Monday, February 05, 2018

Born Today In 1914, Beat Writer William S. Burroughs

William S. Burroughs was born today, February 5, in 1914. He was a writer and artist. Burroughs was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. 

Burroughs wrote 18 novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences. He also collaborated on projects and recordings with numerous performers and musicians, and made many appearances in films. He was also briefly known by the pen name William Lee. Burroughs created and exhibited thousands of paintings and other visual art works, including his celebrated 'Gunshot Paintings.'

He was born into a wealthy family in St. Louis, Missouri, grandson of the inventor and founder of the Burroughs Corporation, William Seward Burroughs I. Burroughs began writing essays and journals in early adolescence, but did not begin publicizing his writing until his 30s. He left home in 1932 to attend Harvard University, studied English, and anthropology as a postgraduate, and later attended medical school in Vienna. 

In 1942 Burroughs enlisted in the U.S. Army to serve during World War II, but was turned down by the Office of Strategic Services and Navy, after which he picked up the drug addiction that affected him for the rest of his life, while working a variety of jobs. 

In 1943, while living in New York City, he befriended Allen Ginsberg and Jack Kerouac, and out of their mutual influence grew the foundation of the Beat Generation, which was later a defining influence on the 1960s counterculture.

Much of Burroughs's work is semi-autobiographical, primarily drawn from his experiences as a heroin addict, as he lived throughout Mexico City, London, Paris and Tangier in Morocco, as well as from his travels in the South American Amazon. 

Burroughs accidentally killed his second wife, Joan Vollmer, in 1951 in Mexico City with a pistol during a drunken "William Tell" game; he was consequently convicted of manslaughter. Burroughs found success with his confessional first novel, Junkie (1953), but he is perhaps best known for his third novel Naked Lunch (1959), a highly controversial work that was the subject of a court case after it was challenged as being in violation of the U.S. sodomy laws.

In 1983, Burroughs was elected to the American Academy and Institute of Arts and Letters, and in 1984 he was awarded the Ordre des Arts et des Lettres by France. Jack Kerouac called Burroughs the "greatest satirical writer since Jonathan Swift", a reputation he owes to his "lifelong subversion" of the moral, political, and economic systems of modern American society, articulated in often darkly humorous sardonicism. J. G. Ballard considered Burroughs to be "the most important writer to emerge since the Second World War," while Norman Mailer declared him "the only American writer who may be conceivably possessed by genius".

Burroughs created visual art throughout his lifetime, but never exhibited it until 1987, after the death of his friend and collaborator Brion Gysin. For the next and last 10 years of his life, he presented his paintings and drawings at museums and galleries worldwide.

In 1932, Burroughs left home to pursue an arts degree at Harvard University, where he was affiliated with Adams House. During the summers, he worked as a cub reporter for the St. Louis Post-Dispatch, covering the police docket. He disliked the work, and refused to cover some events, like the death of a drowned child. He lost his virginity in an East St. Louis, Illinois brothel that summer with a female prostitute whom he regularly patronized. 


After Burroughs graduated from Harvard, his formal education ended, except for brief flirtations with graduate study of anthropology at Columbia and medicine in Vienna, Austria. He traveled to Europe and became involved in Austrian and Hungarian Weimar-era LGBT culture; he picked up young men in steam baths in Vienna and moved in a circle of exiles, homosexuals, and runaways. There, he met Ilse Klapper, a Jewish woman fleeing the country's Nazi government. The two were never romantically involved, but Burroughs married her, in Croatia, against the wishes of his parents, to allow her to gain a visa to the United States. She made her way to New York City, and eventually divorced Burroughs, although they remained friends for many years.

After returning to the United States, he held a string of uninteresting jobs. In 1939, his mental health became a concern for his parents, especially after he deliberately severed the last joint of his left little finger at the knuckle to impress a man with whom he was infatuated. This event made its way into his early fiction as the short story "The Finger."

Burroughs enlisted in the U.S. Army early in 1942, shortly after the bombing of Pearl Harbor brought the United States into World War II. But when he was classified as a 1-A Infantry, not an officer, he became dejected. His mother recognized her son's depression and got Burroughs a civilian disability discharge —a release from duty based on the premise that he should have not been allowed to enlist due to previous mental instability. After being evaluated by a family friend, who was also a neurologist at a psychiatric treatment center, Burroughs waited 5 months in limbo at Jefferson Barracks outside St. Louis before being discharged. During that time he met a Chicago soldier also awaiting release, and once Burroughs was free, he moved to Chicago and held a variety of jobs, including one as an exterminator. When two of his friends from St. Louis, Lucien Carr, a University of Chicago student, and David Kammerer, Carr's admirer, left for New York City, Burroughs followed.


During this time, Burroughs began using morphine and became addicted. He eventually sold heroin in Greenwich Village to support his habit. Vollmer also became an addict, but her drug of choice was Benzedrine, an amphetamine sold over the counter at that time. Because of her addiction and social circle, her husband immediately divorced her after returning from the war. With some urging from Allen Ginsberg, and also perhaps Kerouac, Burroughs became intellectually and emotionally linked with Vollmer and by the summer of 1945 had moved in with Vollmer and her daughter. In spring 1946, Burroughs was arrested for forging a narcotics prescription. Vollmer asked her psychiatrist, a Dr. Wollberg, to sign a surety bond for Burroughs's release. As part of his release, Burroughs returned to St. Louis under his parents' care, after which he left for Mexico to get a divorce from Ilse Klapper. Meanwhile, Vollmer's addiction led to a temporary psychosis that resulted in her admission to Bellevue Hospital, which endangered the custody of her child. Upon hearing this, Burroughs immediately returned to New York City to gain her release, asking her to marry him. Their marriage was never formalized, but she lived as his common-law wife. They returned to St. Louis to visit Burroughs's parents and then moved with her daughter to Texas. Vollmer soon became pregnant with Burroughs's child. Their son, William S. Burroughs Jr., was born in 1947. The family moved briefly to New Orleans in 1948.


