In another section, figures representing Weak Humanity outstretch their arms towards figures representing Victory, Sympathy, and a knight in golden armor bearing a sword representing "Armored Strength."
At the left of one part of this work, five superimposed images of the same woman flow upwards in a golden stream and stretch their arms out to a singing choir showered with white and red roses, while next to them a couple embraces in an apse of gold. The various parts of this work are thematically joined by "hovering forms" or "floating genii" and Poetry is represented as a figure in a gold dress looking down into a harp like object. At the left of another section, a partially bald woman droops over three women with golden snakes in their hair, and on the right of that panel is a group of enormous snakes. In between those two scenes are three women representing unchastity, lust, and gluttony, who are next to a monster with mother of pearl eyes representing Typhon. In another section, figures representing Weak Humanity outstretch their arms towards figures representing Victory, Sympathy, and a knight in golden armor bearing a sword representing "Armored Strength." Consisting of sections such as The Hostile Forces and The Angel Choir, this work was originally accompanied by a massive polychrome sculpture by Max Klinger at the 14th exhibition of the Vienna Secession. For 10 points, name this work intended to honor a certain composer, a work of Gustav Klimt.
At the left of one part of this work, five superimposed images of the same woman flow upwards in a golden stream and stretch their arms out to a singing choir showered with white and red roses, while next to them a couple embraces in an apse of gold.
{Beethoven Frieze}