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Full citation: 

Bogin, Meg. 1976. The Women Troubadours. Paddington Press, Ltd., New York. ISBN 0-8467-0113-8

Contents summary: 

Within this study of the lives and works of the female poets of 12-13th c. Provence, we are concerned solely with one: Bieiris de Romans, whose surviving attributed work consists of a single canso (a genre of courtly love lyric) addressed to a woman named Maria (clearly not the Virgin Mary, in this context). Assuming the link remains stable, this should give you a google-books snippet view from Bogin with the text and translation.

Within the genre of troubadour song, while the romantic and erotic desire that is expressed is often something of a literary game (as well as being composed in the framework of the “courtly love” genre where unconsummated desire for an unobtainable beloved was a default trope), no one questions the sincere underlying emotions in all the cases where a poem is addressed between the sexes. Modern commentary on the work attributed to Bieiris, however, has attracted unique skepticism with scholars dismissing it as a mere literary exercise, or as an expression of platonic friendship in the language of romantic love (charges not used to question the heterosexuality of other authors), or as being the pen-name of a male author (which leaves open the question of why a male author would represent love between women). Bogin reviews these positions but appears not to question the female authorship of the work.