The title character of this work, during his first appearance, sings an aria that includes the famous repetition of his name, "Largo al factotum," and later he serves as a witness along with Lindoro on a document initially intended for Doctor Bartolo.
One character in this work sings "La calunnia è un venticello" to suggest a way to get rid of the male protagonist, however, he and the primary antagonist of this opera are made fun of when the protagonist later escapes arrest with the singing of "Fredda ed immobile." Don Basilio's inability to keep Lindoro away leads to his being forced to take a bribe later in the work or take two bullets in the head, after the man called Lindoro again gains entry to the same house disguised as a singing tutor. The title character of this work, during his first appearance, sings an aria that includes the famous repetition of his name, "Largo al factotum," and later he serves as a witness along with Lindoro on a document initially intended for Doctor Bartolo. For 10 points, name this opera that ends with the marriage of Rosina and Count Almaviva, all due to the efforts of Figaro, composed by Gioachino Rossini.
One character in this work sings "La calunnia è un venticello" to suggest a way to get rid of the male protagonist, however, he and the primary antagonist of this opera are made fun of when the protagonist later escapes arrest with the singing of "Fredda ed immobile."
The {Barber} of {Seville} [or The {Useless Precaution} or {Il barbiere di Siviglia} or {L'inutile precauzione}]