Composer and piece type required. One of these pieces in A major starts with an immediate octave drop in the first violins. Another of these pieces begins with the strings playing one bar each of G, D, E-flat, and F-sharp in syncopated quarter notes. The main theme of the finale of a piece of this kind is a variation on the composer's aria "Ha, wie will ich triumphieren." A particularly animated middle movement in one of these pieces led Alfred Einstein to exclaim "What a deepening of the concept of Andante is here!" in
Composer and piece type required. One of these pieces in A major starts with an immediate octave drop in the first violins. Another of these pieces begins with the strings playing one bar each of G, D, E-flat, and F-sharp in syncopated quarter notes. The main theme of the finale of a piece of this kind is a variation on the composer's aria "Ha, wie will ich triumphieren." A particularly animated middle movement in one of these pieces led Alfred Einstein to exclaim "What a deepening of the concept of Andante is here!" in a study of its composer. The penultimate of these pieces unusually begins with the divided (*) viola accompaniment playing on the low strings, before the rest of the strings join in. All the themes come together in a "five-voice fugato" in one of these pieces that received its nickname from Johann Peter Salomon. The twenty-fifth of these pieces is known as the "little G minor," and two of the three to open with slow movements are nicknamed the Linz and the Prague. For 10 points, name these forty-one pieces, the last of which is known as the Jupiter
Composer and piece type required. One of these pieces in A major starts with an immediate octave drop in the first violins.
symphonies by Wolfgang Amadeus Mozart [or Mozart symphonies; prompt on partial answer]