Besides performing the aforementioned "China Gate" and "Space Jazz Reverie" on The (*) Futuristic Sounds of this man, he used the clavinet, which he called the "Solar Sound Instrument", on the 21-minute title track of an album played with his "Arkestra".
One of this man's works was composed by Victor Young and features vocals by Ricky Murray, and is on an album that uses a dialogue between Marshall Allan's alto sax and Bernard McKinney's trombone in another song. Harry Revel wrote "Possession" from an album named after the Jazz of this composer. Besides performing the aforementioned "China Gate" and "Space Jazz Reverie" on The (*) Futuristic Sounds of this man, he used the clavinet, which he called the "Solar Sound Instrument", on the 21-minute title track of an album played with his "Arkestra". Though he created albums like Atlantis, he is perhaps better known for eccentricities like claiming he was from Saturn. For 10 points, identify this jazz pianist and bandleader who took his stage name from the Egyptian sun god.
One of this man's works was composed by Victor Young and features vocals by Ricky Murray, and is on an album that uses a dialogue between Marshall Allan's alto sax and Bernard McKinney's trombone in another song.
Sun {Ra} [accept {Herman Poole Blount}, or Le {Sony'r Ra}]