This musician featured his characteristic "higher interval sounds" especially 9ths, 11ths, and 13ths in his standards "Moose the Mooch" and "Confirmation," while another song is a "contrafact" based on the chord progressions of the standard "How High the Moon." While playing "Cherokee" he famously had an epiphany about a style that he would later develop by using chord substitution and breaking the regularity of the rhythm section. He included the tracks "Ko-Ko" and "Billie's Bounce" on a 1945 Savoy recording called "th
This musician featured his characteristic "higher interval sounds" especially 9ths, 11ths, and 13ths in his standards "Moose the Mooch" and "Confirmation," while another song is a "contrafact" based on the chord progressions of the standard "How High the Moon." While playing "Cherokee" he famously had an epiphany about a style that he would later develop by using chord substitution and breaking the regularity of the rhythm section. He included the tracks "Ko-Ko" and "Billie's Bounce" on a 1945 Savoy recording called "the greatest Jazz session ever" with his longtime collaborator Dizzy Gillespie. This man got his moniker from the songs "Yardbird Suite" and "Ornithology." For 10 points, name this Bebop jazz saxophonist nicknamed "The Bird."
This musician featured his characteristic "higher interval sounds" especially 9ths, 11ths, and 13ths in his standards "Moose the Mooch" and "Confirmation," while another song is a "contrafact" based on the chord progressions of the standard "How High the Moon."
Charlie {Parker}