This composer adapted a poem ending with the line "Forever, hail!" for his collection based on poems titled "After a Dream," "Hymn," and "Barcarolle."
This composer adapted a poem ending with the line "Forever, hail!" for his collection based on poems titled "After a Dream," "Hymn," and "Barcarolle." He wrote an "allegro vivo" Gavotte for the third movement of a work ending with a section called "Pastorale: andante tranquillo" that was commissioned by the Prince of Monaco. Along with Masques et Bergamasques, the title character of an operas talks with the shepherd Eumee while standing on a hill looking for her husband's ship in the second act of his opera about the queen of Ithaca, Pénélope. He composed a mass commemorating the fishermen of the village of Villerville, while he won first prize for composition at the École Niedermeyer when he was nineteen for a work based on the text "Verbe égal au Trés-Haut." In addition to Cantique de Jean Racine, he composed a choral work ending with the section "In Paradisum deducant angeli," which features the most famous setting of "Pie Jesu" and does not include the traditional "Dies Irae." For 10 points, name this French composer who mentored Maurice Ravel and wrote Requiem in D Minor.
This composer adapted a poem ending with the line "Forever, hail!" for his collection based on poems titled "After a Dream," "Hymn," and "Barcarolle."
Gabriel {Faure}