It uses the example of a cloud that looks like a whale in chapter 28, "Values of types and values of examples," to demonstrate the impact of extrinsic associations.  This work, which discusses Xenophon's veneration of a horse's legs, later considers the impact of rarity and the influence of "cost as an element of effect."  
It uses the example of a cloud that looks like a whale in chapter 28, "Values of types and values of examples," to demonstrate the impact of extrinsic associations.  This work, which discusses Xenophon's veneration of a horse's legs, later considers the impact of rarity and the influence of "cost as an element of effect."  It concludes by stating that its subject is an affection of the soul that is "of all things what least calls for explanation," while this work's "Introduction" traces the connection between divinity and something so perfect that it provides pleasure.  Divided into sections titled "Form," "Expression," and "Materials," it includes numerous examples from poetry and painting and its author's exploration of the title concept was expanded in the subsequent volume The Life of Reason.  For 10 points, identify this treatise, subtitled "Being the Outlines of an Aesthetic Theory," a work George Santayana.
It uses the example of a cloud that looks like a whale in chapter 28, "Values of types and values of examples," to demonstrate the impact of extrinsic associations.  
The Sense of Beauty