The composer never filled in the left hand of the solo part in the second-to-last of these pieces, which is nicknamed the "Coronation."
They are not by Rameau, but these works are the subject of a classic musicological study by Cuthbert Girdlestone. In two of these pieces, both in E-flat major, the rondo finale is unexpectedly interrupted by a slow minuet section. The second movement of one of these pieces quotes from the overture to Johann Christian Bach's La calamita de cuori in response to that composer's death. The slow movement of another of these pieces, an F-sharp minor siciliana, is the only movement the composer ever wrote in that key. A complete cycle of these pieces was recorded by Malcolm Bilson and (*) John Eliot Gardiner, and in the ninth of these pieces the soloist interrupts the orchestra after only six beats. Only two of these pieces, the twentieth and twenty-fourth, are in minor keys. The composer never filled in the left hand of the solo part in the second-to-last of these pieces, which is nicknamed the "Coronation." For 10 points, name this group of 27 pieces for soloist and orchestra that include ones nicknamed "Jeunehomme" and "Elvira Madigan."
They are not by Rameau, but these works are the subject of a classic musicological study by Cuthbert Girdlestone.
piano concertos by Wolfgang Amadeus Mozart