A plaster work of his was a metaphor for the interior of a female body and was titled Project for a Passageway. A square obscures the lower portion of a frightened-looking seated figure in one of his works, and he recalled his experience under Antoine Bourdelle in another. In addition to Hands Holding the Void and (*) Spoon Woman, he randomly placed five figures walking around in his City Square. His characteristic style can be seen in his Seven Figures and a Head, in which the aforementioned "head" seems to be disproportionate in size. Another of his works utilizes a spoon and appears to be a sort of praying mantis. For 10 points, identify this Swiss sculptor who sculpted elongated human fi
A plaster work of his was a metaphor for the interior of a female body and was titled Project for a Passageway. A square obscures the lower portion of a frightened-looking seated figure in one of his works, and he recalled his experience under Antoine Bourdelle in another. In addition to Hands Holding the Void and (*) Spoon Woman, he randomly placed five figures walking around in his City Square. His characteristic style can be seen in his Seven Figures and a Head, in which the aforementioned "head" seems to be disproportionate in size. Another of his works utilizes a spoon and appears to be a sort of praying mantis. For 10 points, identify this Swiss sculptor who sculpted elongated human figures, as in Woman with her Throat Cut.
A plaster work of his was a metaphor for the interior of a female body and was titled Project for a Passageway.
Alberto {Giacometti}