2000 Year Old Anti-Gravity Jar Found in India? SECRET REVEALED


Hey guys, today we are going to look at a very strange object, a jar which has magical properties. This anti-gravity jar is at least 300 years old and is displayed at the Museum of Kancheepuram in India. It looks like it has been made of wax, but it is made completely out of clay. It does not have a lid anywhere, so how do we use it? On the top it has holes, but you cannot pour water through these top holes. The only way to pour water is to hold the jar upside down, and you can see 5 holes at the bottom, and you can pour water through these holes. Now, you can see the water disappearing, but if you put the jar in an upright position, the water does not drain through the bottom holes. This is why it is called the Anti-Gravity jar. Now, notice that if the jar is kept upside down, the water is also not draining through the top holes. How did the water magically disappear? Where did the water go? The only way to get the water back is by using the spout, all the water we added through the bottom can be retrieved only through the spout.
This jar is about 300 years old, but similar jars were used even 2000 years ago in India. What kind of technology was used many centuries ago, to create this magical effect? Remember, this jar is made of clay, so there is no way to put a rubber stopper or a cork inside, because when you bake this clay jar in a furnace or kiln, the rubber or cork would have turned into ashes. Also, if you shake it, there is nothing moving inside, it has no moving parts at all.
This jar proves that real magic and supernatural abilities existed in ancient times, this is why the jar defies the law of Gravity. Things like this exist – I have even shown you a supernatural road that defies gravity in the U S. If you drop a ball in this anti-gravity road, the ball will roll up hill, against the law of gravity.
Now, let’s see how this magic jar was really made. I have built the same model here, but I have made it on a transparent container, so you can see how it works. On the bottom of this jar, I have placed a funnel in an inverted position, and I have attached a 90 degree bend at the end of the nozzle here. So, when I invert the Jar, and pour water through these holes, the water goes through the funnel, but does not stay there and gets released into the jar. But when I put the jar back in the upright position, the water cannot get back into the funnel. The water stays around the funnel and comes back out only through the spout. This is exactly how the 300 year old Magic Jar works. Or is it?
We have conveniently forgotten that the anti-gravity Jar had holes on the top as well. So, if I make holes on the top of this container, will that complete the model? No, it actually ruins everything because if I fill water through the bottom holes, the water will drain through the top holes. Remember, the original Jar did not leak through the top holes, when it was being filled from the bottom. So, I had to add another funnel at the top with a 90 degree bend to complete the model. And now, if I pour water through the bottom holes, it will not hit the top holes, and will remain in the main chamber and can be poured out only through the spout.

So you can see how complicated this design actually is. And why were these holes made at the top of the magic jar? Just to confuse us? No, remember this jar has no lid, without these holes, there would be no air circulation inside the jar. If someone left it with water inside, the water will have no room for evaporation without these holes, so the top holes are absolutely necessary. It shows how clever people were many centuries ago. Now, everything I have used is plastic and I am able to glue the pieces together, and I can also open the container and make changes. But the original Jar is one piece and is completely made of clay. When you bake a clay model like this in a furnace or a Kiln, the clay will expand and will get deformed. Any slight change or just one crack inside will completely ruin the magic effect of the jar. And you can see how the jar has a shiny green glazed appearance. This color and shine has remained intact even after repeatedly using it for 300 years. Who made these amazing jars and why?
These jars were made in a small village called Karigiri, this is why these jars are known as Karigiri Jars. Potters in this village, designed many ingenious clay objects which baffled general public. Many centuries ago, Karigiri was the center of these “magic” items. It is said that they built about a 100 different magic containers and each one gave a different effect. Today, these clay jars are no longer made in that village and are displayed in Museums. Out of 100 different types of magic containers, only half a dozen exist today.

