The Flagellation, a work once debated as created by either this artist or Francois du Quesnoy.
Early work in this artist's career included restoration for his first patron, Ludovico Ludovisi, of the Torchbearer, for which he created a flame-like hair pattern which is likewise found on the figures which serve as the legs for this artist's Borghese Table, as well as on the two scourgers of the bronze The Flagellation, a work once debated as created by either this artist or Francois du Quesnoy. In addition to sculpting The Beheading of St. Paul for San Paolo Maggiore in Bologna, this artist produced a somewhat crudely cast monumental bronze of a seated figure, reaching his right arm forward. This artist of that statue of Pope Innocent X depicted Sts. Peter and Paul wielding swords as they descend through clouds; the two title figures of that work are carved nearly in the round, and one stands on the right, pointing up to a crucifix, while the other turns away and, staring at the menacing apostles, begins his flight. For 10 points, name this Baroque classical sculptor who produced the relief Leo I Meeting Attila for St. Peter's Basilica. 
Early work in this artist's career included restoration for his first patron, Ludovico Ludovisi, of the Torchbearer, for which he created a flame-like hair pattern which is likewise found on the figures which serve as the legs for this artist's Borghese Table, as well as on the two scourgers of the bronze
Alessandro Algardi 