In one work, this man argues against the objectivity of "sentimental time" by drawing an analogy to "pictorial space," and posits tropes or cycles as units that bridge the "flux of existence." In another work, he argues that it is futile to find epistemological certainty in brief "instances of awareness," as they are devoid of essences, and argues instead for a doctrine of the psyche. His lesser-known work includes Dominations and Powers, published late in life, and Egotism in German Philosophy. He included two colloquies between Socrates and the Stranger in Dialogues in Limbo and also wrote the aesthetic treatise The Sense of Beauty. Better 
In one work, this man argues against the objectivity of "sentimental time" by drawing an analogy to "pictorial space," and posits tropes or cycles as units that bridge the "flux of existence." In another work, he argues that it is futile to find epistemological certainty in brief "instances of awareness," as they are devoid of essences, and argues instead for a doctrine of the psyche. His lesser-known work includes Dominations and Powers, published late in life, and Egotism in German Philosophy. He included two colloquies between Socrates and the Stranger in Dialogues in Limbo and also wrote the aesthetic treatise The Sense of Beauty. Better known for the two above-mentioned works, Realms of Being and Scepticism and Animal Faith, FTP, name this 20th century Spanish-American philosopher.
In one work, this man argues against the objectivity of "sentimental time" by drawing an analogy to "pictorial space," and posits tropes or cycles as units that bridge the "flux of existence.
George {Santayana}