In 2003, Paul Moravec composed a fantasy based on this work for the Trio Solisti. Meredith Oakes adapted this work into a libretto in short rhyming couplets for a 2004 Thomas Ades opera based on it. Jean Sibelius wrote the movements "The Oak Tree" and "Dance of the Naiads" for his opus 109 incidental music to this work, which was the second-to-last piece he composed. Vladimir Stasov provided the outline for Tchaikovsky's opus 18 symphonic fantasy based on this play. According to Anton Schindler, Beethoven claimed that t
In 2003, Paul Moravec composed a fantasy based on this work for the Trio Solisti. Meredith Oakes adapted this work into a libretto in short rhyming couplets for a 2004 Thomas Ades opera based on it. Jean Sibelius wrote the movements "The Oak Tree" and "Dance of the Naiads" for his opus 109 incidental music to this work, which was the second-to-last piece he composed. Vladimir Stasov provided the outline for Tchaikovsky's opus 18 symphonic fantasy based on this play. According to Anton Schindler, Beethoven claimed that this play was the key to his seventeenth piano sonata. Arthur Sullivan's incidental music to it includes the songs "While you do here snoring lie" and "Full fathom five thy father lies," which are respectively sung to Gonzalo and Ferdinand. For 10 points, name this Shakespeare play whose main songs are sung by Ariel, the magical servant of Prospero.
In 2003, Paul Moravec composed a fantasy based on this work for the Trio Solisti.
The Tempest