John Hakac claimed that this poem's "organically complete" third stanza contains "three distinct phases of love".
John Hakac claimed that this poem's "organically complete" third stanza contains "three distinct phases of love". Its speaker makes a comparison to "a magic lantern" which "threw the nerves in patterns on a screen" and describes "the voices dying with a dying fall / Beneath the music from a farther room". Its speaker admits that he is "not Prince Hamlet, nor was meant to be" and says he "should have been a pair of ragged claws / Scuttling across the floors of silent seas". Opening with the line "Let us go then, you and I," it describes the speaker's distaste for women who "come and go / Talking of Michelangelo." For 10 points, identify this poem by T.S. Eliot.
John Hakac claimed that this poem's "organically complete" third stanza contains "three distinct phases of love".
“The Love {Song} of {J. Alfred Prufrock}” [prompt on {Prufrock}; prompt on its {original title}, “{Prufrock Among} the {Women}”]