During a performance of his own piece of this type, Jean-Baptiste Lully fatally injured himself with his conducting staff.
One piece with this text uses a tape recording of a "wind harp" to evoke the Ison of Byzantine music, calls for an amplified prepared piano with metal screws, and was written by Arvo Pärt. This text is sung by the choir in the second part of Havergal Brian's "Gothic" Symphony. This text is sometimes paired with the Jubilate in the Anglican tradition, as in Herbert Howells's Collegium Regale, and William Walton wrote a setting of this text for the coronation of Elizabeth II. A Marche en rondeau serves as the prelude to a piece of this type in D major by (*) Marc-Antoine Charpentier. A five-movement one in C major was written by Anton Bruckner, who considered using it as the finale of his 9th symphony. Handel composed a piece of this type to commemorate the English victory at the Battle of Dettingen. During a performance of his own piece of this type, Jean-Baptiste Lully fatally injured himself with his conducting staff. For 10 points, identify this Christian hymn whose opening proclaims "We praise thee, O God."
One piece with this text uses a tape recording of a "wind harp" to evoke the Ison of Byzantine music, calls for an amplified prepared piano with metal screws, and was written by Arvo Pärt.
Te Deum