It is often cited as the secular analogue to the Lamentation at the Cappella di Eleonora.  The old woman on the left is holding her head, while another figure has a young girl's face and offers a honeycomb. Painted as a gift for Francis I, a white dove can be seen on one side, while two masks lie strewn on the lower right. One of the title figures has a bald head and uses his long arm to draw back
It is often cited as the secular analogue to the Lamentation at the Cappella di Eleonora.  The old woman on the left is holding her head, while another figure has a young girl's face and offers a honeycomb. Painted as a gift for Francis I, a white dove can be seen on one side, while two masks lie strewn on the lower right. One of the title figures has a bald head and uses his long arm to draw back a blue curtain at the top of the painting. Another title figure is a smiling nude boy who clutches a handful of rose petals. Meanwhile, the two central titular figures are portrayed embracing.  FTP, name this Mannerist masterpiece by Agnolo Bronzino.
It is often cited as the secular analogue to the Lamentation at the Cappella di Eleonora.  
Venus, Cupid, Folly, and Time (accept Allegory of Love or The Triumph of Venus)