This work begins without an introduction and plunges right into three tutti chords with sixteenth-note flourishes and a long main theme, which is followed by a G, G-sharp, A motif that motivates the second theme. An unusual moment in the first movement is the insertion of the air "Voi siete un po tondo," which was composed a few months earlier. Near the end of the final movement of this piece, the movement's theme is inve
This work begins without an introduction and plunges right into three tutti chords with sixteenth-note flourishes and a long main theme, which is followed by a G, G-sharp, A motif that motivates the second theme. An unusual moment in the first movement is the insertion of the air "Voi siete un po tondo," which was composed a few months earlier. Near the end of the final movement of this piece, the movement's theme is inverted and used as a subject for a fugue that goes on to incorporate the other major themes of the piece. With a name coined by impresario Johann Peter Salomon, for 10 points, name this C-major symphony by Mozart, his last, which is named for its jovial quality.
This work begins without an introduction and plunges right into three tutti chords with sixteenth-note flourishes and a long main theme, which is followed by a G, G-sharp, A motif that motivates the second theme.
Jupiter Symphony [or Symphony No. 41 in C major; or K. 551]