Although his early St. Luke's Altarpiece was most likely based on another altarpiece at Praglia, it still earned him a commission for his Agony in the Garden. (+)  A martyr stands next to the foot of a ruined sculpture while an archer talks to another man in one work, while he teamed up with Nicolo Pizolo to show a condemned saint blessing (*) a man for the Ovetari Chapel.  For one of his largest commissions, this artist of three portraits of St. Sebastian showed a dog resting under the seat of Marsilio Andreasi in the Court Scene for the Room of the Newlyweds, which also contained an openly painted ceiling decorated with cherubs.  Two women grieve as pierced feet are prominently displayed in a 1480 canonical example of foreshortening.  FTP, identify this Renaissance artist of St. James Led To His Execution and the Dead Christ.
Although his early St. Luke's Altarpiece was most likely based on another altarpiece at Praglia, it still earned him a commission for his Agony in the Garden. (+)  A martyr stands next to the foot of a ruined sculpture while an archer talks to another man in one work, while he teamed up with Nicolo Pizolo to show a condemned saint blessing (*) a man for the Ovetari Chapel.  For one of his largest commissions, this artist of three portraits of St. Sebastian showed a dog resting under the seat of Marsilio Andreasi in the Court Scene for the Room of the Newlyweds, which also contained an openly painted ceiling decorated with cherubs.  Two women grieve as pierced feet are prominently displayed in a 1480 canonical example of foreshortening.  FTP, identify this Renaissance artist of St. James Led To His Execution and the Dead Christ.
Although his early St. Luke's Altarpiece was most likely based on another altarpiece at Praglia, it still earned him a commission for his Agony in the Garden.
Andrea {Mantegna} [2]