This artist created a painting an angel swooping towards the title figure in orange robes, as well as different painting showing that same figure being killed with a sword in Ethiopia, in two parts of a series for the Church of San Luigi dei Francesi.
This artist showed a horse nearly avoiding stepping on St. Paul in one of his two depictions of Paul's conversion. This artist created a painting an angel swooping towards the title figure in orange robes, as well as different painting showing that same figure being killed with a sword in Ethiopia, in two parts of a series for the Church of San Luigi dei Francesi. In the third part of that series, a (*) single window provides the lighting for the scene, in which a man gestures to himself, indicating that he is the figure towards whom Jesus is stretching his hand. For 10 points, name this chiaroscuro-using artist of The Calling of St. Matthew.
This artist showed a horse nearly avoiding stepping on St. Paul in one of his two depictions of Paul's conversion.
Michelangelo Merisi da Caravaggio [do not accept “Michelangelo”] &lt;WA Painting&gt;