One of this dancer's compositions takes its title from a Vachel Lindsay poem, and sees a woman nicknamed "Empress of the Arena" tempted by the Ring Master. Halim el-Dabh scored another dance by this performer, and that dance sees Iphiginia sacrificed by Agamemnon. In 1983, this choreographer of Every Soul is a Circus created her own interpretation of (*) The Rite of Spring. She choreographed the Passacaglia by Webern in a collaboration with George Balanchine, while in another dance, she portrayed Joan of Arc to a Normon Dello Joio score. This frequent collaborator with Isamu Noguchi also chore
One of this dancer's compositions takes its title from a Vachel Lindsay poem, and sees a woman nicknamed "Empress of the Arena" tempted by the Ring Master. Halim el-Dabh scored another dance by this performer, and that dance sees Iphiginia sacrificed by Agamemnon. In 1983, this choreographer of Every Soul is a Circus created her own interpretation of (*) The Rite of Spring. She choreographed the Passacaglia by Webern in a collaboration with George Balanchine, while in another dance, she portrayed Joan of Arc to a Normon Dello Joio score. This frequent collaborator with Isamu Noguchi also choreographed a piece which uses five variations on a Shaker hymn. For 10 points, identify this woman who choreographed Seraphic Dialogue and Appalachian Spring.
One of this dancer's compositions takes its title from a Vachel Lindsay poem, and sees a woman nicknamed "Empress of the Arena" tempted by the Ring Master.
Martha {Graham}