One figure in this painting is strapped to a column surmounted by a bronze swordsman, and this painting's foreground shows a man with a forked beard standing across from a man in a robe of midnight blue and gold, who is often believed to be Oddantonio da Montefeltro, its artist's patron.
John Pope-Hennessey argued that the left hand side of this painting depicts the dream of St. Jerome. Marilyn Aronberg Lavin notes that a youthful figure's head is framed by a laurel tree and may represent the dead children of the astrologer Ottavio Ubbaldini and Ludovico Gonzaga. Possibly a political message by Cardinal Bessarion, this painting's interior scene shows a man in a white robe and white turban watching the title action, and a man seated at left wears a red hat with upturned brims as well as a red shirt and may be John VIII Palaeologos. One figure in this painting is strapped to a column surmounted by a bronze swordsman, and this painting's foreground shows a man with a forked beard standing across from a man in a robe of midnight blue and gold, who is often believed to be Oddantonio da Montefeltro, its artist's patron. For 10 points, name this work of ? Piero della Francesca, which shows a man being whipped.
John Pope-Hennessey argued that the left hand side of this painting depicts the dream of St. Jerome.
The {Flagellation} of {Christ}