Propriety often dictates that the "hunt monologue" in Act One be cut from this work, the overture to which represents torrid sexual intercourse.
One character in this work brags that he keeps his bastard son Leopold as a personal manservant. Propriety often dictates that the "hunt monologue" in Act One be cut from this work, the overture to which represents torrid sexual intercourse. Another character is responsible for the waltz "The Luck of the Lerchenaus," which plays after he breaks things off with the daughter of the Marschallin, having discovered that the title character is also Mariandel. The title character stutters in the aria "Mir ist die Ehre widerfahren," in which he presents the title object to Sophie. Ending with a famous soprano trio, this is, FTP, what opera about Octavian, aka "Quinquin," by Richard Strauss?
One character in this work brags that he keeps his bastard son Leopold as a personal manservant.
Der {Rosenkavalier} or The {Knight of the Rose}