Lesser known works associated with this movement include "Oriental" by Stanton Macdonald-Wright and Patrick Henry* Bruce's reconfigurations of still lifes. The magazine linked with this movement was called Montjoie! and its development was precipitated by the formation of the Puteaux Group. One of its proponents referred to it as "Simultaneity" and his early works include a series of images depicting a certain monument as seen through refracted light. That series of Eiffel Tower paintings was followed by such works as A Window and Circular Forms: Sun and Moon, which are examples of this art movement's underlying theory that "color alone is form and subject." Given its name by a 1912 Guillaum
Lesser known works associated with this movement include "Oriental" by Stanton Macdonald-Wright and Patrick Henry* Bruce's reconfigurations of still lifes. The magazine linked with this movement was called Montjoie! and its development was precipitated by the formation of the Puteaux Group. One of its proponents referred to it as "Simultaneity" and his early works include a series of images depicting a certain monument as seen through refracted light. That series of Eiffel Tower paintings was followed by such works as A Window and Circular Forms: Sun and Moon, which are examples of this art movement's underlying theory that "color alone is form and subject." Given its name by a 1912 Guillaume Appolinaire essay on cubism, Fank Kupka, Sonia Terk, and Jacques Villon, were all prominent members of, for 10 points, what art movement led by Robert Delaunay and named for a mythological singer.
Lesser known works associated with this movement include "Oriental" by Stanton Macdonald-Wright and Patrick Henry* Bruce's reconfigurations of still lifes.
Orphism (*accept "Synchromism" up to this point)