On either side of two skeletons, there are hands painted seeming to embrace this work. There are two breast-like objects, one of which seems to be a representation of a cell in metaphase while the other is an egg being fertilized. Hitler appears to one side of the work, a figure the painter referred to as a "lost child." This work is divided into three registers, with Aztec, Egyptian and Greek Gods at the top, the semi-divine heroes in the middle and the huddled masses at the bottom. There is a blazing sun with rays of hands extending to the corners of this work, while an inverted fetus dominates the middle. Inspired by an essay by Sigmund Freud, this work depicts the title figure with a fea
On either side of two skeletons, there are hands painted seeming to embrace this work. There are two breast-like objects, one of which seems to be a representation of a cell in metaphase while the other is an egg being fertilized. Hitler appears to one side of the work, a figure the painter referred to as a "lost child." This work is divided into three registers, with Aztec, Egyptian and Greek Gods at the top, the semi-divine heroes in the middle and the huddled masses at the bottom. There is a blazing sun with rays of hands extending to the corners of this work, while an inverted fetus dominates the middle. Inspired by an essay by Sigmund Freud, this work depicts the title figure with a feature, a third-eye of wisdom, that this painter often reserved for depicting her lover, Diego Rivera. For 10 points, name this work by Frida Kahlo, which depicts the title character swaddled in a small craft set on a river.
On either side of two skeletons, there are hands painted seeming to embrace this work.
Moses [or The Nucleus of Creation]