John Everett Millais' Christ in the House of His Parents and Dante Gabriel Rossetti's Beata Beatrix are masterpieces of, for 10 points, what British art movement which rejected the style of the painter of The School of Athens?
One painting from this movement depicts a line of fancily dressed women walking down a street while men build a sewer; that painting, entitled Work, is by Ford Madox Brown. Another painting from this school shows the title figure raising his wounded hand in front of (*) carpenters building a door. A woman based on Elizabeth Siddal is prominently featured in a painting from this movement. John Everett Millais' Christ in the House of His Parents and Dante Gabriel Rossetti's Beata Beatrix are masterpieces of, for 10 points, what British art movement which rejected the style of the painter of The School of Athens?
One painting from this movement depicts a line of fancily dressed women walking down a street while men build a sewer; that painting, entitled Work, is by Ford Madox Brown.
Pre-Raphaelite Brotherhood (or PRB)