This work claims truth is dominated by denial, which, in the form of a double concealment, is part of truth's nature as unconcealedness, and it later describes beauty as one way of truth shining forth. Collected in Off the Beaten Track, it describes the "Ursprung" or "primal leap" involved in the title event before ending with a quote from Holderlin's "The Journey." It describes the phusis or "emerging and rising in itself" of a building that "opens up a world" but also sets "this world back again on earth." Besides that discussion of a (*) Gre
This work claims truth is dominated by denial, which, in the form of a double concealment, is part of truth's nature as unconcealedness, and it later describes beauty as one way of truth shining forth. Collected in Off the Beaten Track, it describes the "Ursprung" or "primal leap" involved in the title event before ending with a quote from Holderlin's "The Journey." It describes the phusis or "emerging and rising in itself" of a building that "opens up a world" but also sets "this world back again on earth." Besides that discussion of a (*) Greek temple, this work also features an extended analysis of Van Gogh's portrayal of a pair of shoes. Declaring how its subject is brought into being by creators, for 10 points, name this essay by Martin Heidegger.
This work claims truth is dominated by denial, which, in the form of a double concealment, is part of truth's nature as unconcealedness, and it later describes beauty as one way of truth shining forth.
"The {Origin} of the Work of {Art}"