A piece by him breaks the tradition of the Missa pro defunctis by using texts from the Luther Bible and not mentioning Jesus' name.
The final movement of this composer's Piano Quintet begins in cut time with the cello playing a low F, then jumping up an octave, which is then imitated by the violin and piano; that quintet in F minor was first composed as a string quintet with two cellos. This composer's Piano Trio No. 1, his only piece with two published versions, opens in a major key and ends in a minor key. Late in life, this composer wrote several chamber pieces for Richard Mühlfeld. This composer placed the notes A- G-A-H-E, a reference to his love for Agathe von Siebold, in the first movement of his (*) String Sextet No. 2 in G major. This composer's more oddly instrumented chamber works include a Clarinet Trio in A minor and a Horn Trio in E-flat major. A piece by him breaks the tradition of the Missa pro defunctis by using texts from the Luther Bible and not mentioning Jesus' name. For 10 points, name this composer of A German Requiem.
The final movement of this composer's Piano Quintet begins in cut time with the cello playing a low F, then jumping up an octave, which is then imitated by the violin and piano; that quintet in F minor was first composed as a string quintet with two cellos.
 Johannes Brahms