This poem uses the comparison of a "magic lantern [that] threw the nerves in patterns on the screen," and the speaker mentions "the Eternal footman." Described as "rub[bing] its back upon the window-panes" is a "yellow fog," and the speaker describes himself as "Lazarus, come from the dead" before lamenting "that is not what I meant at all." Beginning with "let us go then, you and I, this poem features "women [who] come and go / talking of Michel
This poem uses the comparison of a "magic lantern [that] threw the nerves in patterns on the screen," and the speaker mentions "the Eternal footman." Described as "rub[bing] its back upon the window-panes" is a "yellow fog," and the speaker describes himself as "Lazarus, come from the dead" before lamenting "that is not what I meant at all." Beginning with "let us go then, you and I, this poem features "women [who] come and go / talking of Michelangelo." For 10 points, name this supposedly romantic dramatic monologue by T.S. Eliot.
This poem uses the comparison of a "magic lantern [that] threw the nerves in patterns on the screen," and the speaker mentions "the Eternal footman.
“The {Love Song} of {J. Alfred Prufrock”}