One work by this author inveighs against "purchased lips that kiss with pain" and "trafficked hearts that break in twain;" that poetic lament is delivered by the "melting clarionet," following the violins' declaration, "O Trade! Would thou wert dead!" Brown grows fat and prosperous in the "county of red hills and stones," unlike Jones, in this man's dialect poem, "Thar's More in the Man than Thar is in the Land." In one poem by this author of "The Symphony," the rushes' admonition to "abide, abide" is ignored by a thing that "[flees] from folly on every side" and "hurries amain to reach the plain." In that poem, this author sees creeks overflowing so that "a thousand rivulets run 'twixt the roots of the sod" in the title location. In another poem he transcribed the call of a river that runs "o'er the hills of Habersham" and "through the valleys of Hall." "The Marshes of Glynn" is by, for 10 points, what this Southern poet who praised his native Georgia in "The Song of the Chattahoochee
One work by this author inveighs against "purchased lips that kiss with pain" and "trafficked hearts that break in twain;" that poetic lament is delivered by the "melting clarionet," following the violins' declaration, "O Trade! Would thou wert dead!" Brown grows fat and prosperous in the "county of red hills and stones," unlike Jones, in this man's dialect poem, "Thar's More in the Man than Thar is in the Land." In one poem by this author of "The Symphony," the rushes' admonition to "abide, abide" is ignored by a thing that "[flees] from folly on every side" and "hurries amain to reach the plain." In that poem, this author sees creeks overflowing so that "a thousand rivulets run 'twixt the roots of the sod" in the title location. In another poem he transcribed the call of a river that runs "o'er the hills of Habersham" and "through the valleys of Hall." "The Marshes of Glynn" is by, for 10 points, what this Southern poet who praised his native Georgia in "The Song of the Chattahoochee?"