Either a sextuplet or a grace note is used in almost every measure of a polka dedicated to Lina Schmalhausen that is sometimes listed in this group of works. The third one of these compositions features many phrases with descending minor triads that are a semitone apart and is dedicated to the musician Marie Jaell. The second one is written in E-flat but switches abruptly in the last fifteen measures to repeatedly playing notes in the B-F tritone and features a dream-inspired middle section writ
Either a sextuplet or a grace note is used in almost every measure of a polka dedicated to Lina Schmalhausen that is sometimes listed in this group of works. The third one of these compositions features many phrases with descending minor triads that are a semitone apart and is dedicated to the musician Marie Jaell. The second one is written in E-flat but switches abruptly in the last fifteen measures to repeatedly playing notes in the B-F tritone and features a dream-inspired middle section written in "Quasi L'istesso tempo." In addition to the second one of these pieces, which is dedicated to Saint-Saens, the Bagatelle without Tonality is sometimes grouped as the fourth member. The most famous member of this group of works was composed in conjunction with another piece titled Midnight Procession and is subtitled "The Dance in the Village Inn," which was inspired by a scene from Nicholas Lenau's Faust. For 10 points, name this group of four devilish dances by Franz Liszt.
Either a sextuplet or a grace note is used in almost every measure of a polka dedicated to Lina Schmalhausen that is sometimes listed in this group of works.
{Mephisto Waltzes}