The performer's wife would later write lyrics for this song that asked "Wouldn't it be better/Not to be so polite?" Near the end of this piece, the drummer enters a decrescendo using a snare and two cymbals, before the recapitulation of the main theme, which only uses F minor and C minor 7 chords in its riff. The alto saxophone uses the traditional blues scale in D, and employs a dotted rhythm throughout the piece. Eugene (*) Wright usually improvised parts of the simple bass melody, and Joe Morello used backsticking in his part of his solo. The piano portion for this song has a low E-flat, E-flat, B-flat sequence in the left hand accompanied by a descending set of chords in the right hand. For 10 points, identify this song written by Paul Desmond and named after the unusual quintuple time
The performer's wife would later write lyrics for this song that asked "Wouldn't it be better/Not to be so polite?" Near the end of this piece, the drummer enters a decrescendo using a snare and two cymbals, before the recapitulation of the main theme, which only uses F minor and C minor 7 chords in its riff. The alto saxophone uses the traditional blues scale in D, and employs a dotted rhythm throughout the piece. Eugene (*) Wright usually improvised parts of the simple bass melody, and Joe Morello used backsticking in his part of his solo. The piano portion for this song has a low E-flat, E-flat, B-flat sequence in the left hand accompanied by a descending set of chords in the right hand. For 10 points, identify this song written by Paul Desmond and named after the unusual quintuple time, recorded on the album Time Out and performed by the Dave Brubeck Quartet.
The performer's wife would later write lyrics for this song that asked "Wouldn't it be better/Not to be so polite?
“{Take Five}”