Its composer had to revise its score many times over the years following its premiere, because the conflicting accentual relationships between the different lines made it difficult to figure out where to put the bar lines.  
Its composer had to revise its score many times over the years following its premiere, because the conflicting accentual relationships between the different lines made it difficult to figure out where to put the bar lines.  Gabriel Astruc, the theater manager, and the disliked choreography of Nijinsky may have been more responsible than the music for the riot at its premiere.  For ten points, name this ballet, music from which was used to accompany a film of the evolution of life in Fantasia, by Igor Stravinsky.
Its composer had to revise its score many times over the years following its premiere, because the conflicting accentual relationships between the different lines made it difficult to figure out where to put the bar lines.  
The {Rite} of {Spring} (accept Le {Sacre du Printemps})