Their life in Mexico was by all accounts an unhappy one. Without heroin and suffering from Benzedrine abuse, Burroughs began to pursue other men as his libido returned, while Vollmer, feeling abandoned, started to drink heavily and mock Burroughs openly. One night while drinking with friends at a party above the American-owned Bounty Bar in Mexico City, a drunk Burroughs allegedly took his handgun from his travel bag and told his wife "It's time for our William Tell act," even though they had never performed such an act previously. Vollmer, who was also drinking heavily and undergoing amphetamine withdrawal, obliged him by putting a highball glass on her head. Burroughs shot low and the bullet struck her, killing her almost immediately.

Soon after the incident, Burroughs claimed the "William Tell" incident never happened, and that he had dropped his gun and it had accidentally fired. Burroughs spent 13 days in jail before his brother came to Mexico City and bribed Mexican lawyers and officials to release Burroughs on bail while he awaited trial for the killing, which was ruled culpable homicide. Vollmer's daughter, Julie Adams, went to live with her grandmother, and William S. Burroughs Jr. went to St. Louis to live with his grandparents. Burroughs reported every Monday morning to the jail in Mexico City while his prominent Mexican attorney worked to resolve the case. According to James Grauerholz, two witnesses had agreed to testify that the gun had fired accidentally while he was checking to see if it was loaded, with ballistics experts bribed to support this story. Nevertheless, the trial was continuously delayed and Burroughs began to write what would eventually become the short novel Queer while awaiting his trial. Upon Burroughs's attorney fleeing Mexico in light of his own legal problems, Burroughs decided, according to Ted Morgan, to "skip" and return to the United States. He was convicted in absentia of homicide and was given a 2-year suspended sentence.

After leaving Mexico, Burroughs drifted through South America for several months, seeking out a drug called yagé, which promised to give the user telepathic abilities. A book composed of letters between Burroughs and Ginsberg, The Yage Letters, was published in 1963. In 2006, a re-edited version, The Yage Letters Redux, showed that the letters were largely fictionalized from Burroughs's notes.

Burroughs said in his 1985 introduction to Queer that shooting Vollmer was a pivotal event in his life, and one which provoked his writing:
Before Vollmer died, Burroughs had largely completed his first novel, Junkie, which was written at the urging of Allen Ginsberg, who was instrumental in getting the work published, even as a cheap mass-market paperback.

During 1953, Burroughs was at loose ends. Due to legal problems, he was unable to live in the cities toward which he was most inclined. He spent time with his parents in Palm Beach, Florida, and New York City with Allen Ginsberg. When Ginsberg refused his romantic advances, Burroughs went to Rome to meet Alan Ansen on a vacation financed from his parents' continuing support. When he found Rome and Ansen's company dreary, and inspired by Paul Bowles' fiction, he decided to head for Tangier, Morocco. In a home owned by a known procurer of homosexual prostitutes for visiting American and English men, he rented a room and began to write a large body of text that he personally referred to as Interzone.

To Burroughs, all signs directed a return to Tangier, a city where drugs were freely available and where financial support from his family would continue. He realized that in the Moroccan culture he had found an environment that synchronized with his temperament and afforded no hindrances to pursuing his interests and indulging in his chosen activities. He left for Tangier in November 1954 and spent the next 4 years there working on the fiction that would later become Naked Lunch, as well as attempting to write commercial articles about Tangier. He sent these writings to Ginsberg, his literary agent for Junkie, but none was published until 1989 when Interzone, a collection of short stories, was published. Under the strong influence of a marijuana confection known as majoun and a German-made opioid called Eukodol, Burroughs settled in to write. Eventually, Ginsberg and Kerouac, who had traveled to Tangier in 1957, helped Burroughs type, edit, and arrange these episodes into Naked Lunch.

Whereas Junkie and Queer were conventional in style, Naked Lunch was his first venture into a nonlinear style. After the publication of Naked Lunch, a book whose creation was to a certain extent the result of a series of contingencies, Burroughs was exposed to Brion Gysin's cut-up technique at the Beat Hotel in Paris in October 1959. He began slicing up phrases and words to create new sentences. At the Beat Hotel, Burroughs discovered "a port of entry" into Gysin's canvases: "I don't think I had ever seen painting until I saw the painting of Brion Gysin." The two would cultivate a long-term friendship that revolved around a mutual interest in artworks and cut-up techniques. Scenes were slid together with little care for narrative. Perhaps thinking of his crazed physician, Dr. Benway, he described Naked Lunch as a book that could be cut into at any point. Although not considered science fiction, the book does seem to forecast AIDS, liposuction, and the crack pandemic.

Burroughs moved into a rundown hotel in the Latin Quarter of Paris in 1959 when Naked Lunch was still looking for a publisher. Tangier, with its political unrest, and criminals with whom he had become involved, became dangerous to Burroughs.

Burroughs left Paris for London in 1960 to visit Dr. Dent, a well-known English medical doctor who spearheaded a reputedly painless heroin withdrawal treatment using the drug apomorphine. Dent's apomorphine cure was also used to treat alcoholism, although it was held by several people who undertook it to be no more than straightforward aversion therapy. Burroughs however was convinced. 
Though he ultimately relapsed, Burroughs ended up working out of London for 6 years, traveling back to the United States on several occasions, including one time escorting his son to the Lexington Narcotics Farm and Prison after the younger Burroughs had been convicted of prescription fraud in Florida. 




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