Music Mixing Techniques by Clay Hutson to Teach Yourself How to Produce Music

Music mixing techniques are a very complicated thing when you are not familiar with how to produce music. Many people have been mixing music occasionally and have come across the fact that you learn new music mixing tips on a daily basis and it is significant for anyone from any genre of music to identify and try some simple, new, easy practises to develop what you are mixing and also to motivate yourself to think of innovative way to produce music.

According to Clay Hutson, music production is an existent art and has so many diverse aspects to it. When you listen to a song, you have to hear all the little sounds and details going on to make the sensation, you have to find out how to create this when making music or your music will be boring and dead.

Clay Hutson mentions a few music production instructions that aspire to help make your songs sound better:

Distance or Front and Back – When mixing it is a prudent idea to conjure up your song as if you are packing a square box with sound; some instruments or sounds within the box or song will be at the high, front, in front and on top of other instruments or sounds, some instruments or sounds will not be so close at the forefront and will be low down. To move instruments or sounds up and down people use the volume on each fader, to move it forwards and backwards people would use the EQ.

If you sought after to create a feeling of distance you would need to do away with lower and higher frequencies because in a natural surroundings, air eliminates high frequency the further away you get and the bass disperses, so you would be looking at working within an assortment of 275hz-2500khz and editing it until you have the right distance or feel. You will also have to also get rid of frequencies of around 200 Hz and down.

A Dominate Bass Sound – If you were seeking to get a deep thick bass keyboard or guitar sound, you could do what most people always do, which is to put to put a low pass filter at 250hz and a high pass filter on the bass track at 50hz. As Clay Hutson suggests, the only other instrument or sound that should have joint way in to these frequencies is the kick drum or bass. Put the similar settings on the kick drum or bass but, use the parametric EQ to enhance the bass drum by +3 at around 100 Hz and utilize this same frequency unit on the bass guitar but have a -5 setting on the parametric EQ. This will make sure the bass drums make it through the mix and will make it have a driving bass all through the song.

There are many other music mixing guidelines to think about if you are interested in assisting yourself to be aware of how to produce music.