The most interesting jar was called the Akshaya Patra, a jar that never runs out of liquid. This is a metal replica of that jar. If you pour a small glass of water into this jar – This jar magically turns it into wine, and Let me empty this completely. But this jar is inexhaustible, this is what the term “Akshaya Patra” means, it has a never ending supply inside. In Greek Mythology, there is an inexhaustible vessel called ‘Cornucopia”, which can never become empty. This jar is the real deal, now I can get some more wine out of it. And I have emptied this completely now, but if I leave it on the table and just wait, it will refill by itself. Modern magicians often use this container and call it a Lota bowl. The word Lota actually comes from Sanskrit language, we still call it Lota, which means a cup or a vessel. And you can see again, I can pour some more wine. These Lota Bowls originated in India nearly 2000 years ago and British Magicians took it from street magicians of India just 200 years ago. This is a very clever trick and it is still very effective on spectators, many people get completely confused by this lota bowl.
So, how does the lota bowl work? This jar actually has 2 chambers inside. When it looks like I completely empty this jar, there is another secret chamber which is still holding some liquid. This is how the jar actually looks inside. And If you observe carefully, you can see that there is a small hole near the top of the jar. There is also a small hole at the bottom. So when I fill this jar, both chambers will have the same level of water. But if I close the top hole, there would be no atmospheric pressure acting on the liquid inside the secret chamber. This means that the water from the secret chamber will not go back into the main chamber through the bottom hole. This is why, I am able to close this hole and pretend to empty out all the liquid, while the secret chamber still has a lot of liquid inside. Now, understand that these magic jars were used more than 2000 years ago in ancient India. This means that ancient people not only understood the concept of atmospheric pressure and its effect on liquids but also used it for entertainment, more than 2000 years ago.
I hope you enjoyed watching these ancient magic jars. I am Praveen Mohan, thanks a lot for watching, don’t forget to subscribe and also click on the bell button to get all the updates. Please give this video a thumbs up and share it with your friends and I will talk to you soon. Bye!

Praveen Mohan


Thousand Pillar Temple – Impossible Ancient Technology Discovered?


Hey guys, today we are going to look at one of the strangest ancient sites in India – this is the Thousand Pillar Temple which is at least 750 years old. On first sight, it looks like a regular temple,  but there is something fundamentally different about this temple, because there are no visible joints at all between the stone blocks in the walls of this temple.

This is a large temple, but look carefully as I go from the ground to the top, do you see any joints? This makes people wonder if this entire temple is made of one solid rock, like the Kailasa Temple, but archeologists confirm that it is in fact made of many many blocks of stone. In 1300 A.D , an army of the Muslim King Allauddin Khalji tried to demolish this temple, and they took out many of the stone blocks from the ground and the ceiling, because it was easier to dismantle them, but they could not dismantle the blocks on the walls. If you look at the floor, these are newer stone slabs placed by the Archeology department, and you can see how these blocks are loosely connected. If you compare the modern day stone masonry with the ancient technique, modern technology appears quite primitive, because you can clearly see the joints. The archeology department has been trying to restore the temple from the destruction and graffiti by Allauddin Khalji’s army.

Now, why is this temple called ‘The thousand pillar temple’? Most visitors wonder why this is known as the thousand pillar temple because it doesn’t have a thousand pillars. It is called so because it is made of one thousand blocks of stone, this is the actual reason why this name is used. But even in most sophisticated temples like the Lepakshi temple, we can see clear evidence of joints between the blocks, but in this temple, the joints are not visible. What is fascinating is that there was no cement, mortar, or glue used to join these blocks. How did ancient builders achieve such an extraordinary level of jointing, many centuries ago? What kind of technology existed and  how was such a temple built?

The underlying technology is this: Ancient builders created a complex interlocking system with at least a dozen different cuts in each stone block. These complex cuts maximize the amount of surface area shared by the connecting blocks, and will create an extremely tight fit. This is hard enough to do between 2 stone blocks, but imagine using several stone blocks on all sides and how many cuts would have been needed to connect 4 or 5 blocks together.  I mean, this is just an extraordinary technology. This can be done on wood, but how did they manage to make these cuts on large stone blocks many centuries ago? Making these cuts is one thing, but the level of precision, to make these joints invisible can be achieved only with advanced machines.

We can clearly see that building a massive temple with no visible joints is impossible with primitive tools. Did ancient builders use cutting, drilling and polishing tools, just like today? If so, do we have any evidence of these tools in the temple itself?

How about these carvings which resemble modern drilling and polishing tools? In most temples, we usually see carvings of Gods, but in this temple, we can see these tool like carvings, with a conical, striated top with a long shaft, which is remarkably similar to modern day tool bits.

Just compare these carvings with today’s tool bits side by side. You have to admit there is an uncanny similarity. Is this a coincidence, or did ancient builders use tool bits just like us, to make these precise interlocking system?

The pillars in the temple confirm that drilling machines were in fact used. There are very tiny holes drilled on these pillars. My friend is struggling to send a thread through the small holes, but these holes are too small even for a thread. The priest is happy to help us, he picks up something thinner than a thread and inserts it successfully through these holes.

