Thursday, November 26, 2009

Jodina Meehan - Cymatics Artist

Jodina Meehan is a cymatics artist using sound waves to create permanent art, and she is also editor of the Journal of Cymatics. This journal is supported by a website, that has a lot of very useful resources, information and examples in the area of cymatics - this wonderful and incredible sound to art work of cymatics. You can become a member of this website also.

The Journal of Cymatics: The Study of Sound Made Visible, was founded in 2007, by editor Jodina Meehan. Reporting on the art and science of cymatics around the world. If you have a piece of cymatics news to contribute, do visit the website on how to contribute.


Jodina Meehan at work in her studio creating cymatics art

You can view Jodina Meehans creating her own cymatics work in her studio- view the beautiful patterns created in an excellent video that showcases her cymatic on the following page:

There are lots of categories on this website to help you browse through the extensive resources. One such category is the Cymatics Video Category.

This website has a lot of information and is a wonderful resource for cymatics

Sunday, November 8, 2009

Practice Doesn't Make Perfect

It's pretty much a universal truth; practice makes perfect. Musicians know all too well that if you want to master your art, there is no substitute for practice. The problem is that this statement is much too vague.

The Blind Leading...

Just blindly practicing without thought can do more damage than good. Thinking that you can just show up and go through the motions can install false hope and produce unrealistic expectations. It also may cause doubt and pain after a huge investment in time and money is made and there are no results or improvement. There are right ways to practice and wrong ways to practice. There are wrong ways to learn and wrong ways to work. You can actually practice hard everyday and not accomplish very much at all. The student who practices wrong may be doing more damage than good; wasting years of time and effort practicing the wrong things over and over. Or, they may be going through the motions of practicing without making any effort or challenging themselves at all. Essentially, it's not enough to just sit down and practice, you must make sure that you are going about it the right way.

Why Are We Here?

While this may seem obvious at the outset, a lot of students will go about practicing without thought to why they are doing it in the first place. Some musicians have the really bad habit of practicing certain skills without too much thought about proper fingering or technique. People like to practice the same material and skills over and over. Learning new skills and keeping yourself challenged takes some discipline. Keeping on track with planning, execution and periodic self assessment is hard. It seems so much easier just to get to it; even when we know better. If may be as simple as not looking forward enough to see how much could be gained by some planning and discipline.

The Two Finger Approach

A lot of the time, making that initial investment seems like more trouble than its worth,. We're simply too lazy, can't be bothered and just want to get down to the task at hand. There are some skills that people don't take the time to learn even though the investment would be quite small in comparison to the time and money saved. The best analogy of this is the simple task of typing. Many people spend most of their day on their computer yet never learn to type. Even though it will save them a huge amount of time in the long run, they never take the time to learn and practice the skill properly. Some people go through an entire lifetime typing with two fingers. If they took the time to learn the skill in the first place, with regular practice they could double their typing speed in a relatively short time. The best part is that this is a skill that will stick with you the rest of your life. With a little concentrated effort and planning you may achieve much more in a significantly less amount of time. When you take the time to learn the proper technique, you will only get better with time. It's a good idea to think about this when planning your practice regimen. Think about what it is you want to learn and how (or who to go to) would be the best way to go about it.

Do You Have One?

First of all, how many musicians do you think actually have a practice regimen? By that I mean a specific time set apart where the musician will sit down and follow a charted course of lessons and exercises. How many musicians a) practice simply when they have a spare moment or just whenever they feel like it? b) actually take notes during their practice sessions? c) record their practice sessions and periodically review their progress? Working at something without actually charting your progress seems ludicrous. Can you imagine practicing a sport without taking the time to measure your progress and results? Yet how many musicians do this? How many musicians take a haphazard approach to practicing, writing, technique and their overall progress? As a student of any other activity, you would never do this.

General Rules

I'm going to go over some general rules to always keep in mind when sitting down to practice. These principles can also be applied to any endeavor which takes daily, regimented action.

