Three themes, marked Lento assai, Allegro energico, and marcato, are introduced in the first 17 bars of this piece.
Frederick Ashton's ballet Marguerite and Armand is danced to this piece. The fact that its Grandioso theme resembles the plainchant Crux fidelis was used by Paul Merrick to support his theory that this piece's slow movement is about "the redemption of Man after the Fall," though Alan Walker dismisses theories that this piece is programmatic. Three themes, marked Lento assai, Allegro energico, and marcato, are introduced in the first 17 bars of this piece. The original loud ending on this piece's manuscript was crossed out in (*) red and replaced with a quiet ending. Like Schubert's Wanderer Fantasy, this piece has a four-movement structure but with no pauses between the movements, and it is considered an exemplar of double-function form. For 10 points, name this solo piano piece by Franz Liszt.
Frederick Ashton's ballet Marguerite and Armand is danced to this piece.
Franz Liszt's Piano Sonata in B minor [or S.178; or Klaviersonate h-moll]