At the beginning of Act 3, one character in this play asks her maid to sing "When first Amintas charm'd my heart,/My heedless sheep began to stray" and claims another character is possibly a tolerable "blockhead." One character in this work accuses another of having had business "with a vizard at the playhouse" after they have a brief discussion with the Orange-Woman.  The protagonist takes Bellinda as mistress and disguises himself as "Courtage" to charm Lady Woodvil, whose daughter he wishes to marry. At the end Bellair pairs off with Emilia,
At the beginning of Act 3, one character in this play asks her maid to sing "When first Amintas charm'd my heart,/My heedless sheep began to stray" and claims another character is possibly a tolerable "blockhead." One character in this work accuses another of having had business "with a vizard at the playhouse" after they have a brief discussion with the Orange-Woman.  The protagonist takes Bellinda as mistress and disguises himself as "Courtage" to charm Lady Woodvil, whose daughter he wishes to marry. At the end Bellair pairs off with Emilia, while Lady Lovewit is left bitter and alone when the protagonist marries Harriet.  Featuring a discussion of fashion between Sir Fopling Flutter and Dorimant, for 10 points, name this play by George Etherege.
At the beginning of Act 3, one character in this play asks her maid to sing "When first Amintas charm'd my heart,/My heedless sheep began to stray" and claims another character is possibly a tolerable "blockhead.
The Man of Mode