The second movement of that piece by this composer begins with a high cello solo and includes a celesta ostinato.
This composer has the cellos play half pizzicato, half arco over a sustained "D-A-C-sharp" drone in the first movement of one piece. The second movement of that piece by this composer begins with a high cello solo and includes a celesta ostinato. He included a "Präludium" marked "Rasch" in his sort-of-neo- baroque Piano Suite. Another piece by this composer includes a "Valse de Chopin" and uses an "E-G-E- flat" motive in a movement subtitled "Passacaglia." He originally used titles like "The Obbligato Recitative" and "Chord Colours" for his Five Orchestral Pieces, in which he made the first major use of Klangfarbenmelodie. Another piece by this composer uses a different combination of piano, flute, clarinet, violin, and cello in each movement and is a setting "three times seven poems" by Albert Giraud using sprechstimme. For 10 points, name this Second Viennese School composer who innovated atonality with pieces like his Three Piano Pieces, Opus 11, and Pierrot Lunaire.
This composer has the cellos play half pizzicato, half arco over a sustained "D-A-C-sharp" drone in the first movement of one piece.
Arnold Schoenberg