This artist's early use of Leonardesque sfumato is evident in the Pucci Altarpiece. Durer's Little Passion engravings influenced this man's fresco series in the Certosa di Galuzzo monastery where he retired; that series included a Last Judgment viciously disparaged by Vasari for its formlessness. Durer also inspired the lozenge shaped arrangement of this man's second Visitation in Carmignano, while more crowded scenes include the Martyrdom of St. Maurice and the Theban Legion and the (*) Joseph in Egypt series. One work by this artist is in the altar of the Capponi Chapel in Florence's Santa Felicita, and that work depicts Christ's pallid legs supported by a man with a pink torso who appears below a group of grieving women swathed in pink and blue. For 10 points, name this teacher of Bronzino, a mannerist who painted The Deposition of the Cross.
This artist's early use of Leonardesque sfumato is evident in the Pucci Altarpiece. Durer's Little Passion engravings influenced this man's fresco series in the Certosa di Galuzzo monastery where he retired; that series included a Last Judgment viciously disparaged by Vasari for its formlessness. Durer also inspired the lozenge shaped arrangement of this man's second Visitation in Carmignano, while more crowded scenes include the Martyrdom of St. Maurice and the Theban Legion and the (*) Joseph in Egypt series. One work by this artist is in the altar of the Capponi Chapel in Florence's Santa Felicita, and that work depicts Christ's pallid legs supported by a man with a pink torso who appears below a group of grieving women swathed in pink and blue. For 10 points, name this teacher of Bronzino, a mannerist who painted The Deposition of the Cross.
This artist's early use of Leonardesque sfumato is evident in the Pucci Altarpiece.
Jacopo da {Pontormo} [accept {Jacopo Carucci}]