Towards the beginning of this work, the narrator recites, "We look before and after / And pine for what is not," after a lark reminds him of Shelley and proves that spring is not completely lazy. Later, the narrator envisions himself painting Ophelia drowning herself before finding a naked woman standing in front of him, and he had first heard about that woman from the packhorse driver Gembei. This novel's narrator visits Kagami pond, where he learns that a girl had drowned herself, and he often converses with the abbot Daitetsu. At the end of this novel, the narrator accompanies the family of a hotel proprietor in the hot spring town of Nakoi to the departure of Kyuichi Shioda for the war in Manchuria, which is als
Towards the beginning of this work, the narrator recites, "We look before and after / And pine for what is not," after a lark reminds him of Shelley and proves that spring is not completely lazy. Later, the narrator envisions himself painting Ophelia drowning herself before finding a naked woman standing in front of him, and he had first heard about that woman from the packhorse driver Gembei. This novel's narrator visits Kagami pond, where he learns that a girl had drowned herself, and he often converses with the abbot Daitetsu. At the end of this novel, the narrator accompanies the family of a hotel proprietor in the hot spring town of Nakoi to the departure of Kyuichi Shioda for the war in Manchuria, which is also the destination of O-Nami's ex-husband. For 10 points, name this novel about a Japanese painter, written by Natsume Soseki.,
Towards the beginning of this work, the narrator recites, "We look before and after / And pine for what is not," after a lark reminds him of Shelley and proves that spring is not completely lazy.
The Three Cornered World [or Kusamakura]