In one culture, his distinctive crest represents the legs of a katydid, while his hunched back may indicate a connection to Aztec traders, though the earliest known depictions are from the Colonial period of the Hohokam.  
In one story he accompanies a gambler who incurs the wrath of the gods after marrying a sacred maiden.  His depictions may have been influenced by the encounter with the Moor Estevanico.  A similarly depicted female figure has been found among grave goods at Late (*) Mississipian sites.  In one culture, his distinctive crest represents the legs of a katydid, while his hunched back may indicate a connection to Aztec traders, though the earliest known depictions are from the Colonial period of the Hohokam.  His roles extended into agriculture, where he would drive out winter and usher in spring with his music.  Also known as Neopkwai'i among the Pueblo, and Olowlowishkya among the Zuni, most post-Columbian images retain his suggestive musical instrument, but not his giant phallus.  For 10 points name this flute-playing fertility god of the American Southwest.
In one story he accompanies a gambler who incurs the wrath of the gods after marrying a sacred maiden.  
{Kokopelli} [accept {Neopkwai'i} or {Olowlowishkya} until mentioned]