'Allusions to classical imagery, including \"the dewless asphodel of Elysisum\" and \"Polypheme\'s white tooth,\" abound in this work which is written mainly in the first person.  At one point, the speaker asserts \"I will not soil thy purple with my dust\" and notes that \"no poison\" will be exhaled on \"your Venice glass.\" In one of them, the speaker recalls giving away locks of hair, while in another the speaker compares a suitor\'s entreaties to a \"cuckoo song.\"  With the line, \"My future will not copy fair my past,\" the last of them quotes from \"Past and Future,\" another of its creator\'s works first published in 1844.   The first one begins, \"I thought once how Theocritus had sung,\" and this collecti
'Allusions to classical imagery, including \"the dewless asphodel of Elysisum\" and \"Polypheme\'s white tooth,\" abound in this work which is written mainly in the first person.  At one point, the speaker asserts \"I will not soil thy purple with my dust\" and notes that \"no poison\" will be exhaled on \"your Venice glass.\" In one of them, the speaker recalls giving away locks of hair, while in another the speaker compares a suitor\'s entreaties to a \"cuckoo song.\"  With the line, \"My future will not copy fair my past,\" the last of them quotes from \"Past and Future,\" another of its creator\'s works first published in 1844.   The first one begins, \"I thought once how Theocritus had sung,\" and this collection\'s title originated with its author\'s \"From Catarina to Camoens.\"  For 10 points, identify this sequence of poems that included the lines \"How do I love thee? Let me count the ways,\" a work by Elizabeth Barrett Browning. '
'Allusions to classical imagery, including \"the dewless asphodel of Elysisum\" and \"Polypheme\'s white tooth,\" abound in this work which is written mainly in the first person.  
Belize