The Universal Declaration of Human Rights lays out the interdependent and interconnected nature of our rights and responsibilities as human beings. Through art, we can follow how our lives connect across generations, cultures, and geographic locations.  The story behind the famous protest song, Strange Fruit, first performed and made famous by Billie Holiday and written by Jewish American songwriter Abel Meeropol*, illustrates the connections between different types of art, industries, and movements in history.

A few years ago, there was a discussion about this song and its history at one of our teacher and organizational leadership trainings. At that time, there was a heated debate about the song’s origins and history. Today, there are many resources, documentaries, and teaching guides that explore this topic thoroughly. We’ll be looking at Strange Fruit with resources for both learning more about (and teaching) civil and human rights through music.

Framing Strange Fruit and the historical event that it responds to connect directly to Universal Declaration of Human Rights, Articles:

1: Right to Equality

2: Freedom from Discrimination

3: Life Liberty & Personal Security

5: Freedom from Torture and Degrading Treatment

6: Recognition before the Law

7: Equality before the Law

8: Remedy by a Competent Tribunal

9: Freedom from Arbitrary Arrest & Exile

10: Right to Fair Public Hearing

11: Right to be Considered Innocent Until Proven Guilty

Let’s start with revisiting the historical moment of August 6, 1930, and the lynching of Thomas Shipp, Abram Smith, and James Cameron** through Strange Fruit – the story behind “The Song of the Century” produced by WFYI (Indianapolis’ PBS station)

*Meeropol’s credits can be found under his pseudonym, Lewis Allan. He was also a schoolteacher.

**Cameron (1914–2006) survived the lynching and became a civil rights activist, author, and founded America’s Black Holocaust Museum. Read this long form piece from Buzzfeed (2016), What Do You Do After Surviving Your Own Lynching? Cameron was also interviewed by PBS in 1994 for the documentary, A Lynching in Marion.

The People Who Created the Music

The Strange Story Of The Man Behind ‘Strange Fruit’ (NPR, September 5, 2012)

In the late 1930s, Pellison says, Meeropol “was very disturbed at the continuation of racism in America, and seeing a photograph of a lynching sort of put him over the edge.”

Meeropol once said the photograph “haunted” him “for days.” So he wrote a poem about it, which was then printed in a teachers union publication. An amateur composer, Meeropol also set his words to music. He played it for a New York club owner — who ultimately gave it to Billie Holiday.


In the 1930’s, during her epic run at Barney Josephson’s Cafe Society in Manhattan, she was introduced to the poem “Strange Fruit,” a horrific depiction of lynching in the Southern United States. The music was written just for Billie and it became the hallmark of her concerts. It’s considered by scholars to be the first protest song of the civil rights era. The lyric was so controversial that her record label wouldn’t record it. So she jumped over to the independent Commodore Records where she could record and sing as she pleased. “Strange Fruit” immediately became a cultural spark-point and a hit record too.


From Billie Holiday to Andra Day, Strange Fruit has brought attention to this subject through its poetry and musical expression:

Southern trees bear a strange fruit
Blood on the leaves and blood at the root
Black bodies swinging in the southern breeze
Strange fruit hanging from the poplar trees

As stated in the Vox article, The history of American protest music, from “Yankee Doodle” to Kendrick Lamar:

Unlike the protest songs of the Civil War era, “Strange Fruit” wasn’t a chant or a call to arms. It was a harrowing commentary on the state of the country, designed to make people sit up and pay attention.

Holiday was initially worried about singing “Strange Fruit” live, fearing for her safety (and career backlash) but its impact was so profound when it was performed every night that she had to move it to the end of the show – nothing could follow it. 

PBS Independent Lens: Strange Fruit

PBS | Independent Lens: Strange Fruit

Released in 2002:



PBS | Independent Lens: Strange Fruit: A Song Born of Protest

Background essay & discussion questions (Grades 9–12)

Discussion Questions:

  • Based on what you heard and saw in the video, what do you think the line, “Southern trees bear strange fruits,” in the song Strange Fruit, means?
  • How does the video illustrate the message of Strange Fruit? Explain your answer.
  • How was the song Strange Fruit used in the anti-lynching movement? Was it successful? Do you think it had an important impact on the Civil Rights movement? Why or why not

PBS | Independent Lens: Abel Meeropol, Billie Holiday and A Song Born in Protest

Background essay & discussion questions (Grades 9–12)

Discussion Questions:

  • Who was Abel Meeropol and what inspired him to write the poem Strange Fruit?
  • In this segment, what does Abel’s colleague mean when she says, “This was the kind of thing that when you heard, you couldn’t applaud at first, it was just so, so gripping”?
  • Why was the collaboration between Billie Holiday and Abel Meeropol unique in the 1930s?

One of the most powerful protest songs of the 20th century, “Strange Fruit” is part of a long tradition of American protest music as old as the nation itself.

In harmony with the First Amendment’s guarantee of freedom of speech, music has long been an expression of faith, freedom, peace and justice. Throughout American history, songs have cried out against inequality, poverty and war, and in support of workers, civil and human rights.

Teaching & Learning Resources

Shmoop’s Study Guide to Strange Fruit

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