One of this work's characters reflects on his first sexual encoutner with a prostitute that "by the time he realized this was a woman, it was done," while another concludes that "father is a reality concluding machine" and wishes they would butter their toast with potassium cyanide. The most graphically disturbing scene of this novel occurs after a group decides to address their "lack of objectivity" toward a kitten by killing it and repeatedly squeezing its heart. Its protagonist – who is sometimes known as "Number 3" 
One of this work's characters reflects on his first sexual encoutner with a prostitute that "by the time he realized this was a woman, it was done," while another concludes that "father is a reality concluding machine" and wishes they would butter their toast with potassium cyanide. The most graphically disturbing scene of this novel occurs after a group decides to address their "lack of objectivity" toward a kitten by killing it and repeatedly squeezing its heart. Its protagonist – who is sometimes known as "Number 3" – voyeuristically spies on the sexual escapades of his mother, first with herself and later with the titler figure, while this novel was published three years after its author's account of the romance between (*) Noguchi and restaurant owner Kazu, After the Banquet. In response to the titular event, a reprisal is organized by "the Chief," a wealthy but unsupervised teen who leads a fascist group which includes the protagonist, whose mother Fusako has predictably anti-Westernization attitudes. Ryuji Tuskazaki's romance with Fusako leads to resentment by Noboru Kuroda in, FTP, what nautically-titled work by Mishima Yukio?
One of this work's characters reflects on his first sexual encoutner with a prostitute that "by the time he realized this was a woman, it was done," while another concludes that "father is a reality concluding machine" and wishes they would butter their toast with potassium cyanide.
The {Sailor Who Fell from Grace with the Sea}