They're not by Beethoven, but the rarely-used name "Apassionata" was given to a piece in this collection in the 1910 edition of them by Ferruccio Busoni.
At a point marked Un poco ritardando al capriccio, a piece in this collection transitions to an E-flat major interlude after a C-minor opening played at triple-forte marked presto furioso. They're not by Beethoven, but the rarely-used name "Apassionata" was given to a piece in this collection in the 1910 edition of them by Ferruccio Busoni. After these pieces' composer created a symphonic poem based on a Victor Hugo poem, he divided one of these pieces into three sections and revised it to share a title with that symphonic poem in (*) 1851. The composer's revision of these pieces' 1837 edition gave programmatic titles to several of them, such as "Wilde Jagd" [VILL-duh YAHGD], as well as ones depicting a will-o'-the-wisp and one depicting a Cossack strapped to a horse titled "Feux Follets" and "Mazeppa," respectively. For 10 points, name this set of twelve challenging etudes by Franz Liszt.
At a point marked Un poco ritardando al capriccio, a piece in this collection transitions to an E-flat major interlude after a C-minor opening played at triple-forte marked presto furioso.
Transcendental Etudes [prompt on etudes by Liszt]