The only man wearing armor in this painting stands below a niche with a statue holding a lyre. The allegorical subject of this painting appears with the words "Causarum Cognitio" in a tondo above it. A white-clad figure in this painting may be either a self-portrait or a depiction of the artist's mistress La Fornarina. A youth in this painting holds a black tablet displaying the formula "one plus two plus three plus four equals ten", while one of its central figures hold
The only man wearing armor in this painting stands below a niche with a statue holding a lyre. The allegorical subject of this painting appears with the words "Causarum Cognitio" in a tondo above it. A white-clad figure in this painting may be either a self-portrait or a depiction of the artist's mistress La Fornarina. A youth in this painting holds a black tablet displaying the formula "one plus two plus three plus four equals ten", while one of its central figures holds a (*)  book and points his finger to the sky. Other men in this painting include Averroes  (av-er-ROH-eez)  and, possibly, Zoroaster. Pope Julius II commissioned this painting, which is opposite its artist's  La Disputa  in the Stanza della Segnatura  (sen-yah-TOO-rah) . For 10 points, name this Raphael painting of Plato, Aristotle, and other philosophers.
The only man wearing armor in this painting stands below a niche with a statue holding a lyre.