A slightly cut edition of the second of these compositions was prepared by Alexander Siloti, and the first of these contains one movement based on the cabaret song "Il faut s'amuser, danser et rire," while another movement contains an allegro section inspired by a blind beggars' song. The third and last of these was constructed of unused material from the composer's unfinished "Symphony in E-Flat." The composer received a bitter lashing from Anton Rubenstein after playing him the first of these works, which was premiered in Boston under B.J. Lang with Hans von Bulow as
A slightly cut edition of the second of these compositions was prepared by Alexander Siloti, and the first of these contains one movement based on the cabaret song "Il faut s'amuser, danser et rire," while another movement contains an allegro section inspired by a blind beggars' song. The third and last of these was constructed of unused material from the composer's unfinished "Symphony in E-Flat." The composer received a bitter lashing from Anton Rubenstein after playing him the first of these works, which was premiered in Boston under B.J. Lang with Hans von Bulow as the soloist. That work opens with a four-note motif sounded by all four horns punctuated by orchestral chords, which starts in the home key of B-flat minor but quickly modulates to D-flat major. For 10 points, identify these works for a keyboard instrument and orchestra by the composer of the Pathetique Symphony.
A slightly cut edition of the second of these compositions was prepared by Alexander Siloti, and the first of these contains one movement based on the cabaret song "Il faut s'amuser, danser et rire," while another movement contains an allegro section inspired by a blind beggars' song.
{piano concertos} of Peter Ilyich {Tchaikovsky}