He wrote a piece without clefs that could be sung in any of the four authentic modes, the Missa cuiusvis toni, and Tinctoris praised this composer's bass voice as the finest he had heard.
The text of Antoine Busnois's motet In hydraulis contains an admiring address to this composer, who returned the favor in his Ut heremita solus. The music theorist Johannes Tinctoris dedicated his treatise on the modes to Busnois and this composer. He wrote a piece without clefs that could be sung in any of the four authentic modes, the Missa cuiusvis toni, and Tinctoris praised this composer's bass voice as the finest he had heard. He is not Palestrina, but he used the text Sicut cervus as the tract in his (*) Requiem, the earliest polyphonic setting of Requiem Mass. He is not Bach, but he wrote a piece composed of canons whose interval of imitation expands from the unison to the octave. That piece is also known for its extensive use of mensuration canons, in which different voices sing the same melody at different speeds. This composer was the dedicatee of another composer's lament Nymphes des bois, also known as the "Deploration on the Death of" this composer. For 10 points, name this composer of the Franco-Flemish school and possible teacher of Josquin des Prez.
The text of Antoine Busnois's motet In hydraulis contains an admiring address to this composer, who returned the favor in his Ut heremita solus.
{Johannes Ockeghem} [or {Jean de Ockeghem}]