Thursday, September 2, 2010

Time for Truly Good Vibrations

In 1939, it was decided that the note of “A” above Middle C on the piano, would henceforth “officially” be considered to vibrate at 440 Hz, or 440 cycles per second. This is the story of that apparent “innocent” decision, one which if seen in its larger context, may rightly be considered as one of the most momentous and possibly catastrophic decisions in world history.

In the Beginning was The Word
As physicists have known for centuries, all creation is based upon vibration. All light, heat, sound, even solid “matter” is composed of the vibration of atoms at different frequencies. Thought, too, is said to be vibrational in nature, at a speed and frequency which may surpass the speed of light.

The Universe or One (Uni) Song (Verse) has been considered by philosophers of all ages as being in harmonic, resonant sympathetic vibration with every aspect of creation. Nothing in this Universe can exist outside of this all encompassing vibration, which might even be thought of as the true Quantum Field.

Of all man made creations, the creation of “music” comes closest to being a true, universal language. Sound, thru the vibration of specific notes arranged in certain progressions and rhythmic structures, produces what we refer to as music. Music, beyond words, has the power to move the emotions and the intellect of people of disparate cultures all over the world.

Music also has the power and capacity to affect us in hidden ways. The actual vibrations of instruments, whether massed together in harmony, or playing in discordant opposition, can stimulate altered brain wave patterns, especially thru repetition.

Scales and Standards
Our traditional Western music system is based on a 12 note scale. During the middle ages, when the first “classical” music orchestras began to be assembled throughout Europe, orchestra’s tuned their instruments, especially their stringed instruments, towards certain standards that “felt” right, or which intuitively “seemed” correct.

Later, as we moved into the 20th century, the need for a musical vibrational standard for tuning became apparent. It was decided that one specific note would play the role of a standard “tuning” note, to which all other notes, both above and below it, would align in resonance.

This is the story of how -- and more importantly why -- that specific frequency of A=440Hz or cycles above Middle C, was chosen as the standard tuning frequency for all orchestras, musicians and instruments.

Vibration, the Organizational Principle of Matter


Sound is also the basis for form and shape:

Sacred Vibrational Principles
However, not all sound frequencies by themselves produce balanced, harmonious patterns as they pass thru matter. On the contrary, it can be seen that only certain sound frequencies, often called “sacred” frequencies, can create harmonically balanced eye pleasing mandala-like imagery. Other frequencies (those which appear to be transitioning both above and below these “creative” frequencies) can be seen to produce discordant, jumbled, even destructive designs as matter unsuccessfully attempts to organize around these vibrations.

Based on what we have already established and know about music, matter, vibration and energy, imagine this bizarre scenario.

You are an incredibly powerful, wealthy, influential person who secretly grows wealthier due to conflict, destruction, disease, death and war. You have discovered that certain sound frequencies (those easily divisible by two, signifying opposition) create conflict, discord and disharmony, within the minds of whoever may listen to them; while those divisible by three (signifying balance, polity, reconciliation, harmony) produce symmetry, and visually harmonic, pleasing structures.

Now imagine that you had the power to establish the tuning standard of all musical instruments throughout the Western World at the same time. Imagine that instead of choosing a specific keystone frequency for tuning all musical instruments throughout the world based upon a creative, constructive frequency, you instead choose to base the entire scale of musical artistic creation, a scale which would be used by symphony orchestras and solo artists throughout the Western World, upon a frequency which, when acting as the basis for all the other notes, would skew their vibrations towards propagating destruction rather than constructive, harmonious thought.

Imagine, too, that your wealth would increase due to the subtle yet all encompassing, pernicious effect which this new, standardized tuning would inflict upon all those who heard it. Imagine that as the music based upon this destructive keystone tuning propagated outwards through radio, film, live performance and ultimately television, what the long-term cumulative effects these destructive frequencies would reek upon the minds of humanity?

It sounds like science fiction. Yet this is exactly what transpired on September of 1939, when an international musical congress, based on research conducted by the Rockefeller (Illuminati) financial interests, decided to declare that the standard tuning for the note of “A” above middle C would henceforth be said to vibrate at precisely 440 cycles per second. This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has produced a war on the subconscious mind of Western Man. The destruction and illness this artificial tuning has produced strongly indicates the motivation behind its promotion.

