One character at the center of this painting is an entirely red dwarf who hunches against a column with a dark parrot on his arm, while two soldiers are conspicuously milling about in German dress. A black and white dog sits in the front center on a raised platform; the platform is accessible by gradually ascending the stairs in the lower corners.  The background is dominated by an arcade of three massive arches, beyond which city buildings rise, including a white tower at center. Commissioned for the refectory of the Dominican monastery of Santi Giovanni e Paolo, it now sits in the Academy in Venice. It was renamed in the wake of heresy charges and completed a decade after its artist's othe
One character at the center of this painting is an entirely red dwarf who hunches against a column with a dark parrot on his arm, while two soldiers are conspicuously milling about in German dress. A black and white dog sits in the front center on a raised platform; the platform is accessible by gradually ascending the stairs in the lower corners.  The background is dominated by an arcade of three massive arches, beyond which city buildings rise, including a white tower at center. Commissioned for the refectory of the Dominican monastery of Santi Giovanni e Paolo, it now sits in the Academy in Venice. It was renamed in the wake of heresy charges and completed a decade after its artist's other masterpiece, The Marriage at Cana.  FTP, name this painting which depicts the Last Supper, but was named by its artist Veronese to reflect the festive banquet taking place at the title place.
One character at the center of this painting is an entirely red dwarf who hunches against a column with a dark parrot on his arm, while two soldiers are conspicuously milling about in German dress.
{The Feast in the House of Levi} or {Convito in casa di Levi} or {La Cena in casa di Levi}