The wings of an altarpiece by this painter use heraldry featuring a red cross and a stag's head below an image of the crucifixion to represent the saints George and Eustace, whose faces were modeled on the donors Lukas and Stephan.
The wings of an altarpiece by this painter use heraldry featuring a red cross and a stag's head below an image of the crucifixion to represent the saints George and Eustace, whose faces were modeled on the donors Lukas and Stephan. A bag of coins sits in the hands of an old woman with missing teeth and a sagging breast hanging out of her red dress in this artist's Avarice. In an early self-portrait, this artist of the Paumgartner Altarpiece sits by a window wearing a fancy black-and-white shirt and cap influenced by his trip to Italy, while an even earlier self-portrait shows him in a red tasseled cap and holding a (*) thistle in his hand. The Habsburg crest sits in the corner of this man's depiction of the pomegranate-holding Maximilian I, who was this artist's patron in his late years. This man's best-known self-portrait shows him with long hair, touching the fur of his coat as he makes a hand gesture alluding to Christ. For 10 points, name this German portraitist also known for woodcuts like Melencolia I.
The wings of an altarpiece by this painter use heraldry featuring a red cross and a stag's head below an image of the crucifixion to represent the saints George and Eustace, whose faces were modeled on the donors Lukas and Stephan.
Albrecht Dürer 