Name this T.S. Eliot poem in which the titular character observes the "women come and go/Talking of Michelangelo."
This poem describes "the sunsets and the dooryards and the sprinkled streets" as well as some "yellow fog that rubs its back upon the window-panes." The speaker declares that he "should have been a pair of ragged claws/Scuttling across the floors of silent seas" before asserting that he is "not Prince Hamlet" and revealing that he has "heard the mermaids singing." This poem begins with an epigraph from the Inferno and tells of the title character, who is mocked for his bald spot and won't even "dare to eat a peach." Name this T.S. Eliot poem in which the titular character observes the "women come and go/Talking of Michelangelo."
This poem describes "the sunsets and the dooryards and the sprinkled streets" as well as some "yellow fog that rubs its back upon the window-panes."
“The {Love Song} of {J. Alfred Prufrock”}