Near the beginning of this work, a chorus of peasants begs for quiet, singing "L'ennemi, s'avance". A recent performance of this work saw an aria sung by Juan Diego Florez evoke the first encore at La Scala in 74 years. At one point, its title character is unable to focus on singing Maestro Caffariello's song "Venus Descendeth" and instead constantly slips into "Le voila, le voila!" That title character later sings "Quand le destin au milieu" in 
Near the beginning of this work, a chorus of peasants begs for quiet, singing "L'ennemi, s'avance". A recent performance of this work saw an aria sung by Juan Diego Florez evoke the first encore at La Scala in 74 years. At one point, its title character is unable to focus on singing Maestro Caffariello's song "Venus Descendeth" and instead constantly slips into "Le voila, le voila!" That title character later sings "Quand le destin au milieu" in order to avoid marrying the Duke of (*) Krakenthorp. At the end of the duet "Au bruit de la guerre", Sulpice and this opera's title character sing the "Rataplan" chorus. One aria from this work has been referred to as the "Mount Everest for tenors", as it features nine high Cs in a row, and is called "Ah! mes amis". For 10 points name this opera about the love between Tonio and Marie, the title maiden of the 21st, written by Gaetano Donizetti.
Near the beginning of this work, a chorus of peasants begs for quiet, singing "L'ennemi, s'avance".
The {Daughter} of the {Regiment} [or La {fille du regiment}]