One work distinguishes this concept from lust, by suggesting that this concept does not impel us to possess an object.
One work distinguishes this concept from lust, by suggesting that this concept does not impel us to possess an object. Francis Hutcheson argued that this concept arises through the possession of "uniformity amidst variety". One thinker claimed that to apply this concept is to simultaneously demand agreement while admitting of disinterest in an object's real existence. This concept titles a book that distinguishes between work and (*) play, to separate moral value from valuing this concept, which is discussed as "the manifestation of God to the senses". One work claims that this concept stems from sympathy and the "social passions", and contrasts it with a concept that instills a feeling of terror or awe. George Santayana defined it as "the objectification of pleasure" in a work title for The Sense of this concept. For 10 points, name this primary subject of aesthetic philosophy, which is often opposed to "the sublime".
One work distinguishes this concept from lust, by suggesting that this concept does not impel us to possess an object.
beauty [or the beautiful; accept The Sense of Beauty; prompt on "aesthetics" or forms of that word]