This man opened one work by musing that the twentieth century "was the century of fear" and arguing that individual humans must resist murdering or serving as accomplices to murder.
This man opened one work by musing that the twentieth century "was the century of fear" and arguing that individual humans must resist murdering or serving as accomplices to murder. In a more famous work, this man described "my revolt, my freedom, and my passion," the consequences of grappling with reality in its true state. Later in that work, this man analyzed the lives of the "seducer, actor, conqueror, and artist," the four examples of the so-called absurd life, before closing with an illustration of a figure filled with "silent joy" to see a rock rolling. For ten points, name this French writer of the essay collection Neither Victims Nor Executioners, who also proclaimed the Greek figure condemned to ceaselessly push a rock back and forth "happy" in his book The Myth of Sisyphus and wrote the novel The Stranger.
This man opened one work by musing that the twentieth century "was the century of fear" and arguing that individual humans must resist murdering or serving as accomplices to murder.
Albert {Camus}