Several members of this artistic school were lured away from Tramway V, while the move toward cubism by one member seen in The Violin created tension surrounding the 0.10 exhibition. One member of this school, which grew in part out of the Donkey's Tail, advocated a so-called fusion of painting and architecture he dubbed "Proun" and rambled insanely in the Judaism-inspired text Four Billy Goats. The cultural influence of 
Several members of this artistic school were lured away from Tramway V, while the move toward cubism by one member seen in The Violin created tension surrounding the 0.10 exhibition. One member of this school, which grew in part out of the Donkey's Tail, advocated a so-called fusion of painting and architecture he dubbed "Proun" and rambled insanely in the Judaism-inspired text Four Billy Goats. The cultural influence of the "beautiful corner" on this movement was discussed by its founder in The Non-Objective World, while another member created the politically-driven Beat the Whites with the Red Wedge. Including Popova and El Lissitzky, its founder worked on the set design for Victory over the Sun and works like a giant black dot and a "self-portrait" of red rectangles. FTP, identify this artistic school responsible for White on White, a blank canvas by Russian founder Kazimir Malevich.
Several members of this artistic school were lured away from Tramway V, while the move toward cubism by one member seen in The Violin created tension surrounding the 0.10 exhibition.
Suprematism