This author addressed a "certain knot of peace" as a "balm of woe" and the "prisoner's release" in his thirty-ninth sonnet, while he asked "may it be that even in (*) heavenly place / That busy archer his sharp arrows tries" in his thirty-first sonnet.  
This author wrote a posthumously published response to Stephen Gosson's The School of Abuse in which he postulated the fore-conceit as the creative origin of poetry and he also wrote a tract written  for his sister, Mary Herbert, the Countess of Pembroke, in which Musidorus and Pyrocles woo Pamela and Philoclea.  This author addressed a "certain knot of peace" as a "balm of woe" and the "prisoner's release" in his thirty-ninth sonnet, while he asked "may it be that even in (*) heavenly place / That busy archer his sharp arrows tries" in his thirty-first sonnet.  Those poems, "Come, Sleep!" and "With How Sad Steps, O Moon," are part of a sequence of 108 sonnets and 11 songs that comprise his best known work.  For 10 points, name this author of An Apology for Poetry, Arcadia, and Astrophel and Stella.
This author wrote a posthumously published response to Stephen Gosson's The School of Abuse in which he postulated the fore-conceit as the creative origin of poetry and he also wrote a tract written  for his sister, Mary Herbert, the Countess of Pembroke, in which Musidorus and Pyrocles woo Pamela and Philoclea.  
Philip {Sidney}