Kenneth Clark argued that this painting was ultimately derived from a cast of the Borghese Hermaphroditus, and analysis established that a sheet in this painting was originally a deep mauve that has f
Kenneth Clark argued that this painting was ultimately derived from a cast of the Borghese Hermaphroditus, and analysis established that a sheet in this painting was originally a deep mauve that has faded. José López-Rey argued that an excessive 1965 cleaning of this painting revealed "tentative contours", though that cleaning also provided evidence against a theory about the overpainting of a face, and López-Rey also argued that this painting used the same model that appears in the artist's Coronation of the Virgin for Elisabeth of Frances. A single brushstroke of black-laden paint was used to trace the line from the middle of the primary figure's back to her thigh, and a winged child drapes ribbons of pink and grey over the ebony frame of a mirror, which reflects the face of the primary figure, who is a brunette sitting on a sheet of grey-black satin. For 10 points, name this painting of a recument goddess of love staring at her reflection, a work of Diego Velázquez. 
Kenneth Clark argued that this painting was ultimately derived from a cast of the Borghese Hermaphroditus, and analysis established that a sheet in this painting was originally a deep mauve that has faded.
{Rokeby Venus} or La {Venus del espejo} or The {Toilet} of {Venus} or {Venus} at her Mirror or {Venus} and {Cupid}