This man used a theme from Paganini's Second Violin Concerto in his La Campanella, while Liebesträume was one of three solo piano works by this man. Inspired by Lamartine for his third symphonic poem, Les Préludes, he featured "Forbidden" parallel fifths in his Bagatelle sans tonalité, often confused with his Fourth Mephisto Waltz. "Mazeppa" in D minor was the fourth of this man's Transcendental Etudes. For 10 points, name this composer whose Fan
This man used a theme from Paganini's Second Violin Concerto in his La Campanella, while Liebesträume was one of three solo piano works by this man. Inspired by Lamartine for his third symphonic poem, Les Préludes, he featured "Forbidden" parallel fifths in his Bagatelle sans tonalité, often confused with his Fourth Mephisto Waltz. "Mazeppa" in D minor was the fourth of this man's Transcendental Etudes. For 10 points, name this composer whose Fantasy on Hungarian Folk Melodies was based on the fourteenth of his Hungarian Rhapsodies.
This man used a theme from Paganini's Second Violin Concerto in his La Campanella, while Liebesträume was one of three solo piano works by this man.
Franz Ritter von {Liszt}