Note: type of piece and composer needed. In one of these pieces, a spooky theme in its scherzo is reprised with the left handplaying staccato while the right plays legato, oset half a beat.
Note: type of piece and composer needed. In one of these pieces, a spooky theme in its scherzo is reprised with the left handplaying staccato while the right plays legato, oset half a beat. Another of these pieces contains a theme with octave intervalswith frequent sforzandi, nicknamed "The Beast," which is defeated by the other theme, "The Beauty." The Andante favorimovement of one of these pieces was discarded and published separately. In his series of lecture-recitals on these pieces, AndrasSchi defended the traditionally-disliked Op. 54 F major one. The second movement opens with a recitative-like arpeggioresting on B-flat major in another of these pieces, which contains three tempo changes on the Ârst page and according to thecomposer's biographer Anton Schindler was inspired by a Shakespeare play. Repeated pianissimo chords open another ofthese pieces, followed by a three- and four- note descent. A huge three-voice fugue in triple meter closes another of thesepieces, the composer's op. 106 in B-flat major. For 10 points, name these thirty-two pieces, such as the Tempest, Waldstein,and Hammerklavier, composed by Beethoven for a solo keyboard instrument
Note: type of piece and composer needed. In one of these pieces, a spooky theme in its scherzo is reprised with the left handplaying staccato while the right plays legato, oset half a beat.
Beethoven's piano sonatas [prompt on piano sonatas, but accept it after Beethoven has been read]