The standard tuning fork, which is set to vibrate the note “A” above middle C at 440 cycles per second, is based upon a frequency only divisible by two rather than three, which means that all of the musical notes both above and below it are affected by this particular frequency tuning standard. These vibrations contribute their own destructive energy resonance to the subconscious minds of the listeners.

Despite the apparent “sweet music” a symphony orchestra can produce, when all instruments are tuned based on the A=440Hz key frequency, then all instruments can be considered to be covert weapons of fragmentation, opposition and ultimately conflict and war, no matter what “music” they may be playing.

These destructive frequencies entrain the mind and the mind’s thoughts towards disruption, disharmony, disunity. Additionally, they also stimulate the controlling organ of the body -- the brain -- into disharmonious resonance, which ultimately impacts the body in disease, and the social organism by War, thereby opening another avenue of profit for drug companies to treat stress, anxiety and tissue-specific disease production created by this destructive resonance patterning based upon frequencies at opposition to the proper, healthful functioning of the physical organism.

Dr. Leonard G. Horowitz, in a paper entitled “Musical Cult Control” states the problem succinctly concerning the “militarization” of music based on the 440Hz = A standard tuning which was strongly influenced by the Rockefeller Foundation’s money and direction. The music industry “...features this imposed frequency that is ‘herding’ populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness....” while the agents of this conspiracy provide ‘therapeutic’ pacification in the form of myriad psychotropic drugs and tranquilizers for the stress they purposely create, and chemotherapy for the more serious illnesses it inspires.


Good Vibrations
There are apparently three main camps in the sacred tuning controversy, and all are rather adamant about two things: one, is that the standard instrument tuning based on A=440Hz is disruptive and dissonant, which promotes psychological and biological illness; and two, that their sacred standard tuning based on 'A' at a different frequency is mentally, physically and spiritually healthful and uplifting, and therefore correct.

Alan Howarth hosts the site of He champions the frequency of A=424Hz, based on over a decade of research by famed mathematician and Hollywood legend (advisor to the Star Trek franchise) Wes Bateman. The late Mr. Bateman based his primary tuning frequency at 424 Hz after more than a decade of measuring sacred ruins such as the pyramids of Egypt and Mexico.

Famed author and researcher Dr. Leonard G. Horowitz bases his A=444Hz tuning on substantial research back to the Middle Ages and the lost Selfegio scale based on Pythagorean number theory, which both Mozart and Verdi used to tune their classical orchestras. His site is

Brian T. Collins is an outstanding musician and researcher who has also examined the measuring systems and units of measure of ancient peoples from around the world. He favors A=432Hz and makes a persuasive case in his favor. His site is This tuning is said to be in harmony with the creative cosmic symphony of the universe. Ancient Egyptian and Greek musical instruments have been found which were tuned to A=432 Hz, also divisible evenly by 3.

Despite their disagreements as to the actual pitch of ‘A’ as the base for tuning musical instruments, all of these researchers are adamant that the apparent ‘arbitrary’ tuning imposed on concert orchestras and musicians around the world in 1939 by the British Standards Institute was done for dark political and psychological reasons

Vibrational Tuning For illness, Chaos and War
Considering how the mass media now permeate every aspect of our cultural awareness, using music which has a foundational base of destructive, anti-biological resonance may subtly yet substantially contribute to the mass psycho-pathology rampant in our culture on display in the incessant wars and ill health which permeate our globe.

As noted in “Musical Cult Control”, scientific studies were financed by the Rothschild-Rockefeller (Illuminati) alliance to determine how musical frequencies might provide a disruptive stimulus to social agitation. This research sought “ determine the musical factors capable of producing psycho pathology, emotional distress and ‘mass hysteria.’”

The Rockefeller Foundation provided research grants, along with the U.S. Navy and National Defense Research Council for further “acoustic energy research.” Professor James Tobias researched the Rockefeller Foundation archives and “...documented investigations leading to psychological warfare applications of acoustic vibrations...”.

