An aria for alto with oboe d'amore obbligato in this piece is followed by a bass aria accompanied only by two bassoons and natural horn.
An aria for alto with oboe d'amore obbligato in this piece is followed by a bass aria accompanied only by two bassoons and natural horn. A five-voice double fugue in this piece ends with each voice moving into a higher register to sing "resurrectionem" before descending into "mortuorum." The word "credo" appears 49 times in the "Patrem omnipotentum" movement. The oldest movement of this piece is a passacaglia with a chromatic fourth in the ground bass, and was a parodic reworking from the composer's 1714 Weinen, Klagen, Sorgen, Zagen. That "Crucifixus" is found in the second of four divisions in this work, "Symbolum Nicenum." This piece begins with two choral, fugal Kyries separated by a duet Christe, and it ends with a "Dona Nobis Pacem." For 10 points, name this 27 movement mass denoted by its key, a setting of the Latin Ordinary by J. S. Bach.
An aria for alto with oboe d'amore obbligato in this piece is followed by a bass aria accompanied only by two bassoons and natural horn.
Mass in B minor [or Hohe Messe in H-Moll; or B minor Mass; or H-Moll Messe; or BWV 232]