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Poetry Explication

Robert Frost's "Wind and Window Flower" dramatizes the conflicts between stability and change, between love and death, and between subtle ***** dramatic strength. Personifying the wind and the *****ow flower, the poet transforms observations of the natural world into characters in a story. The n*****rrator addresses the audience directly in the first two l*****es, "Lovers, forget your love, / And list to the ***** of these, / She a window *****, / ***** he a winter breeze." ***** speaker proceeds to relay the tale of a ***** flower and the winter wind, which seeks to uproot ***** tiny, delicate blossom. Through the story and its rich metaphors and imagery, ***** speaker evokes appreciation for natural seasonal cycles as well ***** for the cycles of the day. The speaker also conveys the central themes of the poem, including that ***** the triumph of love over death. Flowers *****ten symbolize eternal life, while the ***** is often a powerful harbinger of change, transformation, and death. The poem is set in ***** w*****tertime ***** contains imagery of frost and cold, accentuating the contrast between the winter wind ***** its pray, a ***** flower. In fact, ***** ***** and ***** counterpart, a "caged yellow bird," are out of place in this scene, for both colorful objects invoke spring and new ***** rather than the death and decay suggested by ***** season of winter (line 7). Furthermore, the poet ascribes gender to the wind ***** the window flower: the former is male, the latter female, which underscores the symbolic aggression on the part of the male wind. In the end, ***** flower secures a passive victory, as it "leaned *****ide, / And thought of naught to say," (*****s 25-26). *****refore, the purpose of ***** narrative is to illustrate the potential triumph ***** humility and peace ***** brute force.

***** poem consists of seven stanzas of four lines each. Each line has either six or ***** syllables, but there is no strict regularity ***** syllables per line. The poem has a definite and compelling rhythm ***** helps dramatize the central *****: the s*****ry of the ***** and the ***** flower. Just as a deft storyteller will captivate his or her audience with the rhythmic intonations ***** the voice, so too does the narrator of the poem captivate the audience through *****ic rhythm. ***** first stanza of the poem differs from the rest in ***** meaning and in rhythm, as in t***** stanza the narrator addresses the audience directly as an *****troduction to the *****. The ***** consist of alternating iambs, trochees, anapests and dactyls. For example, the ***** line of the ***** ***** in succession a trochaic, an iambic, *****d an anapestic foot, whereas the second line contains in succession an iambic, anapestic, and dactylic foot. The third line differs even yet, with a two troch*****ic feet followed by an anapestic one. The irregularity of the meter in ***** first ***** creates suspension of the type all good storytellers want ***** order to compel



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