Of special interest is the relationship mentioned by Pask between the concept of scripting9 as the writing of a dramatic play and the design of a small piece of software.10 Consequently, the development of a cybernetic piece of theater would essentially be conceived as a computer program where audience and actors are part of the very same system where the play is developed.
Así, Pask explicita la relación entre el concepto de scripting9 la escritura de una pieza dramática y el diseño de una pequeña pieza de software.10 En consecuencia, el desarrollo de una obra de teatro cibernética sería esencialmente concebido como un programa informático donde audiencia y actores formarían parte de dicho sistema.