Each of the six movements of this piece, such as the menuet and  rigaudon, is dedicated to a friend who died in World War I.
The first movement of this piece, which was originally titled "Prologue" rather than "Prelude" according to second proofs  unearthed at a Parisian archive, contains alternate bars suggesting a key of E minor and G major, which is resolved in a  compromise of E major in a later movement. This piece was later orchestrated by its composer, who omitted the fugue  and toccata. After the death of the composer, Marguerite Long added metronome markings to the score of this piece,  which had its genesis in a (*) forlane from the fourth Concert royal. When asked why this piece wasn't more somber, its  composer said "the dead are sad enough, in their eternal silence." Each of the six movements of this piece, such as the menuet and  rigaudon, is dedicated to a friend who died in World War I. For 10 points, name this solo piano suite that also paid homage to a  Baroque composer, a work by Maurice Ravel.
The first movement of this piece, which was originally titled "Prologue" rather than "Prelude" according to second proofs  unearthed at a Parisian archive, contains alternate bars suggesting a key of E minor and G major, which is resolved in a  compromise of E major in a later movement.
Le tombeau de Couperin