Cégeste placing a death mask onto the Poet's face in The (*) Testament of Orpheus and candles lighting up as a merchant walks past them in Beauty and the Beast are two of the many sequences in which Jean Cocteau employed this technique.
This technique is used in the interludes shot from the back of a moving train in Lee Chang-dong's film Peppermint Candy. The first use of this technique was in the Lumière brothers' Demolition of a Wall. This technique is applied to the stock footage used in Flyora's hallucinations at the climax of Elem Klimov's Come and See. Cégeste placing a death mask onto the Poet's face in The (*) Testament of Orpheus and candles lighting up as a merchant walks past them in Beauty and the Beast are two of the many sequences in which Jean Cocteau employed this technique. This technique is used in a shot of a Polaroid photograph of a corpse at the very beginning of Memento. For 10 points, name this cinematic technique often used to make it look as if broken objects are magically being re-formed.
This technique is used in the interludes shot from the back of a moving train in Lee Chang-dong's film Peppermint Candy.
reverse motion