Besides his fifteen violin concerti, he wrote the opera Jessonda as well as four clarinet concerti for Johann Hermstedt.
The piano represents an organ prelude in a Dresden church and the violin represents a Prussian posthorn in this man's programmatic Reisesonate. Also noted for his four double string quartets, he took stabs at pastiche with his Historical Symphony and also composed a fourth symphony called Die Weihe der Tone and a ninth called Die Jahreszeiten. His Opus 31 was his Nonet in E-flat major written for Johann von Tost, while "Sonst und jetzt" is the third of his violin concertinos, and his one movement eighth violin concerto was "in modo di scena cantante." Besides his fifteen violin concerti, he wrote the opera Jessonda as well as four clarinet concerti for Johann Hermstedt. Also known for his oratorio The Last Judgement, for 15 points, name this violin virtuoso and contemporary of Beethoven sometimes called "the Forgotten Master."
The piano represents an organ prelude in a Dresden church and the violin represents a Prussian posthorn in this man's programmatic Reisesonate.
{Louis Spohr}