That author with this last name wrote "In my Craft or Sullen Art" and stated that "blind eyes could gaze like meteors and be gay," observing that "their words had forked no lightning," in a poem urging "rage, rage against the dying of the light."
A writer with this surname employed the everyman farmer Iago in many early poems, but remained obscure until his 1955 collection, introduced by John Betjeman, titled Song at the Year's Turning. A war poet with this surname wrote of "the flowers left thick at nightfall in the wood," and the men "who should have gathered them and will do never again," in his poem "In Memoriam." Another poet with this surname praised writers working "not for ambition or bread... but for the common wages of their most secret heart," and described how "faith in their hands shall snap in two," claiming that "though (*) lovers be lost, love shall not," in a poem with the title defiant refrain. That author with this last name wrote "In my Craft or Sullen Art" and stated that "blind eyes could gaze like meteors and be gay," observing that "their words had forked no lightning," in a poem urging "rage, rage against the dying of the light." For 10 points, give the coincidental surname shared by unrelated poets Edward, R.S., and Dylan, all of whom were Welsh.
A writer with this surname employed the everyman farmer Iago in many early poems, but remained obscure until his 1955 collection, introduced by John Betjeman, titled Song at the Year's Turning.
Thomas