Henry Fuseli depicted a weeping man next to parts of a statue of this person in a red chalk drawing titled The Artist Moved by the Grandeur of Antique Fragments.
Bernini sculpted a statue of this man on a rearing horse in front of a huge stucco drapery for the base of the Scalia Regia. Henry Fuseli depicted a weeping man next to parts of a statue of this person in a red chalk drawing titled The Artist Moved by the Grandeur of Antique Fragments. Horsemen and cupids appear on two red porphyry coffins named for this man's wife and daughter. This man's face was carved over the face of an earlier man in round reliefs depicting a boar hunt and a sacrifice to Apollo. This man is depicted with upward-gazing, oversized eyes in an eight-foot tall sculpture of his head that, like a (*) giant pointing hand, was part of a "Colossus" of this man once located in the Basilica Nova. A structure named for him reuses sculptures from Trajan's, Hadrian's, and Marcus Aurelius's monuments and references the style of a similar structure named for Titus. For 10 points, name this emperor who depicted his defeat of Maxentius in reliefs on a triumphal arch.
Bernini sculpted a statue of this man on a rearing horse in front of a huge stucco drapery for the base of the Scalia Regia.
Constantine the Great [or Constantine I; or Flavius Valerius Constantinus]