The sixth of them is scored for flute and bassoon, and begins with a movement in the style of their composer's earlier choros [show-roos].
The final movement of the third of these pieces uses rapidly alternating notes in the piano to imitate a woodpecker. The seventh of these pieces combines a gigue with a popular quadrille in its second movement, and represents a singing contest in its third movement toccata. The sixth of them is scored for flute and bassoon, and begins with a movement in the style of their composer's earlier choros [show-roos]. The first one is unusually scored for eight cellos, which also accompany a soprano singing a wordless Aria in the first movement of the fifth one. The second of them ends with a movement evoking the creaking and puffing of a country train, and is titled "The Little Train of the Caipira." They were composed from 1930 to 1945, and combine folk songs with forms from Baroque music. For 10 points, name these suites inspired by the composer of The Well-Tempered Clavier, written by Heitor Villa-Lobos.
The final movement of the third of these pieces uses rapidly alternating notes in the piano to imitate a woodpecker.
Bachianas Brasileiras