Tracing those ideas principally to Silvestre de Sacy, this work sees them prominently in French writers, as displayed in Victor Hugo's poem "Lui," Gerard Nerval's debut collection, and those stories by Gustave Flaubert influenced by (*) Kuchuk Hanem.
This work's last section describes the costumes at a 1967 Princeton class reunion to show how its main concepts play out "Now," and it earlier quotes Goethe's "Heigre" to show how pilgrimage and return fits in its central ideas. Tracing those ideas principally to Silvestre de Sacy, this work sees them prominently in French writers, as displayed in Victor Hugo's poem "Lui," Gerard Nerval's debut collection, and those stories by Gustave Flaubert influenced by (*) Kuchuk Hanem. It more directly associates them with the work of Ernest Renan, Edward Lane, Richard Burton, and Bernard Lewis, whom its author claims are all unable to keep from being fundamentally "racist, imperialistic, and almost totally ethnocentric." For 10 points, name this work describing the history of European troping of the East by Edward Said.
This work's last section describes the costumes at a 1967 Princeton class reunion to show how its main concepts play out "Now," and it earlier quotes Goethe's "Heigre" to show how pilgrimage and return fits in its central ideas.
{Orientalism}