Before joining Giorgio de Chirico's school of metaphysical painting, this artist used a style that can be seen in his depiction of faceless, elongated figures Leaving the Theatre, a depiction of a moving vehicle in Jolts of a Cab, and a menacing portrait of Filippo Marinetti.
Late in life, this painter created landscapes depicting an abandoned white house in the countryside and the mouth of a river at Cinquale, which reflect his membership of the Strapaese group led by Giorgio Morandi. He painted elongated marble busts with melancholy expressions in The Drunken Gentleman and The Engineer's Lover. Another painting by this artist depicts a red-faced figure in the center about to bring a spear down on a man riding a horse as a tumultuous mob waves black banners in the background. Before joining Giorgio de Chirico's school of metaphysical painting, this artist used a style that can be seen in his depiction of faceless, elongated figures Leaving the Theatre, a depiction of a moving vehicle in Jolts of a Cab, and a menacing portrait of Filippo Marinetti. Another painting by this man is a scene dominated by black and red that depicts protesters clashing with police at a 1904 burial. For 10 points, name this painter of The Funeral of the Anarchist Galli.
Late in life, this painter created landscapes depicting an abandoned white house in the countryside and the mouth of a river at Cinquale, which reflect his membership of the Strapaese group led by Giorgio Morandi.
Carlo Carra