FTP, name this figure which appears in numerous paintings by James Ensor, and which in theory is composed of 206 sub-units.
One of them appears grabbing a woman's crotch and giving her a kiss in a 1517 work by Niklaus Manuel, while another of them blows a gold horn in the foreground of Benjamin Cuyp's Allegory of War. Another of them stands on the left, above the feet of a reclining nude, in Paul Delvaux's Venus Asleep. In one painting, a number of them stand around a stove "warming themselves," while in another painting two of them fight for the body of a hanged man. In an 1895 work, Edvard Munch painted a "self-portrait" with this kind of arm, while another Munch work shows a naked woman kissing one of them whose leg is thrust between her legs. FTP, name this figure which appears in numerous paintings by James Ensor, and which in theory is composed of 206 sub-units.
One of them appears grabbing a woman's crotch and giving her a kiss in a 1517 work by Niklaus Manuel, while another of them blows a gold horn in the foreground of Benjamin Cuyp's Allegory of War.
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