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I understand what Aux-sends are and are used for but I cant seam to figure out what a aux-return is and/or could be used for. I cant find anything substantial on a quick search.

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migrated from avp.stackexchange.com Jan 27 '14 at 14:58


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Suppose you want to use parallel audio effects (i.e. typically reverb, delay or sometimes chorus: effects that just add some "dependent extra signal" rather than "destructively" modifying an input signal). There are two obvious ways to do this:

  • use an insert loop like you would for a serial effect (compressor / eq ...), but with an FX unit that allows you to mix some of the dry signal to the processed one.
  • use an Aux send to route the signal to the FX unit, and plug that signal back into the mix through an extra audio channel.

The latter apparently seems less intuitive to many people at first, but it's actually far more natural: again, we're talking about parallel effects here. And it has a number of advantages:

  • you can process multiple channels through a single FX unit at the same time. Apart from saving money, rack space and setup time, this also ensures automatically that all those channels will actually get the same effect with the same parameters – in particular for reverb, this tends to sound more realistic than all instruments having different-sounding reverb on them. If you specifically want different effects, you can still use multiple Aux routes.
  • you can easily control the amount of effect for each instrument, which much better overview than the solution with a bunch of seperate insert effects.
  • you can handle an effect like a channel on its own: e.g. put EQ on the delay, noise gate on the reverb or whatever, without affecting the sound of the instruments you routed to these effects. You can very quickly change between a "swimming" mix with a lot of modulation effects to a plain and clear acoustic sound, by simply turning off the whole FX return.

In principle, there's no need to actually use Aux returns for this kind of parallel processing: you can route the signal back to any normal line input, sometimes it is in fact necessary (like when you need to use the console's EQs); but more often you'd pretty much keep the controls of these channels neutral anyway: the sound modifications can often be done better in the FX processing unit, and the levels are usually controlled pre FX (per channel!) rather than post FX, which has normally the same result since parallel effects are almost always linear. And often on analog consoles, you don't have such a lot of input channels that you can afford to spend any of them on FX returns. But then there's still these nice little Aux return channels, which do just what you need.

Of course, you can also use Aux returns as simple little line input channels, if you've already run out of these and don't need preamp control, EQs etc. for some signals.

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I have seen it used to provide an effects path (aux-send : effects : aux-return)

From Wikipedia's Aux-Send article: The signal from the auxiliary send is often routed through outboard audio processing effects units (e.g., reverb) and then returned to the mixer using an auxiliary return input jack, thus creating an effects loop. This allows effect to be added to an audio source or channel within the mixing console.

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