The theme of this pre-20th-century painting was copied in ones about "Sarah" and "Seventh Heaven," as well as a work set at Kaneohe [kah-nay-oh-hey] Bay, both by Masami Teraoka.
The theme of this pre-20th-century painting was copied in ones about "Sarah" and "Seventh Heaven," as well as a work set at Kaneohe [kah-nay-oh-hey] Bay, both by Masami Teraoka. This work was interpreted as violent by scholars like Edmond de Goncourt - who kept an extensive collection of similar art - because they viewed it apart from the rest of the Pine Seedlings collection. A comparison to a type of potato called a "bobo" and the nonsense syllables "zuu fuu sufu chyu" are found in the writing on the (*) back of this painting, which says "My wish comes true at last, this day of days; finally I have you in my grasp!" It's the most famous piece inspired by the Tamatori legend and the most famous single shunga painting in the world. For 10 points, name this Hokusai painting that inspired endless weird erotic art by showing a pair of octopi pleasuring a woman.
The theme of this pre-20th-century painting was copied in ones about "Sarah" and "Seventh Heaven," as well as a work set at Kaneohe [kah-nay-oh-hey] Bay, both by Masami Teraoka.
The Dream of the Fisherman's Wife [or Tako to ama; the Japanese title literally means "Octopus and Pearl Diver" so accept anything reasonably equivalent to that] (yes, Edmond de Goncourt had a large Japanese porn collection. 19th century French, go figure)