In one of these works the main theme is presented as a series of octaves played against a flurry of thirds and that theme reappears in the "Animato" section representing the fading strength of a (*) horse's gallop while carrying a figure who is crowned king at the end of this section inspired by a Victor Hugo poem.
The third one of these works beginning with a "sempre legato e placido" section was inspired by watching the changing scenery during a train ride, while the ninth one is inspired by the composer's transcriptions of cantabile Italian opera. Along with pieces titled "Paysage" and "Ricordanza," the two untitled members of this set of works were given nicknames by Ferrucio Busoni when he called the second one "Rockets" and the tenth one "Appassionata" though those pieces are better known by their tempo markings, "molto vivace" and "allegro agitato molto" respectively. In one of these works the main theme is presented as a series of octaves played against a flurry of thirds and that theme reappears in the "Animato" section representing the fading strength of a (*) horse's gallop while carrying a figure who is crowned king at the end of this section inspired by a Victor Hugo poem. In addition to the final one called "Chasse-Neige, the fifth one of these works is titled "Feux Follets" or "Will o' Wisp" while the fourth one is called "Mazeppa." For 10 points name this 1852 set of twelve pieces for solo piano written by Franz Liszt. 
The third one of these works beginning with a "sempre legato e placido" section was inspired by watching the changing scenery during a train ride, while the ninth one is inspired by the composer's transcriptions of cantabile Italian opera.
{Transcendental Etudes} [prompt on "{etudes}"]