The titular goddess's golden armor is visible through her green cloak in this painter's Pallas Athene. A deer-headed man holds a bow while a naked goddess gives him the stink-eye in this man's Myth of Diana and Acteon, while a horse with a spotted fur saddle rears over the titular saint in his version of the Conversion of St. Paul. John the Baptist adopts a dynamic pose and points a creepy finger toward an illuminated Madonna and child while the title figure slumbers at right in his (*) Vision of St. Jerome. St. Jerome 
The titular goddess's golden armor is visible through her green cloak in this painter's Pallas Athene. A deer-headed man holds a bow while a naked goddess gives him the stink-eye in this man's Myth of Diana and Acteon, while a horse with a spotted fur saddle rears over the titular saint in his version of the Conversion of St. Paul. John the Baptist adopts a dynamic pose and points a creepy finger toward an illuminated Madonna and child while the title figure slumbers at right in his (*) Vision of St. Jerome. St. Jerome reappears in the background of another work by this man, in which he stands before a row of columns and unfurls a scroll. This artist himself appears wearing a gold ring on his pinkie in a painting that features a curved window at top left. For 10 points, name this Mannerist who created Self-Portrait in a Convex Mirror and a giant Christ child in Madonna of the Long Neck.
The titular goddess's golden armor is visible through her green cloak in this painter's Pallas Athene.
{Parmigianino} [Accept {Parmigiano} or {Girolamo Francesco Maria Mazzola}]