One of this man's compositions was first recorded under the title "Interlude" by Sarah Vaughan, and he claimed that it was only in exchange for transcribing some of his solos that co-credit for that song was given to Frank Paparelli.
Prior to Stan Getz's adoption of the song, this musician played Antonio Carlos Jobim's "Desafinado" in a "musical safari" program at the Monterey Jazz Festival in 1961. One of this man's compositions was first recorded under the title "Interlude" by Sarah Vaughan, and he claimed that it was only in exchange for transcribing some of his solos that co-credit for that song was given to Frank Paparelli. He borrowed the chord structure from Paul Whiteman's "Whispering" for a track that has been used to title over a dozen of his compilation albums, "Groovin' High." In the Earl Hines band, he developed bebop with Charlie Parker. For 10 points, name this jazz musician behind "Salt Peanuts" and "A Night in Tunisia" who played with puffed cheeks and a characteristic bent trumpet.
Prior to Stan Getz's adoption of the song, this musician played Antonio Carlos Jobim's "Desafinado" in a "musical safari" program at the Monterey Jazz Festival in 1961.
"Dizzy" Gillespie [or John Birks Gillespie]