Close inspection of the upper left of this work reveals ghostly ruins in the clouds, a remnant of the modifications made to it by Dosso Dossi. A pheasant sits in a tree in its upper right, above a wooden bucket displaying a nameplate. In the lower left of this painting, an orange-clad man puts his arm around the shoulders of a donkey, who stands next to a cask which a kneeling young woman is draining. Much of its current background, including the stone promontory, was actually painted by Titian, who created most of the other works in Alfonso d'Este's "alabaster chamber", which was this painting's original home. A black eagle lurks in the middle of this work's central scene, directly behind the quince-holding Cybele and the amorous Neptune. It depicts two scenes from Ovid's Fasti, with Priapus attempting to seduce the sleeping Lotis on the right. For 10 points, id
Close inspection of the upper left of this work reveals ghostly ruins in the clouds, a remnant of the modifications made to it by Dosso Dossi. A pheasant sits in a tree in its upper right, above a wooden bucket displaying a nameplate. In the lower left of this painting, an orange-clad man puts his arm around the shoulders of a donkey, who stands next to a cask which a kneeling young woman is draining. Much of its current background, including the stone promontory, was actually painted by Titian, who created most of the other works in Alfonso d'Este's "alabaster chamber", which was this painting's original home. A black eagle lurks in the middle of this work's central scene, directly behind the quince-holding Cybele and the amorous Neptune. It depicts two scenes from Ovid's Fasti, with Priapus attempting to seduce the sleeping Lotis on the right. For 10 points, identify this painting that depicts a bacchanal involving a group of deities, a work by Giovanni Bellini.
Close inspection of the upper left of this work reveals ghostly ruins in the clouds, a remnant of the modifications made to it by Dosso Dossi.
The Feast of the Gods