This artist of Sunday and In the Time of Harmony criticized "muddy mixtures," echoing a Romantic painter's claim that "the enemy of all painting is grey."
A brown-and-white cat stands on a Persian rug in a painting by this artist in which a woman in violet stands at the window while her husband sits in a chair and tends an off-panel fire. A rooster, a hen, dancers under a tree, a painter with an easel, and bowlers appear in a work by this man showing people relaxing by the sea. This artist of Sunday and In the Time of Harmony criticized "muddy mixtures," echoing a Romantic painter's claim that "the enemy of all painting is grey." Another work by this man shows two women chatting as they fill green jugs with water from a seaside well. Green-and-red ripples and yellow stars on blue make up two of the swirling (*) background sections of a portrait by this man showing an anarchist art critic holding a top hat and a white flower, showing his Divisionist style. This author of From Eugène Delacroix to Neo-Impressionism frequently depicted scenes at Saint Tropez. For 10 points, name this artist of Portrait of Félix Fénéon, a French Pointillist.
A brown-and-white cat stands on a Persian rug in a painting by this artist in which a woman in violet stands at the window while her husband sits in a chair and tends an off-panel fire.
Paul Signac