" The last stanza of this poem invokes the "maker's rage" at the words "of ourselves and of our origins, in ghostlier demarcations, keener sounds.
A 1969 book claims that the words "even if," "since," "it may be," "if," and "or" in this poem serve to make all of its nouns indistinguishable from one another. The middle stanza of this poem includes the image of "a summer sound / Repeated in a summer without end / And sound alone." A character in this poem interrupts the "meaningless plungings," "theatrical distances, bronze shadows heaped / On high horizons," and the "mountainous atmospheres" of the landscape by making "the sky acutest at its vanishing." The speaker of this poem observes how the "glassy (*) lights" in town "mastered the nightÂ… fixing emblazoned zones and fiery poles, arranging, deepening, enchanting night." The last stanza of this poem invokes the "maker's rage" at the words "of ourselves and of our origins, in ghostlier demarcations, keener sounds." The speaker of this poem asks Ramon Fernandez if he remembers what happened after "she sang beyond the genius of the sea." For 10 points, name this Wallace Stevens poem set on an island south of Florida.
A 1969 book claims that the words "even if," "since," "it may be," "if," and "or" in this poem serve to make all of its nouns indistinguishable from one another.
"The Idea of Order at Key West"