A bag of coins sits in the hands of an old woman with missing teeth and a sagging breast hanging out of her red dress in this artist's Avarice.
The wings of an altarpiece by this painter use heraldry featuring a red cross and a stag's head below an image of the crucifixion to represent the saints George and Eustace, whose faces were modeled on the donors Lukas and Stephan. A bag of coins sits in the hands of an old woman with missing teeth and a sagging breast hanging out of her red dress in this artist's Avarice. In an early self-portrait, this artist of the Paumgartner Altarpiece sits by a window wearing a fancy black-and-white shirt and cap influenced by his trip to Italy, while an even earlier self-portrait shows him in a red tasseled cap and holding a (*) thistle in his hand. The Habsburg crest sits in the corner of this man's depiction of the pomegranate-holding Maximilian I, who was this artist's patron in his late years. This man's best-known self-portrait shows him with long hair, touching the fur of his coat as he makes a hand gesture alluding to Christ. For 10 points, name this German portraitist also known for woodcuts like Melencolia I.
The wings of an altarpiece by this painter use heraldry featuring a red cross and a stag's head below an image of the crucifixion to represent the saints George and Eustace, whose faces were modeled on the donors Lukas and Stephan.
Albrecht Dürer 