A "poet" dismissively refers to an "episode" prior to this play with a "pure" woman who left him with a locked treasure-casket in his chest but now appears "transfigured by light."
One character in this play notes that flamingoes can only wade, so they are not the swimming birds represented by petals cast into a stream. A "poet" dismissively refers to an "episode" prior to this play with a "pure" woman who left him with a locked treasure-casket in his chest but now appears "transfigured by light." At this play's climax, a wild man tailed by bone-devouring hounds uses the steep path to his dilapidated "castle" as a venue to seduce one of the two women whom the protagonist had promised to show "all the glory of the world" on a (*) mountaintop. In this play, a sister in black shadows a white-clad, "half-risen" model who conceived the "child" "Day of Resurrection" with the future husband of Maja, who is liberated at a spa near a sanatorium by the "Bear-Slayer" Ulfheim. For 10 points, name this play that culminates in an avalanche engulfing Irena and the sculptor Rubek, a work by Henrik Ibsen.
One character in this play notes that flamingoes can only wade, so they are not the swimming birds represented by petals cast into a stream.
When We Dead Awaken [or Når vi dÃ¸de vågner; accept other translations such as When We Dead Waken]