This work illustrates the layer of "mere appearances" by analyzing Raphael's Transfiguration. It calls the metaphysical comfort of eternal life the "Buddhistic" stage of illusion, and it argues that maxims like "virtue is kno
This work illustrates the layer of "mere appearances" by analyzing Raphael's Transfiguration. It calls the metaphysical comfort of eternal life the "Buddhistic" stage of illusion, and it argues that maxims like "virtue is knowledge" and "he who is virtuous is happy" killed the title entity. The author of this text rejects the "ideal spectator" theory of Schlegel. It quotes often from The World as Will and Representation, and its foreword declares that "art is the truly metaphysical activity" and is addressed to Richard Wagner. The author attacks Euripides for destroying the balance of the Dionysian and the Apollonian in, for 10 points, what work that discusses the spirit of music in Greek art, written by Friedrich Nietzsche?
This work illustrates the layer of "mere appearances" by analyzing Raphael's Transfiguration.
The {Birth} of {Tragedy} from the Spirit of Music