One book chapter about this work notes that many people "feel a particular fondness... for the mores of our Victorian past" and that a certain character is not a product of "the author's imagination" but instead "the reader's fantasy." Another book chapter about this work argues that this work constitutes a project to "reorganize culture from a woman's point of view." These chapters appear in The Feminization of American Culture and Sentimental Designs, the books which constitute the Ann Douglas/Jane Tompkins debate over this work. A more famous essay which focuses on this work argues that it provides the ur-form for a certain type of novel, a category which the author argues that Native Son also belongs in. For 10 points name this novel, written about in James Bal
One book chapter about this work notes that many people "feel a particular fondness... for the mores of our Victorian past" and that a certain character is not a product of "the author's imagination" but instead "the reader's fantasy." Another book chapter about this work argues that this work constitutes a project to "reorganize culture from a woman's point of view." These chapters appear in The Feminization of American Culture and Sentimental Designs, the books which constitute the Ann Douglas/Jane Tompkins debate over this work. A more famous essay which focuses on this work argues that it provides the ur-form for a certain type of novel, a category which the author argues that Native Son also belongs in. For 10 points name this novel, written about in James Baldwin's "Everybody's Protest Novel," which features characters such as St. Clare, Topsy, Eva, and the titular religious slave.
One book chapter about this work notes that many people "feel a particular fondness... for the mores of our Victorian past" and that a certain character is not a product of "the author's imagination" but instead "the reader's fantasy."
Uncle Tom's Cabin