One character in this play postulates that, since we begin to die at birth, those born earliest are furthest from death, making Adam the youngest of all mankind, while another insists that only by making things look like the truth can they be kept from being made into jokes. At its start, Fino arrives to replace the dead Tito, but is mocked by Lolo and Franco for misunders
One character in this play postulates that, since we begin to die at birth, those born earliest are furthest from death, making Adam the youngest of all mankind, while another insists that only by making things look like the truth can they be kept from being made into jokes. At its start, Fino arrives to replace the dead Tito, but is mocked by Lolo and Franco for misunderstanding his instructions and dressing as a fifteenth-century Frenchman. Another Tito, (*) Belcredi, is stabbed at its close when trying to convince its title character not to consider the marchesa's daughter Frida as the embodiment of a painting purchased at the request of Dr. Genoi, the latest of a twenty-year succession of men who try to propel the title character from a delusion he finds more pleasant than twentieth-century life. For 10 points, name this play about an actor whose riding accident causes him to dress as the arch-rival of Pope Gregory VII, by Luigi Pirandello.
One character in this play postulates that, since we begin to die at birth, those born earliest are furthest from death, making Adam the youngest of all mankind, while another insists that only by making things look like the truth can they be kept from being made into jokes.
{Henry IV} [or {Enrico IV}]