A bandaged foot sticks out from under a trimmed square from a flour sack, which otherwise covers the entire body, face, and head of a toddler identified as "Squeaky" in this work.
The final picture in this work depicts a crooked stick standing erect with a smaller stick nailed to it as a crossbar and dried gourds hanging from it. A bandaged foot sticks out from under a trimmed square from a flour sack, which otherwise covers the entire body, face, and head of a toddler identified as "Squeaky" in this work. A round straw hat hangs by a nail between a fireplace, made useless by a hole in the back wall, and a sign which reads "PLEAS! Be Quite Every body is Welcome" in another photograph in this work. A calendar for Pete's Shoes depicting a woman and a large bunch of roses sits atop another mantel, which is described as "the altar" in this work's accompanying text. A clench-jawed woman, propped against the planks of her home, stares at the camera in a portrait of Allie Mae Burroughs in this collection. For 10 points, detailing the lives of the pseudonymous Gudger, Woods, and Ricketts families, cotton sharecroppers in Alabama, this is what collaborative work of James Agee and Walker Evans? 
The final picture in this work depicts a crooked stick standing erect with a smaller stick nailed to it as a crossbar and dried gourds hanging from it.
Let Us Now Praise Famous Men 