His San Giovenale Triptych was one of the earliest fifteenth- century works to have no Gothic influence, and he developed many of the techniques for showing light sources in such works as the Santa Maria Novella Trinity and the Pisa Altarpiece.
His San Giovenale Triptych was one of the earliest fifteenth- century works to have no Gothic influence, and he developed many of the techniques for showing light sources in such works as the Santa Maria Novella Trinity and the Pisa Altarpiece. Because he refused to devote attention to anything outside of his work, including his clothes, he was nicknamed with a term meaning "pigpen." For 10 points—name this Florentine painter of The Expulsion from Paradise and The Tribute Money.
His San Giovenale Triptych was one of the earliest fifteenth- century works to have no Gothic influence, and he developed many of the techniques for showing light sources in such works as the Santa Maria Novella Trinity and the Pisa Altarpiece.
{Masaccio} [or Tommaso di ser {Giovani} di Mone]