Ferruccio Bussoni used its incomplete quadruple portion as the basis for the Fantasia contrapuntistica, while its first nine sections were the only organ recording ever made by Glenn Gould.  
Ferruccio Bussoni used its incomplete quadruple portion as the basis for the Fantasia contrapuntistica, while its first nine sections were the only organ recording ever made by Glenn Gould.  Its completed sections include four simple subjects, three counters, two doubles, two triples, four canons, and three mirrors.  Key and subject are kept constant in order to demonstrate the potential of variation on a short theme alone.  FTP, identify this work in D minor by Johann Sebastian Bach that demonstrates his skill with counterpoint.
Ferruccio Bussoni used its incomplete quadruple portion as the basis for the Fantasia contrapuntistica, while its first nine sections were the only organ recording ever made by Glenn Gould.  
The Art of the Fugue or Die Kunst der Fuge