Another song on this album was inspired by Guyanese music and the dark path its artist would walk down when he was six years old while in Arkansas.
According to one man who composed for this album, musical groups need a "framework of time" akin to a "framework of parchment" for painters. The last track on this album consists of "a series of five scales to be played as long as each soloist desires" and ends in a G Dorian mode. Another song on this album was inspired by Guyanese music and the dark path its artist would walk down when he was six years old while in Arkansas. During the tenor solo of that piece, the chorus is in double time, but during the piano solo, it is in (*) quadruple time. That piece was later re-recorded by one of its credited writers on the album Portrait in Jazz. The saxophonists on this album are Cannonball Adderley and John Coltrane, but its organizer claimed it was shaped substantively with Bill Evans at the piano. Including "Flamenco Sketches" and "Blue in Green," for 10 points, name this jazz album by Miles Davis.
According to one man who composed for this album, musical groups need a "framework of time" akin to a "framework of parchment" for painters.
Kind of Blue