The first section after this work's prologue depicts a plane's shadow over a cheering crowd. The myth that this film was edited down from 250 miles of footage was debunked in the Ray Mueller film about its director's "Wonderful, Horrible Life." "We Are the Dawn" plays as this film opens with a rather homoerotic montage of s
The first section after this work's prologue depicts a plane's shadow over a cheering crowd. The myth that this film was edited down from 250 miles of footage was debunked in the Ray Mueller film about its director's "Wonderful, Horrible Life." "We Are the Dawn" plays as this film opens with a rather homoerotic montage of strapping young men washing one another's backs; its closing scene is compiled from footage from an NSDAP rally, much like the director's earlier piece, Der Sieg des Glaubens, which had become unsuitable with the fall from favor of Ernst Röhm. For 10 points, name this film, a 1935 work of Nazi propagandist Leni Riefenstahl.
The first section after this work's prologue depicts a plane's shadow over a cheering crowd.
{Triumph} of the {Will} [or {Triumph} des {Willens}]