This man traveled abroad to take photographs of a man in a white suit and fedora as part of a series of works that also includes his depiction of a man on crutches.
This man traveled abroad to take photographs of a man in a white suit and fedora as part of a series of works that also includes his depiction of a man on crutches. This artist's early self-portraits include a set of four works, three of which show him in profile, but all of which obscure him so much that they look like shadows. This man took a bunch of photographs of agrarian equipment like tin snips and a crate opener in 1955 for his article called "Beauties of the Common Tool." In addition to working on the book (*) The Crime of Cuba, he depicted many parts of the French Quarter in his career, and he also depicted a Louisiana Plantation House in another of his works. In a book length work produced during FDR's administration, he variously depicted the Woods, Rickets and Gudger families. For 10 points, identify this photographer who provided the art to James Agee's Let Us Now Praise Famous Men.
This man traveled abroad to take photographs of a man in a white suit and fedora as part of a series of works that also includes his depiction of a man on crutches.
Walker Evans