The last section of the third of these begins by asking "…are you/ able to know anything of/the eternal darkness which/you stirred in your lover?" before later entreating the addressee to "show him the counterweight of darkness…/Stop him…" In a later one, the speaker notes that he has "long found it significant" that the fig tree "omit[s], almost entirely, to flower."; that one follows one dedicated "to Frau Hertha Koenig" which asks "Who are these rambling acrobats/less secure than even we?" The first of the set, which was inspired by some cliffs the author came across near the castle he was 
The last section of the third of these begins by asking "…are you/ able to know anything of/the eternal darkness which/you stirred in your lover?" before later entreating the addressee to "show him the counterweight of darkness…/Stop him…" In a later one, the speaker notes that he has "long found it significant" that the fig tree "omit[s], almost entirely, to flower."; that one follows one dedicated "to Frau Hertha Koenig" which asks "Who are these rambling acrobats/less secure than even we?" The first of the set, which was inspired by some cliffs the author came across near the castle he was staying in, begins "Who, if I cried out, would hear me among the orders of the angels?" Containing a shit-ton more allusions to angels, FTP, name this set of ten poems by Rainer Maria Rilke named for a region in Italy.
The last section of the third of these begins by asking "…are you/ able to know anything of/the eternal darkness which/you stirred in your lover?
the {Duino Elegies} (or {Duineser Elegien}) (2) [RC]