Dra ts of this non-choral piece from the Wittgenstein Sketchbook are heavily cited in William Kinderman's book on this piece. At the end of this piece's penultimate section, a fortissimo diminished seventh chord and cadenza-like arpeggio are followed by six bars of Poco adagio block chords culminating in a strange E minor triad. In this piece, a section labeled "alla 'Notte e giorno faticar' di Mozart" is followed by a parody of the  nger exercises of Johann Baptist Cramer. This piece climaxes with a fugue in the foreign key of E- lat major, which transitions into a  nal minuet sometimes compared to the Arietta from the composer's 32nd piano sonata. This piece's composer allegedly used the word "Schuster leck," or "cobbler's patch", to desc
Dra ts of this non-choral piece from the Wittgenstein Sketchbook are heavily cited in William Kinderman's book on this piece. At the end of this piece's penultimate section, a fortissimo diminished seventh chord and cadenza-like arpeggio are followed by six bars of Poco adagio block chords culminating in a strange E minor triad. In this piece, a section labeled "alla 'Notte e giorno faticar' di Mozart" is followed by a parody of the  nger exercises of Johann Baptist Cramer. This piece climaxes with a fugue in the foreign key of E- lat major, which transitions into a  nal minuet sometimes compared to the Arietta from the composer's 32nd piano sonata. This piece's composer allegedly used the word "Schuster leck," or "cobbler's patch", to describe the simple C major waltz on which it is based. For 10 points, name this massive set of piano variations on a theme by an Austrian publisher, a work of Ludwig van Beethoven.
Dra ts of this non-choral piece from the Wittgenstein Sketchbook are heavily cited in William Kinderman's book on this piece.