8. He argues that literature only contains the potential for theatricality and proposes making a basic distinction between live playwriting on stage by the actor, by the director, or by the group, and playwriting by an author who works independently of the stage, in vitro.
Argumenta que la literatura sólo contiene la teatralidad en potencia y propone una distinción básica entre la dramaturgia de actor, de director o de grupo, producida in vivo y la dramaturgia de autor, escrita independientemente de la escena, in vitro.