Many of this choreographer's ballets were created for Suzanne Farrell, including an abstract work separated into the movements Emeralds, Rubies, and Diamonds.
This artist choreographed the final collaboration between Kurt Weill and Bertolt Brecht, The Seven Deadly Sins. This artist choreographed the "water nymph ballet" for The Goldwyn Follies, as well as a ballet in which the Hoofer falls for the Stripper, only for her to be shot by the Boss. This choreographer's characteristic style emphasizes open arm positions broken at the wrist. Many of this choreographer's ballets were created for Suzanne Farrell, including an abstract work separated into the movements Emeralds, Rubies, and Diamonds. This choreographer of Jewels included extremely rapid footwork in many of his ballets, including Slaughter on Tenth Avenue. He was the balletmaster of the Ballets Russes from 1924 until 1929, before Lincoln Kirstein invited him to the United States. For 10 points, name this choreographer who founded the School of American Ballet and the New York City Ballet.
This artist choreographed the final collaboration between Kurt Weill and Bertolt Brecht, The Seven Deadly Sins.
George Balanchine [or Georg Melitonovitch Balanchivadze]