This poet notes that he would rather that his "right hand be withered for ever" than play the harp for the foe while at the title location. This poet of "By the Rivers of Babylon We Sat Down and Wept" lamented that "the night was made for loving / And the day returns too soon" in "So we'll go no more a-roving" and totally iceburned the critics of Edinburgh in his "English Bards and Scotch Reviewers." He described how "the widows of Ashur are loud in their wail" in a poem about an Assyrian and dedicated another poem to a woman who is "all that's best of dark and bright." For 10 points, identify this poet of "The Destruction of Sennacherib" and "She Walks in Beauty" who developed a namesake type of hero in his Childe 
This poet notes that he would rather that his "right hand be withered for ever" than play the harp for the foe while at the title location. This poet of "By the Rivers of Babylon We Sat Down and Wept" lamented that "the night was made for loving / And the day returns too soon" in "So we'll go no more a-roving" and totally iceburned the critics of Edinburgh in his "English Bards and Scotch Reviewers." He described how "the widows of Ashur are loud in their wail" in a poem about an Assyrian and dedicated another poem to a woman who is "all that's best of dark and bright." For 10 points, identify this poet of "The Destruction of Sennacherib" and "She Walks in Beauty" who developed a namesake type of hero in his Childe Harold's Pilgrimage.
This poet notes that he would rather that his "right hand be withered for ever" than play the harp for the foe while at the title location.
Lord {Byron} [accept {George Gordon}]