Cui would later use the opening melody of this work in the 9th piece of his Kaleidoscope: Orientale.  The first section ends with a fortissimo rendition of the plaintive folk song, "The Sun Does not Shine," by a pair of trumpets, a moment that some critics suggest is meant to evoke a cry for help.  It ends with a swirling virtuoso coda for the full orchestra that features loud and ringing accents presumably announcing victory.   In later years, a portion of this work was replaced by inserting a melody by Glinka in the s
Cui would later use the opening melody of this work in the 9th piece of his Kaleidoscope: Orientale.  The first section ends with a fortissimo rendition of the plaintive folk song, "The Sun Does not Shine," by a pair of trumpets, a moment that some critics suggest is meant to evoke a cry for help.  It ends with a swirling virtuoso coda for the full orchestra that features loud and ringing accents presumably announcing victory.   In later years, a portion of this work was replaced by inserting a melody by Glinka in the second section, where a rustic motif for the woodwinds is interrupted by a statement of "God Save the Tsar."  Its composer's Opus 31, this work was written at the behest of Nikolai Rubinstein in 1876 for a benefit concert for Serbian soldiers wounded in the war against Turkey.  For 10 points, identify this orchestral work by Pyotr Tchaikovsky.
Cui would later use the opening melody of this work in the 9th piece of his Kaleidoscope: Orientale.  
Marche Slave or Slavonic March