For 10 points, name this "Dean of the Harlem Renaissance," the editor of The New Negro.
This man described becoming enraptured by a "lovesick swan that hath her pool forsaken" whose cheeks were "aflame /  with the conquering glow of lofty shame / that hopeless love and longing brings" in the poem "The Moon Maiden." This  person's travelogues include "Oxford Contrasts" and "Impressions of Haifa," the latter of which was, like the essay "The  Gospel for the Twentieth Century," inspired by a conversion to Baha'i. This writer commissioned Winold Reiss to create  the cover and illustrations for a work that grew out of a guest-editing job on the March 1925 issue of The Survey Graphic.  This person wrote essays about "The Legacy of Ancestral Arts," how the "Youth Speaks," and spirituals in that work,  whose second part, named for its title figure "in a New World," contains Walter (*) White's "The Paradox of Color" and an  essay by Melville Herskovits. For 10 points, name this "Dean of the Harlem Renaissance," the editor of The New Negro.
This man described becoming enraptured by a "lovesick swan that hath her pool forsaken" whose cheeks were "aflame /  with the conquering glow of lofty shame / that hopeless love and longing brings" in the poem "The Moon Maiden."
Alain LeRoy Locke