A series of sepia-tone images in this collection display a "copse of woods" in which the photographer watched an escaped prison inmate shoot himself outside of the photographer's Lexington, Virginia, home.
This collection opens with a poem by the photographer's father, that begins "O great Pelican of Eternity". A series of sepia-tone images in this collection display a "copse of woods" in which the photographer watched an escaped prison inmate shoot himself outside of the photographer's Lexington, Virginia, home. The first photograph in this collection shows four unmarked graves of children. Sections in this art book include "Antietam" and an eponymous section of extreme close-ups of the photographer's face. The first section of this book shows a series of images of the rotted fur and bones of the photographer's greyhound, Eva. Two facing pages in this collection show a desiccated penis surrounded by grey hairs and a gaping hole, formerly a vagina, between an amputated and a rotten leg. Those photos and many of the others in this collection were taken at the "body farm" run by the University of Tennessee, where corpses are allowed to rot above ground for study. For 10 points, name this art book, a work of Sally Mann. 
This collection opens with a poem by the photographer's father, that begins "O great Pelican of Eternity".
What Remains 