This man is the subject of Nancy Newhall's biography The Eloquent Light, whom he had earlier collaborated with on the book These We Inherit. With folks like Eliot Porter and Philip Hyde, he set Robinson Jeffers's poetry to artwork in his Not Man Apart. Some of his works are inspired by people he met at Manzanar. The work of Hurter and Driffield influence a scale he developed that ranged from 0 to 10, representing "pure black" to "pure white", known as his Zone System. He collaborated with Edward Weston and Imogen Cunningham, and his work also includes environmental efforts like directing the Sierra Club. This organizer of F/64 is best known for black and white works like "Moon and Half Dome." For 10 points, name this photographer best known for his depictions of American nature, such as Yosemite Park.
This man is the subject of Nancy Newhall's biography The Eloquent Light, whom he had earlier collaborated with on the book These We Inherit. With folks like Eliot Porter and Philip Hyde, he set Robinson Jeffers's poetry to artwork in his Not Man Apart. Some of his works are inspired by people he met at Manzanar. The work of Hurter and Driffield influence a scale he developed that ranged from 0 to 10, representing "pure black" to "pure white", known as his Zone System. He collaborated with Edward Weston and Imogen Cunningham, and his work also includes environmental efforts like directing the Sierra Club. This organizer of F/64 is best known for black and white works like "Moon and Half Dome." For 10 points, name this photographer best known for his depictions of American nature, such as Yosemite Park.
This man is the subject of Nancy Newhall's biography The Eloquent Light, whom he had earlier collaborated with on the book
Ansel {Adams}