One of this composer's pieces opens with a violin cadenza played entirely on the G-string. That piece was inspired by the improvisations of the Hungarian violin virtuoso Jelly d'Aranyi and was originally composed with a part for a piano fitted with lutheal. This man's students called for an encore of the "Malaguena" movement at the premiere of another work, which was inspired by his mother's Basque heritage. In addition to the gypsy-inspired Tzigane and (*) Rapsodie espagnole, this composer also
One of this composer's pieces opens with a violin cadenza played entirely on the G-string. That piece was inspired by the improvisations of the Hungarian violin virtuoso Jelly d'Aranyi and was originally composed with a part for a piano fitted with lutheal. This man's students called for an encore of the "Malaguena" movement at the premiere of another work, which was inspired by his mother's Basque heritage. In addition to the gypsy-inspired Tzigane and (*) Rapsodie espagnole, this composer also included a difficult "Scarbo" movement in his Gaspard de la nuit and wrote a solo piano piece titled after a sixteenth-century Spanish dance while studying under Gabriel Faure. This composer of the Pavane for a Dead Princess also wrote a piece for Ida Rubinstein which is underpinned by a snare drum ostinato and is notoriously repetitive. For 10 points, name this French composer of Bolero.
One of this composer's pieces opens with a violin cadenza played entirely on the G-string.
Maurice Ravel