The left hand repeatedly plays E, D-sharp, C-sharp, B in octaves in downward staccato 16th-note runs in the middle section of one of these works, its composer's opus 53.
A posthumously-published B-flat minor one of these works features a D-flat major trio based on the aria "Come into my arms" from Rossini's The Thieving Magpie, which its composer saw with Wilhelm Kohlberg. A passage of alternating four-octave A's and 32nd note flourishes in an F-sharp minor one of these works was described by Charles Rosen as alternating timpani strokes and snare drum rolls. The left hand repeatedly plays E, D-sharp, C-sharp, B in octaves in downward staccato 16th-note runs in the middle section of one of these works, its composer's opus 53. The only one of these works with orchestral accompaniment, which is connected to a preceding "Andante Spianato," is an E-flat major "grand" "brilliant" one. Anton Rubinstein called two of these pieces symbols of the "glory" and "tragedy" of Poland. The "Military" and "Heroic" are, for 10 points, what nationalistic dances in 3/4 time by Frédéric Chopin?
A posthumously-published B-flat minor one of these works features a D-flat major trio based on the aria "
polonaises [accept Polonaise "Adieu! an Wilhelm Kohlberg" or Tragic Polonaise or Heroic (or Drum) Polonaise or Military Polonaise or Andante Spianato et Grande Polonaise Brillante]