In the article "To Be Done with Depth of Field," Andre Bazin criticized the "obsolete play" of this technique, arguing that its use inhibited the "dialectical progress . . .
In the article "To Be Done with Depth of Field," Andre Bazin criticized the "obsolete play" of this technique, arguing that its use inhibited the "dialectical progress . . . of language." In a pioneering essay in cinemetrics, Barry Salt concluded that claims about how this technique was once dominant were false, finding that it was only used in 30-40% of commercial footage since the 1940s. This technique is likened to both the creation of Israel and the displacement of Palestinians by Jean-Luc Godard in the film Notre Musique. This technique, which is often complemented with various over-the-shoulder interruptions, is often said to be an example of the eyeline match concept. It breaks the 180-degree rule by switching back and forth between images of the faces of two characters. For 10 points, name this editing technique used to depict conversations, and which usually has a three-word name.
In the article "To Be Done with Depth of Field," Andre Bazin criticized the "obsolete play" of this technique, arguing that its use inhibited the "dialectical progress . . .
shot/reverse shot or shot/countershot