One work by this writer asks "Whose sweet mortality stirs latent power?" and describes a "bell-rope that gathers God at dawn." This poet of "My Grandmother's Love Letters" dubbed cinemas "panoramic sleights" in a poem that imagines filing papers until "elevators drop us from our day" and asks the title object to descend with its "curveship" and "lend a myth to God." He imagines a seagull "shedding white rings of tumult, building high / over the chained bay waters" in the
One work by this writer asks "Whose sweet mortality stirs latent power?" and describes a "bell-rope that gathers God at dawn." This poet of "My Grandmother's Love Letters" dubbed cinemas "panoramic sleights" in a poem that imagines filing papers until "elevators drop us from our day" and asks the title object to descend with its "curveship" and "lend a myth to God." He imagines a seagull "shedding white rings of tumult, building high / over the chained bay waters" in the "Proem" to an epic based on a Brooklyn landmark. For 10 points, name this American poet who included sections like "Cape Hatteras" and "Cutty Sark" in his modernist epic The Bridge.
One work by this writer asks "Whose sweet mortality stirs latent power?" and describes a "bell-rope that gathers God at dawn."
Harold Hart {Crane}