One of his paintings, part of a series for a Hieronymite monastery, is suffused with amber light and uses swirls of paint to delineate the foreground, where Christ in a rose coloured robe greets the title figure.
Among this man's still lifes are a work showing a pewter plate with lemons and a basket of oranges replete with blossoms, as well as A Cup of Water and a Rose on a Silver Plate. He experimented with illusionistic effects with his fourteen versions of The Sudarium of St. Veronica, while another work features a woman in a dress of pink, yellow, and green holding a golden feather. One of his paintings, part of a series for a Hieronymite monastery, is suffused with amber light and uses swirls of paint to delineate the foreground, where Christ in a rose coloured robe greets the title figure. Another painting shows eight monks in characteristically detailed white robes seated and introspectively staring down at a table populated by bread as a young man faces the title figure. Influenced by Juan Sánchez Cotán, this painter of St. Apolonia and The Vision of Brother Andrés Salmerón depicted a cardinal's hat at the feet of a white robed man on a brocaded bier in a series on the life of St. Bonaventure. This man was succeeded by Murillo as the chief painter associated with Seville. For 10 points, name this baroque Spanish painter, known for his depictions of Carthusians, as in his St. Serapion.
Among this man's still lifes are a work showing a pewter plate with lemons and a basket of oranges replete with blossoms, as well as A Cup of Water and a Rose on a Silver Plate.
{Francisco} de {Zurbarán}