Set to music in the final opera of Philip Glass's Portrait Trilogy, for 10 points, name this song found in Amarna attributed to Amenhotep IV that addresses an Egyptian sun god as a creator god.
It imagines how its addressee gives life to birds still in their egg shells, as well as how the addressee is the creator of germ in woman, and the seed in man. The first two stanzas imagine what happens when the title figure comes from the eastern horizon and leaves from the western horizon. Its rhythm haunts the narrator's mind in the novel subtitled Dweller in Truth, where he encounters it nearby the tomb of (*) Ay. Although the titular god is held to be the only one to exists, it still praises Sobek and Tefnut. Set to music in the final opera of Philip Glass's Portrait Trilogy, for 10 points, name this song found in Amarna attributed to Amenhotep IV that addresses an Egyptian sun god as a creator god. [Ike]
It imagines how its addressee gives life to birds still in their egg shells, as well as how the addressee is the creator of germ in woman, and the seed in man.
{Hymn} to {Aten} or {Akhenaten's Great Hymn} or {Great Hymn} to the Sun before mentioned