" For 10 points, name this song which asks if this is "real life, or just fantasy," by Queen.
The final section of this work returns to the tempo and form of its introduction in E-flat major before a set of rapid modulations ends in C minor for its reflective, somber finale. It transitions into its third section with the piano playing quiet staccato A major chords, and its second section may reference Turiddo's aria from Mascagni's opera Cavalleria Rusticana, (*) "Mamma, quel vino e generoso." The soloist in this song sings "Bismillah" in an appeal for God to protect his soul from Beelzebub, and rebukes the listener for thinking that they can "stone him" and "leave [him] to die," though he feels guilty for having "just killed a man."  It ends in a slow, mournful fadeout in which the singer states that "nothing really matters." For 10 points, name this song which asks if this is "real life, or just fantasy," by Queen.
The final section of this work returns to the tempo and form of its introduction in E-flat major before a set of rapid modulations ends in C minor for its reflective, somber finale.
“Bohemian Rhapsody”