The seventh of its eight stanzas centers on a ring of sun-worshipers who "shall know well the heavenly fellowship/ Of men that perish," and this poem asks in another section "What is divinity if it can come/ Only in silent shadows and in dreams?"
The third stanza of this poem notes that "no mother suckled Jove" and asks if our blood, "comingling and virginal with heaven" will "fail, or shall it come to be the blood of paradise?"  A figure in this poem notes that she is content when birds "test the misty reality of fields before they fly".  This poem ends when pigeons sink "downward to darkness, (*) on extended wings," and it notes that "The tomb in Palestine is not the porch of spirits lingering." The seventh of its eight stanzas centers on a ring of sun-worshipers who "shall know well the heavenly fellowship/ Of men that perish," and this poem asks in another section "What is divinity if it can come/ Only in silent shadows and in dreams?" The female figure described in the work is told "Death is the mother of beauty," and is persuaded to prefer "Coffee and oranges in a sunny chair" to the "Dominion of the blood and sepulchre."  Championing the "Complacencies of the peignoir," for 10 points, name this poem which appeared in Harmonium, a work by Wallace Stevens.
The third stanza of this poem notes that "no mother suckled Jove" and asks if our blood, "comingling and virginal with heaven" will "fail, or shall it come to be the blood of paradise?"  
"{Sunday Morning}"