One of the characters in this play—who is at one point compared to the "all bounce and go" of a motorbus—states that, "I'm not going to have my masterpiece thrown away on" the son of a woman who "swallowed" the novels of H. G. Wells in some two months, Clara.
This play's final section notes that "sensible despots have never confined" Nietzsche's statement "when you go to women, take your whip with you" in the opposite direction. One of the characters in this play—who is at one point compared to the "all bounce and go" of a motorbus—states that, "I'm not going to have my masterpiece thrown away on" the son of a woman who "swallowed" the novels of H. G. Wells in some two months, Clara. Its first act sees characters like The Mother, The Daughter and The Sarcastic Bystander talking about getting a cab at (*) Covent Garden and introduces its chief female character, who marries Freddie Hill and notes that "the way she's treated" is the chief difference between a duchess and a flower girl. Published with a "sequel" after its fifth act, the lead male in this play bets Colonel Pickering—"a student of Indian dialects"—that he can turn Eliza Doolittle into a lady. Centering on linguist Henry Higgins, for 10 points, identify this classically inspired George Bernard Shaw play.
This play's final section notes that "sensible despots have never confined" Nietzsche's statement "when you go to women, take your whip with you" in the opposite direction.
Pygmalion