That cycle begins with the Temptation of Adam and Eve by Masolino de Panicale, while one work here shows a cherub in red holding a sword over two figures.  
Between 1746 and 1748, this building's lunettes, which bear depictions of the Shipwreck of the Apostles and the Calling of the Apostles were painted over and during that time period, Vincenzo Meucci painted frescoes of the Virgin consigning the Scapular to St Simon Stock on the ceiling of this building. One of the upper scenes on the right side of the right wall is the Raising of Tabitha, while one work in this structure shows a man with a black satchel and crutches next to a woman holding a baby, who is receiving alms as Ananias lies dead below. Another painting shows a young man rising from a pile of bones and skulls while surrounded by robed men and depicts the Raising of the Son of Theophilus. Some prison scenes in this building as well as the Disputation with Simon Magus were works of Filippino Lippi, who finished and restored this work's primary cycle. That cycle begins with the Temptation of Adam and Eve by Masolino de Panicale, while one work here shows a cherub in red holding a sword over two figures.  For 10 points, name this chapel in Santa Maria del Carmine which contains The Expulsion and The Tribute Money, works of Masaccio. 
Between 1746 and 1748, this building's lunettes, which bear depictions of the Shipwreck of the Apostles and the Calling of the Apostles were painted over and during that time period, Vincenzo Meucci painted frescoes of the Virgin consigning the Scapular to St Simon Stock on the ceiling of this building.
{Brancacci} Chapel or Santa Maria del Carmine before mentioned