This work is notable because of its lack of description outside coinage in later chronicles, save for a brief mention by Lucius Ampelius and a comment by Pausanias comparing it to Olympia. One part of this work features fifty-one panels that depict the son of Auge and Heracles being wounded by Achilles, who later heals him. In addition to the Telephus Frieze, this work is home to a depiction of the Fates clubbing Agrios and Thoas to death. That same section of this work features Hera riding a quadriga into battle while Alkyoneus is lifted into the air by Athena. It can currently be found with the Market Gate of Miletus and the Ishtar Gate in a namesake museum in Berlin. For 10 points, name this work known for its depiction of the Gigantomac
This work is notable because of its lack of description outside coinage in later chronicles, save for a brief mention by Lucius Ampelius and a comment by Pausanias comparing it to Olympia. One part of this work features fifty-one panels that depict the son of Auge and Heracles being wounded by Achilles, who later heals him. In addition to the Telephus Frieze, this work is home to a depiction of the Fates clubbing Agrios and Thoas to death. That same section of this work features Hera riding a quadriga into battle while Alkyoneus is lifted into the air by Athena. It can currently be found with the Market Gate of Miletus and the Ishtar Gate in a namesake museum in Berlin. For 10 points, name this work known for its depiction of the Gigantomachy, a famous Hellenistic altar from a city in Asia Minor ruled by the Attalids.
This work is notable because of its lack of description outside coinage in later chronicles, save for a brief mention by Lucius Ampelius and a comment by Pausanias comparing it to Olympia.
Pergamon Altar