First used by Stravinsky in the 1958 cantata Threni, this technique's features include the Hauptstimme (howpt shtim me) and Nebenstimme (nay bun shtim me), or primary and secondary musical voices.
First used by Stravinsky in the 1958 cantata Threni, this technique's features include the Hauptstimme (howpt shtim me) and Nebenstimme (nay bun shtim me), or primary and secondary musical voices. For 10 points—name this dominant academic musical style of the second half of the twentieth century, marked by its use of twelve-tone rows.
First used by Stravinsky in the 1958 cantata Threni, this technique's features include the Hauptstimme (howpt shtim me) and Nebenstimme (nay bun shtim me), or primary and secondary musical voices.
{serialism} [accept {serialist}; accept {dodecaphonic} before “twelve- tone” is read; accept {twelve-tone} before it is read; do not accept “atonality”]