Myths Over Miami

The Angels' battle camp in a "jungle just outside Miami," as imagined by eight-year-old Andre. The bloodied figures in the lower left corner are the spirits of the dead homeless children who made their way to the encampment, which is protected by giant alligators.

To homeless children sleeping on the street, neon is as comforting as a night-light. Angels love colored light too. After nightfall in downtown Miami, they nibble on the NationsBank building -- always drenched in a green, pink, or golden glow. "They eat light so they can fly," eight-year-old Andre tells the children sitting on the patio of the Salvation Army's emergency shelter on NW 38th Street. Andre explains that the angels hide in the building while they study battle maps. "There's a lot of killing going on in Miami," he says. "You want to fight, want to learn how to live, you got to learn the secret stories." The small group listens intently to these tales told by homeless children in shelters.


See also: How a 1997 New Times Feature on Homeless Kids' Folklore Exploded the Internet

One demon is feared even by Satan. In Miami shelters, children know her by two names: Bloody Mary and La Llorona (the Crying Woman). She weeps blood or black tears from ghoulish empty sockets and feeds on children's terror. When a child is killed accidentally in gang crossfire or is murdered, she croons with joy. "If you wake at night and see her," a ten-year-old says softly, "her clothes be blowing back, even in a room where there is no wind. And you know she's marked you for killing."

The homeless children's chief ally is a beautiful angel they have nicknamed the Blue Lady. She has pale blue skin and lives in the ocean, but she is hobbled by a spell. "The demons made it so she only has power if you know her secret name," says Andre, whose mother has been through three rehabilitation programs for crack addiction. "If you and your friends on a corner on a street when a car comes shooting bullets and only one child yells out her true name, all will be safe. Even if bullets tearing your skin, the Blue Lady makes them fall on the ground. She can talk to us, even without her name. She says: 'Hold on.'"

A blond six-year-old with a bruise above his eye, swollen huge as a ruby egg and laced with black stitches, nods his head in affirmation. "I've seen her," he murmurs. A rustle of whispered Me toos ripples through the small circle of initiates.

According to the Dade Homeless Trust, approximately 1800 homeless children currently find themselves bounced between the county's various shelters and the streets. For these children, lasting bonds of friendship are impossible; nothing is permanent. A common rule among homeless parents is that everything a child owns must fit into a small plastic bag for fast packing. But during their brief stays in the shelters, children can meet and tell each other stories that get them through the harshest nights.

Folktales are usually an inheritance from family or homeland. But what if you are a child enduring a continual, grueling, dangerous journey? No adult can steel such a child against the outcast's fate: the endless slurs and snubs, the threats, the fear. What these determined children do is snatch dark and bright fragments of Halloween fables, TV news, and candy-colored Bible-story leaflets from street-corner preachers, and like birds building a nest from scraps, weave their own myths. The "secret stories" are carefully guarded knowledge, never shared with older siblings or parents for fear of being ridiculed -- or spanked for blasphemy. But their accounts of an exiled God who cannot or will not respond to human pleas as his angels wage war with Hell is, to shelter children, a plausible explanation for having no safe home, and one that engages them in an epic clash.

An astute folklorist can see traces of old legends in all new inventions. For example, Yemana, a Santeria ocean goddess, resembles the Blue Lady; she is compassionate and robed in blue, though she is portrayed with white or tan skin in her worshippers' shrines. And in the Eighties, folklorists noted references to an evil Bloody Mary -- or La Llorona, as children of Mexican migrant workers first named her -- among children of all races and economic classes. Celtic tales of revenants, visitors from the land of the dead sent to console or warn, arrived in America centuries ago. While those myths may have had some influence on shelter folklore, the tales homeless children create among themselves are novel and elaborately detailed. And they are a striking example of "polygenesis," the folklorist's term for the simultaneous appearance of vivid, similar tales in far-flung locales.  

















The secret stories say the angel army hides in a child's version of an ethereal Everglades: A clear river of cold, drinkable water winds among emerald palms and grass as soft as a bed. Gigantic alligators guard the compound, promptly eating the uninvited. Says Phatt: "But they take care of a dead child's spirit while he learns to fight. I never seen it, but yes! I know it's out there" -- he sweeps his hand past the collapsing row of seedy motels lining the street on which the shelter is located -- "and when I do good, it makes their fighting easier. I know it! I know!"

