Thanks to my personal history of dance classes, I had a concrete point of reference for what, from my perspective, a corporal experience was and in which, for moments, thought was relegated to a secondary level.
Gracias a mis vivencias ligadas a la danza, yo disponía de una referencia concreta de lo que, desde mi percepción, era una experiencia corporal en la que por momentos el pensamiento quedaba en un segundo plano.