Tuesday, May 08, 2018

National Memorial for Peace & Justice + Legacy Museum Now Open

National Memorial for Peace and Justice
Despite the fact that the US has a well documented history of nearly two and a half centuries of legalized enslavement (1640-1865/66), enshrined in the US  Constitution; nearly another century of legalized apartheid known as Jim Crow (1876-1960-1980s?) and multiple de facto forms of explicitly racialized and class segregation (continuing today); and centuries of racist terror and enforced white supremacist terror, policing, brutality, and violence against peoples of African descent (as well as Native Americans and other non-white peoples), there have been relatively few national or regional museums or monuments recognizing this terrible history.

The aftermath of a lynching
Across the US there (rightly) museums calling attention to the horrific Nazi Holocaust against Jewish people that occurred in Germany and across much of Europe from the 1930s through 1945. There are specific museums and commemoration cites honoring specific African American figures, regional events, and particular moments, like Civil Rights history. Yet until very recently, there were only a few general museums specifically recognizing African American history and culture, and almost none calling attention to the horrendous legacy of slavery, segregation and racialized terror, all of which have contributed in numerous ways to shaping the society in which all Americans live today.
A sculpture commemorating
the brutal history of chattel slavery
Thankfully, Americans and people from all over the globe are flocking to the architecturally stunning National Museum of African American History and Culture (NMAAHC) in Washington, which provides an exceptionally thorough overview and celebration of the richness of African American and Black life in the United States and North America. (I wrote about visiting the NMAAHC last February.) To the NMAAHC, as of a week ago you can also now visit a museum that acknowledges the legacy of lynching, one of the most horrific manifestations of racialized terror in American history, as well as chattel slavery and its many afterlives, which include the carceral state. The Legacy Museum: From Enslavement to Mass Incarceration, and the National Memorial for Peace and Justice, both projects of the Equal Justice Initiative (EJI), opened in Montgomery, Alabama 2 weeks ago on April 26, 2018. According to its website,

The 11,000-square-foot museum is built on the site of a former warehouse where enslaved black people were imprisoned, and is located midway between an historic slave market and the main river dock and train station where tens of thousands of enslaved people were trafficked during the height of the domestic slave trade. Montgomery's proximity to the fertile Black Belt region, where slave-owners amassed large enslaved populations to work the rich soil, elevated Montgomery's prominence in domestic trafficking, and by 1860, Montgomery was the capital of the domestic slave trade in Alabama, one of the two largest slave-owning states in America.



This research ultimately produced Lynching in America: Confronting the Legacy of Racial Terror in 2015 which documented thousands of racial terror lynchings in twelve states. Since the report’s release, EJI has supplemented its original research by documenting racial terror lynchings in states outside the Deep South. EJI staff have also embarked on a project to memorialize this history by visiting hundreds of lynching sites, collecting soil, and erecting public markers, in an effort to reshape the cultural landscape with monuments and memorials that more truthfully and accurately reflect our history.

African Americans re-enslaved
through convict leasing
The Equal Justice Initiative (EJI), established by public interest lawyer, author and MacArthur Foundation "genius" award-winner Bryan Stevenson in 1989, was long known for its impressive work providing legal aid to innocent death row prisoners and successfully exonerating a number of them, as well as its manifold efforts on behalf of economically and socially marginalized communities across the US. As Stevenson looked at the history of the US prison-industrial complex, the school-to-prison pipeline and unequal applications of justice that African Americans faced, and the larger, profoundly skewed narrative about race in the US, he realized that one component of maintaining the structures and systems that allowed this narrative to take root was the absence of public recognition of the history that had helped to create it and the structures of oppression now in place, and one key element was the occluded history of US lynching, which usually went unpunished by federal or state authorities--and in the case of the latter, often had their complicity or tacit acquiescence--and which helped to support and further white supremacy and inequality.

Newly freed African Americans
in the post-Civil War era
Moreover, the absence of public museums and venues commemorating this history have helped in allowing narratives of white and national innocence to take hold; what the public doesn't know cannot exist, right? Out of site, out of mind. It only happened down there or far away, etc. Slavery ended and that was the end of it, right? Furthering this, the absence and silencing of the names of the more than 4,000 lynched, of their stories and voices, their families' and communities' traumas, except in specific works of art (films, photographic exhibits, works of fiction and nonfiction, etc.), has allowed the horror to become abstracted and thus, to a certain degree, ignored and dismissed. And yet, it waters the very soil and sand on which every American treads, much as the dispossession, forced removals and slaughter of Native Americans, to name but another frequently obscured component of US history does as well.

Stevenson and a group of fellow lawyers spent years delving into this history, combing through archives to notate names and stories of lynchings across the South, and documented roughly 4,400 across the South (though there were lynchings all over the US, including in the North and West), from 1877 to 1950, which are featured at the Memorial site. As a result, the National Memorial for Peace and Justice redresses this long silencing and invisibility; its architecturally striking building housing the tribute to those who were lynched and the site on which it sits have drawn considerable praise. The latter venue was inspired by the unforgettably powerful Holocaust Memorial in Berlin, and by the Apartheid Museum in Johannesburg. To quote The New York Times's Campbell Robertson


At the second site, the Legacy Museum makes the connection between the slavery and apartheid past and the present prison system, showing how the past evolved into a system that continues to wreak havoc on countless Black and brown lives. As the Times article notes, the Museum guides the visitor through the compelling argument that Stevenson have made for how this system is still operating, ending on the hopeful note encouraging voter registration and political activism. Like the NMAAHC, where I witnessed groups of students eagerly queuing up to visit, the Legacy Museum and National Memorial for Peace and Justice should be obligatory sites for American school children to spend time and study. Given the current state of our politics and society, the US can only benefit as a result.

The Guardian interviews museum founder Bryan Stevenson:

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