" The subtitle of "never will abolish fate" appears in large, all capital, letters spread through the lines of Un coup de dès or A Throw of the Dice.
One of his poems finds "master" "ici-bas" and "its curse" makes the speaker "stop up" with the "foul vomit of Stupidity" in the face of a color that names this poet's lyric work on the sky that features "sad chimneys." A work that opens his last collection of poems has a one-word title, simultaneously meaning "greetings" and "bottoms up" and uses imagery from the Odyssey, finding "a troop/of many Sirens upside down" in the speaker's champagne glass. In another sonnet by this poet of Brise Marin or Sea (*) Breeze, the titular location is compared to a meteorite after the octet describes the career of the titular author and in another of this poet's works, the title character's "crime" ends his passion, compared to bursting pomegranates. In that poem labeled an "Eclogue" but is simply a monologue, the title character bids farewell to two characters saying he "shall see the shades you became." The subtitle of "never will abolish fate" appears in large, all capital, letters spread through the lines of Un coup de dès or A Throw of the Dice. For 10 points, name this French Symbolist poet who discussed the titular mythical creature encountering two nymphs in his The Afternoon of a Faun.
One of his poems finds "master" "ici-bas" and "its curse" makes the speaker "stop up" with the "foul vomit of Stupidity" in the face of a color that names this poet's lyric work on the sky that features "sad chimneys."
Stephan {Mallarmé}