In the 18th century, two marble torsos modeled after a bronze by this sculptor were restored as a Niobid in the Uffizi and as Diomedes with the Palladion in the Lansdowne collection.
A sculptural group by this artist is preserved on the Finley Krater, which depicts one figure on the right, with his right arm lifted up in surprise over his head. In the 18th century, two marble torsos modeled after a bronze by this sculptor were restored as a Niobid in the Uffizi and as Diomedes with the Palladion in the Lansdowne collection. An anonymous elegy in the Greek Anthology describes a statue by this artist of a youth "so full of life" running "on the tips of [his] toes"; that lost statue was of the Olympic victor Ladas. The torso of a statue by this artist was restored by Monnot as a dying gladiator, who falls to his knees, holding himself up by his left arm and reaching backward and upward with his right. A more complete copy of that statue by this sculptor is the Lancelotti, which depicts a man whose left arm crosses in front of his bent knees, while his right arm rises backward behind him, capturing a moment just before he hurls the object in his right arm. For 10 points, name this Classical Greek sculptor of the Diskobolos. 
A sculptural group by this artist is preserved on the Finley Krater, which depicts one figure on the right, with his right arm lifted up in surprise over his head.
Myron