One work by this artist shows an open book in front of a man who grasps a lute with his left hand.  The subject of one of his three-quarters portraits rests his fingers on a book that describes his  "Herculean labors". He borrowed from Leonardo's Last Supper in his Venus and Amor. A vase appears in front of his portrait of George Giesze, and he painted the (*) Darmstadt Madonna. In one work, a globe rests next to the arm of Jean de Dinteville, who stands on one of this man's namesake carpets near an anamorphic skull. For 10 points, name this artist who made portraits of Erasmus and Thomas More and The French Ambassadors.
One work by this artist shows an open book in front of a man who grasps a lute with his left hand.  The subject of one of his three-quarters portraits rests his fingers on a book that describes his  "Herculean labors". He borrowed from Leonardo's Last Supper in his Venus and Amor. A vase appears in front of his portrait of George Giesze, and he painted the (*) Darmstadt Madonna. In one work, a globe rests next to the arm of Jean de Dinteville, who stands on one of this man's namesake carpets near an anamorphic skull. For 10 points, name this artist who made portraits of Erasmus and Thomas More and The French Ambassadors.
One work by this artist shows an open book in front of a man who grasps a lute with his left hand.  
Hans Holbein the Younger