After dancing in Call Me Mister and the Hollywood adaptation of Kiss Me Kate, he choreographed his first show in 1954 in which he staged the numbers "Steam Heat" and "Hernando's Hideaway", Pajama Game. His next collaboration with Adler and Ross contained the number "Whatever
After dancing in Call Me Mister and the Hollywood adaptation of Kiss Me Kate, he choreographed his first show in 1954 in which he staged the numbers "Steam Heat" and "Hernando's Hideaway", Pajama Game. His next collaboration with Adler and Ross contained the number "Whatever Lola Wants", Damn Yankees, and introduced him to future wife Gwen Verdon, whom we would direct in Sweet Charity and a musical where she played Roxie Hart. His forays into film directing include a semi-autobiographical film about Joe Dideon, and a 1972 adaptation of a musical he originally choreographed, which won him the Academy Award for Best Director and contained such songs as "Tomorrow Belongs to Me" and "Wilkommen". Famous for his use of slow movement and tipped hats, for 10 points, this is what director and choreographer of All That Jazz, Chicago, and Cabaret?
After dancing in Call Me Mister and the Hollywood adaptation of Kiss Me Kate, he choreographed his first show in 1954 in which he staged the numbers "Steam Heat" and "Hernando's Hideaway", Pajama Game.
Bob {Fosse}