A different critic who wrote in this language described the representation of time and space in discourse using the term (*) "chronotope," in the third essay of The Dialogic Imagination.
Two authors who wrote in this language were contrasted as a "seer of the spirit" and a "seer of the flesh" in one book. A poem in this language was the subject of an essay about "Rhythm as Dialectic" in this language. That essay inspired a later author to write a work discussing the different rhythms of iambic tetrameter in English and this language. A critic writing in this language introduced the concept of "defamiliarization" in his essay "Art as Device." A different critic who wrote in this language described the representation of time and space in discourse using the term (*) "chronotope," in the third essay of The Dialogic Imagination. An author who wrote in this language supposedly gave his characters fully-developed voices independent from the narrator's, a concept termed "polyphony" in a work titled for "Problems of" that author's "Poetics." For 10 points, name this language used by authors like Andrei Bely, Mikhail Bakhtin, and Fyodor Dostoevsky.
Two authors who wrote in this language were contrasted as a "seer of the spirit" and a "seer of the flesh" in one book.
Russian [or Russki] 