Always do the following when sitting down to practice.
  • relax and focus on the task at hand
  • be mindful about what you're doing and why 
  • review what you did in the last session
  • plan for the practice session
  • work on problem areas
  • work on new skills and ideas
  • take notes
  • stretch and challenge yourself daily
  • use a timer
  • include warm ups and fundamental exercises
  • make notes for next session
While this may seem like it would be a chore to do and hard to implement, it's actually like most other learned behaviours. Once you do it a couple of times, it becomes easier to do. After an extended period of time it will become automatic. It actually saves a lot of time and takes a lot of the guess work out of what you're trying to do. It's easier to stay on track because it's all right in front of you. There is little guess work. It may be hard for a lot of easy going, artistic personalities to get into such a regimen but once you stick with it for a while and start seeing results quite quickly, your attitude may change.

The Big Review

You're going to have to sit down periodically and do an overall review. These reviews serve two purposes. First of all it gives you a good idea of what you've done and what you want to accomplish. That way you can make sure that you're working on things that are going to get you where you want to go. With music, there are so many skills and things to learn that it becomes easy to work on many different things. It's easy to get into a whole set of skills that aren't related to what you wanted to accomplish in the first place. It gives you something to measure as far as seeing if you are actually moving toward your goal.

Secondly it also helps in motivation and keeping on track. It's all too easy to lose your place or even worst, lose your motivation when practicing. This after all, is just you. You have to try and be objective about what you've learned and if you're making any progress. If you've taken the time to write down what you want to accomplish, you can later go back and see if you've done what you've set out. A lot of the students I have taught get excited when they see the results in their playing. Sometimes, it's as simply as recognizing a chord progression on the radio, but once there are measurable results, it gives up the motivation to stick with it. There are always periods of what seems like no growth at all but then there are always moments of a-ha where you realize that have improved or accomplished something significant.

The Big Plan

One of the things that's important to do before you even start a practice regimen is figure out what it is you want to accomplish. Write down what specific skills you'd like to learn and what the big plan is. It should be within a given time frame. This could be a year or 6 months or even 3 months. Don't worry about being too accurate with your time frame if you're just starting out with a new skill. For a beginner this would include learning to play an instrument for an intermediate musician, it may be earning to write a symphony. You won't know how long this is going to take. As you get going with your regimen though, you should do a review after a couple of months. From this you will be able to tell if you're improving and it may give you a better idea of your time frame and how long it may take to learn a new skill.

Check, Check

You must make sure that you are checking your results and always striving to get better. It's possible to keep going over the same things and think that you are practicing but you're not. This is when people seem to hit that 'ceiling' and can't seem to improve. When learning new skills you may have to get 'worst' before you get better. There's the idea that mastering a skill takes 10 years but it's possible that you could work on something for a decade or more and see very little results. It's also possible for someone with a set plan, with the right materials and work ethic, to master something in a fraction of that time.

Monday, November 2, 2009

Working Solo: R&D

Last time we talked about some of the problems with goals setting and planning when working on your own. When you're a musician most of the time you're going to be on your own which makes it that much harder trying to get it all done.

What to Do…What to Do

Planning is simply figuring out what’s important, what needs to be done, and how it’s going to get done. The problem with the music industry is that there isn't one way to the top. There are as many ways of getting there as there are musicians. So what do you need to do? What's your first step? What's your next step? What needs to be done first? Of course the answer to any of these questions has a lot to do with where you are now and what you want to accomplish. There is no set approach for artists and musicians; more now than ever since the turn in music industry in recent years.


