The title animal has a red ribbon wrapped around its (*) horns and is dying in the skeleton-littered salt shallows of the Dead Sea in his The Scapegoat.
In one painting by this artist, a watering can stands in front of an altar upon which rests a flower-pot decorated with skulls. At the bottom of one of his paintings, a solitary yellow glove lies on the rug next to a tangled, unraveling skein of yarn. In that painting by him, under a table on the left, a greedy-eyed cat plays with a dead bird. Unlike that of Millais, his depiction of Isabella shows her after Lorenzo's death, embracing the pot of basil. The title animal has a red ribbon wrapped around its (*) horns and is dying in the skeleton-littered salt shallows of the Dead Sea in his The Scapegoat. Christ carries a lantern and knocks on a door overgrown with weeds in his The Light of the World. In his most famous painting, a man in blue smoking jacket lazes in a chair by a piano, while his mistress leaps out of his lap to abandon their love affair. For 10 points, name this Pre-Raphaelite painter of The Awakening Conscience.
In one painting by this artist, a watering can stands in front of an altar upon which rests a flower-pot decorated with skulls.
William Holman Hunt