John Rutter wrote one of these compositions that opens with a setting of a Thomas Ken writing. Frederick Delius used passages from Also Sprach Zarathustra in his version of this form, and Leonard Bernstein, at the request of Jacqueline Kennedy, wrote a dramatized version that features many musical styles, including rock-n-roll and blues. Stravinsky wrote a "very cold" setting with only moderate instrumentation, apparently as a reaction against elaborate settings like Mozart's "Coronation" version. J.S. Bach combined several earlier compositions into his seminal setting in B minor. FTP name this musical form found in Ordinary and Proper varieties, designed to be used 
John Rutter wrote one of these compositions that opens with a setting of a Thomas Ken writing. Frederick Delius used passages from Also Sprach Zarathustra in his version of this form, and Leonard Bernstein, at the request of Jacqueline Kennedy, wrote a dramatized version that features many musical styles, including rock-n-roll and blues. Stravinsky wrote a "very cold" setting with only moderate instrumentation, apparently as a reaction against elaborate settings like Mozart's "Coronation" version. J.S. Bach combined several earlier compositions into his seminal setting in B minor. FTP name this musical form found in Ordinary and Proper varieties, designed to be used in Catholic worship services.
John Rutter wrote one of these compositions that opens with a setting of a Thomas Ken writing.
Mass [accept Ordinary Mass b/c the works are all more or less Ordinaries]