All the Miami shelter children who participated in this story were passionate in defending this myth. It is the most necessary fiction of the hopelessly abandoned -- that somewhere a distant, honorable troop is risking everything to come to the rescue, and that somehow your bravery counts.

By the time homeless children reach the age of twelve, more or less, they realize that the secret stories are losing some of their power to inspire. They sadly admit there is less and less in which to believe. Twelve-year-old Leon, who often visits a Hialeah day-care center serving the homeless, has bruised-looking bags under his eyes seen normally on middle-aged faces. He has been homeless for six years. Even the shelters are not safe for him because his mother, who is mentally unstable, often insists on returning to the streets on a whim, her child in tow.

"I don't think any more that things happen for some great, good God plan, or for any reason," he says. "And I don't know if any angels are still fighting for us." He pauses and looks dreamily at the twilight sky above the day-care center. "I do think a person can dream the moment of his death. Sometimes I dream that when I die soon, I'll be in some high, great place where people have time to conversate. And even if there's no God or Heaven, it won't be too bad for me to be there."


When seven-year-old Maria is asked about the Blue Lady, she pauses. "When grownups talk about her, I think she get all upset," Maria slowly replies. She considers a gamble, then takes a chance and leans forward, beaming: "She's a magic lady, nice and pretty and smart! She live in the ocean and comes just to kids."

She first appeared to Maria at the deserted Freedom Tower in downtown Miami, which Maria calls "the pink haunted house." A fierce storm was pounding Miami that night. Other homeless people who had broken in milled about the building's interior, illuminated only by lightning. Her father was drunk. Her mother tried to stop him from eating the family's last food: a box of saltines. "He kept hitting her and the crazy people started laughing. When I try to help her, he hit me here" -- Maria points to her forehead. "I tried to sleep so my head and stomach would stop hurting, but they kept hurting." A blast of wind and rain shattered a window. "I was so scared. I pray out loud: Please, God, don't punish me no more!"

An older boy curled up nearby on a scrap of towel tried to soothe her. "Hurricanes ain't God," he said gently. "It's Blue Lady bringing rain for the flowers." When Maria awoke late in the night, she saw the angel with pale blue skin, blue eyes, and dark hair standing by the broken window. Her arms dripped with pink, gold, and white flowers. "She smiled," Maria says, her dark eyes wide with amazement. "My head was hurting, but she touched it and her hand was cool like ice. She say she's my friend always. That's why she learned me the hard song." The song is complex and strange for such a young child; its theme is the mystery of destiny and will. When Maria heard a church choir sing it, she loved it, but the words were too complicated. "Then the Blue Lady sang it to me," she recalls. "She said it'll help me grow up good, not like daddy."  

Maria's voice begins shakily, then becomes more assured: "If you believe within your heart you'll know/that no one can change the path that you must go./ Believe what you feel and you'll know you're right because/when love finally comes around, you can say it's yours./ Believe you can change what you see!/ Believe you can act, not just feel!/You have a brain!/You have a heart!/You have the courage to last your life!/Please believe in yourself as I believe in you!"

As she soars to a finish, Maria suddenly realizes how much that she's revealed to a stranger: "I told the secret story and the Blue Lady isn't mad!" She's awash with relief. "Even if my mom say we sleep in the bus station when we leave the shelter, Blue Lady will find us. She's seen my face."

Shelter children often depict the Blue Lady in their drawings as blasting demons and gangbangers with a pistol. But the secret stories say that she cannot take action unless her real name -- which no one knows -- is called out. The children accept that. What they count on her for is love, though they fear that abstract love won't be enough to withstand an evil they believe is relentless and real. The evil is like a dark ocean waiting to engulf them, as illustrated by a secret story related by three different girls in separate Miami homeless facilities. It is a story told only by and to homeless girls, and it explains how the dreaded Bloody Mary can invade souls.

