It argues for commodification as "mean and squalid" in section five, "Discipline," and identifies matter, not as a substance, but as a phenomenon. Other sections of this 8 part work include "Discipline," where its author notes that "sensible objects conform to premonitions of reason," and "Prospects," the latter of which quotes a poem by George Herbert that begins "Man is all symmetry." Its "Introduction" notes that this work will concern itself 
It argues for commodification as "mean and squalid" in section five, "Discipline," and identifies matter, not as a substance, but as a phenomenon. Other sections of this 8 part work include "Discipline," where its author notes that "sensible objects conform to premonitions of reason," and "Prospects," the latter of which quotes a poem by George Herbert that begins "Man is all symmetry." Its "Introduction" notes that this work will concern itself with the "NOT ME" and asserts that the universe is composed of the Soul and the title entity. Perhaps most famous for its metaphor of a "transparent eyeball" that sees nothing but sees all, it was partially completed in the same room as Mosses for an Old Manse. Published in 1836, a year before its author would make a name for himself with his "The American Scholar," for 10 points, identify this first major essay by Ralph Waldo Emerson.
It argues for commodification as "mean and squalid" in section five, "Discipline," and identifies matter, not as a substance, but as a phenomenon.
"Nature"