Canto V, which documents a vision of St. Elmo's fire and a landing at Saint Helena Bay, may be best known for its introduction of the evil Adamastor, who controls the Cape of Good Hope and who is sent to interfere with the heroic fleet.
At one point in this work, its author makes a curious distinction between the Saracens and the Ishmaelites. Towards the end of this work, the narrator describes entering a temple with a foreign king and looking at images made out of stone and wood that appeared "as if the devil had devised them." The fourth part of this work catalogs certain doomed couples, including Hercules and Omphale, and makes the point that lust always has consequences, even for the powerful. Scattered throughout this work are references to the historical exploits of Gerald the Fearless and the shepherd warrior Viriatus. Canto V, which documents a vision of St. Elmo's fire and a landing at Saint Helena Bay, may be best known for its introduction of the evil Adamastor, who controls the Cape of Good Hope and who is sent to interfere with the heroic fleet. First published in 1572, it begins with the author's appeal to the "nymphs of the Tagus" and sets up a struggle between Bacchus and Venus over a quest to reach India. For 10 points, identify this epic celebrating Vasco de Gama and the Portugese people, a work by Luiz vaz de Camoes.
At one point in this work, its author makes a curious distinction between the Saracens and the Ishmaelites.
The Lusiads or Os Lusiadas