In this work's second section, the cymbal, flute, and violins play quietly while the tenor whispers, "Move him into the sun". The first movement introduces the recurring tritone between C and F-sharp. The penultimate movement consists of alterations between excerpts from the B-minor and C-major scales, ending with the hushed chorus holding the final syllable of "sempiternam". The boys chorus quotes from the composer's earlier canticle Abraham and Isaac at the beginning of the "Offertorium". At t
In this work's second section, the cymbal, flute, and violins play quietly while the tenor whispers, "Move him into the sun". The first movement introduces the recurring tritone between C and F-sharp. The penultimate movement consists of alterations between excerpts from the B-minor and C-major scales, ending with the hushed chorus holding the final syllable of "sempiternam". The boys chorus quotes from the composer's earlier canticle Abraham and Isaac at the beginning of the "Offertorium". At the end of this work, the baritone and tenor converge to sing "let us sleep now" before all three sections of the chorus join to repeat "requiescant in pace". Commissioned for the reconsecration of the Coventry Cathedral, for 10 points, name this choral mass featuring the poetry of Wilfred Owen, composed by Benjamin Britten.
In this work's second section, the cymbal, flute, and violins play quietly while the tenor whispers, "Move him into the sun".
War Requiem