In Variation II, the composer uses muted brass and winds to imitate the bleating of the sheep that are mistakenly attacked in that section.
In Variation II, the composer uses muted brass and winds to imitate the bleating of the sheep that are mistakenly attacked in that section. A wind machine is used in Variation VII, and in the ninth and penultimate variation, two bassoons depict a pair of monks encountered by the title character, a knight of "sorrowful countenance." A cello portrays the title character, and a viola portrays his donkey-riding squire, in, FTP, what Richard Strauss tone poem about a man from La Mancha?
In Variation II, the composer uses muted brass and winds to imitate the bleating of the sheep that are mistakenly attacked in that section.
{Don Quixote}