This poem's 33rd and final section concludes that "here is its actual stone," which will be our bed, and that "we shall forget by day, except/ The moments when we choose to play/ The imagined pine, the imagined jay." The 22nd section of this poem argues that "poetry is the subject of the poem/ from this the poem issues," while the 18th and 19th sections use the metaphor of a dream to describe how 
This poem's 33rd and final section concludes that "here is its actual stone," which will be our bed, and that "we shall forget by day, except/ The moments when we choose to play/ The imagined pine, the imagined jay." The 22nd section of this poem argues that "poetry is the subject of the poem/ from this the poem issues," while the 18th and 19th sections use the metaphor of a dream to describe how "I may reduce the monster to/ Myself, and then may be myself." In another section of this poem, the poet admits that he "cannot bring a world quite round/ Although I patch it as I can," and sings of a hero's head, "large eye/ And bearded bronze," through which the poet reaches "almost to man." In the opening lines of this poem, the title figure is describes as "a shearsman of sorts," and is accused of not playing things "as they are," to which he replies that "things as they are," are changed upon the title object. For ten points, identify this Wallace Stevens poem which takes its title from a Pablo Picasso painting.
This poem's 33rd and final section concludes that "here is its actual stone," which will be our bed, and that "we shall forget by day, except/
The Man With the Blue Guitar