This character attempts to control a man who wishes to be called X in a play where he owns a mulatto slave named Ariel.
One figure of this name delivers a farewell speech that cites ancient Athens as a society that focuses on balance and states that the government of the United States is undesirable since its utilitarianism and democracy will cause it to descend into barbarism. In a different work, a character of this name compares himself to a conductor of a boundless score that allows him to make a mute land sing; in that play, a man of this name one of many directed to put on the mask by the master of ceremonies who introduces a black god named Eshu. A magister named after this figure narrates much of an essay by JosÃ© Enrique RodÃ³ in which the title figureâs beauty is contrasted with the barbarism of a savage that this character has control over. This character attempts to control a man who wishes to be called X in a play where he owns a mulatto slave named Ariel. He is reimagined as a colonizing European in a retelling by Aime Cesaire. For 10 points, name this duke of Milan from The Tempest.
One figure of this name delivers a farewell speech that cites ancient Athens as a society that focuses on balance and states that the government of the United States is undesirable since its utilitarianism and democracy will cause it to descend into barbarism.
Prospero