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St. Cecilia Music Center (St. Cecilia Music Hall)

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St. Cecilia Music Hall
1893–1894, Henry Ives Cobb; 1926 remodeling, Rindge and Rindge; 1998 restoration, Design Plus. 24 Ransom Ave. NE

Nine women led by Ella Matthews Peirce founded in 1883 the St. Cecilia Society for the purpose of advancing the musical arts in Grand Rapids. Named after the patron saint of music and musicians, the society claims to be the first women's music club in the country to erect and maintain its own recital hall. The hall was designed by Cobb of Chicago in the formal and dignified Beaux-Arts classical style. The facade of the brick-clad music hall has a penciled masonry base, with an arched entranceway with heavy voussoirs. Five round-arched windows repeat the entrance motif and a balustraded cornice completes its formalism. The terra-cotta cartouches in the spandrels contain a horn, a cello, a triangle, and pipes. A large foyer opens to the 695-seat auditorium originally lit with a golden glow filtered through skylights, and a grand staircase leads to the second-floor dance hall. A memorial window to Emma Lyon Withey Greeson, a pianist and early member of the society, at the staircase landing was executed by Tiffany Studios from a design by New York artist Frederick Stuart Church, who was a native of Grand Rapids. It shows St. Cecilia seated at the organ under the protection of two guardian angels, one of whom holds a lyre. The interior of the auditorium was remodeled and its acoustics improved in 1926 by Rindge and Rindge of Grand Rapids. Continuous use of the building has enhanced the cultural life of the city and West Michigan. Renovation of Royce Auditorium and restoration of the west exterior facade were completed in 1998.

Writing Credits

Kathryn Bishop Eckert


What's Nearby


Kathryn Bishop Eckert, "St. Cecilia Music Center (St. Cecilia Music Hall)", [Grand Rapids, Michigan], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—,

Print Source

Cover: Buildings of Michigan

Buildings of Michigan, Kathryn Bishop Eckert. Charlottesville: University of Virginia Press, 2012, 252-252.



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