In 1911, Hugo von Hofmannsthal adapted this work for the Salzburg Festival, and according to E. R. Tigg, it is largely a translation of the Dutch play Elckerlijc. One character uses the excuse of having a cramp in his toe to avoid journeying with the protagonist. The protagonist makes a confession after renouncing his Goods, and is later forsaken by Five-Wits, Discretion, Strength, and Beauty, alt
In 1911, Hugo von Hofmannsthal adapted this work for the Salzburg Festival, and according to E. R. Tigg, it is largely a translation of the Dutch play Elckerlijc. One character uses the excuse of having a cramp in his toe to avoid journeying with the protagonist. The protagonist makes a confession after renouncing his Goods, and is later forsaken by Five-Wits, Discretion, Strength, and Beauty, although Good-Deeds accompanies him to the grave. Ending with a doctor interpreting this play's religious message, this play begins with God asking Death to take the title character to his reckoning. FTP, name this fifteenth century morality play about the judgment of the allegorical title character.
In 1911, Hugo von Hofmannsthal adapted this work for the Salzburg Festival, and according to E. R. Tigg, it is largely a translation of the Dutch play Elckerlijc.
Everyman