Ten-year-old Otius, dressed in a pink flowered dress, leads a visitor by the hand away from four small boys who are sitting in a shelter dining room snacking on pizza and fruit juice. "Every girl in the shelters knows if you tell this story to a boy, your best friend will die!" she says with a shiver. When the boys try to sneak up behind her, she refuses to speak until they return to their places.

She begins: "Some girls with no home feel claws scratching under the skin on their arms. Their hand looks like red fire. It's Bloody Mary dragging them in for slaves -- to be in gangs, be crackheads. But every 1000 girls with no home, is a Special One. When Bloody Mary comes, the girl is so smart and brave, a strange thing happens." Bloody Mary disappears, she says, then a pretty, luminous face glows for a moment in the dark. The girl has glimpsed what Bloody Mary looked like before she became wicked. "The Special One," Otius continues, "is somebody Bloody Mary is scared of because she be so good, people watch her for what to do. And if she dies, she will die good.

"Boys always brag what they can do, but this is the job of girls and -- I wish maybe I were a Special One," Otius says wistfully. "Maybe one of my friends from the shelters are now. I'll never see them again -- so's I guess I never know."

Her name was first spoken in hushed tones among children all over America nearly twenty years ago. Even in Sweden folklorists reported Bloody Mary's fame. Children of all races and classes told of the hideous demon conjured by chanting her name before a mirror in a pitch-dark room. (In Miami shelters, the mirror must be coated with ocean water, a theft from the Blue Lady's domain.) And when she crashes through the glass, she mutilates children before killing them. Bloody Mary is depicted in Miami kids' drawings with a red rosary that, the secret stories say, she uses as a weapon, striking children across the face.

Folklorists were so mystified by the Bloody Mary polygenesis, and the common element of using a mirror to conjure her, that they consulted medical literature for clues. Bill Ellis, a folklorist and professor of American studies at Penn State University, puzzled over a 1968 Journal of Nervous and Mental Disease article describing an experiment testing the theory that schizophrenics are prone to see hallucinations in reflected surfaces. The research showed that the control group of nonpsychotic people reported seeing vague, horrible faces in a mirror after staring at it for twenty minutes in a dim room. But that optical trick the brain plays was merely a partial explanation for the children's legend.  

"Whenever you ask children where they first heard one of their myths, you get answers that are impossible clues: 'A friend's friend read it in a paper; a third cousin told me,'" says Ellis, an authority on children's folklore, particularly that concerning the supernatural. As president of the International Society for Contemporary Legend Research, he's become an expert on polygenesis. "When a child says he got the story from the spirit world, as homeless children do, you've hit the ultimate non sequitur."

Folklorists have not discovered a detailed explanation for Bloody Mary's ravenous hatred of children, or her true identity. Today, however, shelter children say they've discovered her secret mission, as well as her true name. All of the secret stories about her enclose hints.

In Chicago shelters, children tell of her role in the death of eleven-year-old Robert Sandifer, who shot an innocent fourteen-year-old schoolgirl he mistook for an enemy. Cops combed the streets, shaking down gangbangers. In desperation Sandifer's gang turned to the one who could save them from justice. They sat in a dark room before a mirror and chanted, "Bloody Mary." The wall glowed like flames. A female demon weeping black tears appeared. Without speaking, she communicated a strategy.

That night, realizing his gang was going to kill him, Sandifer ran through his neighborhood, knocking on doors. "Like baby Jesus in Bethlehem -- except he was bad," explained an eleven-year-old at a Chicago homeless shelter. The next morning police found Sandifer's body, shot through the head, in a tunnel. According to the eleven-year-old, the boy was "lying on a bed of broken glass."

Bloody Mary commands legions. She can insinuate herself into the heart of whomever children trust most: a parent or a best friend. Miami shelter children say they learned about that from television. Salvation Army shelters offer parlors with couches, magazines, and a television. While their mothers play cards and do each other's hair, the children carefully study the TV news. They know how four-year-old Kendia Lockhart died in North Dade, allegedly beaten to death and burned by her father. Bloody Mary was hunting Kendia, shelter children agree. "Gangsters say that God stories are like Chinese fairy tales," observes twelve-year-old Deion at a downtown Miami Salvation Army shelter. "But even gangs think Bloody Mary is real."



Steve Satterwhite

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