In one part of this work, two figures "sharpen their beamy spears of light and love," and their children "stand with arrows of gold." In this poem, Satan stands on the Euphrates and "over Asia stretched his pride." The title figure of this work is attached to Moral Law until the end of the second chapter, and had previously built the city of imagination, Golgonooza. In the fourth part, called "To the Christians," its cent
In one part of this work, two figures "sharpen their beamy spears of light and love," and their children "stand with arrows of gold." In this poem, Satan stands on the Euphrates and "over Asia stretched his pride." The title figure of this work is attached to Moral Law until the end of the second chapter, and had previously built the city of imagination, Golgonooza. In the fourth part, called "To the Christians," its central character turns into multiple fountains after immersing himself in Los's fire, culminating in a song named after the title heroine, who had previously been devoured by a dragon. It is the longest of the author's "prophetic books" and, coincidentally it shares its name with the lyric that graces the beginning of the author's Milton. Subtitled "The Emanation of the Giant Albion," for 10 points, name this poem by William Blake, whose title refers to a representation of a holy city.
In one part of this work, two figures "sharpen their beamy spears of light and love," and their children "stand with arrows of gold."
{Jerusalem}: The Emanation of the Giant Albion