Besides "Who hath this fancy pleased" and "Only joy, now here you are", another song claims "All love is dead, infected/ With plague of deep disdain" and demands "Ring out your bells."
In one of this man's songs, he exhorts "Let here his eyes be raised/On Nature's sweetest light" and another song ends each quatrain with the couplet "Take me to thee, and thee to me/ No, no, no, no, my dear, let be." Besides "Who hath this fancy pleased" and "Only joy, now here you are", another song claims "All love is dead, infected/ With plague of deep disdain" and demands "Ring out your bells." One of his sonnets tells his lover's eyes to "Draw in thy beams, and humble all thy might" after demanding "Leave me, O Love", and one of his collections features poems like "Having this day my love, my hand, my lance" and (*) "Highway, since you my chief Parnassus be." That collection's 31st sonnet describes "How silently, and with how wan a face" and "With how sad steps" the moon climbs the skies, while its first sonnet ends with the line "'Fool' said my Muse to me, 'look in thy heart and write.'" For 10 points, name this Elizabethan era poet, the author of The Defence of Poetry, The Countess of Pembroke's Arcadia, and Astrophel and Stella.
In one of this man's songs, he exhorts "Let here his eyes be raised/
Philip {Sidney}