This work describes Johanna as a "fallen woman" who is seduced by a man who was "entirely himself" but could not be a "fallen man." The male protagonist of this work vividly remembers sitting on his father's knee and being offered a meerschaum pipe. Regina is actually the (*) half-sister of this work's male protagonist, who is an artist returning from Paris to see his mother Helen. An orphanage in this work catches fire after two characters walk through a carpenter's shop, which causes Engstrand to hatch a blackmail scheme to gain funds for his Sailors' Home. The views of this work's male protagonist are contrasted with the stuffy morality of
This work describes Johanna as a "fallen woman" who is seduced by a man who was "entirely himself" but could not be a "fallen man." The male protagonist of this work vividly remembers sitting on his father's knee and being offered a meerschaum pipe. Regina is actually the (*) half-sister of this work's male protagonist, who is an artist returning from Paris to see his mother Helen. An orphanage in this work catches fire after two characters walk through a carpenter's shop, which causes Engstrand to hatch a blackmail scheme to gain funds for his Sailors' Home. The views of this work's male protagonist are contrasted with the stuffy morality of Parson Manders. For 10 points, name this play that presents the sins of Captain Alving and the syphilis of Oswald as the titular spirits, a work by Ibsen.
This work describes Johanna as a "fallen woman" who is seduced by a man who was "entirely himself" but could not be a "fallen man.
{Ghosts} [or {Gengangere}]