He called himself "Happy—like a man with a woman" and wrote "A night in June.  You're seventeen, and drunk on it" in his early works "Sensation" and "Popular Fiction," which contrast with the later description of his brain as a "green-white wad of fat" in "Shame." His later prose works include The Deserts of Love and a collection which calls flesh "a fruit hanging in the orchard," Illuminations. He also wrote a poem about a boy who feels the nails of two nuns orgasmically kill his lice and a poem containing a synesthesic treatment of vowels, which he refers to in the "Delirium II" section of his longest work. That wor
He called himself "Happy—like a man with a woman" and wrote "A night in June.  You're seventeen, and drunk on it" in his early works "Sensation" and "Popular Fiction," which contrast with the later description of his brain as a "green-white wad of fat" in "Shame." His later prose works include The Deserts of Love and a collection which calls flesh "a fruit hanging in the orchard," Illuminations. He also wrote a poem about a boy who feels the nails of two nuns orgasmically kill his lice and a poem containing a synesthesic treatment of vowels, which he refers to in the "Delirium II" section of his longest work. That work's first section, "Delirium I," includes the confession of a man who may be Paul Verlaine. For 10 points, name this author of A Season in Hell.
He called himself "Happy—like a man with a woman" and wrote "A night in June.  
Arthur {Rimbaud}