The march from the finale of his first symphony was reused in a work that was heavily based on Donizetti's Don Pasquale, this man's Don Procopio. The aria "Nour-Eddin, Roi de Lahore" is sung by the title slave girl of another of his operas, while another of his works centers around Catherine Glover and is based on a Sir Walter Scott novel. In addition to Djamileh and The Fair Maid of Perth, he adapted his incidental music for a Daudet play into the L'Arlesienne suites and composed an opera in which the duet "Au Fond du Temple Saint" is sung by Zurga and Nadir, his The Pearl Fishers. For 10 points, identify this French
The march from the finale of his first symphony was reused in a work that was heavily based on Donizetti's Don Pasquale, this man's Don Procopio. The aria "Nour-Eddin, Roi de Lahore" is sung by the title slave girl of another of his operas, while another of his works centers around Catherine Glover and is based on a Sir Walter Scott novel. In addition to Djamileh and The Fair Maid of Perth, he adapted his incidental music for a Daudet play into the L'Arlesienne suites and composed an opera in which the duet "Au Fond du Temple Saint" is sung by Zurga and Nadir, his The Pearl Fishers. For 10 points, identify this French composer who wrote Escamillo's " Toreador Song" and "Habanera" for his opera Carmen. 
The march from the finale of his first symphony was reused in a work that was heavily based on Donizetti's Don Pasquale, this man's Don Procopio.
Georges {Bizet} [or {Alexandre Cesar Leopold Bizet}]