The ensenhamen that belonged to members of this occupation is an analogue to the genre mirror of princes. The women who were part of it, such as Tibors, were always of high birth. Certamina describe three of them debating, while the Latin word malus gives its name to a form that describes them complaining about women. One member that fits this group developed the style known as clus and was Marcabru. Notes on their work a
The ensenhamen that belonged to members of this occupation is an analogue to the genre mirror of princes. The women who were part of it, such as Tibors, were always of high birth. Certamina describe three of them debating, while the Latin word malus gives its name to a form that describes them complaining about women. One member that fits this group developed the style known as clus and was Marcabru. Notes on their work are razos while information on their lives comes from vidas. Arnaut Daniel was one that created the form sestina, and these peoples were usually associated with the losing side of the Albigensian Crusade, and primarily wrote in Occitan. For ten points identify this profession that used Languedoc, usually assisted by jongleurs and contrasted with trouveres.
The ensenhamen that belonged to members of this occupation is an analogue to the genre mirror of princes.
{troubadours} (prompt on {chansonniers} before {certamen}, accept {troubaritz} until {Marcabru... anyone who buzzes} in with {poet needs} to be {slapped}, and not {prompted})