This work's third movement Andantino features an extended arabesque in the solo flute, while the second movement theme features a single note on the glockenspiel followed by phrases in the flute and piccolo.  
This work's third movement Andantino features an extended arabesque in the solo flute, while the second movement theme features a single note on the glockenspiel followed by phrases in the flute and piccolo.  That theme originally appeared in a cultural study by Jean-Baptiste de Halde, and Rousseau quoted it in his Dictionary of Music as an example of Eastern music.  This work was originally planned as a ballet to be produced by Leonide Massine, but the composer withdrew when he learned Salvador Dali would design the sets.  Although it has three movements based on piano duets, with the last turned into a vigorous march, its second movement is based on an overture to J.A. Schiller's adaptation of a Carlo Gozzi play and is entitled "Turandot Scherzo."  FTP, name this Paul Hindemith work featuring variations on pieces by the composer of Oberon and Der Freischutz.
This work's third movement Andantino features an extended arabesque in the solo flute, while the second movement theme features a single note on the glockenspiel followed by phrases in the flute and piccolo.  
Symphonic Metamorphosis of Themes by Carl Maria von Weber (accept equivalents with "Metamorphoses" or with different prepositions, e.g. "Symphonic Metamorphoses on Themes of Weber")