This work alludes to Pliny's belief that razors would dull and bees would die in the presence of menstruating women in the chapter "Between Heaven and Earth." This work describes the soul as a "mannikin" and and the Arab burial of the "Old Man" of wheat and cites Snorri's description of the distribution of Halfdan the Black's body as a reflection of the worship of the Corn-God Osiris. A Turner painting is referenced and the priest of Nemi waiting in the grove of Diana is discussed in its first section, "The King of the 
This work alludes to Pliny's belief that razors would dull and bees would die in the presence of menstruating women in the chapter "Between Heaven and Earth." This work describes the soul as a "mannikin" and and the Arab burial of the "Old Man" of wheat and cites Snorri's description of the distribution of Halfdan the Black's body as a reflection of the worship of the Corn-God Osiris. A Turner painting is referenced and the priest of Nemi waiting in the grove of Diana is discussed in its first section, "The King of the Wood." Taking its name from Aeneas's method of accessing the underworld, for 10 points, identify this work of anthropology subtitled "A Study in Magic and Religion," written by James Fraser.
This work alludes to Pliny's belief that razors would dull and bees would die in the presence of menstruating women in the chapter "Between Heaven and Earth.
The {Golden Bough}