, the real version) The highly finished quality of this artist's oeuvre was influenced by his early training under goldsmith Antonio di Giovanni Dei, later exemplified in the silverwork of his Beheading of St. John the Baptist. The title creature grips a dolphin and stands on one leg in this artist's Winged Putto, (+) while Elena Capretti asserts that his Lady with Primroses was "the first portrait bust ever to be sculpted with complete arms and hands".  A life-size wooden and leather model earned him the commission for a famous work begun in 1479.  In another work, Ch
, the real version) The highly finished quality of this artist's oeuvre was influenced by his early training under goldsmith Antonio di Giovanni Dei, later exemplified in the silverwork of his Beheading of St. John the Baptist. The title creature grips a dolphin and stands on one leg in this artist's Winged Putto, (+) while Elena Capretti asserts that his Lady with Primroses was "the first portrait bust ever to be sculpted with complete arms and hands".  A life-size wooden and leather model earned him the commission for a famous work begun in 1479.  In another work, Christ pulls aside his robe to reveal a chest wound to an onlooking saint (*) in a sculpture for a niche at the Orsanmichele, The Incredulity of Saint Thomas.  God releases a dove towards Jesus, who is standing in a small pool of water in this artist's Baptism of Christ altarpiece, created with the help of a student.  FTP, name this Florentine painter and sculptor of Equestrian Monument to Bartolomeo Colleoni, the teacher of Ghirlandaio, Botticelli and Leonardo da Vinci.
, the real version) The highly finished quality of this artist's oeuvre was influenced by his early training under goldsmith Antonio di Giovanni Dei, later exemplified in the silverwork of his Beheading of St. John the Baptist.
Andrea del {Verrocchio} [3]