Walter Scott's  Lady of the Lake  provided the text for this man's Opus 52, the most popular section of which is titled "Ellens dritter Gesang"  (guh-ZONG)  and begins with the name of a Latin prayer. One of this man's works opens with the piano playing repeated octave triplets to represent a horse galloping. Another of his works has the pianist use one hand to represent a foot pushing a treadle while the other depicts the rotating title object, while the title character reminisces about (*)  Faust. This composer of  Ave Maria  included "Der Lindenbaum" and "The Hurdy-Gurdy Man" in the second of his song cycles based 
Walter Scott's  Lady of the Lake  provided the text for this man's Opus 52, the most popular section of which is titled "Ellens dritter Gesang"  (guh-ZONG)  and begins with the name of a Latin prayer. One of this man's works opens with the piano playing repeated octave triplets to represent a horse galloping. Another of his works has the pianist use one hand to represent a foot pushing a treadle while the other depicts the rotating title object, while the title character reminisces about (*)  Faust. This composer of  Ave Maria  included "Der Lindenbaum" and "The Hurdy-Gurdy Man" in the second of his song cycles based on Wilhelm Müller poems,  Winterreise   (VIN-ter-RYE-zuh)  . For 10 points, name this Austrian composer of "Der Erlkönig"  (AIRL-ker-nig)  and "Gretchen at the Spinning Wheel", two of his six hundred-plus  lieder .
Walter Scott's  Lady of the Lake  provided the text for this man's Opus 52, the most popular section of which is titled "Ellens dritter Gesang"  (guh-ZONG)  and begins with the name of a Latin prayer.