Edward Bullough wrote about the role of "psychical distance" in perceiving this kind of thing, and Clive Bell discussed them using the concept "significant form".
Edward Bullough wrote about the role of "psychical distance" in perceiving this kind of thing, and Clive Bell discussed them using the concept "significant form". George Dickie's institutional theory of these things was inspired by the idea of them being embedded in a namesake "world", a concept formulated by Arthur Danto. José Ortega y Gasset explored the gradual removal of human forms from these things in an essay on their dehumanization, and John Dewey described the ways the "live creature" encounters them in a book on them (*) "as experience". The "penetration" of surgeons and cameramen is compared in an essay on these things by Walter Benjamin, which claims that their "aura" is diminished by mechanical reproduction. Martin Heidegger's essay on the origin of these dissects Van Gogh's A Pair of Shoes. For 10 points, name these objects of study of aesthetics.
Edward Bullough wrote about the role of "psychical distance" in perceiving this kind of thing, and Clive Bell discussed them using the concept "significant form".
works of art [or artworks; accept reasonable answers mentioning art] &lt;Kothari&gt;