This author's correspondence with Thomas Wentworth Higginson led some to conjecture that she addressed her "Master Letters" to him.
This author's use of veiled allusions was termed an "omitted center" in a 1960 study by Jay Leyda. The author of a 1976 essay travels "at the speed of time" towards the house of this writer, whom she describes as "Vesuvius at Home." Until Thomas Johnson's 1955 edition of this writer's collected poems, editors frequently ignored the order specified in the "fascicle" manuscripts. This author was described as the American Marquis de Sade in (*) Sexual Personae, which purports to be about "art and decadence from Nefertiti" to this author. This author's collected poems were first posthumously published by Mabel Loomis Todd. This author's correspondence with Thomas Wentworth Higginson led some to conjecture that she addressed her "Master Letters" to him. For 10 points, name this subject of John Cody's psychoanalytic After Great Pain and Jerome Charyn's recent A Loaded Gun, a reclusive American poet.
This author's use of veiled allusions was termed an "omitted center" in a 1960 study by Jay Leyda.
Emily Dickinson