This building breaks with classical rules by having garlands running the width of the façade above the flat pediments of the upper windows, creating a frieze at the level of the capitals rather than above them. Its entire seven bay façade is rusticated, and its architect removed the triangular pediment that stood above the slightly projected three central bays. This building contains the only extant ceiling paintings by Rubens; that set of nine canvases shows the Apotheosis of (*) James I. The desire to preserve those paintings prompted Charles I to forbid the performance of works like The Masque of Blackness in this building. For 10 points, name this Inigo Jones building, the only remnant o
This building breaks with classical rules by having garlands running the width of the façade above the flat pediments of the upper windows, creating a frieze at the level of the capitals rather than above them. Its entire seven bay façade is rusticated, and its architect removed the triangular pediment that stood above the slightly projected three central bays. This building contains the only extant ceiling paintings by Rubens; that set of nine canvases shows the Apotheosis of (*) James I. The desire to preserve those paintings prompted Charles I to forbid the performance of works like The Masque of Blackness in this building. For 10 points, name this Inigo Jones building, the only remnant of the palace at Whitehall.
This building breaks with classical rules by having garlands running the width of the façade above the flat pediments of the upper windows, creating a frieze at the level of the capitals rather than above them.
{Banqueting House} at Whitehall