likelier to "decrepit doze" than "catch the quiet" at a location in which he conducts some (*) "Natural Theology." He threatens to "get hold of a few barrels. . . of your infernal powder" and blow everyone all to hell in a play which re-casts him as the righteous slave in post-colonial protest work by Aime Cesaire. Prior to appearing "upon Cetebos" in a Robert Browning poem, he has his ambitions to create an empire of people like him all having non-consensual sex with hot Milanese exiles brooked by Prospero. FTP, identify this monstrous son of Sycorax in Shakespeare's The Tempest.
Trever R. Griffith's credited George Bennett's interpretation of this character for encouraging his literary prominence, and his likelihood as a model for Frederick Clegg in John Fowles's The Collector is reinforced by the name of the novel's protagonist.
{Caliban}