This composer chose "Heaven, the Rise of All to the Spiritual" to constitute the "future" portion of a highly complex work which centrally features the hymn "Bethany" and consists of 20 independently evolving musical lines. That work, written for multiple orchestras, was created years after his eclectic collection of tunes including a ragtime allegro and notably bitonal interludes, Variations on "America." He notably inserted a Lento maestoso to depart from the four-movement structure in his Symphon No. 2, reflecting his unhappiness with the conformity of Horatio Parker. This composer of the (*) Universe Symphony incorporated Sousa's "Washington Post March" into Central Park in the Dark, the second of "Two Contemplations," whose companion piece includes seven notable trumpet solos which may constitute the title en
This composer chose "Heaven, the Rise of All to the Spiritual" to constitute the "future" portion of a highly complex work which centrally features the hymn "Bethany" and consists of 20 independently evolving musical lines. That work, written for multiple orchestras, was created years after his eclectic collection of tunes including a ragtime allegro and notably bitonal interludes, Variations on "America." He notably inserted a Lento maestoso to depart from the four-movement structure in his Symphon No. 2, reflecting his unhappiness with the conformity of Horatio Parker. This composer of the (*) Universe Symphony incorporated Sousa's "Washington Post March" into Central Park in the Dark, the second of "Two Contemplations," whose companion piece includes seven notable trumpet solos which may constitute the title entity. "Decoration Day" and "Washington's Birthday" comprise the title elements of another piece by this composer of The Unanswered Question, who was inspired by locales like "The Housatonic at Stockbridge" to create his best-known piece. FTP, name this American behind A Symphony: New England Holidays and Three Places in New England.
This composer chose "Heaven, the Rise of All to the Spiritual" to constitute the "future" portion of a highly complex work which centrally features the hymn "Bethany" and consists of 20 independently evolving musical lines.
Charles {Ives}