This work concludes with the tonic played in different octaves by every instrument except the clarinets and first and third trumpets. The presto crescendo into the finale of this work reprises the rising scale in the horns that began it. The first and third sections feature the main theme in Adagio and are separated by a vivacissimo section, and the second appearance of the theme is in the relative minor. The ending of this piece was dubbed by Peter Franklin to be "the grandest celebration of C major there ever was." The composer of this worked labeled the trombone's solo theme "Aino" in his s
This work concludes with the tonic played in different octaves by every instrument except the clarinets and first and third trumpets. The presto crescendo into the finale of this work reprises the rising scale in the horns that began it. The first and third sections feature the main theme in Adagio and are separated by a vivacissimo section, and the second appearance of the theme is in the relative minor. The ending of this piece was dubbed by Peter Franklin to be "the grandest celebration of C major there ever was." The composer of this worked labeled the trombone's solo theme "Aino" in his sketches after his wife. Orignially premiered as Fantasia sinphonica No. 1, this work is opened softly by three notes in the timpani. For 10 points, name this one-movement composition, the last of its type by Jean Sibelius.
This work concludes with the tonic played in different octaves by every instrument except the clarinets and first and third trumpets.
Sibelius's Symphony No. 7 [accept Fantasia sinphonica before mentioned]