This technique, which is often complemented with various over-the-shoulder interruptions, is often said to be an example of the eyeline match concept.
In the article "To Be Done with Depth of Field," Andre Bazin criticized the "obsolete play" of this technique, arguing that its use inhibited the "dialectical progress . . . of language." In a pioneering essay in cinemetrics, Barry Salt concluded that claims about how this technique was once dominant were false, finding that it was only used in 30-40% of commercial footage since the 1940s. This technique is likened to both the creation of Israel and the displacement of Palestinians by Jean-Luc Godard in the film Notre Musique. This technique, which is often complemented with various over-the-shoulder interruptions, is often said to be an example of the eyeline match concept. It breaks the 180-degree rule by switching back and forth between images of the faces of two characters. For 10 points, name this editing technique used to depict conversations, and which usually has a three-word name.
In the article "To Be Done with Depth of Field," Andre Bazin criticized the "obsolete play" of this technique, arguing that its use inhibited the "dialectical progress . . .
shot/reverse shot or shot/countershot