This opera parodies oversentimentality in its arias "Vorrei dir" and "Smanie implacibili." A bass in this opera sings "Io crepo se non rido" and undercuts a farewell scene by laughing during its quintet "Di scrivermi ogni giorno." After being given a locket, this opera's leading baritone sings "Donn
This opera parodies oversentimentality in its arias "Vorrei dir" and "Smanie implacibili." A bass in this opera sings "Io crepo se non rido" and undercuts a farewell scene by laughing during its quintet "Di scrivermi ogni giorno." After being given a locket, this opera's leading baritone sings "Donne mie, la fate a tanti" in its second act. During the first act's final scene, extended woodwind trills play when a fake doctor based on Franz Mesmer uses a huge magnet on two characters who pretend to poison themselves. A soprano in this opera compares herself to a rock in the aria "Come scoglio," but is eventually seduced after being encouraged by her maid, Despina. In this opera's first scene, Ferrando and Guglielmo swear that their fiances will be eternally faithful to them, but after disguising themselves and successfully seducing Fiordiligi and Dorabella, they lose a bet to the cynical Don Alfonso. Subtitled "The School for Lovers," for 10 points, name this opera buffa by Mozart, whose title roughly translates to "they're all like that."
This opera parodies oversentimentality in its arias "Vorrei dir" and "Smanie implacibili.
Cosi Fan Tutte, ossia La scuola degli amanti [or Thus Do They All or All Women Are Like That or clear-knowledge equivalents]