This man's version of the Marriage at Cana bears some remarkable similarities to Breughel's Peasant Wedding.
This man's version of the Marriage at Cana bears some remarkable similarities to Breughel's Peasant Wedding. His last major work, a massive scene whose leaning figures create an oblong "V" from the central action, depicts a circle of warm light at center top over an object whose vertical rise from a mass of mourners sharply divides the painting. That Crucifixion is found in the same city for whose Scuole Grandi he painted a series showing citizens discovering – and then absconding with – the corpse of the central saint. A white-turbaned man pulls back a (*) hammer to nail the titular poor naked bastard to the ground in this man's rendering of Saint Mark descending to the rescue, The Miracle of the Slave. Venice's San Giorgio Maggiore is home to this man's painting that shows a woman at right reaching into a bucket of water and a flaming lamp at top left, illuminating ethereal angels who flit above a long, slanted table. For 10 points, name this painter of a fantastical Last Supper, whose name means "little dyer."
This man's version of the Marriage at Cana bears some remarkable similarities to Breughel's Peasant Wedding.
Jacopo {Tintoretto} [or Jacapo {Robusti}]