A brown-and-white dog stands at the bank of a small river in the foreground of this work, while a white-walled building with a peaked roof and a brick chimney sits on the left in front of copse which ends near the centerline of the canvas. The trees are now gone, but the building, owned by Willy Lott, survives almost unaltered to this day. It did not attract attention until displayed in France, where it was praised by Gericault. Depicting a scene
A brown-and-white dog stands at the bank of a small river in the foreground of this work, while a white-walled building with a peaked roof and a brick chimney sits on the left in front of copse which ends near the centerline of the canvas. The trees are now gone, but the building, owned by Willy Lott, survives almost unaltered to this day. It did not attract attention until displayed in France, where it was praised by Gericault. Depicting a scene in the River Stour in Suffolk, two black horses wading in the river pull the title object, which carries two men. FTP, name this 1821 painting by John Constable, which shares its name with a triptych by Hieronymous Bosch.
A brown-and-white dog stands at the bank of a small river in the foreground of this work, while a white-walled building with a peaked roof and a brick chimney sits on the left in front of copse which ends near the centerline of the canvas.
The {Haywain}