In this painting, unmixed yellow and green pigments represent the length of the waterdrops, while red represents their shadows; Pierre Andrieu suggested that those water drops were inspired by the Nereids in The Landing of Marie de Medici. A figure with a head resembling that of Charles Le Brun's La Colere can be seen trying to clamber up, his arm almost touching the leg of a figure facing away from the viewer, who is nude but for a Persian blue cloth whipped up by the wind. A hint of white linen peaks out from one figure's robe, and that figure wears a laurel and remains calm, holding the hand of the physically unbalanced figure wearing a red cowl who stands to his left. A group of the damned struggle in the water, grasping at the title ob
In this painting, unmixed yellow and green pigments represent the length of the waterdrops, while red represents their shadows; Pierre Andrieu suggested that those water drops were inspired by the Nereids in The Landing of Marie de Medici. A figure with a head resembling that of Charles Le Brun's La Colere can be seen trying to clamber up, his arm almost touching the leg of a figure facing away from the viewer, who is nude but for a Persian blue cloth whipped up by the wind. A hint of white linen peaks out from one figure's robe, and that figure wears a laurel and remains calm, holding the hand of the physically unbalanced figure wearing a red cowl who stands to his left. A group of the damned struggle in the water, grasping at the title object, which holds on board the oarsman Phlegyas, the title figure, and his guide. For 10 points, name this painting which shows a scene from the Inferno, a work of Eugene Delacroix.
In this painting, unmixed yellow and green pigments represent the length of the waterdrops, while red represents their shadows; Pierre Andrieu suggested that those water drops were inspired by the Nereids in The Landing of Marie de Medici.
The {Barque} of {Dante} or {Dante} and {Virgil} in {Hell}