In this poem's thirty-sixth and thirty-seventh stanzas, the speaker describes a critic as a "nameless worm" and a "noteless blot." Its fiftieth stanza
In this poem's thirty-sixth and thirty-seventh stanzas, the speaker describes a critic as a "nameless worm" and a "noteless blot." Its fiftieth stanza describes Caius Cestus' tomb as "one keen pyramid with wedge sublime." The final stanza notes that the soul of the title character "burn[s] through the inmost veil of Heaven" and "beacons from the abode where the Eternal are." The speaker later assures the reader that the title character "is not dead" and "doth not sleep," and that "'tis Death is dead, not he," even though he asks Urania to "lament anew" for the title character, and the reader to "weep for" him. For 10 points, name this elegy on the death of John Keats by Percy Bysshe Shelley.
In this poem's thirty-sixth and thirty-seventh stanzas, the speaker describes a critic as a "nameless worm" and a "noteless blot.
“{Adonaïs}: An Elegy on the Death of John Keats”