Along with Rembrandt's Sea of Galilee, this painting is critiqued in Eric Avery's Haitian Interdiction print. This work's artist never visited the site depicted and gleaned most of the details from the engravings of Peter Canot, including its depiction of Morro Castle at the upper right. The title character, a future Lord Mayor of London, lies below two men in white shirts who reach out toward him. Modern theorists make m
Along with Rembrandt's Sea of Galilee, this painting is critiqued in Eric Avery's Haitian Interdiction print. This work's artist never visited the site depicted and gleaned most of the details from the engravings of Peter Canot, including its depiction of Morro Castle at the upper right. The title character, a future Lord Mayor of London, lies below two men in white shirts who reach out toward him. Modern theorists make much of the impassive stance of the African-American man in the center of this work, who limply holds a rope, while his white companion furiously thrusts a spear at one of the denizens of Havana harbor. FTP, identify this painting featuring a boat's crew attempting to rescue the title figure from a bloodthirsty animal, the most famous work of John Singleton Copley.
Along with Rembrandt's Sea of Galilee, this painting is critiqued in Eric Avery's Haitian Interdiction print.
Watson and the Shark