An Albrecht Dürer engraving shows this man kneeling in a rustic village among a herd of swine, and he is touched by a "masculine" and a "feminine" hand in another work.
In a Giorgio de Chirico painting titled for this man, he is represented as a red mannequin with a fan- or shell-like codpiece who is embracing a marble statue. An Albrecht Dürer engraving shows this man kneeling in a rustic village among a herd of swine, and he is touched by a "masculine" and a "feminine" hand in another work. This man, whose depiction is a self-portrait of the artist, wears a red coat and holds up a foot-long glass of beer while a woman modeled on the artist's wife Saskia sits in his lap, in a painting alternately titled for this man "in the brothel" or "in the tavern". The Hermitage holds a painting in which this man's left foot has slipped from its (*) sandal as he kneels and his father lays two hands on his shoulders, while his brother stands judgmentally. For 10 points, name this wayward biblical character whose "return" is depicted in a Rembrandt painting.
In a Giorgio de Chirico painting titled for this man, he is represented as a red mannequin with a fan- or shell-like codpiece who is embracing a marble statue.
prodigal son [accept lost son or The Return of the Prodigal Son or The Prodigal Son in the Tavern or The Prodigal Son in the Brothel] &lt;Hart&gt;