Both versions show Mary holding her hand over Jesus' head in a grotto.
One version of this painting may feature work by its artist's pupils such as Marco d'Oggiono and Giovan Antonio Boltraffio and was painted after the original was probably given to Louis XII. It was accompanied by side panels of angel-musicians by the de Predis brothers, part of the commission for the chapel of the Immaculate Conception in Milan's San Francesco Grande. Uriel does not point at John the Baptist in the London version, which also lacks John's cruciform stick, haloes, and its artist's characteristic sfumato. Both versions show Mary holding her hand over Jesus' head in a grotto. For 10 points, name these paintings by Leonardo da Vinci, named for their geologic features.
One version of this painting may feature work by its artist's pupils such as Marco d'Oggiono and Giovan Antonio Boltraffio and was painted after the original was probably given to Louis XII.
{Virgin} of the {Rocks} [accept {Madonna} of the {Rocks}]