You are going to have to spend a part of everyday on career development. Most companies spend a good deal of time (and money) in research and development. As a business, you're going to have to do the same. It’s said that in business that you should be reinvesting a certain percentage of your profits back into R&D; otherwise you become obsolete and die. You need to be doing the same. That means spending time everyday doing some research in figuring out what people in your industry are doing to make it. Much like practicing and working at your craft, this is one of the things that you should be thinking about and working on everyday. How do you go about this? What do you do first? If you’re just starting out, you’re going to have to do quite a bit of research and a lot of trial and error.

This process of research and trial and error never actually ends; you just get better at it.

The ‘R’ Part

For a starting musician (or even if you’re not), you will need to do some research first. Go to your library and take out books. There are tons, pick a couple but don’t just read them, make notes and put some of the ideas into action. This will be the beginning of your master plan. Don’t worry if you’re doing the ‘right’ thing yet. It will become apparent what works and what doesn’t soon enough. Do some research online. Don’t spend too much time on this. You could spend years going through all of the stuff online and end up wasting a lot of time. Do the same process as you did with the books. Take some of the good ideas, print them out on a separate sheet so you can access them anytime. This will get rid of any temptation to do any extra surfing while trying to work on your goals. Make a list of some actionable goals from the ideas you got online and then get out there and do them.

People, Places

Get out there and talk with musicians. This may be your greatest resource. Even if they aren’t ‘rockstars’ yet, that doesn’t matter. Every musician has stories and lessons learned. Remember to take it all with a grain of salt. See what ideas you like and try them out. If you hear one piece of advice over and over; memorize it and learn from it. It may save you a lot of pain later. There is no substitute for real experience but with a little research there won’t be as many surprises. Make no mistake though, there will be surprises!

Always have research and development as part of your to do list. No matter where you are in your path, this always needs to be on your list. This must be an ongoing thing.

The ‘D’ Part

The development part has a couple of areas that needs to be considered. Just putting your research into action is part of your development. Tweaking that research and you master plan is another. Remember we’re talking about career development here and not about your art; development of your art goes is another article entirely. Development in your career also involves networking, administration and of course finances. If you’re anything like me, you’ve spent years working on your craft, leaving the business largely alone. There is no place for this anymore. Just as you work on songwriting everyday, you must work on the development of your career. This means that once the research has been done and you’ve written down some goals, it’s time to see what’s working. Most businesses have a method of measuring if something is successful or not. They measure if it was worth their while and check to see if they can replicate that process. If you can do this, it’s a good idea but a lot of the things that you do in your development wouldn’t be so clear-cut. Sometimes the most unexpected things happen as a result of something that seemed arbitrary at the time. Sometimes upon closer inspection, there things don’t turn out to be as arbitrary as you think. It’s all part of the process.

Anything Happening Yet?

There will be times that you can see a direct result of something that you had done as part of your R&D. This may be getting contacts at a networking event, meeting other musicians at a jam night or simply getting sales from a local gig. When you achieve some success, it’s important to take a second and figure out why. If you can trace your steps back and see what you did and how it resulted in that particular success, you’re more likely to do that again in the future. It simply means that this process or goal works for you and it’s always a good idea to build on successes. A lot of very famous musicians have built a career on making the most out of one or two ‘small’ successes.

Your Career Workbook

One of things that you may want to do right from the outset is put together a career workbook. I have one of these for my practice sessions as well but having one solely for your business, planning, career and PR is a good idea. Once you’ve made a list, put it in there. Any marketing ideas? Put it in there. CD release checklists, networking events, etc. Put it all in there. Some people like to have their workbook on their computer. I personally find a binder much better. I carry it anywhere, doesn’t need any batteries or back up, and I have a hard copy of all of the most important items. This workbook should be opened at least once a day and checked. It’s important that this is a vehicle for action and results; not another system that you spend all of your time on tweaking and updating. It’s a WORK book.

Try and Try Again

If you’re just starting out don’t worry too much about getting it perfect. Check out some of ideas that you’ve found in your research and get started. Keep a list of what you want to do and what you’ve done. If something works, make a note of it. Rework the research and the plan. It’s a work in process.