One Russian adherent of this movement later went on to write the poems "A Cloud in Trousers" and "The Backbone Flute," while another, Viktor Khlebnikov, devised a "translogical language" called zaum. That language was used in the writing of a musical work originating from this movement's aesthetic, the opera Victory over the Sun, while Sant'Elia created a series of architectural sketches inspired by this movement, called "New City." This movement's manifesto was written by the author of the poem "War the Only Hygiene of the World" and published in Le Figaro in 1909. Creating such works as "Unique forms of Continuity i
One Russian adherent of this movement later went on to write the poems "A Cloud in Trousers" and "The Backbone Flute," while another, Viktor Khlebnikov, devised a "translogical language" called zaum. That language was used in the writing of a musical work originating from this movement's aesthetic, the opera Victory over the Sun, while Sant'Elia created a series of architectural sketches inspired by this movement, called "New City." This movement's manifesto was written by the author of the poem "War the Only Hygiene of the World" and published in Le Figaro in 1909. Creating such works as "Unique forms of Continuity in Space," for ten points, identify this artistic movement whose adherents included Giacomo Balla and Filippo Marinetti, and which emphasized modernity, speed, and violence.
One Russian adherent of this movement later went on to write the poems "A Cloud in Trousers" and "The Backbone Flute," while another, Viktor Khlebnikov, devised a "translogical language" called zaum.
Futurism