One character in this work contrasts the Gospel of Art with the Gospel of Getting On, although another character argues that both have "the same taint.
One character in this work contrasts the Gospel of Art with the Gospel of Getting On, although another character argues that both have "the same taint." One key point comes when six people arrive for a dinner where there are only four place settings, and another comes when Rev. Sam Gardener reveals that he is the father of his son Frank's beloved. That beloved has sympathy for her mother's impoverished beginnings, but after learning that Crofts, through locations in Brussels and Vienna, helps her continue the title activity, Vivie refuses her mother's money and leaves to enter the actuarial trade. For 10 points, name this play whose title character insists that her best mode of survival and profit is prostitution, by George Bernard Shaw.
One character in this work contrasts the Gospel of Art with the Gospel of Getting On, although another character argues that both have "the same taint.
{Mrs. Warren’s Profession}