In one stanza of this poem, the speaker describes his journey through "galleries of sound" and a forest "Whose trees are pillars of magic." The speaker makes frequent allusions to a woman whose loins are like crystal and water and whose waist he travels through as through a river.  He later refers to that woman as "serpent goddess" and "lady of midnight," comparing her belly to the brightly lit center of a city. After an 
In one stanza of this poem, the speaker describes his journey through "galleries of sound" and a forest "Whose trees are pillars of magic." The speaker makes frequent allusions to a woman whose loins are like crystal and water and whose waist he travels through as through a river.  He later refers to that woman as "serpent goddess" and "lady of midnight," comparing her belly to the brightly lit center of a city. After an epigraph from Gerard de Nerval's "Chimeras," this poem begins with the speaker invoking "a willow of crystal, a poplar of water, a pillar of fountain by the wind drawn over," which takes the "calm course of a star," which is restated in the last stanza as something the "magic of reflections" resurrects. An artifact celebrating the fifth age of the world is the title object of, for 10 points, what long poem that has one line for every day of the Aztec Calendar by Octavio Paz.
In one stanza of this poem, the speaker describes his journey through "galleries of sound" and a forest "
Sunstone (accept Piedra del sol)