If you think these carvings are not drill bits, how do you explain such tiny holes carved on the pillars? How do you explain the construction of an entire temple with no visible joints? Were they created with advanced machines, or with simple tools like chisels and hammers?

Please let me know your thoughts in the comments section.

-Praveen Mohan

Underground Temple of Secret Rituals – Warangal Fort, India


Hey guys, this is an ancient underground temple near Warangal Fort, it doesn’t have a name and is completely abandoned. This is an isolated place and gets no visitors and is estimated to be at least 800 years old.  I am gonna take you inside the temple and we can see some very strange details and secret rituals happening inside the temple. The temple is located at the underground level, and there is only one side that this completely open, and on all the other sides, it is totally covered with dirt. It has a very low ceiling, and it gets lower and lower as we go into the main chambers.

What’s really fascinating is that, this place shows evidence of strange rituals. On the floor, you can see a lot of chicken feathers, alcohol bottles, and  pieces of lemon stuck on a thin rod. Of course we can assume that some guys were just drinking and cooking here, but you can also see religious items like saffron powder strewn all over the floor, and also matchsticks and candles. This means there was some kind of a black magic ritual performed here.  Locals say that a group called ‘Kapalikas’ gather here during new moon nights and indulge in strange rituals including meat eating and drinking. The term Kapalika means “Skull-Men”, these people carry human skulls and are sometimes even known to worship skulls. Remember, I showed you the temple of crystal skull a few weeks back? This temple is very similar in appearance to that one, and I think there could be a connection between the two.

What’s intriguing about this temple is that even though it is abandoned, it doesn’t have any bats, but is home to a lot of insects, here is a lizard and as we go into the main chamber, we begin to see a lot of spider webs. There are huge spiders all over the walls. The entrances are very short, less than 5 feet. This chamber has no deities, no idols and is completely empty. The only fascinating part is the ceiling which has a nice spiral design. But this temple has 2 main chambers and I am gonna go inside the next chamber and try to identify what the main deity would have been.  You can see that the floor of this chamber is completely destroyed, but this broken uprooted stone structure is actually a lingam. So, this was definitely a temple dedicated to Lord Shiva. I wonder why these stone structures were completely demolished and why this temple was abandoned. You can see rich paintings on the walls and the ceiling, and this must have been a very beautiful place with lots of visitors, many centuries ago.  And I have already shown you these pillars, made of multiple blocks and how they were joined in my previous video. I hope someday, the government can restore this temple to its original shape. Please share this video with your friends to spread awareness about abandoned ancient temples.

– Praveen Mohan

Lord Shiva Smokes Marijuana & Drinks Alcohol – Why?

Hey guys, today let’s take a look at why Lord Shiva is portrayed as smoking weed and drinking alcohol. In fact, we have a temple called Kaal Bhairav temple in which Lord Shiva is fed alcohol every day. There is a mouth carved in the lingam, and alcohol is poured through it as a ritual. Every year, on Shivarathri, which is the night dedicated to Shiva, his devotees smoke weed before praying to him. Why is Lord Shiva depicted as an alcohol drinker and a smoker of Marijuana? This is very confusing to the common man, who thinks that Gods should not indulge in these evil acts.

To understand this, let’s go back in time many thousand years ago and assume that human beings were primitive. We have about 400,000 species of plants. How did we find out which plants can be used as food, and which plants are poisonous? Which plants make you sick and which plants heal sickness? The ancient Indian system of medicine called Siddha documents more than 100,000 plants and their medical uses. How were these documented? In fact, their documentation is so accurate that even today, they are being absorbed into modern allopathic medicine. For example, in the year 2000, a medicine called Virohep was launched to treat Hepatitis B. The manufacturers of this medicine, have openly stated that they extracted the chemical from the herb mentioned in ancient Indian texts, and made them into pills. It is now available all around the world and is accepted by doctors as a very effective medicine.

So, how were such advanced medicines documented at least 2000 years ago in India? According to traditional Siddha medicine, Shiva comes from a planet called Shivalokha, and begins experimenting and documenting the properties of plants on earth. These experimental techniques and results were then passed on to 18 saints who documented the rest of the plants. Of course, historians and other experts will tell us that this is nonsense, and ancient Indians found out these properties of plants by trial and error or by accident. But we have solid evidence that ancient Indians tested these plants just like modern day scientists. In the ancient Hoysaleswara temple, we can see this strange carving. What does it show? It shows an alcoholic drink called toddy being extracted from palm trees, and collected into a container on the ground. But you can something extraordinary – the saint is watching two animals – a bird and a snake drinking from the container. It actually shows they were testing the effect of alcohol on animals first, before beginning to use it on human beings. This is exactly what scientists do today, they test it on animals first before giving it to humans. Right next to the carving of animal testing, watch how a man gives a similar container full of toddy to a woman, and the woman is clearly refusing it, look at the hand gesture.

