In this opera, which ends with the chorus "On est grand par l'amour," one character takes a violin off a wall and sings ‘Vois sous l'archet frémissant.' In the following act, the title character sings the drinking sing ‘Amis, l'amour tendre et rêveur, erreur!' and decides he cannot resist a certain seductress in "O Dieu! de quelle ivresse." The prologue sees the title character sing of a dwarf named Eisanach in a tavern after 'Dans les rôles' is sung by his nemesis Counc
In this opera, which ends with the chorus "On est grand par l'amour," one character takes a violin off a wall and sings ‘Vois sous l'archet frémissant.' In the following act, the title character sings the drinking sing ‘Amis, l'amour tendre et rêveur, erreur!' and decides he cannot resist a certain seductress in "O Dieu! de quelle ivresse." The prologue sees the title character sing of a dwarf named Eisanach in a tavern after 'Dans les rôles' is sung by his nemesis Councillor (*) Lindorf. This opera ends with the title character revealing that (*) Olympia, Antonia, and Giulietta are all really Stella, before he is told to be a poet by the Muse, who had donned the guise of his friend Nicklausse. Featuring "The Doll Song" and a famous Barcarolle, for 10 points, name this Jacques Offenbach opera about a short story writer.
In this opera, which ends with the chorus "On est grand par l'amour," one character takes a violin off a wall and sings ‘Vois sous l'archet frémissant.'
The {Tales} of {Hoffmann} [accept {Les contes d'Hoffmann}]