At approximately the same time, the Institute for Advanced Study (IAS) was formed by Dr. Abraham Flexner, using funds provided by both the Carnegie and Rockefeller Foundations. Dr. Leonard G. Horowitz states in his revelatory paper, that Dr. Flexner’s research “... exclusively benefited the Anglo-American IG Farben-Rockefeller petrochemical-pharmaceutical alliance that vilified every form of natural healing....” The upshot of this report caused the U.S. government to rely on deadly rather than curative drugs as the ongoing foundation for all medicine today. Any illness generated thru a-biologic vibrational force would increase the potential profits of investors in the petrochemical-pharmaceutical axis.

A=440Hz=Illness, Destruction, Disunity, Chaos, War?
According to research and analysis done by Koehler, Walton and others cited by Dr. Horowitz, A=440Hz “...conflicts with human energy centers (chakras) from the heart to the base of the spine. Alternatively, chakras above the heart are stimulated...” specifically the ego and left-brain functions, “....suppressing the ‘heart-mind’ intuition and creative inspiration.

As quoted in Dr. Leonard Horowitz's paper, the standardization of A=440Hz coincided with a concerted effort by the Rockefeller Foundation to move music from a visual, alchemical, Pythagorean realm which could be considered bio-energetic or life enhancing, to one which was bio-informatic, or “patterning”, based on propagating an artificial matrix for a predetermined social effect, according to Dr. Tobias. As Dr. Horowitz stated further “...the Rockefeller Foundation’s careful project management and coordination contributed to the materialistic versus the metaphysical industrialization of music in the media.”

Bad versus Good Vibrations
The initial effort to make A=440 Hz as the basis of standard tuning was first attempted in 1910 when the Rockefeller Foundation issued a grant to the American Federation of Musicians to popularize the concept. The initial effort failed.

However, the BSI -- British Standards Institute -- officially adopted A=440 Hz in 1939, promoted by the strange consortium of Rockefeller Foundation influence and the Nazi government. Ironically, The British adopted a tuning standard promoted by The Third Reich, just as both were about to go to war with each other. While 440Hz had been rejected by British musicians only 3 months prior to their decision, the BSI was persuaded by Nazi propaganda minister Josef Goebbels to adapt 440Hz as being a decision of extraordinary importance.

As Dr. Leonard G. Horowitz concludes: “Music bioenergetically affects your body chemistry, psychoneuroimmunology, and health. Your body is now vibrating musically, audibly and subliminally, according to an institutionally imposed frequency in harmony with aggression and in dissonance rather than vibrating in harmony with Love.”

Musical instrument tuning using the artificially imposed standard of A=440Hz may have a direct bearing upon the promotion of physical and mental disease and distrust, while effectively suppressing spirituality, intuition and creativity. This universal tuning frequency has been empirically shown to suppress the creative, intuitive aspects of our mind, while negatively affecting our body chemistry and our immune systems. It imposes a frequency “grid” which promotes aggression and disruption rather than harmony and Love.

One may legitimately question how someone may prove that a specific frequency tuning is creating social stress, disharmony or physical violence and war. While more than a few people have made the connection between the military marching music of John Philip Sousa as a stimulus to war, that specific link is in reference to compositional skills, not frequency and vibration based on a tuning system. I do not know if anyone can prove a direct causal link between a specific frequency tuning system with aggression, disassociation, paranoia and violence simply because it was promoted by both the Rockefellers and the Third Reich.

Yet intuitively, I think my sources are correct. The simple fact that the Rockefeller interests aligned themselves with the Third Reich to push this particular tuning standard thru the British Standards Institute OVER the objection of British musicians makes it more than suspicious.

The Rockefeller--Illuminati axis may very well have used their money and research to impose this artificial tuning "standard" upon Mankind for the purpose of creating chaos. How else to explain why they should even trouble themselves with it over the direct objections of classically trained musicians?

Therefor, I feel safe in concluding, based on all available evidence, that The Rockefeller--Illuminati axis, their money and research, imposed this artificial tuning “standard” upon Mankind for the purpose of disrupting society, creating chaos, and fostering hostility, disease and war so that those who control the banking and pharmaceutical industries would reap bloody profits.

This suspect tuning standard continues to this day to entrain our minds and emotions along paths of negativity. It is high time for new, genuinely good vibrations, to become ascendant and a “new standard” of vibrational tuning to emerge. It is time for the power of Love to triumph!

L C Vincent


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