In this work's final chapter, the main character goes to the theater to see Theodore Korner's Rosamunde, after which she experiences an imaginary conversation with another character during her carriage ride home. In a literary debate with Doctor Reimer, who accuses a writer portraying, "unstable human beings," this novel's title character notes in Reimer "a certain rebellion," against that writer's greatness, and this novel's fifth chapter consists entirely of the recollections of Adele Schopenhauer, the philosopher's sister. This novel's most notable chapter is its seventh, which comprises an interior monologue by a writer who rails against Pfaff's attack on his color theory and notes that 
In this work's final chapter, the main character goes to the theater to see Theodore Korner's Rosamunde, after which she experiences an imaginary conversation with another character during her carriage ride home. In a literary debate with Doctor Reimer, who accuses a writer portraying, "unstable human beings," this novel's title character notes in Reimer "a certain rebellion," against that writer's greatness, and this novel's fifth chapter consists entirely of the recollections of Adele Schopenhauer, the philosopher's sister. This novel's most notable chapter is its seventh, which comprises an interior monologue by a writer who rails against Pfaff's attack on his color theory and notes that if he had died first, it would have been up to Schiller to finish Faust. For ten points, identify work in which a woman who inspired a character in The Sorrows of Young Werther journeys to the title city for a reunion with Goethe, a novel subtitled "The Beloved Returns," and written by Thomas Mann.
In this work's final chapter, the main character goes to the theater to see Theodore Korner's Rosamunde, after which she experiences an imaginary conversation with another character during her carriage ride home.
Lotte in Weimar: The Beloved Returns [or Lotte en Weimar]