This poet wrote about "the one landscape that we, the inconstant ones, Are consistently homesick for" in one work. In another of this poet's works, "the thin-lipped armorer, Hephaestos" carves a martial scene instead of a bucolic one into the title object. This author of "In Praise of Limestone" and "The Shield of Achilles" began one poem in "one of the dives, On Fifty-second Street." This poet opened his "Funeral Blues" with "Stop all the clocks, cut off the telephone," and wrote about a "delicate ship" ignoring "a boy falling out of the sky" in a poem based on a Breughel painting. For 10 points, name this author of "September 1, 1939" and "
This poet wrote about "the one landscape that we, the inconstant ones, Are consistently homesick for" in one work. In another of this poet's works, "the thin-lipped armorer, Hephaestos" carves a martial scene instead of a bucolic one into the title object. This author of "In Praise of Limestone" and "The Shield of Achilles" began one poem in "one of the dives, On Fifty-second Street." This poet opened his "Funeral Blues" with "Stop all the clocks, cut off the telephone," and wrote about a "delicate ship" ignoring "a boy falling out of the sky" in a poem based on a Breughel painting. For 10 points, name this author of "September 1, 1939" and "Musee des Beaux Arts."
This poet wrote about "the one landscape that we, the inconstant ones, Are consistently homesick for" in one work.
Wystan Hugh Auden