In the 59th part, the Kuza-Nama, a collection of the title items have a discussion which provides an allegory of creation, with one wondering, "Who is the potter, and who the pot?"
A persona in this work exclaims that he's been unable to "unravel the Master-Knot of human fate" in line 124, leading him to exhort his companion to be "jocund with the fruitful grape/[rather] Than sadden after none, or bitter, fruit." In its collected form, this work begins on the morning of New Year's Day, with that persona imploring a companion to awaken and accompany him to the garden. In the 59th part, the Kuza-Nama, a collection of the title items have a discussion which provides an allegory of creation, with one wondering, "Who is the potter, and who the pot?" Earlier, the speaker frets that "the bird is on the wing," leading him to urge his companion to again "fill the cup, and in the fire of spring/The winter garment of repentance fling." FTP, name this collection of verses translated into English by Edward FitzGerald.
A persona in this work exclaims that he's been unable to "unravel the Master-Knot of human fate" in line 124, leading him to exhort his companion to be "jocund with the fruitful grape/[rather]
{Rubaiyat} of {Omar Khayyam}