However, this displacement of interests should not be understood from the conventional vision that opposes or confronts the architecture "of objects" to the environment that serves as the backdrop: on the contrary, it opens the door to revise and perhaps dismantle the apparent dichotomy of negatives vs. positives that has accompanied the design of forms.
Sin embargo, este desplazamiento de intereses no debiese entenderse desde la visión convencional que opone o enfrenta la arquitectura "de objetos" al entorno que le sirve como telón de fondo; por el contrario, probablemente abre la puerta para revisar y tal vez desmantelar la aparente dicotomía de negativos v/s positivos que ha acompañado el diseño de formas.