López-Rey also argued that this painting used the same model that appears in the artist's Coronation of the Virgin for Elisabeth of Frances.
Kenneth Clark argued that this painting was ultimately derived from a cast of the Borghese Hermaphroditus, and analysis established that a sheet in this painting was originally a deep mauve that has faded. José López-Rey argued that an excessive 1965 cleaning of this painting revealed "tentative contours", though that cleaning also provided evidence against a theory about the overpainting of a face, and López-Rey also argued that this painting used the same model that appears in the artist's Coronation of the Virgin for Elisabeth of Frances. A single brushstroke of black-laden paint was used to trace the line from the middle of the primary figure's back to her thigh, and a winged child drapes ribbons of pink and grey over the ebony frame of a mirror, which reflects the face of the primary figure, who is a brunette sitting on a sheet of grey-black satin. For 10 points, name this painting of a recument goddess of love staring at her reflection, a work of Diego Velázquez. 
Kenneth Clark argued that this painting was ultimately derived from a cast of the Borghese Hermaphroditus, and analysis established that a sheet in this painting was originally a deep mauve that has faded.
{Rokeby Venus} or La {Venus del espejo} or The {Toilet} of {Venus} or {Venus} at her Mirror or {Venus} and {Cupid}