This work discusses how film characters possess only "pseudoindividuality", which allows them to be smoothly reintegrated into the universal, thus making genuine tragedy impossible.
In this work, "cunning" is defined as part of the fraudulence inherent in the act of sacrificing to the gods. This work discusses how film characters possess only "pseudoindividuality", which allows them to be smoothly reintegrated into the universal, thus making genuine tragedy impossible. This work's opening chapter states that efforts to destroy mythology through reason caused reason itself to become mythology, and illustrates the dichotomy between the pursuit of manual labor and the enjoyment of art in an analysis of (*) Odysseus and his crew resisting the song of the Sirens. It discusses the "mass deception" of the public by the standardization of popular culture in its chapter on the "culture industry". For 10 points, name this work which discusses how fascist barbarism was built on the progressive ideology of the title intellectual movement, a work of Max Horkheimer and Theodor Adorno.
In this work, "cunning" is defined as part of the fraudulence inherent in the act of sacrificing to the gods.
Dialectic of Enlightenment [or Dialektik der Aufklärung]