It opens with the toppling of a monarch's statue in front of the Church of Christ the Savior by a mass of soldiers and peasants to depict the events of February, and uses revolutionaries' historical allusions to Napoleon to project imperial ambitions onto General Lavr Kornilov.  
In this work, an image of a government document appearing to be surrounded by snakes as it passes over the mosaic of a Medusa head on the floor foreshadows a more dramatic mythological allusion in which images of Shiva, Buddha, and an Eskimo statue are compared with a Baroque icon of Christ to show the homogeneity of religion.  It opens with the toppling of a monarch's statue in front of the Church of Christ the Savior by a mass of soldiers and peasants to depict the events of February, and uses revolutionaries' historical allusions to Napoleon to project imperial ambitions onto General Lavr Kornilov.  Taking its distributor-given subtitle after a John Reed history of the proletariat overthrow of the Kerensky government, this is, FTP, what Leninist propaganda film by Sergei Eisenstein about a month with "Ten Days that Shook the World?"
In this work, an image of a government document appearing to be surrounded by snakes as it passes over the mosaic of a Medusa head on the floor foreshadows a more dramatic mythological allusion in which images of Shiva, Buddha, and an Eskimo statue are compared with a Baroque icon of Christ to show the homogeneity of religion.  
October: Ten Days that Shook the World (prompt on the subtitle of "Ten Days..." but don't accept it as an answer by itself)