At one point during the music video to this song, an image of a sports crowd waving white towels is shown during a lyric about a premature victory roar. Early in this song some smoke appears "not white, but red". One figure in this song notes that he is "exposing to everyone my powerful rod", which he rhymes with the fact that he is "white horseman, defender of God". Much of this song purports to tell the story of Beelzeb
At one point during the music video to this song, an image of a sports crowd waving white towels is shown during a lyric about a premature victory roar. Early in this song some smoke appears "not white, but red". One figure in this song notes that he is "exposing to everyone my powerful rod", which he rhymes with the fact that he is "white horseman, defender of God". Much of this song purports to tell the story of Beelzebub the Great, who was crucified at the stake. The main figure in this song compares his job to a lion killing an antelope and a hammer hitting a cantaloupe and wears an upside-down cross to show his titular rank. For ten points, name this sequel to Elektronik, Supersonik, a song by Zlad! about being a rival to the Bishop of Rome.
At one point during the music video to this song, an image of a sports crowd waving white towels is shown during a lyric about a premature victory roar.
I {am} the {Anti}-{Pope}