But why make alcohol at all, isn’t it evil to drink alcohol? Why are these things even carved on a temple? Indian traditional medicine explains alcohol and other intoxicants as absolutely necessary for performing surgeries. Take the simple case of tooth extraction. How can we do this without sedating someone? After all, ancient Indian texts explain complex surgeries such as eye operations, amputations and even plastic surgeries. The ancient text called Sushruta Samhita clearly explains how alcohol must be given to patients before surgery.


But what about Weed? Why is Lord Shiva shown smoking pot? Today Marijuana is thought of as a drug,  but it was considered a sacred medicinal plant in India. Lord Shiva, who is the father of traditional Siddha medicine was the first to test Marijuana on animals, and on himself, before giving it out to human beings. Popularly known in India as Ganja or Bhang, it is was used to relieve anxiety and pain since 2000 BC, which is 4000 years ago. Ancient Indian traditions recommends using marijuana once a year to maintain good mental and physical health. This is why weed is smoked in India and Nepal by devotees on the night dedicated to Shiva. The medical properties of Marijuana are well documented in ancient texts – it stops Nausea and increases appetite, it can relieve muscle spasms and treat many other diseases.

There is also a cult called Aghoris – these people have dedicated their lives to Shiva, they smoke weed on a weekly basis and claim it keeps their brain sharp. A recent study in the United States shows that THC, an active ingredient in Marijuana can prevent and treat Alzheimer’s disease and can keep the brain sharp.

We see a very interesting pattern emerging in the western world. People who have denounced and ridiculed the use of Marijuana by Hindus calling it a barbaric or evil act are slowly turning in favor of medical marijuana. We now have medical marijuana legalized in more than 30 states in the US and in 15 countries.

So, now you know why Shiva is shown smoking pot or drinking alcohol – nothing is evil about it as long as you know how to use it, just like any other tool you have. If you use a screwdriver to poke your eyes, don’t blame the screwdriver.

I  hope you liked this video, I am Praveen Mohan. Thanks a lot for watching, don’t forget to subscribe and also click on the bell button to get all the updates. Like and share this video with your friends and I will talk to you soon. Bye!

World’s Smallest Carvings found in Ancient Indian Temple – Evidence of Machining Technology?

Hey guys, I am at the Darasuram temple in India which is 850 years old and here we can see the smallest carvings in the world. Let’s take a look at this bull carved on one of the pillars. This is about 2 inches wide, but it also shows all the features of a bull. You can see the hump, the horns, ears and eyes, there is even an extended tail,  but look carefully, and you can see the Hoofs, and even the nostril, which is just 1 millimeter wide, carved on it. Now, compare this with the carving of the largest bull in the world, this is also situated in India, in a place called Lepakshi, which is about 300 miles away. This bull is nearly 15 feet tall and 27 feet long. The smallest carving of the bull is so small, that you can place 10 of them inside the toenail, or the dewclaw of the largest bull.

But this 2 inch bull is not really the smallest carving in the temple, some of the carvings are even smaller. This carving is less than 2 inches tall and shows Lord Shiva and we can even identify the weapons and objects he is holding in his multiple hands. Here is a lion which is just one and a half inch long, it is a shame that the temple has gone through many centuries of corrosion, many of these carvings have deteriorated. Here is the dancing elephant god, which is even smaller, he is just one inch long. You can see his crown, pot belly and his arms and legs in a dancing posture. Of course, we have to wonder how ancient builders were able to create 1 inch carvings, 850 years ago. Remember I showed you the skulls in Hoysaleswara temple, these are also one inch wide. They are completely hollow and you can pass a twig through one of the ears and can pull it out through the eyes.  Were these amazing carvings created using advanced machines or with primitive tools?

But there are carvings even smaller than this at the Darasuram Temple, here is a  carving less than 1 inch wide and actually consists of two figures, Lord Shiva and his wife in a sitting posture. This means that each figure is less than half an inch in size. Even today, you can see that people smear saffron powder on this carving as a ritual, this ritual has corroded this carving to a considerable extent, but even after eight centuries, we are able to identify these half inch gods because of their features.

