The title character of Fassbender's film Martha is forced by her lover Helmut to listen to a piece by this composer.
The title character of Fassbender's film Martha is forced by her lover Helmut to listen to a piece by this composer. For each of the three lessons on the three services of Maundy Thursday, Good Friday, and Holy Saturday, this composer set three verses of the Book of Lamentations to music. This man, who was kidnapped three times as a youth for the beauty of his voice, composed a really short mass for the morning of a hunting trip organized by his patron Albrecht V. This composer's drinking song "Un jour vis un foulon qui fouloit" is sung in English by Justice Silence in Shakespeare's Henry IV, part II. This composer, whose Prophetiae Sibyllarum exemplifies the "musica reservata," used only church modes I through VII in his collection of twenty madrigals and one motet depicting the grief of the man who denied Christ, titled (*) Lagrime de San Pietro. For 10 points, name this prolific Franco-Flemish composer of the Penitential Psalms and over five hundred motets, who was active during the late Renaissance.
The title character of Fassbender's film Martha is forced by her lover Helmut to listen to a piece by this composer.
Orlande de Lassus [or Roland de Lassus; or Orlando di Lasso; or Orlandus Lassus; or Roland de Lattre]