"
In Interrogating the Real, Slavoj Zizek argues that Foucault's treatment of the sex act could be described as utilizing this process, since he analyzed sex as an "artificial unification of heterogeneous desires." In their Anti-Oedipus, Deleuze and Guattari illustrate this process with reference to Richard Lindner's painting Boy with Machine. Derrida argues that if this practice is truly the "necessity of borrowing one's concepts from the texts of a heritage...it must be said that all discourse" could be partaking of this process. The formulator of this concept presented it in a work which analyzed the marriage rituals of the Aranda and the Arabanna, two indigenous Australian groups. That formulator contrasted this process with the one engaged in by "the engineer," since the figure who engages in this process works with a closed set of instruments. Postulated in The Savage Mind, FTP, name this French term advanced by Claude Levi-Strauss, which refers to "making do with what's at hand."
In Interrogating the Real, Slavoj Zizek argues that Foucault's treatment of the sex act could be described as utilizing this process, since he analyzed sex as an "artificial unification of heterogeneous desires.
{bricolage} (or {bricoleur} is {fine} )