In this 1943 play, Zeus converses with Aegisthus shortly before the latter is murdered in a plot hatched by Electra, after which the title creatures transform into the Furies.
One character in this play says: "be sure you die in a nice bitchy odor of repentance" to an old woman who was one of many townspeople who experienced sexual arousal while listening to the sounds of a murder that they did nothing to stop. In this play, one character asks for a sign, and a sacred stone lights up in response, but that character is inspired to never again obey the will of the gods. Another character in this play deliberately dumps garbage in front of the blood-smeared (*) statue of a god, so that priests will slips in the garbage. In this play, that character wears a white dress instead of a black dress for a ceremony in which she dances in front of the entrance to a cave. In this 1943 play, Zeus converses with Aegisthus shortly before the latter is murdered in a plot hatched by Electra, after which the title creatures transform into the Furies. For 10 points, name this existential adaptation of the Oresteia by Jean-Paul Sartre.
One character in this play says: "be sure you die in a nice bitchy odor of repentance" to an old woman who was one of many townspeople who experienced sexual arousal while listening to the sounds of a murder that they did nothing to stop.
The Flies [or Les mouches]