The last section, "Atlantis," talks of the "bound cable strands" and the "telepathy of wires" the poet sees in Brooklyn.  
Its section titled "Cutty Sark" is designed as a fugue counterpointing the rhythms of a pianola with the ramblings of a derelict sailor.  The first section "Ave Maria" opens with Columbus returning to Spain.  "The Harbor Dawn" mimics through its meter the acceleration of a train.  The last section, "Atlantis," talks of the "bound cable strands" and the "telepathy of wires" the poet sees in Brooklyn.  FTP, name this 1930 poem by Hart Crane.
Its section titled "Cutty Sark" is designed as a fugue counterpointing the rhythms of a pianola with the ramblings of a derelict sailor.  
The Bridge