Giorgio Vasari, who claimed that this artist learned perspective from his friend Filippo Brunelleschi [broo-neh-LESS-kee], chose to preserve this man's work rather than destroy it while working on an altarpiece for Cosimo de Medici.
Giorgio Vasari, who claimed that this artist learned perspective from his friend Filippo Brunelleschi [broo-neh-LESS-kee], chose to preserve this man's work rather than destroy it while working on an altarpiece for Cosimo de Medici. This artist worked with his brother Giovanni on a Madonna for the center panel of the Pisa altarpiece. He illustrated the phrase "Render unto Caesar what is Caesar's" in a work that uses one-point perspective centered on the face of (*) Jesus surrounded by disciples and shows a man paying a tax collector. This quattrocento [kwah-troh-CHEN-toh] artist depicted a crucifixion in a barrel vault in The Holy Trinity, and showed Saint Peter taking a coin out of a fish's mouth in a work in the Brancacci [brahn-KAH-chee] chapel. For 10 points, name this artist of The Tribute Money.
Giorgio Vasari, who claimed that this artist learned perspective from his friend Filippo Brunelleschi [broo-neh-LESS-kee], chose to preserve this man's work rather than destroy it while working on an altarpiece for Cosimo de Medici.
Masaccio [or Tommaso di Ser Giovanni di Simone] &lt;WA, Painting&gt;