Part five of John Ashbery's Flow Chart ends with a double sestina based on a poem by this author beginning, "There is no woman living who draws breath / So sad as I,"  "The Complaint of Lisa." T.S. Eliot's The Sacred Wood includes sections on him "as Critic" and "as Poet," in which he praises this author's Tristram of Lyonesse. He noted "Ask nothing more of me, sweet / All I can give you I give" in "The Oblation," and another of his poems praises "whatever gods may be" out of "too much love of l
Part five of John Ashbery's Flow Chart ends with a double sestina based on a poem by this author beginning, "There is no woman living who draws breath / So sad as I,"  "The Complaint of Lisa." T.S. Eliot's The Sacred Wood includes sections on him "as Critic" and "as Poet," in which he praises this author's Tristram of Lyonesse. He noted "Ask nothing more of me, sweet / All I can give you I give" in "The Oblation," and another of his poems praises "whatever gods may be" out of "too much love of living." For 10 points, name this early Decadent, the author of "The Garden of Prosperine," The Triumph of Time, three sets of Poems and Ballads, and Atalanta in Calydon.
Part five of John Ashbery's Flow Chart ends with a double sestina based on a poem by this author beginning, "There is no woman living who draws breath /
Algernon {Swinburne}