This man also painted a work showing a (*) lion in the shadows approaching the title saint, who sits in profile amongst his books.
A Salting Madonna was attributed to this man on the basis of similarity to his Polyptych of San Gregorio, and he would exert a formative influence on the Venetian sacra conversazione genre via his San Cassiano Altarpiece. During his time with his master Colantonio at Alfonso V's court in Naples, he saw works by Van Eyck and Petrus Christus, forming the Flemish influence apparent in works like the Sibiu and Antwerp crucifixions. This man also painted a work showing a (*) lion in the shadows approaching the title saint, who sits in profile amongst his books. For 10 points, name this Sicilian painter of St. Jerome in His Study.
A Salting Madonna was attributed to this man on the basis of similarity to his Polyptych of San Gregorio, and he would exert a formative influence on the Venetian sacra conversazione genre via his San Cassiano Altarpiece.
{Antonello da Messina} [accept {Antonello di Giovanni di Antonio}]