First presented as a dialogue between Glaucon and Socrates in book 7, FTP, name this philosophical argument concerning a prisoner who can only see the shadows on the wall of the title location, outlined in Plato's Republic.
Bernard Baars extended this scenario to create the "Theater of Consciousness", and Ngugi Wa Thiong'o uses it to analyze the relationship between language and the New World Order in one paper. Martin Heidegger analyzed this scenario in his Essence of Truth. Immediately preceded by and relying on the "Analogy of the Divided Line", this argument states that its subject would be seen as ruined after being freed and returning. First presented as a dialogue between Glaucon and Socrates in book 7, FTP, name this philosophical argument concerning a prisoner who can only see the shadows on the wall of the title location, outlined in Plato's Republic.
Bernard Baars extended this scenario to create the "Theater of Consciousness", and Ngugi Wa Thiong'o uses it to analyze the relationship between language and the New World Order in one paper.
{Allegory of the Cave} or {Myth of the Cave} or {Parable of the Cave} (Accept equivalents that mention a cave)