This writer is the subject of several critical works by Carlos Bousono, who wrote the first major study of this writer's work. This poet wrote of "hatred-sized tigers," and "beats of a heart ignorant of almost everything but love," in his poem "Jungle and Sea," and developed a style he called "consciousness without limitation," in a volume containing such poems as "Death or the Waiting Room," and "Flying Fugue on a Horse." This author of the collection Swords Like Lips described a title figure as having "his ears singed by the terrifying words," in the poem "The Old Man is Like Moses," contained in his Dialogues of Knowledge, and his early collection Ambito was strongly influenced by surrealism. This poet recalled his native city of Malaga in his collection Shadows of Paradise, while many reflections on the Spanish Civil War are contained his volumes Final Birth and In a Vast Domain. For 10 points, identify this member of the Generation of '27, whose Surrealist-influenced poetry can be found in works such as D
This writer is the subject of several critical works by Carlos Bousono, who wrote the first major study of this writer's work. This poet wrote of "hatred-sized tigers," and "beats of a heart ignorant of almost everything but love," in his poem "Jungle and Sea," and developed a style he called "consciousness without limitation," in a volume containing such poems as "Death or the Waiting Room," and "Flying Fugue on a Horse." This author of the collection Swords Like Lips described a title figure as having "his ears singed by the terrifying words," in the poem "The Old Man is Like Moses," contained in his Dialogues of Knowledge, and his early collection Ambito was strongly influenced by surrealism. This poet recalled his native city of Malaga in his collection Shadows of Paradise, while many reflections on the Spanish Civil War are contained his volumes Final Birth and In a Vast Domain. For 10 points, identify this member of the Generation of '27, whose Surrealist-influenced poetry can be found in works such as Destruction or Love and History of the Heart, the winner of the 1977 Nobel Prize in Literature.
This writer is the subject of several critical works by Carlos Bousono, who wrote the first major study of this writer's work.
Vicente Aleixandre