One reimagining of this painting puts a hole in the chest of one figure and shows a large blue road which culminates in a horizon featuring a car jutting into the air. Another reimagining shows stone figures whose heads part the clouds, and that work is called an "Archaeological Reminiscence." The primary figures are replaced with two huge white stones in a red landscape in a "Architectonic" version of this painting.  X-rays revealed there may have been a coffin in this painting, possibly confirming a hypothesis put forth in a book about this painting's "tragic myth" by Salvador Dali. Commissioned by Thomas G. Appleton, a steeple was added to
One reimagining of this painting puts a hole in the chest of one figure and shows a large blue road which culminates in a horizon featuring a car jutting into the air. Another reimagining shows stone figures whose heads part the clouds, and that work is called an "Archaeological Reminiscence." The primary figures are replaced with two huge white stones in a red landscape in a "Architectonic" version of this painting.  X-rays revealed there may have been a coffin in this painting, possibly confirming a hypothesis put forth in a book about this painting's "tragic myth" by Salvador Dali. Commissioned by Thomas G. Appleton, a steeple was added to this work, which depicts a man holding his hat and a woman clasping her hands as they stare down at their farmland. For 10 points, name this painting originally titled Prayer for the Potato Crop, a work of Jean-Francois Millet.
One reimagining of this painting puts a hole in the chest of one figure and shows a large blue road which culminates in a horizon featuring a car jutting into the air.
{L'Angelus} or The {Angelus}