In "The Immediate Erotic Stages or the Musical Erotic," Kierkegaard refers to this location as a kingdom where "language has no home, nor thought sobriety.
Heidi Epstein's text on a Feminist Theology of Music is entitled Melting this place. In "The Immediate Erotic Stages or the Musical Erotic," Kierkegaard refers to this location as a kingdom where "language has no home, nor thought sobriety." This place also titles a novel about an English journalist named Lushington who visits an unnamed Baltic Republic, written by Anthony Powell. John Collier's depiction of this place shows its primary resident half-covered in a velvety red robe with a penitent man in armor kneeling at her feet. Originally associated with the Germanic goddess of the Spring, Holda, it is located near a castle belonging to the Landgraves of Thuringia. The dissonant and chromatic music emanating from this place, which lures the title character of an opera, leads Renee Cox to describe its ? eponymous resident as a musical nymphomaniac, who attempts to keep that character in her grasp away from the chaste and virginal Elizabeth. For 10 points, name this mountain of sensual pleasure, home to the Goddess of Love from where, in the Wagner opera Tannhauser, the title knight eventually escapes. 
Heidi Epstein's text on a Feminist Theology of Music is entitled Melting this place.
{Venusberg} [accept {Venus}' {Mountain} or equivalents until "{novel}" is {spoken}]