John Bennet's Weep, O Mine Eyes was an homage to John Dowland's composition of this type, and Paul Creston's Opus 89 consists of twelve variations of this type. The fourth movement of the John Adams composition John's Book of Alleged Dances features one of these subtitled "She's so Fine." A famous work of this type in F-sharp minor by Faure begins with the melody being played by a solo flute against some pizzicato strings. The best known musical composition of this type was originally a six-minute piano work dedicated to Winaretta Singer, but is often performed by an orchestra and begins with a French horn solo. The d
John Bennet's Weep, O Mine Eyes was an homage to John Dowland's composition of this type, and Paul Creston's Opus 89 consists of twelve variations of this type. The fourth movement of the John Adams composition John's Book of Alleged Dances features one of these subtitled "She's so Fine." A famous work of this type in F-sharp minor by Faure begins with the melody being played by a solo flute against some pizzicato strings. The best known musical composition of this type was originally a six-minute piano work dedicated to Winaretta Singer, but is often performed by an orchestra and begins with a French horn solo. The dance of this variety was adapted from the basse, and was often paired with a galliard in Spanish courts before being superseded by the courante. FTP, name this type of stately court dance that was popular during the 16th century, whose name appears in a composition by Maurice Ravel written for "a Dead Princess."
John Bennet's Weep, O Mine Eyes was an homage to John Dowland's composition of this type, and Paul Creston's Opus 89 consists of twelve variations of this type.
{pavane}