This work includes "paired butterflies" that are "already yellow with August" and which hurt the speaker, and also notes "different mosses / Too deep to clear them away!" The speaker asks why he should climb the lookout, and stopped scowling at fifteen because "I desired my dust to be mingled with yours / Forever and forever and forever." The speaker also "played about the front gate, pulling flowers" while his hair "was still cut straight across [his] forehead." The narrator "never looked at the wall," and "never looked back" after being "called to, a thousand times." Ending with the speaker offering to meet the title figure "as far as (*) Cho-fu-Sa," for 10 points, identify this poem concerning a spouse, an Ezra Pound translation of a poe
This work includes "paired butterflies" that are "already yellow with August" and which hurt the speaker, and also notes "different mosses / Too deep to clear them away!" The speaker asks why he should climb the lookout, and stopped scowling at fifteen because "I desired my dust to be mingled with yours / Forever and forever and forever." The speaker also "played about the front gate, pulling flowers" while his hair "was still cut straight across [his] forehead." The narrator "never looked at the wall," and "never looked back" after being "called to, a thousand times." Ending with the speaker offering to meet the title figure "as far as (*) Cho-fu-Sa," for 10 points, identify this poem concerning a spouse, an Ezra Pound translation of a poem by Li Po.
This work includes "paired butterflies" that are "already yellow with August" and which hurt the speaker, and also notes "different mosses /
“The {River-Merchant’s Wife}: A Letter”