After that photograph, Dust Breeding, was taken, the artist of this work used diluted cement to fix on some of the dust permanently.
Margaret Iversen suggests that a photograph of this work inspired Ed Ruscha's Royal Road Test because of its resemblance to a desert landscape. That image is a two-hour exposure of dust that piled up on this work over a year. After that photograph, Dust Breeding, was taken, the artist of this work used diluted cement to fix on some of the dust permanently. A cloud-like shape with three blank squares appears in the upper panel of this work, referred to as the "Domain" in contrast to the "Apparatus" section below. This work was intended to be accompanied by explanatory notes compiled in The Green Box, and uses (*) odd materials like lead foil and fuse wire. An object called the "chocolate grinder" appears in the lower panel of this work next to a group of nine shapes called the "Malic Molds" which, with the insect-like form in the upper panel, make up the title figures. For 10 points, name this work depicting male and female figures encased in two glass panels, a sculpture by Marcel Duchamp.
Margaret Iversen suggests that a photograph of this work inspired Ed Ruscha's Royal Road Test because of its resemblance to a desert landscape.
The Large Glass [or The Bride Stripped Bare by Her Bachelors, Even]