A servant stands bare-backed, having taken off his yellow jacket to cover his master, in a work by him showing men struggling uphill in the rain on the left, while a man with yellow umbrella is blown downhill on the right.
Small orange figures dot both shores of a work by him depicting the fording of a large river. A servant stands bare-backed, having taken off his yellow jacket to cover his master, in a work by him showing men struggling uphill in the rain on the left, while a man with yellow umbrella is blown downhill on the right. An eagle's head and forewings dominate the top of a work by him depicting a 100,000-acre snow-covered plain. Waterfalls cascade on the left of a work by him that shows two blue islands flanking the title aquatic phenomena; that is his (*) Views of the Whirpools at Awa. Two series of his begin with prints of crowd scenes at Nihonbashi Bridge, and he was a inspired by a predecessor's thirty-six-part series about a certain mountain to create a series of his own. For 10 points, name this creator of Fifty-Three Stations of the Tokaido, the last great ukiyo-e artist of the generation succeeding Hokusai.
Small orange figures dot both shores of a work by him depicting the fording of a large river.
Ando Hiroshige [or Utagawa Hiroshige; accept names in either order]