This man reversed the Andante funebre e doloroso, ma con moto and Allegretto vivo e scherzando movements in his third string quartet in E-flat minor. Piano variations on a theme by Gluck succeed a Preghiera movement based on a Lizst transcription of Ave Verum Corpus in his fourth suite, dubbed "Mozartiana." A 36 bar section marked sempre marcatissimo is part of the finale of a work which begins with a first movement based on the form of a sonatina and a second movement Valse.  An Andante cantabile second movement distinguishes his first string quartet in D major. Wilhelm Fitzenhagen aided the composition of his Variations on a Rococo Theme, w
This man reversed the Andante funebre e doloroso, ma con moto and Allegretto vivo e scherzando movements in his third string quartet in E-flat minor. Piano variations on a theme by Gluck succeed a Preghiera movement based on a Lizst transcription of Ave Verum Corpus in his fourth suite, dubbed "Mozartiana." A 36 bar section marked sempre marcatissimo is part of the finale of a work which begins with a first movement based on the form of a sonatina and a second movement Valse.  An Andante cantabile second movement distinguishes his first string quartet in D major. Wilhelm Fitzenhagen aided the composition of his Variations on a Rococo Theme, while his second symphony opens with a solo horn playing a Ukrainian folk song. A bassoon passage marked pppppp precedes a chorale based on the Russian Orthodox hymn for the dead in his last symphony. For 10 points, name this composer of the "Little Russian" and "Pathetique" symphonies.
This man reversed the Andante funebre e doloroso, ma con moto and Allegretto vivo e scherzando movements in his third string quartet in E-flat minor.
Pyotr Illyich {Tchaikovsky}