But all this is nothing, because we are only looking at the full carvings, we have to examine the details on the carvings to really appreciate ancient technology. Here is Lord Shiva in the form of a beggar, and look carefully and you will see a begging bowl in his hand. This bowl is carved to the size of black pepper or pepper corn, which is just 4 millimeters wide. Here is the wife of Shiva and you can see the religious dot on her forehead, this less than 2 millimeters. You can even see the smile on her face, Some of the details are so small even to capture with my camera, but if you visit this temple, please do examine these pillars. But be very careful, because – see these designs, which look like Egyptian pyramids, the tips of these pyramids are less than 1 millimeter wide and they will prick you like needles. And this is after eight hundred and fifty  years of corrosion, so imagine how sharp they must have been, when they were first created.

But the question is, how can anyone create needle sharp carvings on solid rocks with primitive tools like chisels and hammers?  I mean, less than 1 millimeter wide? How did ancient builders accomplish this? Showing emotions if the figures are smiling or frowning on one inch carvings? Half inch deities, recognizable after 850 years of corrosion? A bowl the size of black pepper, just 4 millimeters wide? Sharp points with less than 1 millimeter that can still prick like needles? Were these created with primitive tools or were ancient builders using advanced technology?

Please let me know your thoughts in the comments section.

– Praveen Mohan

Shravanabelagola, World’s Largest Monolithic Statue – Evidence of Ancient Machining Technology

Hey guys, today we are gonna explore the mystery of the largest monolithic statue in the world. This ancient structure, called Gommateshwara was built more than a thousand years ago and is made of one solid rock. How was it created at a time when historians claim there was no advanced technology? Is it possible to move such a huge structure to the top of a hill, with just primitive tools and techniques? This statue stands about 57 feet tall, nearly 40 feet wide at the base and weighs more than one thousand tons. This is a whopping 2 million pounds of solid rock. So, the question is: How was it transported to the top of this hill which is more than 400 feet from the ground? Experts are not able to answer this question, but some have speculated that the stone was available on the hill itself. Even better, if this rock was already in place, then sculptors would have to simply carve the statue, since there is no transportation involved.

Is it possible that this rock was naturally in place, before this statue was carved? No, experts confirm that this statue is made of white granite, a material that is completely different from the rest of the rocks on the hill. In fact, there is no white granite anywhere on the hill or even in the surrounding area. You can see the sharp contrast in color between the statue and the rest of the rocks which make up the temple. So, the only possibility is that this statue or an entire slab was transported from ground level to the top of the hill. Let us assume that they moved the statue, and not an unfinished slab, because the unfinished rock would weigh nearly twice as much as the carved statue. Some historians have argued that elephants were used to move this statue to the top. Now, an elephant can lift a maximum weight of 660 pounds. This would require a total of 3000 elephants to move the statue, but how do you even put 3000 elephants in a row, and tether them to a 57 feet long object? Since this is not possible, how else was the statue moved to the top? Perhaps we can find some clue by examining the statue closer. The statue is famous for something very interesting, it has no human errors at all. If you draw a line in the middle, it is perfectly symmetric, throughout the entire height of 57 feet. Is such a symmetry possible without the help of machines? Granted, India is the land of sculptures, and we can find millions of amazing carvings, more than any other country in the world. But this statue is quite different. Because of its enormous size, it has to show even the minute details.

For example, you can see this groove between his nose and lips. All human beings have this groove, however most sculptures do not show this feature. Even the statue of liberty does not have this feature. But it is carved on this 1000 year old statue. These features are not visible to the naked eye, they are only visible if you zoom in with your camera. And it shows something truly extraordinary … Watch the full video to learn more!

Prototype of Kailasa Temple Discovered? Pancha Rathas, Mahabalipuram

Hey guys, let’s take a look at this unique temple complex called PanchaRatha in India, and I am gonna show you some solid evidence that this was the model of Kailasa Temple. But how could these 5 individual structures even begin to be the model of Kailasa Temple, which is the largest Monolithic structure in the world, carved out of a single rock? Because these individual temples are not really individual structures, they are all carved out of one solid block of stone. This entire complex, the 5 towers, the elephant, and everything else is carved from one single rock, just like Kailasa Temple. For example, we can see these 2 towers, which really look like individual structures, but if you look at the base, we realize that they are not separate rocks. A considerable part of Pancha Ratha is actually still underneath the sand, that has accumulated over many centuries,  and underneath we have the base of one solid rock. This makes Pancha Ratha, one of the largest Monolithic temples in the world, just like Kailasa Temple. If you aren’t familiar with Kailasa Temple, you can click on the top right corner of the video to see how it was created with advanced technology.

