The final movement of this composer's Piano Quintet begins in cut time with the cello playing a low F, then jumping up an octave, which is then imitated by the violin and piano; that quintet in F minor was first composed as a string quintet with two cellos.
The final movement of this composer's Piano Quintet begins in cut time with the cello playing a low F, then jumping up an octave, which is then imitated by the violin and piano; that quintet in F minor was first composed as a string quintet with two cellos. This composer's Piano Trio No. 1, his only piece with two published versions, opens in a major key and ends in a minor key. Late in life, this composer wrote several chamber pieces for Richard Mühlfeld. This composer placed the notes A- G-A-H-E, a reference to his love for Agathe von Siebold, in the first movement of his (*) String Sextet No. 2 in G major. This composer's more oddly instrumented chamber works include a Clarinet Trio in A minor and a Horn Trio in E-flat major. A piece by him breaks the tradition of the Missa pro defunctis by using texts from the Luther Bible and not mentioning Jesus' name. For 10 points, name this composer of A German Requiem.
The final movement of this composer's Piano Quintet begins in cut time with the cello playing a low F, then jumping up an octave, which is then imitated by the violin and piano; that quintet in F minor was first composed as a string quintet with two cellos.
 Johannes Brahms