The first use of this technique was in the Lumière brothers' Demolition of a Wall.
This technique is used in the interludes shot from the back of a moving train in Lee Chang-dong's film Peppermint Candy. The first use of this technique was in the Lumière brothers' Demolition of a Wall. This technique is applied to the stock footage used in Flyora's hallucinations at the climax of Elem Klimov's Come and See. Cégeste placing a death mask onto the Poet's face in The (*) Testament of Orpheus and candles lighting up as a merchant walks past them in Beauty and the Beast are two of the many sequences in which Jean Cocteau employed this technique. This technique is used in a shot of a Polaroid photograph of a corpse at the very beginning of Memento. For 10 points, name this cinematic technique often used to make it look as if broken objects are magically being re-formed.
This technique is used in the interludes shot from the back of a moving train in Lee Chang-dong's film Peppermint Candy.
reverse motion