Hermann Broch labeled this concept as "the evil within the value-system of art," and a movement led by Odd Nerdrum is named for it.
An essay arguing for movement away from this concept notes the loneliness of Rembrandt during a time when the only objective criterion for signaling success was realistic imitation. Hermann Broch labeled this concept as "the evil within the value-system of art," and a movement led by Odd Nerdrum is named for it. One author decried the manipulation of this concept by dictators to maintain "closer contact with the 'soul' of the people," citing the new railroad station in Mussolini's Rome as an example. A famous explanation of this concept uses a Russian peasant looking upon a large battle scene by (*) Ilya Repin and understanding it because it exemplifies this concept, while being unable to derive the same value from a Picasso. That essay lists "ads, slick and pulp fiction, comics, Tin Pan Alley music, [and] Hollywood movies" as examples of this concept, which mimics good art. For 10 points, name this clichéd type of art that is contrasted with the avant-garde in an essay by Clement Greenberg.
An essay arguing for movement away from this concept notes the loneliness of Rembrandt during a time when the only objective criterion for signaling success was realistic imitation.
kitsch