One figure in this painting looks to his right at a vase held by a figure on the left of the canvas.
One figure in this painting looks to his right at a vase held by a figure on the left of the canvas. Brown curtains appear at the top; and on the right, in the distance, a man wearing a toga looks away from the scroll held in his outstretched arms. Next to that man, a column is partially blocked by the title figure's flowing blue robes. The title figure of this painting rests her bare foot on a pair of pillows at the bottom, and her elongated fingers graze the top of her white dress. For 10 points, a very large infant Jesus lies on the lap of the title figure in what mannerist masterpiece of Parmigianino, whose title references a noticeable physical feature of the Virgin Mary?
One figure in this painting looks to his right at a vase held by a figure on the left of the canvas.
The Madonna of the Long Neck [or The Madonna with the Long Neck; or Madonna and Child with Angels and St. Jerome; or La Madonna del Collo Lungo]