This musical form may feature such techniques as inversion or diminution in the development section, which follows the introduction of the subject and answer.
Twelve of them are collected in Hindemith's Ludus Tonalis. Other examples of this musical form include one representing science in the movement "Of Science and Learning" from Richard Strauss' Also Sprach Zarathustra, and a "Grosse" one intended for the finale of Beethoven's String Quartet in B-flat major. This musical form may feature such techniques as inversion or diminution in the development section, which follows the introduction of the subject and answer. FTP identify this contrapuntal musical form often used by J.S. Bach, notably paired with a toccata in an organ piece in D minor and with preludes in the same keys in the Well-Tempered Clavier.
Twelve of them are collected in Hindemith's Ludus Tonalis. Other examples of this musical form include one representing science in the movement "Of Science and Learning" from Richard Strauss' Also Sprach Zarathustra, and a "Grosse" one intended for the finale of Beethoven's String Quartet in B-flat major.
{fugue}