This work was reconstructed and directed by Robert Benedetti in 1981. At one point in this work, Nero and Caligula appear "combined in one person," while the second scene calls for ten thousand soldiers wearing Turkish costumes to appear onstage. Its libretto was written in the language of zaum by Aleksei Kruchenykh. Act two begins with an argument between "the cowards" and "the new ones," while in its final scene, an aviatior sings "Ha-ha-ha I am alive" after his plane crashes onstage. This opera describes the triumph of the "strong men" over the title entity, and features a bizarre geometric set designed by Kasimir Malevich. FTP, name this 1913 Futurist opera in which the title ? star is imprisoned in a concrete b
This work was reconstructed and directed by Robert Benedetti in 1981. At one point in this work, Nero and Caligula appear "combined in one person," while the second scene calls for ten thousand soldiers wearing Turkish costumes to appear onstage. Its libretto was written in the language of zaum by Aleksei Kruchenykh. Act two begins with an argument between "the cowards" and "the new ones," while in its final scene, an aviatior sings "Ha-ha-ha I am alive" after his plane crashes onstage. This opera describes the triumph of the "strong men" over the title entity, and features a bizarre geometric set designed by Kasimir Malevich. FTP, name this 1913 Futurist opera in which the title ? star is imprisoned in a concrete box.
This work was reconstructed and directed by Robert Benedetti in 1981.
{Victory} Over the {Sun}