Note to players: composer and type of piece required. The key of an unpublished seventh piece from a set of these pieces can be deduced from the pattern of expanding intervals in alternating directions exhibited by the first six, which have the tonics B- lat, C, A, D, G, and E. The last of those pieces in this genre by this composer includes two movements derived from an early version of the composer's sixth sonata for vi
Note to players: composer and type of piece required. The key of an unpublished seventh piece from a set of these pieces can be deduced from the pattern of expanding intervals in alternating directions exhibited by the first six, which have the tonics B- lat, C, A, D, G, and E. The last of those pieces in this genre by this composer includes two movements derived from an early version of the composer's sixth sonata for violin and harpsichord: a Corrente and a Tempo di Gavotta. Six of these pieces for keyboard make up the first of the composer's volumes titled Clavier-Übung (klah-VEEROO-bung). In one of these pieces in B minor,each of the four movements is paired with a Double (DOO-bluh), and a Tempo di Borea is substituted for the expected gigue. Another one of these pieces in D minor ends with an extensive and frequently excerpted chaconne (shah-KAWN). For 10 points, name these pieces, three of which for solo violin were paired with three sonatas, by the composer of The Well-Tempered Clavier.
Note to players: composer and type of piece required. The key of an unpublished seventh piece from a set of these pieces can be deduced from the pattern of expanding intervals in alternating directions exhibited by the first six, which have the tonics B- lat, C, A, D, G, and E.