If we calculate the width and height of the rock that existed before the creation of these structures, it would look like this..a hill, made of granite. The only way to create these pyramidal structures, is by scooping out tons and tons of rock, starting from the top, just like Kailasa Temple. And not one piece of rock has been added to this complex, from outside.

But Pancha Ratha is a much more mysterious site than Kailasa Temple itself. This complex has not only baffled tourists, but also historians and archeologists. Till date, experts do not know why these structures were built. What do I mean by this? These are temples made for worshipping Gods, right? No, they were not created as religious structures at all. If you look at the base of each of this tower, you will see a large stone structure called a Kalasam. In every Hindu temple, these Kalasams are placed on top of the tower, and all religious worship begins only after this Kalasam has been placed on top. However, in Pancha Ratha, all these Kalasams are deliberately carved at the base, and the top of the towers are left empty without these structures, clearly indicating that the Pancha Ratha was not a place of religious worship.

Archeologists confirm that this was not created as a place of worship, and believe that it was built as a model, or a prototype. A prototype of what? They don’t know the answer to this question, but if we analyze carefully, we can clearly see that this was the prototype of Kailasa Temple.

There are 5 types of towers in Pancha Ratha, which match exactly with the 5 towers of Kailasa Temple.  The Kailasa Temple is so large that these 5 towers are not even visible from the ground. But if you go on top of the mountain, we can see these 5 towers, each with distinct style, exactly matching the towers of Pancha Ratha.

If you look at the base of Kailasa Temple, it is shaped like a chariot, pulled by a series of Elephants and Lions. And at Pancha Ratha you can see the identical features. The only difference is in the size, the animals look much smaller because Pancha Ratha is a smaller prototype of the Humongous Kailasa Temple. The carvings of various Gods are also identical in both the temples.

And here you can see this beautiful Elephant at Pancha Ratha, standing beside the towers, and you can see the same figure at Kailasa Temple as well. Of course you can see how invaders tried to destroy this elephant, but couldn’t succeed. They tried to destroy the Kailasa Temple and just gave up, because Kailasa Temple is indestructible. What’s interesting is that, the Pancha Ratha was also tested by a destructive force, much more powerful than human beings. It was hit by a massive Tsunami in 2004, and while the newer temples built in the last few centuries were destroyed, this structure doesn’t even have a scratch on it. There is something fundamentally different about these ancient structures like Pancha Ratha and Kailasa Temple, they are simply indestructible by nature or by human beings.

There are many more similarities between Pancha Ratha and Kailasa Temple. Archeologists estimate they were both built around the same time, about 1300 years ago, although they think Pancha Ratha was built roughly 50 years earlier than the Kailasa Temple. All these evidences prove that Pancha Ratha was in fact built as the model of Kailasa Temple, but here is the baffling problem. They are both separated by a distance of 800 miles, and all historians say they were built by completely different kings, who had no contact with each other. How could the prototype be built in the South of India, while the Main structure was built in North India, by people who were completely disconnected to each other? The only possibility is that both these structures were created by the same builders, and these builders must have possessed advanced technology.

I mean, even today, it is hard to imagine how the entire temple complex of Pancha Ratha was created out of one solid rock. What kind of technology was used to create this prototype? Archeologists will say these were created by hard work of human beings, using simple tools like chisels and hammers. But is it possible to create structures like these with just simple tools? If ancient builders really used some kind of advanced stone cutting technology, can we find evidence of it in the same complex?

Nearby,  we can see a massive rock that has been sliced in half, like a loaf of bread. It is more than 12 feet tall and 18 feet wide. You can see no chisel marks, no series of tool marks for placing wedges, like what we see in newer temples. What we see is one cut, like slicing butter, on a huge granite block, which is one of the hardest rocks in the world. How was this possible, at least 1300 years ago? I mean, what kind of technology was used to cut a rock of this size? Archeologists offer no explanation as to how such cutting is possible, but I’ve shown you many examples of ancient machining technology, you can click on the top right corner of the video to see it.

So, what do you think? Was Pancha Ratha built as a model of Kailasa Temple? Were these ancient structures built with primitive tools or advanced technology? Please let me know your thoughts in the comments section.

Praveen Mohan