This composer's works are organized by the S or S/G numbers. His Totentanz contains over 30 glissandi, and opens with a piano part that is modernistic and percussive. He wrote at the bottom of the score for La Notte that it should be played at his own funeral. His pieces are known for extreme technical difficulty, like his Douze Grandes Etudes and his Etude No.5.  His Mephisto (*) Waltzes are an example of program music, an idea that he strongly supported. A plaster cast of his right hand is in his namesake museum, and reveals that he had very 
This composer's works are organized by the S or S/G numbers. His Totentanz contains over 30 glissandi, and opens with a piano part that is modernistic and percussive. He wrote at the bottom of the score for La Notte that it should be played at his own funeral. His pieces are known for extreme technical difficulty, like his Douze Grandes Etudes and his Etude No.5.  His Mephisto (*) Waltzes are an example of program music, an idea that he strongly supported. A plaster cast of his right hand is in his namesake museum, and reveals that he had very little webbing between his fingers, thus allowing him to reach up to 12 whole steps on the piano. FTP, name this composer and virtuoso pianist who composed the Hungarian Rhapsody series. 
This composer's works are organized by the S or S/G numbers.
Franz {Liszt}