The eighth movement of this work consists of the violins alternating between high and low notes, in loud buzzing tones, and is the shortest movement of this work.  
The fourth movement of this work opens with a pulsing triplet figure played by the piano in the upper register, and also contains an extremely slow rendition of Offenbach's "Can-Can" from Orpheus in the Underworld.  The eighth movement of this work consists of the violins alternating between high and low notes, in loud buzzing tones, and is the shortest movement of this work.  In addition to "Tortoises" and "Characters With Long Ears", this work contains a section in which two pianos play overlapping ostinatos and glissandos in the glass harmonica to depict the stillness of the title location, while the xylophone is used to evoke the noise of bones clacking together in the twelfth movement of this work.  For 10 points—name this work containing the movements "Aquarium" and "Fossils", as well as "Introduction and Royal March of the Lion" and "The Swan", a composition by Camille Saint-Saens.
The fourth movement of this work opens with a pulsing triplet figure played by the piano in the upper register, and also contains an extremely slow rendition of Offenbach's "Can-Can" from Orpheus in the Underworld.  
The {Carnival} of the {Animals} [accept Le {Carnaval des Animaux}]