

"Mukegaard school" Tag

‘The Mosquito’

Friday, March 27, 2015

I am sitting behind a table, in my parents house, on a familiar, comfortable chair. I am used to this seat and it has been around for as long as I can remember. My grandmother got a set of four teak wooden chairs with a matching table as a wedding gift in the late fifties.  I have seen them in two different states throughout my life. My mother was given the set when she was about twenty years old. Feeling that the natural teak wood colour was outdated and ugly she decided to paint the chairs red. The table was not present until recently.

About a year ago my mom started to regret her decision to paint the chairs, and had them brought back to their original state. After my parents moved to a new house the chairs and table were placed in their newly furnished home, where they stand in full glory. Ever since then I keep admiring them more



two generations sitting at the dinner table


The Danish designer/architect Arne Jacobsen (1902-1971) introduced the munkegaard chair – also known as the mosquito – in 1955, in the Munkegaard school located in Gentofte, north of Copenhagen. The school is considered one of his most important architectural works, within which he designed everything from the light fixtures to the sinks [x]. The chair that belonged to it became an absolute classic. Because of the setting that the chairs were made for, the design is highly functional. They are very easy to stack, which is perfect in places where you have to deal with limited space. They are extremely durable and comfortable at the same time. The part on which your back rests follows the natural shape of your spine. The seat of the chair is made out of pressure moulded sliced veneer. The bases are made of chrome steel tubes. The thin wood is strong but flexible. If you lean backwards, the wood moves slightly with you. The chairs are more than just convenient though. The elegant objects have an inviting look. They are unique in their simplicity with an understated aesthetic quality, which makes them so brilliant. They will complement any decor or surrounding, and bring an edge to any interior. Having only been produced from 1955 until the late sixties (and for a short amount of time in the nineties), they are now back in production again. When you pay attention they appear everywhere. When I was on a holiday in Denmark, I noticed that the chair was used in many different places, from office spaces, to cafeterias, and from the fancy to the less fancy places. Everyone seems to appreciate them. See here a website made especially for the chair.


Munkegaard schoolThe mosquito chair

Munkegaard School                             The Mosquito Chair, Teakwood


Jacobsen plays an enormous part in the image we have of danish design, and maybe even design in general. Traces of his work are found worldwide, even now still, thirty years after his death. Jacobsen was a man of extraordinary vision, strong ideals and in his time was considered true avant-garde. He is not considered intellectual or analytical in a traditional sense. Jacobsen was a producer; even when he was not working he worked nonetheless. Relaxation for him meant a shift in the creative realm. His output therefore was enormous. As a designer he strongly believed in the ‘form follows function’ motto. Jacobsen was inspired by the works of Le Corbusier, Mies van der Rohe, and Walter Gropius, which is explicitly visible in his own early works. He was also inspired by the furniture of Ray and Charles Eames who worked a lot with bent plywood. Even though Jacobsen is most famous as a designer he never called himself as such, and it is said he had a strong dislike towards the word. A lot of his designs were created in the context of the architectural buildings that they would be placed in.

I see Jacobsen as a visionary, as he played a huge part in designing the environment we live our daily lives in. From architectural masterpieces to simple things we use everyday, Jacobsen surrounds us. He makes things exactly the way I like them. His designs are the perfect formula of functionality, durability, and aesthetics. They are modern simplicity: all that it needs to be and nothing more. His mosquito chair will remain a timeless object that people will appreciate for ever. As for the chairs in my parents house, they are probably not originals, since the design is one of the most copied in the world. Nonetheless I am happy that I have grown up acquainted with such a beautiful piece of design.

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