The head of one of his sons was also used in Fugit Amor, which was detached from this piece, as was its predecessor, a depiction of Paolo and Francesca known as The Kiss.
The same old man appears twice in this work, seated on a tree stump, which prompted Truman Bartlett to claim that the figure represents an old man turning into a tree. One portion depicts a man who lost out to Archbishop Ruggieri for control of Pisa, and that man's offspring. The head of one of his sons was also used in Fugit Amor, which was detached from this piece, as was its predecessor, a depiction of Paolo and Francesca known as The Kiss. Another piece depicts Dante brooding over this sculptural version of the Inferno. FTP, name this Rodin work depicting the entrance to the abode of the damned.
The same old man appears twice in this work, seated on a tree stump, which prompted Truman Bartlett to claim that the figure represents an old man turning into a tree.
The {Gates of Hell} or La {Porte de l’Enfer}