1. Now, if we ask ourselves about the point of origin of these possible gestures, movements, affectations, sonorities, and texts through which the poetic body of the actor is formed, a body which he himself can "puppet" from the standpoint of his reflective consciousness, we find that all these materials arise from that sum of experiences present in the history of each actor and anchored in his or her body, that is, the particular ways of doing, thinking, and feeling that each one has incorporated over life and that constitute that person's subjectivity.
Ahora, si nos preguntamos de dónde surgen los posibles gestos, movimientos, afectaciones, sonoridades y textos mediante los cuales se va componiendo ese cuerpo poético del actor que él mismo puede titiritear desde su conciencia reflexiva, encontramos que todos estos materiales surgen del conjunto de experiencias provenientes de la historia de cada actor ancladas en su cuerpo, es decir, los particulares modos de hacer, pensar y sentir que cada uno ha incorporado a lo largo de la vida y que constituyen su subjetividad.