Ravel's (*) Introduction and Allegro features Ã‰rard's doubleÂ­action version of this instrument.
This instrument's cadenza over violin tremolos and cymbal ends the violin solo in the orchestral Tzigane ("tseeÂ­GAHN"). ReniÃ© ("runÂ­YAY") and Salzedo ("saltÂ­SAYÂ­doh") name methods for playing this instrument. Its special techniques include bisbigliando and prÃ¨s de la table ("pray duh lah TAHB"). It's not the piano, but Pleyel's chromatic version of this instrument was used for Debussy's Sacred and Profane Dances. Its default key is CÂ­flat major. This instrument introduces the "VyÂšehrad" ("VISHÂ­ehÂ­raht") theme at the beginning of Smetana's MÃ¡ vlast. Ravel's (*) Introduction and Allegro features Ã‰rard's doubleÂ­action version of this instrument. This instrument accompanies the violin solos in Scheherazade. A cadenza for it opens the "Waltz of the Flowers" in the Nutcracker. Glissandos for this instrument follow the flute solo at the start of Prelude to the Afternoon of aFaun. For 10 points, name this instrument with seven pedals and 47 strings that are plucked by hand. 
This instrument's cadenza over violin tremolos and cymbal ends the violin solo in the orchestral Tzigane ("tseeÂ­GAHN").
harp [or concert harp; or pedal harp]