Writing in third person, the artist of this painting explained that his goal in creating it was to make up for past artists who "have lacked sympathy withÂ… the warm big heart within such a rough exterior."
Writing in third person, the artist of this painting explained that his goal in creating it was to make up for past artists who "have lacked sympathy withÂ… the warm big heart within such a rough exterior." This painting drew on its artist's illustrations for the story "Uncle Tim's Compromise on Christmas." The artist returned to this painting's themes in The Young Sabot Maker and a companion painting of French peasants in a field with bagpipes. In the bottom right of this painting, several pots sit on the floor in the glow of an unseen fireplace. The mixing of yellow and blue light in this painting later reappears in some of its artist's (*) religious works, such as Daniel in the Lions' Den. The two figures in this painting, which have the same models as the pair in the artist's The Thankful Poor, are an old man and a boy who sits on his knee receiving instructions. For 10 points, a boy learns to play a stringed instrument in what 1893 Henry Ossawa Tanner painting?
Writing in third person, the artist of this painting explained that his goal in creating it was to make up for past artists who "have lacked sympathy withÂ… the warm big heart within such a rough exterior."
The Banjo Lesson