The titular goddess's golden armor is visible through her green cloak in this painter's Pallas Athen
The titular goddess's golden armor is visible through her green cloak in this painter's Pallas Athene. A deer-headed man holds a bow while a naked goddess gives him the stink-eye in this man's Myth of Diana and Acteon, while a horse with a spotted fur saddle rears over the titular saint in his version of the Conversion of St. Paul. John the Baptist adopts a dynamic pose and points a creepy finger toward an illuminated Madonna and child while the title figure slumbers at right in his (*) Vision of St. Jerome. St. Jerome reappears in the background of another work by this man, in which he stands before a row of columns and unfurls a scroll. This artist himself appears wearing a gold ring on his pinkie in a painting that features a curved window at top left. For 10 points, name this Mannerist who created Self-Portrait in a Convex Mirror and a giant Christ child in Madonna of the Long Neck.
The titular goddess's golden armor is visible through her green cloak in this painter's Pallas Athene.
{Parmigianino} [Accept {Parmigiano} or {Girolamo Francesco Maria Mazzola}]