The German critic Friedrich Luft notably called this work the "twilight of the Gods in the gutter," while Mary Anderson examined it as a "sociopolitical tract." At one point, a character asks "but that was the jazz of a very special hotel, wasn't it?" after he relates his homosexual experience with a Greek boy, and then he discusses the "value difference between pornographic playing cards when you're a kid…and when you're older." We are then told the story of a dog, who's all black except for his bloodshot eyes and constant erection, and gets fed hamburger meat for several days, but keeps attacking so he's fed rat poison. We constantly hear how one character has two 
The German critic Friedrich Luft notably called this work the "twilight of the Gods in the gutter," while Mary Anderson examined it as a "sociopolitical tract." At one point, a character asks "but that was the jazz of a very special hotel, wasn't it?" after he relates his homosexual experience with a Greek boy, and then he discusses the "value difference between pornographic playing cards when you're a kid…and when you're older." We are then told the story of a dog, who's all black except for his bloodshot eyes and constant erection, and gets fed hamburger meat for several days, but keeps attacking so he's fed rat poison. We constantly hear how one character has two daughters instead of a son, and has two cats and two parakeets in a cage, which appear in this work's prequel Homelife. FTP, name this play which ends when Jerry stabs himself after lunging at Peter, the first play by Edward Albee.
The German critic Friedrich Luft notably called this work the "twilight of the Gods in the gutter," while Mary Anderson examined it as a "sociopolitical tract.
The {Zoo Story}