CLIC’s three key concepts:


Literature, theatre and performance traditionally belong to specific medial systems. However, these systems often interact in hybrid, intermedial ways. Definitions of intermediality range from a broad view on crossings between distinct media such as literature and theatre, to a more specific focus on the incorporation of one medium in another (e.g. the use of images or documentary material in literary texts). Methodological issues, too, challenge both practitioners and scholars.


The generic classification systems of literature and media, based on stylistic and structural features, are never neutral or ahistorical categories. They produce and communicate meaning, and also change over time, in response to specific socio-cultural but also political and economic contexts. Authors and artists often consciously renew, transgress or mix genre conventions, and thus influence the reception of literature and theatre. 


Space has become an ever more influential and highly diversified theoretical category – ranging from the urban space of modernism to the contact zone of postcolonial theory and the rhizomatic network of the megalopolis. Through imaginary topographies and theatrical scenographies, transnational and multilingual identities are negotiated and disputed, as are new forms of politically committed artistic production.