One creation of this artist features an outer decorum that includes Euclid working at his desk, designed by Nino Pisano, and prominent hexagonal panels created by Andrea Pisano. This man's Last Judgment features an unusually vivid depiction of hell, in which yellow and green serpents flank a blue-skinned Satan. A halo appears around a very manlike baby Jesus as Mary sits enthroned in his Ognissanti Madonna, displayed at the Uffizi. A lone tower rising near the Santa Maria del Fiore was designed by this artist, and is known as his namesake (*) Campanile. An obese man gets entirely hammered at left in the Marriage at Cana and a mob with long torches surrounds the centr
One creation of this artist features an outer decorum that includes Euclid working at his desk, designed by Nino Pisano, and prominent hexagonal panels created by Andrea Pisano. This man's Last Judgment features an unusually vivid depiction of hell, in which yellow and green serpents flank a blue-skinned Satan. A halo appears around a very manlike baby Jesus as Mary sits enthroned in his Ognissanti Madonna, displayed at the Uffizi. A lone tower rising near the Santa Maria del Fiore was designed by this artist, and is known as his namesake (*) Campanile. An obese man gets entirely hammered at left in the Marriage at Cana and a mob with long torches surrounds the central figures in Kiss of Judas, two works this artist painted in a series along with his most famous painting, in which cloaked figures gather around a corpse below glowing cherubs flitting through a dark blue sky. Creating his Lamentation for a building commissioned by the Scrovegni family, FTP, identify this early renaissance painter, a student of Cimabue who decorated the Arena Chapel.
One creation of this artist features an outer decorum that includes Euclid working at his desk, designed by Nino Pisano, and prominent hexagonal panels created by Andrea Pisano.
{Giotto} de {Bondone} [accept either name]