That title character is represented by an English horn in this work, which is the third part of a cycle that starts with a visit to the "Maidens of the Island.
It follows its climactic "con gran suono" section with a part that combines a triple-pianissimo dynamic with strings playing col legno. Only the cello and viola answer the call of the title character at first, until a muted trumpet first echoes the melody. That title character is represented by an English horn in this work, which is the third part of a cycle that starts with a visit to the "Maidens of the Island." It was originally conceived as the prelude to an opera called The Building of the Boat, but when that opera was abandoned, this tone poem became part of a set of four "symphonic legends." For 10 points, name this most notable part of the Lemminkäinen Legends, which depicts a trip to the Finnish underworld from the Kalevala, where the title bird is encountered, a work of Jan Sibelius.
It follows its climactic "con gran suono" section with a part that combines a triple-pianissimo dynamic with strings playing col legno.
The {Swan of Tuonela} or {Tuonelan joutsen}