In one of this man's paintings, a steamboat can be seen to the right of a literal cornucopia of crops flowing from a horn, while at center a shirtless man is about to wrangle a bull. Besides Hercules and Achelous, the Synchromist influence of his friend Stanton Macdonald-Wright can be seen in the swirls of color in works like Ballad of the Jealous Lover of Lone Green Valley. This lover of milkweed collaborated with his student Margot Peet for one of his nude Persephone paintings, both of which are at the Nelson-Atkins Museum. He painted views of Chilmark, near his home on Martha's Vineyard, while vignettes like Lumber, Corn and Wheat and Cott
In one of this man's paintings, a steamboat can be seen to the right of a literal cornucopia of crops flowing from a horn, while at center a shirtless man is about to wrangle a bull. Besides Hercules and Achelous, the Synchromist influence of his friend Stanton Macdonald-Wright can be seen in the swirls of color in works like Ballad of the Jealous Lover of Lone Green Valley. This lover of milkweed collaborated with his student Margot Peet for one of his nude Persephone paintings, both of which are at the Nelson-Atkins Museum. He painted views of Chilmark, near his home on Martha's Vineyard, while vignettes like Lumber, Corn and Wheat and Cotton Loading characterize his America Today series. Scenes of lead and zinc farming and drilling appear in a series featuring works like Pioneer Days. For 10 points, name this teacher of Jackson Pollock, an American muralist and Regionalist, who created a series for the Missouri State Capital.
In one of this man's paintings, a steamboat can be seen to the right of a literal cornucopia of crops flowing from a horn, while at center a shirtless man is about to wrangle a bull.
Thomas Hart {Benton}