One passage cut from this play inspired the author's next major work and begins "The detail of the pattern is movement," while an extended passage that remained in this play has the laboring women lament, "I have smelt them, the death-bringers.
One passage cut from this play inspired the author's next major work and begins "The detail of the pattern is movement," while an extended passage that remained in this play has the laboring women lament, "I have smelt them, the death-bringers." Toward its end, Morville, Richard Brito, William de Traci, and Reginald Fitz Urse appeal to the audience's English nature in advising them to disperse without loitering and arguing that the title act was actually a suicide for which they have no culpability. Its two parts are separated by a (*) Christmas sermon, which, developing on the protagonist's reactions to the four Tempters' invitations to ally with the barons and/or king, reflects upon the proper place of Christian martyrdom. For 10 points, name this play by T. S. Eliot that depicts the same events as Jean Anoulih's Becket.
One passage cut from this play inspired the author's next major work and begins "The detail of the pattern is movement," while an extended passage that remained in this play has the laboring women lament, "I have smelt them, the death-bringers.
{Murder} in the {Cathedral}