This work is not formally titled, but it's most official designation would be the Roman numeral 22, its position in the 1923 collection in which it appeared. Each of this poem's four stanzas ends in a two-syllable term, the third of which separates the word "rainwater" into separate terms. The verb "depends" at the beginning could be a pun representing the idea of beading water hanging down from the title object, and most critical attention focuses on its use of the word "glazed," offering an aesthetic sheen to the title object. Standing beside the "white chickens" is, FTP, what common, colorful implement upon which "
This work is not formally titled, but it's most official designation would be the Roman numeral 22, its position in the 1923 collection in which it appeared. Each of this poem's four stanzas ends in a two-syllable term, the third of which separates the word "rainwater" into separate terms. The verb "depends" at the beginning could be a pun representing the idea of beading water hanging down from the title object, and most critical attention focuses on its use of the word "glazed," offering an aesthetic sheen to the title object. Standing beside the "white chickens" is, FTP, what common, colorful implement upon which "so much depends" in a very short poem by William Carlos Williams?
This work is not formally titled, but it's most official designation would be the Roman numeral 22, its position in the 1923 collection in which it appeared.
“The {Red Wheelbarrow}”