A set of crystal globes in this work show different ways that Fedora could have developed, while Despina looks different whether it is approached from the sea or the desert, and the title entities are classified into groups including "continuous" and "hidden.
One character in this work claims that "it is not the voice that commands the story; it is the ear" and that all communication is an act of creation, so the objections of his discussion exist only as he has perceived them. One character in this work wonders if his empire is "nothing but a zodiac of the mind's phantasms" while playing chess.  A set of crystal globes in this work show different ways that Fedora could have developed, while Despina looks different whether it is approached from the sea or the desert, and the title entities are classified into groups including "continuous" and "hidden." The (*) 55 titular locations of this work are all named after women, like Berenice and Diomira, and are described by a Venetian who actually did visit Kublai Khan. For 10 points, name this work in which Marco Polo describes the title imaginary locations, by Italo Calvino.
One character in this work claims that "it is not the voice that commands the story; it is the ear" and that all communication is an act of creation, so the objections of his discussion exist only as he has perceived them.
Invisible Cities [or Le Citta Invisibili]