This work's third movement is a scene in the fields in which two offstage shepherds are represented by a English horn and an oboe, while its fifth movement at a witches' sabbath, preceding a "burlesque parody" of the Dies Irae.  
In this musical work's sequel, the artist muses on Shakespeare before deciding to immerse himself in music and to make his titular "return to life" in Lélio. This work's third movement is a scene in the fields in which two offstage shepherds are represented by a English horn and an oboe, while its fifth movement at a witches' sabbath, preceding a "burlesque parody" of the Dies Irae.  In his depression, the composer sees himself in a (*) march to the scaffold interrupted by the work's idée fixe expressed on the clarinet.  Intended to woo English actress Harriet Smithson, FTP, identify this Romantic program symphony by Hector Berlioz.
In this musical work's sequel, the artist muses on Shakespeare before deciding to immerse himself in music and to make his titular "return to life" in Lélio.
{Symphonie Fantastique} [accept An {Episode in the Life of an Artist} and reasonable translations]