This composer added nine bars as a coda to the third version of his piece "Au bord d'une source.
This composer added nine bars as a coda to the third version of his piece "Au bord d'une source." The first edition of that work joined "La Valée d'Obermann" and "Chapelle de Guillaume Tell" in three books of twelve travel-related pieces. After another composer dedicated his "Fantasia in C" to him, this composer reciprocated by writing a work with five motifs and an incorporation of four movements seamlessly into one. Thematically similar to that Piano Sonata in B minor is a symphony he wrote with an A flat major second movement containing a clarinet-violin dialogue representing a game of "he loves me, he loves me not," followed by a nigh-atonal movement in which the "Spirit of Negation" is driven away by (*) Gretchen's innocence. One collection of his works includes "The Dance in the Village Inn" and sometimes the Bagatelle sans tonalité, and another ends with "Chase-Naige" and includes "Mazeppa" and "Feux Follets." For 10 points, identify this composer of the Faust Symphony, Mephisto Waltzes, and Transcendental Etudes.
This composer added nine bars as a coda to the third version of his piece "Au bord d'une source.
Franz Ritter von {Liszt} [or {Ferencz Liszt}]