In the exposition of the second theme in this work's first movement the flutes, high strings, and oboes play a version of the "Arab" theme in parallel triads, while the bass clarinet, first harp, and first clarinet play a version of the "germinal" motif that recurs throughout the piece. Conductor Georg Solti corrected a manuscript mistake so the tempo of one section was correctly marked "Allegro Scherzando" rather than "Allegretto Scherzando." A solo for the side drum both begins and ends this piece's second movement in which a theme is played at different intervals first by two bassoons and then by duos of oboes, clarinets, flutes, and finally trumpets. This work's third section is considered representative of the composer's "night music," while it quotes Shostakovich's Leningrad Symphony in its fourth movement titled "Intermezzo Interrotto." This work's third movement is titled "Elegia" and its second is called "Giuoco delle coppie" or "A Game of Pairs." For 
In the exposition of the second theme in this work's first movement the flutes, high strings, and oboes play a version of the "Arab" theme in parallel triads, while the bass clarinet, first harp, and first clarinet play a version of the "germinal" motif that recurs throughout the piece. Conductor Georg Solti corrected a manuscript mistake so the tempo of one section was correctly marked "Allegro Scherzando" rather than "Allegretto Scherzando." A solo for the side drum both begins and ends this piece's second movement in which a theme is played at different intervals first by two bassoons and then by duos of oboes, clarinets, flutes, and finally trumpets. This work's third section is considered representative of the composer's "night music," while it quotes Shostakovich's Leningrad Symphony in its fourth movement titled "Intermezzo Interrotto." This work's third movement is titled "Elegia" and its second is called "Giuoco delle coppie" or "A Game of Pairs." For 10 points, name this concerto in five movements by Bela Bartok.
In the exposition of the second theme in this work's first movement the flutes, high strings, and oboes play a version of the "Arab" theme in parallel triads, while the bass clarinet, first harp, and first clarinet play a version of the "germinal" motif that recurs throughout the piece.
Concerto for {Orchestra}