Alluding to Las Meninas, a self-portrait peeks from behind an easel in this artist's painting of a woman with a brown pelt around her shoulders standing next to a general, a bishop, and the rest of the titular Presidential Family.
In a depiction of a countryman's death, this painter showed a man standing on the roof of a house as bullets stream neatly through his body. This painter showed a bishop in full red regalia at the center of a countryside landscape in his Trip to the Ecumenical Council. Alluding to Las Meninas, a self-portrait peeks from behind an easel in this artist's painting of a woman with a brown pelt around her shoulders standing next to a general, a bishop, and the rest of the titular Presidential Family. A "permanent accusation" by this artist is set in prison cells with metal bars forming the background. In that series, this artist showed (*) guards and dogs violently humiliating their bleeding prisoners, who are usually naked. Those works retain this painter's distinctive figural style, famously used for a painting in which the Mona Lisa's face fills a quarter of the canvas. For 10 points, name this Colombian painter of the Abu Ghraib series, known for his cartoonish, rotund figures.
In a depiction of a countryman's death, this painter showed a man standing on the roof of a house as bullets stream neatly through his body.
Fernando Botero